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Huddersfield Jazz Guitar Society
Newsletter No. 30 February 2014
Hi Jazz Guitar Fans,
Important Change of Address
The February meeting will be held at: -
The Rat and Ratchet
40 Chapel Hill,
Huddersfield,
HD1 3EB
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The January HJGS member’s night got off to a fantastic start with a great turn-out and a number of, most welcome, new faces. A great time was had by all and the playing standard was, on the whole, extremely high!
In usual HJGS tradition, the evening kicked off with a short set from Tom Prior. He began with a rubato version of Over the Rainbow, full of ‘Priorisms’,
that is, myriad unexpected twists and turns. Tom draws from a mixed bag of guitar techniques and, like another of our ‘home-grown’ talents, Gary Potter, is not afraid to mix musical genres and their signature licks and techniques! The results are guaranteed to keep listeners on their toes.
Second up was Adam Hinchliffe, who gave us two tunes in his customary and carefully executed, chord melody style. That’s All and If I Had You were both technically and musically accomplished with a lush full tone.
Adam was followed by Robin Thomas,
who gave an impromptu talk on the late great Jim Hall, illustrated by two LP sleeves and
profound observations on Hall’s appearance and lack of hair! Robin then proceeded to give us to solo renditions of tunes associated with Hall: Autumn Leaves and Summertime.
A short period of disruption then followed, while the Idle Guits gathered for a not particularly jazzy, but well
arranged, version of Maria Elena, which did include a surprisingly nice ending (side slipping?). The Guits then fragmented into performances
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by one or more of its members. Robert Fowler played and sang a convincing version of Manhã de Carnival. Robert’s singing, like João Gilberto and Astrud, was just slightly out of tune which, when coupled with the use of nylon guitar, sounded wonderfully authentic. Robert also has a very good bossa nova feel. Richard Speight then played All the Things You Are, accompanied by Darren on bass. Unfortunately, Richard’s nerves appeared to get the better of him and he did not play to his full potential. The Guits spot concluded with Colin and Darren playing an arrangement of Stella by Starlight. It’s always good to hear the Jazz Dawgs, with their tight arrangements and delightful double guitar harmonies. They played Tenor Madness, which segued
between regular 12 bar sequences and Charlie Parker’s, modified, ‘Blues for Alice’ chord changes, followed by Pete Wraith’s vocal rendering of Undecided. The latter included an unexpected ‘Farlowesque’ ending, cycling upwards in minor 3rds and resolving (sic) on a crunchy b5 chord! Following the mandatory interval and raffle etc., Terri Shaltiel and Steve Fraser gave us two contrasting duets: Gone with the Wind and, replete with
vocals from Steve, Albert King’s Born Under a Bad Sign. This was an about turn for this duo, as Terri is better known as singer and Steve as a guitarist! This said, they gave a nice performance and, despite some nerves, Terri proved to be a really fine accompanist.
Next up was Steve ‘Billy’ Buckley, perhaps one of the finest players in the UK, certainly in the North. It was great to see Steve at a HJGS meeting and it is to be hoped that he will come again soon. He played a wonderful solo rendition of Polka Dots and Moonbeams, which was both musical and virtuosic and, more importantly, it swung! He was then joined by Adrian Ingram for an up-tempo rendition of Willow Weep for Me, resulting in more fiery blues and bebop from both players. Steve and
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Adrian go back a long way, as Steve spent 3 years at Leeds College of Music. They also share a mutual passion for old British motorcycles, vintage guitars, rockabilly and all things jazz guitar!!! Another top professional team followed, with Trefor Owen and Andy Hulme. They began with Emily, Trefor taking the head and first solo. How About You, followed with a beautifully harmonized head, containing the principal melody on the bottom a la George Shearing! For the second time in evening we were treated to a rendition of Manhã de Carnival, in which Trefor played the head and 1st solo, much of which was taken at lightning speed reflecting Owen’s Pat Martino inspired technique. Completing a very enjoyable evening were Jez Platt and Martin Chung, two of Huddersfield’s finest and most experienced players. As ever, funk was to the fore in their performances of Sunny and
Cantaloupe Island. As expressive and immaculately played as ever, it would be interesting, (and perhaps only a matter of time) to hear this duo tackle more harmonically sophisticated music, such as the general American songbook of standards. As everyone left they reminded, once again, that the next meeting would be a Duke Elephant night!!! See you then.
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Member’s News
Call for Membership Participation
We have had a few successful, I believe, examinations/investigations of member’s favourite tunes. If you feel you could do a similar job please let me know. Send an email to [email protected] or chat to any of the committee at the next meeting.
Remember the HJGS exists for the benefit(s) of its members, so we need to hear from YOU: good, bad, indifferent, news, views, gossip, ideas, viewpoints, gigs, sales wants, swaps… etc, etc!
Please keep us informed of any jazz guitar related gigs, events, sales or other item of interest, so that we can pass information on to other members. HJGS needs to develop its wider network as an important forum for jazz guitar related information
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and information exchange, so that we may all benefit from the collective wisdom and uncoordinated information that undoubtedly exists amongst fans and connoisseurs.
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Swap an Idea
This column appears to be popular so we will keep it for the time being. But, and this is an important but we do NEED YOUR CONTRIBUTIONS for this to be successful. Contributions please to [email protected].
This months contribution is from Daren Dutson Bromley
This month’s lick shows how it is possible to create a bluesy effect using chord melody techniques. The basic chords are G7 and C7, as you might find in the first two bars of a blues. Whilst the melody is fairly indicative of a blues the chords behind on first glance seem very complicated
yet when played still maintain a bluesy and cohesive sound. The lick begins with Gb7 leading into G7, this is a chromatic approach chord The third chord is Bm7b5, this chord can be interchange freely with G7 as it contains the same notes as G9 minus the root. The notes B and Bb can both be used as they are the third and the flat third of the scale and it is Bb that imparts the bluesy flavour. The fourth chord contains Bb. The fifth chord is Ab diminished, a common substitution for G7. The final two chords of the bar are G7 and G13. The next bar is based around C7 then C9 followed by C13. The final two chords of the bar are diminished chords implying C7b9 and a C6 chord with a b5 and b3, two common blues notes before finishing with G13. Although this seems complicated once the principles behind it are understood it quickly becomes possible to improvise effective licks in a similar fashion.
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Membership
Some memberships are now falling due for renewal, remember membership lasts for a full 12 months from the paid up month and the following benefits are only available to current paid up members.
The following deals have been negotiated for members on production of a current membership card: -
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Bulldog Pickups (Huddersfield) www.bulldogpickups.com 15% off all pickups and repairs/rewinds.
ElectroMusic (Doncaster) www.electromusic.co.uk Variable discount depending on the item(s) purchased.
GTR (Huddersfield) www.gtrguitars.co.uk 10% discount on strings and accessories.
The Music Room (Cleckheaton) www.the-music-room.com Variable discount depending on the item(s) purchased.
Matt Ryan www.guitarrepairer.com 10% off guitar repairs/setups
AmplifierCoversOnline.com www.amplifiercoversonline.com Customised Equipment Covers On Demand
Frailers www.frailers.com Variable discount depending on the item(s) purchased. Foulds Guitars - Derby www.fouldsmusic.co.uk Variable discount depending on the item(s) purchased. The Amp Shack – Contact Andrew Lazdins Valve/Solid-State amp and Effect pedal repairs. Discount available.
Phone: +44 (0) 7716 460 163 Email: [email protected]
MicroVox www.westf.demon.co.uk 10% discount (see feature later in this newsletter)
Phone: +44 (0) 1924 361550 Email: [email protected]
Vinyl Tap have been removed from the list as they have decided that they will no longer offer any discount on new cds and discount by negotiation on second-hand cds. As a consequence we feel we can no longer include them.
We are actively pursuing other supplier/retailers and will let you know as soon as we confirm them. Remember also that we welcome your suggestions re the future direction of HJGS. Please get in touch.
Committee
Martin Chung Publicity, joint treasurer, website/facebook and development
Darren Dutson Bromley Ensembles, education, website/facebook and development
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Adrian Ingram Newsletter, education, international liaison and development Ian Wroe Host, joint treasurer, artiste relations, events and development
~~~~~~~~~~~~~~~~~~~~~~~~~~ Gigs Sat 15th Adrian Ingram’s Jazz Dawgs, The George, Upper Denby Mon 17th Adrian Ingram/Darren Dutson Bromley, The White House, Stalybridge New Jazz Gig
The Jazz Dawgs will be hosting a regular monthly gig every 1st Sunday (4:00pm – 7:00pm) at the Grove, Huddersfield.
The Dawgs will feature different guest(s) each month interspersed with the occasional jam session in which anyone can play, (please bear in mind, however, that it is a jam session and not an open mic!).
The Grove is considered by many to be the best pub in the area, it certainly has the greatest variety of real ales! The roster so far is: -
Sun 2nd Feb Jam/Ian Wroe’s birthday bash Sun 2nd Mar Robin Sunflower
Monday night jazz at The Head of Steam - Cancelled
The new owners of the Head of Steam have decided that they will no longer support live music. The staff announced, to the musicians, on Monday the 20th and again on Wednesday the 22nd that these would be the last gigs.
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Other Jazz Guitar Clubs/Societies (We are 1 of only 4 jazz guitar societies in England)
Here are a few links: -
http://cheadlejazzguitarclub.wordpress.com/
http://www.southjazzguitar.org ------- Note new website address
http://www.treforowen.com/index.php?id=38
http://www.meetup.com/LondonJazzGuitarSociety/
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http://members.iinet.net.au/~jgswa/index.htm Jazz Guitar Society of Western Australia
Meetings
The first Tuesday of the month at The Head of Steam: Huddersfield Railway Station (see http://www.theheadofsteam.co.uk/huddersfield )
Remember the society needs YOUR views and input so, if you want to provide a short introduction/discourse for a tune yourself or make any suggestions for a tune, please speak to a committee member. We have already had some other interesting ideas put forward which we are looking into. YOUR ideas are both vital and welcome. It is YOUR society and the committee is there entirely on YOUR behalf. Please, please get involved if you can!
2014 meetings
Feb 4th - Ellington night Mar 4th - Poss Guest or Players night Apr 1st - Parker night May 6th - Poss Guest or Players night Jun 3rd` - Gershwin night Jul 1st Aug 5th Sep 2nd Oct 7th Nov 4th Dec 2nd - Showcase
Workshop/seminars
Please note that in order to ensure an effective combination of complete workshop and some time for playing, these sessions will commence at 8:30 on the dot.
Of Interest, News and Reviews
Found anything on the web or heard of something which may interest our members, then this is the place for it.
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Daniel Slamen – Luthier Extraordinaire!
During a recent visit to The Hague, three representatives from HGJS paid a visit to Holland’s premier ‘archtop’ maker: Daniel Slamen. Adrian Ingram and Nick Lunn already knew Daniel through Axel Hagen, a fine jazz guitarist and mutual friend. Axel and Adrian have visited Daniel several times before, but it was the first time that, committee member, Ian Wroe had seen Slamen’s instruments and he was well impressed by their sound, workmanship and overall finish, which he concluded were as fine as anything he had seen.
Daniel began many years ago, initially constructing classical guitars before gradually being steered (by word of mouth and a full order book) towards the virtually exclusive manufacture of archtop instruments.
Daniel has a particular fondness for ES150s and ES250s equipped with (very good) replicas of 1930s Charlie Christian pickups and makes this model as standard. He recently made a copy the unusual ‘Ronnie Singer’ ES150 in black and with fancy ES250 appointments (see picture right).
Slamen is unusual, in that alongside his very accurate and fine sounding replicas, he is also an innovator, turning out such unusual instruments as dome-topped classicals and archtops with ‘F’ holes and nylon strings. Even on the vintage front he is not afraid to, for example, fit 3 Charlie Christian pickups to one guitar!
Daniel is situated in an easy to find street in the centre of The Hague and, providing you contact him beforehand, will extend a warm welcome to any HJGS members.
Website: http://www.slamanguitars.com/
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Here are a few pictures of Daniels workshops (with a familiar face or two).
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‘ ’
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Here is a new guitar strap/support we came across at a recent guitar show. It looked very impressive.
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Most jazz guitars have magnetic pickups and jazz guitarists often have strong views as to which type or make of pickup provides them with their favoured sound. Many players will take the trouble to fit replacement pickups in order to find the ideal sound for their taste. There is a wide choice available. However for the player who requires a true acoustic tone for their style of playing, ‘Hot Club’ for example, all too often the choice is limited to a microphone (mic) on a stand or an under saddle transducer. The worst case scenario is when the guitarist has to ‘borrow’ whatever mic comes with the house P.A., point it at the instrument and hope for the best! If the player is lucky, the mic will be one designed for instruments rather than the more common vocal mic, (an SM58 is great for vocals but its frequency response and proximity effect which are designed to enhance vocals make it less than ideal for instruments), and of course the stand mic requires the guitarist to maintain a constant distance between the instrument and the mic (posture issues).
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The under saddle transducer produces a distinctive ‘electro-acoustic’ sound. This is because it ‘feels’ the structural vibrations of the instrument rather than ‘hearing’ the sound waves transmitted through the air, as our ears do. Extensive eq correction is often required in order to produce an acceptable sound and even then it is not a true acoustic sound.
Microvox offers a solution to many problems of reproducing a true acoustic sound. The system consists of a dedicated power supply (NB – it is not a preamp) and a miniature flat response condenser mic. The mic element is housed in a small black aluminium block and faces down onto the instrument. It attaches to the instrument by means of a Velcro ™ pad. This method of fixing isolates the mic from unwanted structural vibration and ensures the mic is a fixed and constant distance from the sound source.
Any pickup device is the first link in the amplification chain. Microvox system mics ensure that this first crucial link is as faithful to the true sound as possible.
Members of HJGS will receive a 10% discount on all Microvox products from Westfield Music in Wakefield. Contact details: -
Website www.westf.demon.co.uk Email [email protected] Tel. +44 (0) 1924 361550
The recommended Microvox for acoustic guitar is M400 with either PSU.
www.mambo-amp.co.uk
www.adrianingram.com
www.jazzdawgs.co.uk
http://jazzguitarscene.wordpress.com/
http://www.joefinn.net/html/jazz_guitar_almanac.html
http://jamieholroydguitar.com
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http://www.darrendutsonbromley.com Check out Darren’s pod casts
Tuition
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Also from Jamie Holroyd: -
RGT Jazz Guitar Diplomas
I'd also like to mention the new RGT Jazz Guitar Performance Diplomas that I have been helping private students prepare for.
These are ideal for those looking for certification in jazz guitar performance, but don’t want to go the traditional University route.
I have had a great experience with them so far with my students, and they are accredited by the London College of Music a cost only a small fraction of what a traditional university course does.
From the RGT website
The Diplomas focus on developing the technical skills and theory needed by guitarists playing a broad range of jazz styles. The exam content includes improvisation and rhythm playing, as well as a performance element that enables the guitarist to demonstrate their preferred style of jazz playing - whether that be classic jazz tunes such as those of Django Reinhardt and Wes Montgomery or tracks by more contemporary players such as Pat Metheny and John Scofield.
There are four levels of Jazz Guitar Performance Diploma available:
x Diploma Of The London College Of Music - DipLCM x Associate Of The London College Of Music - ALCM x Licentiate Of The London College Of Music - LLCM x Fellowship Of The London College Of Music - FLCM
Each diploma provides guitarists with the opportunity to gain an internationally recognised professional qualification and to develop their jazz playing skills to an advanced level. The Diplomas are awarded by London College of Music Exams and are accredited by the University of West London. To view more information please go to: -
http://www.rgt.org/exams/jazz-guitar-performance-diploma.php
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Here’s a message from a friend of ours Mike Gellar: -
Hi Adrian and Ian, Just read the article about HJGS. Good to read about you two! Members of the HJGS might be interested in my Mike's Master Classes site - http://www.facebook.com/l/oAQEEZSvnAQEDO9yz8ulke0KlHpG_MbjrMPH2gGIYNfqJpw/www.mikesmasterclasses.com - also on FB and I have a Youtube channel "mgellar" that has clips from all of the classes on there that are available for download.
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21st NORTH WALES INTERNATIONAL JAZZ GUITAR WEEKEND May 9th - 11th 2014
GLYNDWR UNIVERSITY Mold Road, Wrexham, Wales, LL11 2AW
North Wales Jazz: Now celebrating fifteen years of international jazz guitar events in Wrexham.
IMPROVE YOUR JAZZ GUITAR SKILLS AT THIS GREAT VALUE WEEKEND!
Only £99! (£90 Concession)
Call +44 (0)1745 812260 to enrol and for further info or see www.northwalesjazz.org.uk and download the enrolment form.
Five 2 hour workshops with internationally renowned tutors.
GUEST TUTOR HOWARD ALDEN RESIDENT TUTOR TREFOR OWEN
www.howardalden.com www.treforowen.com
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Group A: Hands-on tuition sessions, i.e. for students who wish to learn in a playing situation. Group B: Tuition sessions for students who need help in basic skills.
Saturday evening concert (May10th - 8.30pm) featuring the course tutors plus guests.
Wide choice of reasonably priced accommodation available in Wrexham and the surrounding area. ---------------------------------------------------------------------------------------------------------------------------
Sales
Please let me know as soon as items are sold to remove them from the list.
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Set Bulldog Stratocaster Pickups, Haydens finest, lovely sound…….….£120
Pair Gibson P100 Pickups (From ES-135)……………….………………………..£80
Complete guitar synth rig, comprising: -
Danelectro U2 guitar fitted with Roland synth pickup a surprisingly great sounding guitar and excellent tracking.
Yamaha G50 Midi Converter Roland JV1080 Synth module 3u rack mount carry case.
An affordable rig for those who want to experiment with guitar synths, …………………………………………………..…………………..……….…£350 ono
All prices are negotiable and interesting trades are welcome
Contact Ian Wroe - [email protected]
1980s Heritage Golden Eagle, near mint. Blonde, with jaw droppingly spectacular woods. Made at the original Gibson by ex-Gibson employees, who knew how to make archtops. Bargain at £3,000 for quick sale.
Includes case and upgraded electrics.
Px considered.
SOLD
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Musicman RD50 112, fantastic condition. The most sought-after Musicman. Small, loud and reliable. Possibly the most useable (re sound and size) valve amp, for the jazz player. Re-grilled and serviced at Matamp with a new upgraded celestion speaker ……………………………………………………………………………..£550 ono Update your Tele: Fender Custom Shop Tele pickup set. Twisted Tele neck and Broadcaster bridge. ……………………………………Bargain at £50.00 for the set. 1969 Gibson L5CES. Near mint, all original with case. This is an exceptionally fine guitar. A great player, and a fabulous jazz sound. Same colour and specifications as a 1962 model for half the money.
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Benedetto “Benny” small-bodied jazz guitar with “AAA” carved spruce top and chambered mahogany body. This high-end jazz guitar was designed by Bob as a pro’s instrument,
lightweight, easy to play and with the sound of a full-bodied archtop in a smaller package. He got it right, which is why Howard Alden, Jimmy Bruno and Frank Vignola all play them,
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I used this model for all three of my Stephan Grossman teaching vids, the Mel Bay DVD and CD with John Pisano, The dvd session in NY with Howard, Jack, Jimmy and Frank and several of my cd recordings and tuition cds. You don’t see these delightful little jazz guitars for sale very often……………………………………………………….£2,000 or poss swap/px Late 70s early 80s Peavey Special 2x12 valve amp (6L6s). Fantastic (collectors) condition, recent full service and re-valve. Big, big, full sound (instant Wes) with cool retro features: spring reverb and tremolo. Big amp, but not at all heavy. A real bargain at………………………..£175 ono CONTACT Adrian Ingram: Tel 01484 314529; Email [email protected] --------------------------------------------------------------------------------------------------------------------------- Roland GR33 guitar synth + pickup : £200 ono Session Rockette 30 fantastic little jazz amp : £90 ono JMP 50 1980 Marshall head : £600 Eventide Time-Factor delay/sampler/loop pedal : £220 Tone Pros locking nickel stoptail (335/ Les Paul etc) : £20 Boss digital dimension (1980s) pedal as new (Mike Stern/Sco/Metheny etc) : £80 Fender 57 USA reissue Strat. Mint with upgraded pickups………………...£950 Contact Hayden Minett on 07967 831193 or [email protected] ---------------------------------------------------------------------------------------------------------------------------
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65/66 ES-335 I've hung it up on ebay for £5.5k which is very close to what I paid a few years back. I live in Mirfield approx 15 mins from Huddersfield if you or anyone else wants to come try it out. It’s a 65/66 ES 355 and is in great shape. Many thanks Gary Webb [email protected]
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For more info contact Paul Wright on: -
[email protected] or mob 07527 389637
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The Comins Jazz amp has a power attenuator...all valve 1x12...nice & light combo & built by the great amp builder George Allesandro....£1,000
'Triggs Jazzbox the top is laminate....£2,500 £2,200
The Ameson 120w is a very small transistor amp...very high quality....£650
The Ameson 50watt is all tube & a small head... £750
Schaefer 15''Jazzer………£3,500
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Antoria telecaster, 1970's, dark surburst green, all original, comes with soft case. good condition. £150.00
vintage strat copy, dark wood stain, £50.00
Double Bass, Antoni, professionally setup by Crinson and Gohlman, comes with soft case and stand. good condition. £380.00
Contact Andrew Lazdins
The Amp Shack The Professional Tone Breakdown Service
Ph: +44 (0) 7716 460 163 Email: [email protected]
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Hello HJGS, here are some photos of the gear I am thinking of selling. The Gibson L-7 is very nice and was owned by USA bluesman Duke Robillard, looking for £2250.
The Abbott Victor Burlington is a fab piece of British guitar history. Ebony neck plays better than almost anything. Made in 1940’‛s, may have been started before WWII and finished off after, according to Frank Cambridge. So rare that I can’‛t find another one to compare for valuation, but I’‛d like £1500 for it.
For all amp (valve and solid state) and effect pedal repairs.
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The Gibson BR – 9 amp is late 1940’‛s, last time I played through it I was not awestruck so it maybe needs a bit of a look at, it used to sound “ Golden” - so maybe needs a valve or a bit of know how ? £300 as it is. Also for the collector a J.G.Abbott senior 1928ish, round sound hole archtop, quite like the Gibson L-3 or L-4 of the late 20’‛s, light as a feather, very nice plectrum guitar, again too rare to find a value but I’‛d like to think £900 would be fair.
Anyone interested can call me on 07711050846. Thanks, Andrew.
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Here’s a message from Dan at Foulds Guitars
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I'm running short of jazz guitars again! I've still got a bigger stock than most but decent jazzers between £300 and £1500 I'm selling everything I get so if you have any members that would like to move any unwanted guitars on we may be able to help. Of course I am happy to offer a deal on goods for members, they just need to mention when enquiring.
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Trades
Wants
1. small amp : Polytone (any model considered); Musicman RD50 (1x10 or 1x12);; Peterson (Wood cab 10” speaker) AER etc
2. Seymour Duncan alnico Pro II neck telecaster neck pickup
3. D’Armond archtop pickup, any model considered.
4. Benedetto or Kent Armstrong (early wood finish type, not Chinese chrome or gold, metal casing) floating pickup.
5 Any other archtop i.e. Bartolini, Atilta, Bill Lawrence, Lollar, Zollar etc. considered
If you have of know the whereabouts of any of the above please contact Adrian Ingram [email protected]
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Gypsy jazzer (Doubling Double Bass & Rhythm Guitar) seeking fellow Gypsy jazzer's for blow. Tel. Mike on: 01663 743610. ----------------------------------------------------------------------------------------------------------
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Charts Here is a chart sent to us by Branco Stoysin. Thanks Branco.
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Huddersfield Jazz Guitar Society
Contact [email protected]
If you don't want to continue receiving newsletters and notices then send an email with the subject 'REMOVE' to [email protected]
Cheers
Ian
