Front Matter Source: Notes, Second Series, Vol. 50, No. 3 (Mar., 1994), pp. 841-850 Published by: Music Library Association Stable URL: http://www.jstor.org/stable/898530 . Accessed: 14/06/2014 03:53 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. . Music Library Association is collaborating with JSTOR to digitize, preserve and extend access to Notes. http://www.jstor.org This content downloaded from 91.229.248.202 on Sat, 14 Jun 2014 03:53:04 AM All use subject to JSTOR Terms and Conditions
Transcript
Front MatterSource: Notes, Second Series, Vol. 50, No. 3 (Mar., 1994), pp. 841-850Published by: Music Library AssociationStable URL: http://www.jstor.org/stable/898530 .
Accessed: 14/06/2014 03:53
Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at .http://www.jstor.org/page/info/about/policies/terms.jsp
.JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range ofcontent in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new formsof scholarship. For more information about JSTOR, please contact [email protected].
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Music Library Association is collaborating with JSTOR to digitize, preserve and extend access to Notes.
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These three volumes comprise the bulk of Vaughan Williams's solo songs published by the Oxford University Press. They span the whole of his long creative life: from 'How can the tree but wither?' (c. 1896) to Four Last Songs (1954-8). Many of the composer's most popular songs are included: most are suitable for medium voice.
Volume 1 Three Songs from Shakespeare Three Poems by Walt Whitman Greensleeves Four Last Songs
ISBN 0 19 345927 2 $11.95
Volume 2 Four Poems by Fredegond Shove See the chariot at hand In the Spring How can the tree but wither? The Twilight People
ISBN 0 19 345928 0 $11.95
Volume 3 Seven Songs from The Pilgrim's Progress
ISBN 0 19 345929 9 $11.95
Order from your regular supplier or, if you prefer, directly from the publisher. Write to Department N or telephone 800/334-4249 (Exten- sion 7168).
'Music Department OXFORD UNIVERSITY PRESS, INC. 200 MADISON AVENUE, NEW YORK, N.Y. 10016
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Editor: Daniel Zager Assistant Editors: Paula Hickner, David Knapp
Contributing Editors: Mark Germer and Marjorie Hassen, book reviews; Stephen Yusko, book list; Frances Barulich, music reviews; Ruth Watanabe, music list; Suzanne Eggleston, periodicals; Charlotte Crockett, interactive multimedia and soft- ware reviews; Charles Croissant, video reviews; George R. Hill, publishers' catalogues; Paul Cauthen and Mark Palkovic, CD reviews index; Mimi Tashiro, obituary index; Bonna J. Boettcher and Shelley L. Rogers, equipment reviews index; Susan C. Dear- born, advertising; Karen R. Little, NOTES index.
SUBSCRIPTION INFORMATION
NOTES (ISSN 0027-4380) is published quarterly, in September, December, March, and
June, by the Music Library Association. Membership in the Association includes a sub- scription to NOTES. Annual U.S. membership dues: institutions, $71.00; individuals, $65.00; students and retirees, $35.00; sustaining members, $120.00; corporate members, $500.00. Annual U.S. subscription rates without membership: institutions, $65.00; indi- viduals, $60.00. Postage (surface mail) supplement for Canadian and other foreign ad- dresses: members, $6.00; subscribers, $3.00. Recent single issues are available at $20.00 each ($21.00 foreign); all back volumes are also available. All payments must be in U.S. funds, payable to the Music Library Association, and sent to the Business Office (see ad- dress below). Change of address notice should be sent with a recent mailing label to the Business Office 30 days before the effective date. Local postmaster will forward NOTES only if second-class forwarding postage is guaranteed. MLA does not replace copies un- delivered because of address changes; claims for other missing issues will be honored within three months of the publication date for the issue claimed.
ADDRESSES
Membership and subscription correspondence, payments, and recent issue orders: Busi- ness Office, Music Library Association, Inc., P.O. Box 487, Canton, MA 02021. Telephone: (617) 828-8450. Back volume orders: AMS Reprint Company, 56 East 13 Street, New York, NY 10003.
Articles, news items, and editorial correspondence: Daniel Zager, Conservatory of Music Library, Oberlin College, Oberlin, OH 44074. Telephone: (216) 775-8280.
Books for review: David Hunter, Fine Arts Library-FAB 3.200, P.O. Box P, University of Texas at Austin, Austin, TX 78713-7330.
Music for review: NOTES, Sibley Library, Eastman School of Music, Rochester, NY 14604.
Multimedia and software for review: Charlotte Crockett, Music Library, Central Library System DML 237, University of Southern California, University Park, CA 90089-0182.
Videos for review: James Cassaro, Music Library, 225 Lincoln Hall, Cornell University, Ithaca, NY, 14853-4101. New publishers' catalogues: George R. Hill, 84 Highgate Terrace, Bergenfield, NJ 07621- 3922.
Obituary information: Mimi Tashiro, Music Library, Braun Music Center, Stanford Uni-
versity, Stanford, CA 94305.
Advertising: Susan C. Dearborn, 1572 Massachusetts Ave., #57, Cambridge, MA 02138. Telephone: (617) 576-3205, leave message. NOTES is indexed or abstracted in Arts & Humanities Citation Index, Book Review Digest, Book Review Index, Guide to the Performing Arts; Library & Information Science Abstracts; Library Literature; Music Article Guide; Music Index; and RILM Abstracts.
Copyright 1994 by the Music Library Association, Inc. Material protected by this copyright may be
photographed for the noncommercial purpose of scholarship, research, and classroom use, provided the copyright notice is shown on the first page of each copy of each selection. Printed ( on acid-free 50# Glatfelter paper by A-R Editions, Madison, WI 53717. Second-class postage paid at Canton, MA 02021, and at additional post offices. Postmaster: Send address changes to NOTES, P.O. Box 487, Can- ton, MA 02021.
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The Uses of Existing Music: Musical Borrowing as a Field ................ J. PETER BURKHOLDER 851
A Bibliography on Musical Borrowing ................ ANDREAS GIGER 871
The Music Thesaurus: Function and Foundations ............................... HARRIETTE HEMMASI 875
A Mirror of Ages Past: The Publication of Music in Domestic Periodicals ................. BONNY H. MILLER 883
N otes for N OTES ....................................................... 902
Book Reviews ............................... EDITED BY MARK GERMER AND MARJORIE HASSEN 904
Music and Musical Thought in Early India, by Lewis Rowell; Sangjtasiromani: A Medieval Handbook of Indian Music, ed. and trans. Emmie Te Nijenhuis .............. JONATHAN KATZ 904
Musorgsky: Eight Essays and an Epilogue, by Richard Taruskin ......................... DAVID LLOYD-JONES 908
Worlds of Music: An Introduction to the Music of the World's Peoples, ed. Jeff Todd Titon ......... TIMOTHY RICE 911
Re-Envisioning Past Musical Cultures: Ethnomusicology in the Study of Gregorian Chant, by Peter Jeffery ......................... EDWARD NOWACKI 913
The Life and Legend of Leadbelly, by Charles Wolfe & Kip Lornell .................... ANTHONY LIS 917
Fragment or Completion? Proceedings of the Mahler X Symposium, Utrecht 1986, ed. Paul Op de Coul; A "Mass" for the Masses: Proceedings of the Mahler VIII Symposium, Amsterdam 1988, ed. Eveline Nikkels & Robert Becque ............ MORTEN SOLVIK 921
Kulturgeschichte der Maultrommel, by Regina Plate ..................................... LEONARD Fox 927
843
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Bob Dylan Behind the Shades: A Biography, by Clinton Heylin; Dylan, a Man Called Alias, by Richard Williams; Bob Dylan, American Poet and Singer: An Annotated Bibliography and Study Guide of Sources and Background Materials, 1961-1991, ed. Richard David Wissolik et al.; Positively Bob Dylan: A Thirty-Year Discography, Concert, & Recording Session Guide, 1960-1991, by Michael Krogsgaard ............................ CRAIG H. RUSSELL 929
Essays on Cuban Music: North American and Cuban Perspectives, ed. Peter Manuel ........... MALENA Kuss 934
Die Orgel im byzantinischen Hofzeremoniell des 9. und des 10. Jahrhunderts: Eine
Quellenuntersuchung, by Nikos Maliaris ........... GREGORY MYERS 941 Music and Merchants: The Laudesi Companies
of Republican Florence, by Blake Wilson .......... PAMELA F. STARR 943 Musical Humanism and its Legacy:
Essays in Honor of Claude V. Palisca, ed. Nancy Kovaleff Baker & Barbara Russano Hanning ........................... JAMES HAAR 944
The Interpretation of Early Music, by Robert Donington; Performing Baroque Music, by Mary Cyr ......................... NEAL ZASLAW 946
The Song of the Soul: Understanding Poppea, by lain Fenlon & Peter N. Miller ........................... ANDREW DELL'ANTONIO 948
Musical References in the "Gazzetta di
Napoli," 1681-1725, by Thomas Griffin ....... LOWELL LINDGREN 950 Tonal Allegory in the Vocal Music
of J.S. Bach, by Eric Chafe ..................... KERALA J. SNYDER 951 Ilustracion musical en el Pals Vasco,
by Jon Bagues Erriondo ...................... ROBERT STEVENSON 954
Haydn's Ingenious Jesting with Art: Contexts of Musical Wit and Humor, by Gretchen A. Wheelock ............... JAMES WILLIAM SOBASKIE 955
The Mozart Myths: A Critical Reassessment, by W illiam Stafford ................................. LINDA TYLER 957
The Decline of the English Musician 1788-1888: A Family of English Musicians in Ireland, England, Mauritius, and Australia, by A. V. Beedell .................... DEBORAH ROHR 958
Beethoven Forum 1, ed. Christopher Reynolds, Lewis Lockwood, & James Webster .............. GEOFFREY BLOCK 959
844
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Ignacy Feliks Dobrzynski and Musical Life in Nineteenth-Century Poland, by William Smialek ................................. JAMES PARAKILAS 962
Frederic Chopin: Eine Lebenschronik in Bildern und Dokumenten, by Ernst Burger ...... JEFFREY KALLBERG 963
Ballads Without Words: Chopin and the Tradition of the Instrumental Ballade,
by James Parakilas .......................... NICHOLAS TEMPERLEY 964 Giacomo Meyerbeer: Eine Biographie nach
Dokumenten, by Reiner Zimmermann ............. KEITH COCHRAN 965 The Wagner Compendium: A Guide
to Wagner's Life and Music, ed. Barry Millington; Wagner Handbook, ed. Ulrich Miiller and Peter Wapnewski ....... MICHAEL C. TUSA 967
Wagner: Race and Revolution, by Paul Lawrence Rose ......................... HANS LENNEBERG 970
Herve: Un Musicien paradoxal (1825-1892), by Renee Cariven-Galharret &
Dominique Ghesquiere .......................... STEVEN HUEBNER 972 Hugo Wolf: The Vocal Music,
by Susan Youens ............................... AMANDA GLAUERT 973 Mahler: Symphony No. 3, by Peter
Franklin; Gustav Mahlers III. Symphonie: Welt im Widerbild, by Friedhelm Krummacher .......................... NADINE SINE 975
Richard Strauss's Elektra, by Bryan Gilliam ............................. DAVID E. ANDERSON 977
Richard Strauss: New Perspectives on the Composer and His Work, ed. Bryan Gilliam; Richard Strauss and His World, ed. Bryan Gilliam ................ SCOTT WARFIELD 979
Twentieth-Century Music, by Elliott Antokoletz ............................ STEPHEN DAVISON 982
New Perspectives on Music: Essays in Honor of Eileen Southern, ed. Josephine Wright ............................. INGRID MONSON 983
American Musical Theatre: A Chronicle, by Gerald Bordman ................................. THOMAS RIIs 985
Harvard Composers: Walter Piston and His Students, from Elliott Carter to Frederic Rzewski, by Howard Pollack ........... BILL F. FAUCETT 987
The Correspondence of Roger Sessions, ed. Andrea Olmstead ............................... VIVIAN PERLIS 990
Introducing American Folk Music, by Kip Lornell ............................... PHILIP VANDERMEER 991
845 Contents
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Book Reviews (cont.) A Passion for Polka: Old Time Ethnic
Music in America, by Victor Greene; Polka Happiness, by Charles Keil,
Angeliki V. Keil, & Dick Blau ................... CARL RAHKONEN 993
The Swing Era: The Development of Jazz, 1930-1945, by Gunther Schuller ............... PATRICK HARDISH 994
A Satisfied Mind: The Country Music Life of Porter Wagoner, by Steve Eng ..................... ANTHONY Lis 996
Salsiology: Afro-Cuban Music and the Evolution of Salsa in New York City, ed. Vernon W . Boggs .................................. TED SoLfs 998
The Rationality of Feeling: Understanding the Arts in Education, by David Best ........... WAYNE D. BOWMAN 1001
Linguistics and Semiotics in Music, by Raymond Monelle .......................... ROBERT S. HATTEN 1002
Psychoanalytic Explorations in Music, ed. Stuart Feder, Richard L. Karmel, & George H. Pollock ........................... ISABELLE EMERSON 1004
Premiere und Pogrom: Der Jiidische Kulturbund 1933-1941, ed. E. Geisel & H. M. Broder; Geschlossene Vorstellung: Der Jiidische Kulturbund in Deutschland 1933-1941, ed. Akademie der Ktinste; Mein "C'est la vie"-Leben: Gesprdch iiber ein langes Leben in einer bewegten Zeit,
by Paula Salomon-Lindberg ................... STEPHEN LEHMANN 1007
Different Drummers: Jazz in the Culture
of Nazi Germany, by Michael H. Kater ............ JOHANN S. BuIS 1010
Bartolomeo Cristofori und die Anfdnge des Hammerclaviers: Quellen, Dokumente, und Instrumente des 15. bis 18. Jahrhunderts,
by Konstantin Restle ......................... EDWARD L. KOTTICK 1011
Erich Kleiber: A Discography, comp. by Cesar A. Dillon; Hans Rosbaud: A Bio-bibliography, by Joan Evans; Hermann Scherchen, 1891-1966:
Phonographie, comp. by Mechthild Kreikle ...... DAVID BRECKBILL 1013
William Kapell: A Documentary Life History of the American Pianist, by Tim Page; Horowitz: His Life and Music, by Harold C. Schonberg; Daniel Barenboim: A Life in Music, by Daniel Barenboim ................ PAUL ORGEL 1015
Music Manuscripts at Harvard: A Catalogue of Music Manuscripts from the 14th to the 20th Centuries in the Houghton Library
846
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and the Eda Kuhn Loeb Music Library, by Barbara Mahrenholz Wolff .................. CARL B. SCHMIDT 1018
Computer Applications in Music: A Bibliography, by Deta S. Davis; Computer Applications in Music: A Bibliography. Supplement 1, by Deta S. Davis ........................ ELEANOR SELFRIDGE-FIELD 1019
A Dictionary of Electronic and Computer Music Technology: Instruments, Terms, and Techniques, by Richard Dobson; Dictionary of Musical Technology, by Tristram Cary ............................. F. RICHARD MOORE 1021
Books Recently Published ............... COMPILED BY STEPHEN YUSKO 1024
Interactive Multimedia and Software Reviews ............ EDITED BY CHARLOTTE CROCKETT 1048
Video Reviews .................................... CHARLES CROISSANT 1055
Music Publishers' Catalogues ........... COMPILED BY GEORGE R. HILL 1061
Index to CD Reviews .................... COMPILED BY PAUL CAUTHEN
AND MARK PALKOVIC 1070
Music Reviews .......................... EDITED BY FRANCES BARULICH 1164
Johannes Ockeghem, Motets and Chansons, ed. Richard Wexler with Dragan Plamenac (Collected Works, 3) .............................. DAVID FALLOWS 1164
Cantus anonymorum de libris Petri Attaingnant, III, V, ed. Albert Seay (Corpus mensurabilis musicae, 93/3, 93/5) .................................... RICHARD FREEDMAN 1165
Georg Friedrich Handel, Anthems fiir Cannons III, ed. Gerald Hendrie (Hallische Handel-Ausgabe, III, 6); Acis and Galatea (1. Fassung), ed. Wolfram Windszus (Hallische Handel-Ausgabe, I, 9/1) .................. GRAYDON BEEKS 1168
Maddalena Laura Lombardini Sirmen, Three Violin Concertos, ed. Jane L. Berdes (Recent Researches in the Music of the Classical Era, 38) ................ SUZANNE FORSBERG 1173
847
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Music Reviews (cont.) One Thousand Years of Russian Church
Music, 988-1988, ed. Vladimir Morosan (Monuments of Russian Sacred Music, I, 1) ............................... CLAUDIA JENSEN 1177
Giuseppe Verdi, Luisa Miller, ed.
Jeffrey Kallberg (Works, I, 15) ................. JAMES P. CASSARO 1178 Elliott Carter, Violin Concerto (1990) ............ ROBERT P. MORGAN 1181 David Del Tredici, Child Alice, Part II ............. RICHARD BROOKS 1183 Bernard Rands, "...among the voices..."
for SATB chorus and harp (1988); Canti del sole for tenor and chamber ensemble (1983) .................................. MARK S. LAPORTA 1185
R. Murray Schafer, Ra (Patria 6); The Black Theatre of Hermes Trismegistos (Patria IV); Fourth String Quartet (1988); Fifth String Quartet (1989); Le Cri de Merlin, for solo guitar (1987); Felix's Girls, Nine settings of text by Henry Felix; Fire, for SATB, with clacker; Gamelan, A Composition for four voices; The Star Princess and the Waterlilies; A Garden of Bells; Sun: A Composition for choir (1982); Snowforms, for children's voices (1982) ........................................RANDOLPH COLEMAN 1186
Music Received ........................ COMPILED BY RUTH WATANABE 1191
Com m unications ....................................................... 1207
Index to A dvertisers ................................................... 1212
Tailpieces from Carl Engel, Musical Instruments (London: Chapman and Hall, 1875)
848
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CONTRIBUTOR INFORMATION NOTES welcomes submissions of interesting, informative, and well-writ- ten professional or scholarly articles in the areas of music bibliography, music librarianship, the music trade, and discography, and on certain as- pects of music history.
Manuscripts submitted for consideration or for publication must be legibly typed or printed out, with 1"-11/2" margins all around, on good-quality, non-erasable, white, 8'/2" x 11" paper. Double-space all copy, including footnotes, lists, tables, quoted matter, and the like. Authors are asked not to divide words at the ends of lines and not to right-justify the text. Footnotes, charts, tables, illustrations, and legends for illustrations should be supplied on separate pages, not in the body of the text. A brief author note, in the third person, should appear as the first (un- numbered) note.
Submitted manuscripts are read by the editor or an assistant editor for general suitability. In many cases, manuscripts are then sent on to one or more outside readers for further review and comment. When a decision is reached, the author is notified as to whether or not the paper is accepted for publication and if so, under what conditions. Accepted manuscripts are subjected to vigorous style editing, whose purpose is to clarify the presentation and to insure that the article conforms to the highest standards of English usage. Additional information regarding NOTES'S editorial processes appears in vol. 44, no. 2 (December 1987), pp. 392-93.
Accepted articles should, if possible, be supplied in electronic form after the editor and author agree on a final text. The preferred program is WordPerfect for IBM personal computers (and compatibles), with footnotes in a text file (i.e., do not use the footnote function). Many other standard programs can be handled as well.
Illustrations and permissions. Illustrations are best reproduced from 8" x 10" glossy black-and-white photographs; high-quality xerographic copies may be ac- cepted. Photocopies are adequate for first review. Authors are responsible for ob- taining permission to reprint illustrations, examples, song texts, and similar material. All necessary credits and acknowledgments should be included in the figure legends.
The accuracy of citations, including names, titles, dates, page numbers, and quo- tations, is the responsibility of the author. All information should be carefully ver- ified before a contribution is submitted.
Style. NOTES follows, in its prose sections, the recommendations of The Chicago Manual of Style, 14th edition (see chapter 15 for documentation style). Musicians' names follow the form and spelling used in The New Grove Dictionary of Music and Musicians. Other words are spelled according to Merriam-Webster's Collegiate Dic- tionary, 10th edition, except that NOTES uses the quaint spelling "catalogue" and does not allow masculine pronouns to be applied generically (nor are "he/she," "his or her," and similar constructions accepted).
Reviews. Persons wishing to review music or books on music are invited to send a curriculum vitae and a statement delineating their special areas of interest and competence to the appropriate editor. Unsolicited reviews are not accepted. Ma- nucript copy for reviews should conform to the guidelines presented above, to the extent that they apply. Reviews are edited for style, but are not returned for their authors' approval prior to publication.
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MUSIC LIBRARY ASSOCIATION Board of Directors: Michael Ochs (W. W. Norton & Company), president; Don L. Roberts (Northwestern University), past president; Nancy B. Nuzzo (State University of New York at Buffalo), recording secretary; Diane Parr Walker (University of Virginia), treasurer; Richard W. Griscom, Jr. (Uni- versity of Louisville), executive secretary; Victor Cardell (University of Cal- ifornia at Los Angeles), Beth Christensen (St. Olaf College), and Carol Tatian (Brown University), members-at-large, 1992-94; Elizabeth Davis (Columbia University), David Hunter (University of Texas at Austin), and Paula Matthews (Bates College), members-at-large, 1993-95.
ADDRESSES
President: Michael Ochs, 115 East 87 St., Apt. 26A, New York, NY 10128. Phone: (212) 987-1089. E-Mail: [email protected]; OCHS@HARVARDA. HARVARD.EDU.
Executive Secretary: Richard W. Griscom, Jr., Dwight Anderson Memorial Li- brary, University of Louisville, 2301 South Third St., Louisville, KY 40292. Phone: (502) 588-5659. E-mail: [email protected].
Business Manager: James S. P. Henderson, P.O. Box 487, Canton, MA 02021. Phone: (617) 828-8450.
Placement Officer: Patricia B. Fisken, Paddock Music Library, Dartmouth College, Hanover, NH 03755. Phone: (603) 646-3120. E-mail: [email protected] MOUTH.EDU.
FUTURE MEETINGS
1994: Kansas City, 2-5 March. Program chair: Stephen M. Fry, Music Library, University of California at Los Angeles, 1102 Schoenberg Hall, Los Angeles, CA 90024-1490. Phone: (213) 825-4882. E-mail: [email protected].
1995: Atlanta, 8-11 February. Program chair: Jean Purnell, University Libraries, University of the Pacific, Stockton, CA 95211. Phone: (209) 946-2434. E-mail: [email protected].
1996: Seattle, 14-17 February.
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