Front Matter Source: Notes, Second Series, Vol. 61, No. 3 (Mar., 2005), pp. 611-616 Published by: Music Library Association Stable URL: http://www.jstor.org/stable/4487435 . Accessed: 16/06/2014 00:04 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. . Music Library Association is collaborating with JSTOR to digitize, preserve and extend access to Notes. http://www.jstor.org This content downloaded from 91.229.248.187 on Mon, 16 Jun 2014 00:04:55 AM All use subject to JSTOR Terms and Conditions
Transcript
Front MatterSource: Notes, Second Series, Vol. 61, No. 3 (Mar., 2005), pp. 611-616Published by: Music Library AssociationStable URL: http://www.jstor.org/stable/4487435 .
Accessed: 16/06/2014 00:04
Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at .http://www.jstor.org/page/info/about/policies/terms.jsp
.JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range ofcontent in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new formsof scholarship. For more information about JSTOR, please contact [email protected].
.
Music Library Association is collaborating with JSTOR to digitize, preserve and extend access to Notes.
http://www.jstor.org
This content downloaded from 91.229.248.187 on Mon, 16 Jun 2014 00:04:55 AMAll use subject to JSTOR Terms and Conditions
Making the right choices for the 21 st century music library.
Theodore Front Musical Literature, Inc. 16122 Cohasset St. Van Nuys, CA 91406 Tel: 818*994*1902 Fax: 818*994*0419 Web:www.tfront.com Email: [email protected]
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Editor: James P. Cassaro Assistant Editors: Keith Cochran, R. Michael Fling, Martin D. Jenkins Contributing Editors: Philip Vandermeer, book reviews; Karen R. Little, Stephen Yusko, book list; Darwin F. Scott, music reviews; David Knapp, music list; Tracey Rudnick, peri- odicals; Alec McLane, digital media reviews; Rick Anderson, sound recording reviews; Leslie Andersen, video reviews; George R. Hill, publishers' catalogs; Paula Hickner, music price index; Paul Hahn, necrology index; Martin D. Jenkins, NOTES index; Susan C. Dearborn, advertising.
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Copyright 2004 by the Music Library Association, Inc. Material protected by this copyright may be photographed for the noncommercial purpose of scholarship, research, and classroom use, provided the copyright notice is shown on the first page of each copy of each selection. Typesetting and music en- graving by A-R Editions, Inc. Printed @ on acid-free 50# Glatfelter paper by A-R Editions, Middleton, WI 53562. NOTES (ISSN 0027-4380) is published quarterly by the Music Library Association, 8551 Research Way Ste 180, Middleton, WI 53562-3567. Periodicals postage is paid at Middleton, WI and additional mailing offices. POSTMASTER: Send address changes to: NOTES, Music Library Association, 8551 Research Way Ste 180, Middleton, WI 53562.
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"All Fairly Engraven"?: Punches in England, 1695 to 1706 ................................ RICHARD HARDIE 617
Virtual Reference in the Music Library ........ GERALD SZYMANSKI AND MARY ALICE FIELDS 634
Jerome Moross: An Introduction and Annotated Worklist .... ....................... CHARLES TURNER 659
Notes for NOTES ....... ................. ........... ........... 728
Book Reviews ....................... EDITED BY PHILIP VANDERMEER 732 BRITISH MUSIC
George Grove, Music and Victorian Culture, ed. Michael Musgrave ............................. RUTH A. SOLIE 732
The British Folk Revival, 1944-2002, by Michael Brocken (Ashgate Popular and Folk Music Series) .................................... NED QUIST 734
Britten, Voice & Piano: Lectures on the Vocal Music of Benjamin Britten, by Graham Johnson (Guildhall Research Studies, 2) .........................RUTHANN BOLES MCTYRE 737
REFERENCE BOOKS Giacomo Puccini: Catalogue
of the Works, by Dieter Schickling ............................ HENRYJ. GROSSI 738
The Harvard Dictionary of Music, 4th ed., by Don Michael Randel .......................JOSEPH SZYDLOWSKI 741
TWENTIETH CENTURY MUSIC (INCLUDING FILM)
Exploring Twentieth-Century Music: Tradition and Innovation, by Arnold Whittall ........................ GREGORY MARION 743
Electronic and Computer Music, Revised and expanded ed., by Peter Manning ......................... ROBERT D. TERRIO 746
611
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Patient: A Film Score Guide, by Heather Laing (Scarecrow Film Score Guides, no. 1); and Elmer Bernstein's Film Music Notebook: A Complete Collection of the Quarterly Journal, 1974-1978 ...........................BOB KOSOVSKY 749
AMERICAN MUSIC Higher Ground: Stevie Wonder,
Aretha Franklin, Curtis Mayfield, and the Rise and Fall of American Soul, by Craig Werner .......................... ANDREW FLORY 752
Mavericks and Other Traditions in American Music, by Michael Broyles ....................... CATHERINE PELLEGRINO 754
Singing in My Soul: Black Gospel Music in a Secular Age, by Jerma A.Jackson ............................. MORRIS S. LEVY 757
HISTORICAL AND ANALYTICAL STUDIES OF EUROPEAN MUSIC
L'Apollonide de Leconte de Lisle et Franz Servais, by Malou Haine .................JOHN WAGSTAFF 758
Bach and the Pedal Clavichord: An Organist's Guide, by Joel Speerstra ............................... BRIAN DOHERTY 760
Death-Devoted Heart: Sex and the Sacred in Tristan und Isolde, by Roger Scruton ............................ THOMAS S. GREY 763
Dmitri Shostakovich, Pianist, by Sofia Moshevich ........................... MARK MAZULLO 766
Late Beethoven: Music, Thought, Imagination, by Maynard Solomon ........................ MICHAEL C. TUSA 769
The Life of Bach, by Peter Williams ......................... DANIEL BOOMHOWER 772
Metaphor and Musical Thought, by Michael Spitzer ............................. BRIEN WEINER 774
The Mozart Forgeries: A Caper Novel for the Serious Mozart Aficionado, by Daniel N. Leeson .......................... D. W. KRUMMEL 777
Music and Women of the Commedia dell'arte in the Late Sixteenth Century, by Anne MacNeil ............... ANDREW DELL'ANTONIO 778
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Book Reviews (cont.) Music's Modern Muse: A Life of
Winnaretta Singer, Princesse de Polignac, by Sylvia Kahan ....................... BONNIEJo DOPP 780
Opera in Theory and Practice, Image and Myth, ed. Lorenzo Bianconi and Giorgio Pestelli ................................. LUKEJENSEN 782
Schumann's Piano Cycles and the Novels of ean Paul, by Erika Reiman ........................ CLAUDIA MACDONALD 785
Books Recently Published .............. COMPILED BY STEPHEN YUSKO 788 AND KAREN R. LITTLE
New Periodicals ................................ TRACEY RUDNICK 819
International Journal of Music Education ........... MARY KENNEDY 819 New Titles .................................................. 820 Electronica ..................................... ............ 824 Title, Frequency, and Publisher Changes; Cessations ............... 829 SpecialJournal Issues ........... ...................... 830
Digital Media Reviews ..................... EDITED BY ALEC MCLANE 833
The Jazz Discography, Version 4.4, and 85 Years of Recorded Jazz (1917-2002, A-Z Complete) ......................ERIC CHARRY 833
Video Reviews ................................. LESLIE ANDERSEN 838
Music Reviews ........................ EDITED BY DARWIN F. SCOTT 844
CRITICAL EDITIONS
Samuel Scheidt, Tabulatura nova, ed. Harald Vogel ...................... GEOFFREY WEBBER 844
Michelangelo Rossi, The Madrigals of Michelangelo Rossi, ed. Brian Mann (Monuments of Renaissance Music, 10) ........................... . GIUSEPPE GERBINO 847
William Lawes, Collected Vocal Music, ed. GordonJ. Callon (Recent Researches in the Music of the Baroque Era, 120-123) ............... ROBERT SHAY 849
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Arcangelo Corelli, 12 Concerti grossi, Op. 6/1-12, ed. Richard Platt .................. MICHAEL TALBOT 851
Giuseppe Verdi, Stiffelio, ed. Kathleen Kuzmick Hansell (The Works of Giuseppe Verdi. Ser. 1: Operas, vol. 16) ....................... DENISE P. GALLO 854
RENAISSANCE CHORAL MUSIC William Byrd, Domine, tujurasti; Vide,
Domine, afflictionem; Clemens (non Papa), Angelus Domini; Conserva me, Domine; Vox clamantis in deserto; Loyset Compare, Crux triumphans; Pierre de la Rue, Ave regina caelorum; Guillaume Dufay, attr., Salve regina; Nicolas Gombert, Ave Maria; O domina mundi; Heinrich Isaac, Regina caeli laetare; Jacquet of Mantua, Aspice Domini;Josquin Desprez or Pierre de la Rue, Absalonfili mi;Josquin Desprez, Ave Maria; Ave verum corpus; Illibata Dei virgo nutrix; Inviolata, integra et casta es Maria; Missus est Gabriel angelus; Orlande de Lassus, Gustate et videte;Jersusalem plantabis vineam; Tribus miraculis; Verbum carofactum est; Philippe de Monte, Lux perpetua lucebit sanctis tuis; Crist6bal de Morales, In illo tempore: assumpsitJesus;Jean Mouton, Nesciens mater; Queramus cum pastoribus; Jacob Obrecht, Beata es Maria;Johannes Ockeghem, Alma Redemptoris mater; Ave Maria; G. P. da Palestrina, Ave Maria; Caro mea; Coenantibus illis; Ego sum panis vivus; Exaltabo te; Haec dies; 0 beata et benedicta et gloriosa Trinitas; 0 boneJesu; 0 sacrum convivium; Peccantem me quotidie; Tantum ergo Sacramentum; Johannes Regis, Haec dies; John Sheppard, Haec dies; Thomas Tallis, Candidifacti sunt; Injejunio etfletu; Salvator mundi (II);John Taverner, Dum transisset sabbatum (I); Tomais Luis de Victoria, Ave Maria; Ecce Dominus veniet; 0 sacrum convivium!; Vidi aquam; Adrian Willaert, Ecce lignum crucis / Crux fidelis; 0 magnum mysterium / Ave Maria; Videns Dominus, ed. Ralph W. Buxton (Notre Dame Choir Editions, 1-6, 8-27, 29-30, 33-39, 42-53, 55-60) .....................DONNA M. DI GRAZIA 857
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Music Reviews (cont.) GUITAR MUSIC Andres Segovia, Preludios y
estudios; 23 canciones populares de distintos paises; Transcripciones, ed. Angelo Gilardino (Obras para guitarra, 1-3); Angel Barrios, Obra completa para guitarra, ed. Gabriel Estarellas ...................... SILVIOJOSE DOS SANTOS 866
Music FOR BRASS INSTRUMENTS Henri Lazarof, Invenzione Concertata
for Brass Quintet [1997]; Tansy Davies, Keep On Keepin' On [for] Brass Quintet; Bernard Rands, Fanfare for Brass Quintet [1997]; Robert Suderburg, Entertainment- Sets (Chamber Music X) for Brass Quintet;Jean Baily, Hymn for Brass: pour quintette de cuivres (Ensembles de cuivres); Shulamit Ran, Fanfare for 2 Trumpets, 2 Horns, and Trombone, arr. Cliff Colnot ......................ERIN MAYHOOD 870
Eric Ewazen, Sonata for Horn and Piano; Sonata for Trombone and Piano; Sonata for Trumpet and Piano .................................... KIM DUNNICK 874
Music Received ......................... COMPILED BY DAVID KNAPP 878
Music Publishers' Catalogs ............. COMPILED BY GEORGE R. HILL 885
Information for Contributors .................................... 899
Index to Advertisers ............................................ 900
Tailpieces selected from: Francisco Geminiani, XII Solos for a Violin ... (London: J. Walsh, 1733); George Frideric Handel, The Anthem... Perform 'd in Westminster Abbey at the Funeral of... Queen Caroline. Vol. II (London: J. Walsh, 1743); and Pierre van Maldere, VI Sonatas for Two Violins...
(London: J. Walsh, 1760) in the collection of the Theodore M. Finney Music Library,
University of Pittsburgh.
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Board of Directors: BonnaJ. Boettcher (Bowling Green State University), president; Laura R. Dankner (emerita, Loyola University, New Orleans), past-president; Michael Colby (University of California, Davis), recording sec- retary; Nancy Nuzzo (University at Buffalo, State University of New York), treasurer/executive secretary; Pamela Bristah (Wellesley College), Ruthann Boles McTyre (University of Iowa), Matthew Wise (New York University), members-at-large, 2004-6; Linda Blair (Sibley Music Library, Eastman School of Music), Paul Cauthen (University of Cincinnati), Amanda Maple (Pennsylvania State University), members-at-large, 2005-7.
ADDRESSES President: Bonna J. Boettcher, Music Library and Sound Recording Archives, Wm. T. Jerome Library, 3rd Floor, Bowling Green State University, Bowling Green, OH 43403-0179. Phone: 419/372-9929. E-mail: [email protected]. Treasurer/Executive Secretary: Nancy Nuzzo, University at Buffalo, State University of New York, Music Library, Baird Hall, Buffalo, NY 14260-4700. Phone: 716/645-2924. Fax: 716/645-3906. E-mail: [email protected]. Business Office: Music Library Association, 8551 Research Way, Suite 180, Middleton, WI 53562. Phone: 608/836-5825. Fax: 608/831-8200. E-mail: [email protected]. Convention Manager: Annie Thompson, 435 S. Gulfstream Avenue, Apt. 506, Sarasota, FL 34326. Phone: 941/955-5014; cell: 941/321-2674. Fax: 941/316-0468. E-mail: [email protected]. Placement Officer: Jennifer Ottervik, University of South Carolina Music Library, 813 Assembly Street, Columbia, SC 29208. Phone: 803/777-5425. E-mail: [email protected]. Web site: http://musiclibraryassoc.org
FUTURE MEETINGS 2006: Memphis, 20-26 February. Program chair: Lois Kuyper-Rushing, Louisiana State University, Carter Music Resources Center, Baton Rouge, LA 70803-3300. Phone: 225/578-4622. E-mail: [email protected]. 2007: Pittsburgh, 25 February-3 March. Program chair: Mark McKnight, University of North Texas, Libraries, Denton, TX 76203. Phone: 940/565-2859. E-mail: [email protected].
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