7/28/2019 G.whaley - Music.studies(Mar.) 31-40

1/10

DUET(Corrente)

3 1

Vivaldillegrol l l- )

aA L

t7 W

a I l - - - . - - l + r -

aA ? ? ' + +

-+-ea p-1--

a)

A ? f t

-

a

o ruA ) )

, T T

f fl| | I [T]-

I 1 J -

El--T_T;t t la)

A

+ r J -i-t_lEj

-+

- :EfT;1 :

b { T

4 :

7/28/2019 G.whaley - Music.studies(Mar.) 31-40

2/10

32 DIJET(Poionaise)

7/28/2019 G.whaley - Music.studies(Mar.) 31-40

3/10

33DUET(Allegro)

7/28/2019 G.whaley - Music.studies(Mar.) 31-40

4/10

3 4 D{JET

7/28/2019 G.whaley - Music.studies(Mar.) 31-40

5/10

|-

FFI= * f i- :3 -

7/28/2019 G.whaley - Music.studies(Mar.) 31-40

6/10

-nat if F + ^. + * * . * * ? i?+* 4 +-

7/28/2019 G.whaley - Music.studies(Mar.) 31-40

7/10

o- -- - -- -F l - F l - r r r l

PP-- r- : - -r-t-t i-t-r

w- - -G v - - t - -

l- iv F 7'- .)a)A)t ==l= -===

Y

: - ---- - - :--t---t I t + I I Ill ffiF= ffi=-.ffi- r-- - - a---a---r- t - l/ - - t t - - r i------------ T------a-

7/28/2019 G.whaley - Music.studies(Mar.) 31-40

8/10

8 DUE?Slow1ywith expression Khatchafurian

\/

\fJ a7--zt 7 c lntrl - -

4 d +',-l t 7 'G, G r r- P

( 3rL--_"= Tt

7/28/2019 G.whaley - Music.studies(Mar.) 31-40

9/10

SECTION3 & 4 MALLETS

Hand Posit ionThereare three basic methods of holding four mai lets.cross Grip: The mal letsare held between he thumb andand the third f inger.The mai lets cross in thefor vibraphonewhere rarge spreads" are notMusserGrip:

to a par t icu larnotef rom lef t t o r ightas

foref inger,ndbetween he foref ingerpalmof the hand. h isgr ip s popularnormal lyequi red.The mal le tsare he ld between he thumb and fore f inger nd beneath he four th andf i f th f inger 'The mal le tsdo not cross.Th is gr ip is popular or mar imbawhere largespreads"and mal le t ndependence re requ i red.BurtonGrip: The mallets are held beneath he foref ingerand in the palm of the hand,perpendicularo the othermal let . hemal let icross n the palm of the hanct .This gr ip is popular or both vibraphone nd marimba.t a l iowsa greatdeal ofpower ndcontrol n theouts idemal lets .tsassClefTheuseof thebass lefhasbecome tandardn marimba otat ion. hestudent houldmemorizethisc lefandbeabre o read rueni lyn bothbass nd rebre refs.

Spaces

Mal le tAss ignmentThe Ass ignmentof a spec i f ic mal le tmal le tnota t ion.Mal le tsare numbered is becoming standard n three and fourfo l lows:

1

When a number appears above orstr ike hat note.

4a\ \\Le

3?/f t \ fRigh t

cor respondingmal le t

-;

below a note , the should be used to

7/28/2019 G.whaley - Music.studies(Mar.) 31-40

10/10

40 TECHNIQI-IE c

* Techniccl Erercues may be practiced fn cll maior cnd mfnor keys.