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Matt Williams Architect NSW Registered Arch 8645 0410 232 939 mw@mw-arch.com.au 122/53 Vernon Terrace Teneriffe QLD 4006

HOUSES

OUTLINE PROJECTS

MILESTONES

KEY FACTS

NOEL ROBINSON ARCHITECTS August 2013 – Current 111 Mary Street Hotel & Residential 111 Margaret Street Hotel & Residential Queen Street Hotel & Residential Howard Smith Wharf Competition Submission Indigenous Museum Triplets Masterplanning WOODS BAGOT, SYDNEY STUDIO August 2011 – August 2013 MH60R Training and Simulator Facilities ($220m) Architect (DD, CD) D * Moruya Sub Acute Rehabilitation ($10.5m) Designer / Project Architect (SD, DD, CR) HE Mona Vale Sub Acute Rehabilitation ($12.5m) Designer / Project Architect (SD, DD, CR) HE Liverpool Sub Acute Mental Health ($10.5m) Designer / Project Architect (SD, DD, CR) HE HBO+EMTB April 2009 – August 2011 Brisbane City Hall Refurbishment ($220) Project Architect (SD, DD, CD) IN * ML DESIGN June 2008 – April 2009 French Quarter Revised Design ($110M) Designer / Project Architect (SD) R * Garden City Commercial ($35M) (SD) Designer / Project Architect (SD) C “ French Quarter Office Building ($140M) Designer / Project Architect (SD) C * LGA House ($45M) Designer / Project Architect (SD) C * HUTCHINSON BUILDERS January 2008 – June 2008 Southpoint Mixed Use ($440M) Design Manager (DD) M * Southpoint Riverside ($35M) Design Manager (SD, DD) H Nundah Mixed Use ($110M) Design Manager (DD) M COX DUBAI LLC January 2007 – November 2007 Exhibition City ($4.5B) Project Architect (MP) M * DFC Office Park ($130M) Project Architect (DD, CD) C * DENTON CORKER MARSHALL PTY LTD June 2004 – December 2006 Chengdu New Town, Chengdu ($1.7B) Project Architect (MP, SD) R * Community Buildings, Tianjin ($16M) Project Architect (SD, DD, CD) ED * Jixiang Shopping Complex, Beijing ($140M) Team Architect (DD) R * 80 Collins Street Refurbishment ($80M) Team Architect (SD, DD) C * Australian War Memorial Administration Building ($10M) Project Architect (DD, CD, CA) IN * BLIGH VOLLER NIELD August 2002 – June 2004 Blue Pearl Apartments ($18M) Project Architect (SD, DD) RE * ‘Biscuit’ Annerley Road Apartments ($25M) Project Architect (SD) RE ‘Shoreline’ Residential ($18M(Team Architect (SD) RE * Koko Apartments ($25M) Team Architect (SD) RE ‘Axis’ South Brisbane Commercial ($40M) Team Architect (MP, SD) C All Hallows Masterplan ($60M) Project Architect (MP) ED Currumbin Crest Housing ($60M) Project Architect (SD, DD) RE * TR HAMZAH & YEANG (MALAYSIA) May 2004 – August 2004 Beijing Olympic Masterplan Competition ($500M) Project Architect (MP) S DESIGNINC BRISBANE June 2000 – May 2002 Story Bridge Adventures Facility ($6M) Design Architect (SD) S * ‘SurfAir’ Discovery Beach Resort ($25M) Design Architect (SD) RE * Queensland Place Masterplanning ($230M) Project Architect (MP) C * ‘Proximity’ High Street Commercial ($4.5M) Project Architect (SD, DD, CD) C * Casuarina Beach House ($450K) Project Architect (SD, DD) RE * Quilpie Convention Centre ($4M) Project Architect (SD) IN Brisbane Cruise Terminal Masterplanning ($80M) Project Architect (MP) C Queensland Gallery of Modern Art Competition and Millennium Library Submission with Kisho Kurokawa ($220M) Project Architect (SD) IN * Griffith Uni Multi-Faith Centre ($1.5M) Project Architect (SD, DD, CD) IN The Drive Mixed Use ($45M) Project Architect (SD) RE Wuhan Residential, China ($200M) Team Architect (MP, SD) RE * Draycott Street Residential Towers, Singapore ($45M) Team Architect (SD) RE Mary Street Residential Tower ($80M) Design Architect (SD) RE * AUSTRALIAN YOUTH AMBASSADORS and ARCHITECTS PACIFIC (FIJI) Sigatoka Hospital Refurbishment, Fiji ($4M) Project Architect (MP, SD) H Sheraton Denarau Additions, Fiji ($4M) Team Architect (SD) HO Pacific Harbour Resort and Housing, Fiji ($25M) Team Architect (SD) RE HIGHLIGHT PROJECTS PRE-GRADUATION Cairns Cityport Masterplan ($220M) Student Architect (MP) C Cairns Esplanade Masterplan ($14M) Student Architect (MP) IN * Couran Cove Resort ($60M) Student Architect (CA) HO * UQ Human Movements Building ($8M) Student Architect (SD) S

Matthew works across a range of project types, scales and budgets, for the design and delivery of projects for key private, corporate and institutional clients. Matthew’s projects win awards and exceed expectations. Matthew has gained direct project experience from design industry leaders including Barry Marshall (Denton Corker Marshall), Ken Yeang (TRHY), Tom Wright (Atkins), Kisho Kurokawa (KKAA) and Shane Thompson (BVN). Matt’s strong consultation, design and technical skills can carry a project from inception, to completion. Matthews’s international experience includes postings in Dubai, Kuala Lumpur, Jakarta and Suva, projects throughout Australia, Asia and the Middle East, and travel through most of the world’s major regions. Graduating with Honours and earning a Head of School Award from Queensland University of Technology, Matthew has also studied at the Milan Politechnic under such tutors as Giorgio Grassi, and at the Technical Universitat of Delft, The Netherlands. Matthew was an Australian Youth Ambassador in 2000. Matthew has also spoken at a range of educational and industry events, and holds representative positions at the Urban Development Institute of Australia, and the Australian Institute of Architects. Matthew enjoys the process of creative thinking to achieve unique and surprising results.

Design Leader at ML Design in 2008. Worked, studied or traveled in Italy, France, Spain, The Netherlands, Germany, Austria, Israel, Jordan, Egypt, Thailand, Vietnam, Cambodia, Korea, Laos, Fiji, Malaysia, China, Japan, New Zealand, Dubai, Oman, Qatar and Bahrain. Current enrolment in a Masters of Project Management at University of Queensland, sharing units with the MBA. Associate at DesignInc Brisbane in 2002. Selected as an AYAD (Australian Youth Ambassador for Development as managed by AusAID), dispatched to Fiji to work for Architects’ Pacific. Participant in various cross culture training programmes as part of AYA induction, managed by DFAT. Past Chief Partnerships Officer IYPF (International Young Professionals Foundation), affiliated with UNESCO. UIA Student Liason for review of UIA / UNESCO Charter for Architectural Education. Past Member of Property Council of Australia Retail and Future Directions Committee. Past RAIA/SONAA Vice President (Finances) 1998 / 99. Established first Major Sponsorship of RAIA/SONAA by BHP Colourbond in 1999. RAIA Practice Services and Education Committee Member (Student Representative 1998 / 99). Spoke at 1999 UIA Beijing Congress, on ‘Architectural Futures’. Spoke at 2000 RAIA National Convention, Cairns, on ‘Architectural Futures’. Facilitator major student ideas competition ‘Student Agendas for Architectural Futures’ including 16 UIA Region IV countries, 1998. Convenor Exhibition and Prize Giving Ceremony at UIA Congress Beijing (1998), RAIA Cairns National Convention and Student Biennial Conference ‘Flashpoint’ UNSW (1999). Honours grades maintained throughout B. Arch and design work regularly exhibited and published in student events and journals, graduating with Honours in 2000. Head of School award in Year 5. Selected to attend INDESEM 1996 Delft Technical University, The Netherlands, tutors were Herman Hertszberger, Rem Koolhaas, Daniel Liebeskind, MVRDV. Attended lectures in Milan by Giorgio Grassi, Phillip Johnson, Frank Gehry, Peter Eisenmann. Agent in Milan for Australian Pavilion at Milan Triennale 1996. Selected as first Australian Student to attend Milan Polytechnic Exchange Programme, B. Arch Year 4 1996. Queensland Youth Eight Oarsman 1991, State Champions Coxless Four 1990, First Eight Oarsman 1990/1991, Rugby MVP u/16 1990, Subject Prixe 1991, Most Promising Oarsman 1990. Date Of Birth: 30 December 1974 Place of Birth: Sydney, Australia Citizenship: Australian Languages: English, Italian Education: BBE Arch Studies QUT 1995 Milan Politechnic (Exchange Year 4) Delft Technical University (Summer School) B Arch (Hons) QUT 2000 M Proj Man (Ongoing) Uni Syd Prof. Experience: 17 years (Commenced 1996) BOAQ Reg: 3624 PROJECT DESCRIPTION KEY Project Name, Location ($AUD Budget) Position (Phase Codes) Sector Code

SECTOR KEY ED Education RE Residential IN Institutional R Retail S Sport HO Hotel C Commercial M Mixed Use D Defence HE Health

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HOUSES RESIDENTIAL CULTURAL REFURBISHMENT LEISURE MASTERPLANNING

COMMERCIAL

For more information on the above projects please go to mw-arch.com.au

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HOUSES

T&T House: Bulimba: Private Client

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T&T House: Bulimba: Private Client

The essential nature of a Queenslander House is derived from a unique combination of vital characteristics relevant to construction methods, availability of materials and affordability factors at the time. The sub tropical climate of Queensland allows for relative comfort almost year round without any thermal or mechanical control. the Queenslander developed as an output of local workmanship techniques, inherent workability of the materials and its sub tropical environment, and in so doing it formed its own identity and purpose. As a typology it has achieved an integrity of form and identity that is at once simple and practical and tied to the everyday requirements of the construction and environment, but in becoming unique in the way it met these tangible characteristics became transcendent in the way which reflects our connection with place. It is this authenticity of purpose, its intractability with its time and place that carry with it its essential meaning as we dwell within its forms today, convey to us a sense of connection and identity that is unique to our place in the world. Its openness and honesty of construction might also convey to us in a practice sense what it is we like about ourselves. The design proposal attempts to respond in the same honest and straightforward way, that the Queensland Vernacular Housing did to its context, workmanship and environment, in order to contextualize the house but find its own unique form and relevance. It relies on the same questions of performance and practicality, unique to its time of design and construction. In being honest about its origins, it is hoped that the design will achieve the same timelessness of outcome, in that it is not derivative of any stylistic approach which will date and change as tastes shift, it is not trying to be trendy or edgy, or compete with other designs for attention, it provides an honest, simple statement about what it is and how it works, that relates well with its neighbours and provides a friendly and approachable elevation to the street. It attempts to imply the same ‘ethics’ at work within the process of design and construction of the Queenslander, and in this sense it hopes to find a similar connection with its place and with the people who inhabit and visit it. Perhaps the Author David Malouf describes it best: ‘they have about them the improvised air of tree houses. Airy, open, often with no doors between the rooms, they are on easy terms with breezes, with the thick foliage they break into at window level, with the lives of possums and flying foxes . . . living in them, for the most part, is like living in a reorganized forest. . .

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Bulimba House Concept: Bulimba: Private Client

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Bulimba House Concept: Bulimba: Private Client

This scheme is a ‘Pavilions’ scheme, integrating with a series of disaggregated house ‘blocks’ with sequential and separate outdoor garden and play areas. The Pavilions provide for zoning of the various functions of the House, and interweaves the outside with the inside. Operable walls allow for whole sections of wall to be lifted or pulled away, and enhance the feeling of connection with the garden and outdoors spaces. Living spaces are surrounded by water, with views over to lush garden spaces. This encourages relaxed, casual interaction with the outside. It might be possible to jump in for a swim from the kitchen after breakfast, or watch the kids swimming while relaxing with guests in the formal lounge. All living spaces face north and the separation of pavilions allows for sun to enter at various times throughout the day. Bedrooms are provided northern frontage with views down to the pool, garden spaces below and district views beyond. Roof sections over the lower floor are put to good use as entertaining areas and private outdoor garden spaces for quiet reflection. A large format, special and unique pool is proposed that surrounds the living spaces and interweaves with three of the four ground floor pavilions. This provides for passive surveillance of the pool and casual interaction, is inviting and encourages usage, cools outside air as it moves about the house, and provides for tranquil views and a rested feeling from within. At night the pool will sparkle with mystery and reflection. Flexible, Foldaway or Lift-away Walls allow the house to open up to outside and to ‘breathe’, provide a dynamic and changeable feeling to the interior and can be adjustable based on the mood or the weather.

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Bilga Crescent House: Little Bay: Private Client

This permeable design seeks to engage with its natural surrounds. Floating over the sloping terrain, it touches the earth lightly while remaining grounded and connected with its location and surrounds. The horizontal plinths strike a reference to classic modernist design from the 1960’s and 70’s, a reference to the original Pettit and Sevitt Residence located on the site.

This wonderful siting for this house provides inspiration for its composition. With views overlooking Little Bay in Malabar, Sydney, the Client aspired to at once define privacy as well as access to these wonderful views. Working with the existing residence, and making substantial strategies alterations and new build components, proved something of a challenge in developing an appropriate architectural response. The building proposes to include section of green roof and a roof deck, for whale-watching. Large, multi-purpose spaces are incorporated to the design to allow for changes in use over time.

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Bilga Crescent House: Little Bay: Private Client

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Bilga Crescent House: Little Bay: Private Client

This preliminary scheme for the Bilga Crescent site, incorporates the whole of the existing house to the new design, incorporating pavilions to the north and south of the existing house, and providing a range of interstitial spaces to stitch the house together. The various pavilions also stagger to realise a range of views from within the house. The original house is a Pettit and Sevitt House, characterised as an effort by contemporary architects of the time to enrich the Australian Project Home vernacular. ‘…Despite its ubiquity, suburban living has always attracted critics. For many years the cultural and aesthetic consequences of suburban living formed the focus of criticism. Many of Australia's best architectural minds struggled with the problem of creating pleasing and functional houses from limited budgets, space and materials. The project home industry was founded from this struggle. The interface between professional design and popular buildings is one of the most contentious areas of architectural history, while the small cottage was for many years the favoured genre for architectural experimentation. ‘.... During the 1960s and 1970s some of Australia's best-known architects - including Robin Boyd, Harry Seidler and Ken Woolley - applied their talents to small project homes. The result was a rare marriage between high design and popular taste, producing some of Australia's most distinctive and sought-after homes’. For more information on the Pettit and Sevitt story refer: http://www.powerhousemuseum.com/collection/database/?irn=386550

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Casuarina Beach House: Casuarina: DesignInc

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Downs Residence: Holland Park: Private Client

McGowan Residence: Airlie Beach: Private Client