6 SRM150: SMALL CLUB SETUP WITH SRM450 HOOKUP DIAGRAMS SRM150 1 2 3 Boom Extender (Included) Mic Stand Adapter (Included) Electric Guitar Vocal Mic SRM450 Power Cord THRU Out To Input Power Cord Here the SRM150 is used as a personal monitor and the SRM450 is the main PA speaker. SRM150 EQ MIC/LINE MIC/LINE 1 2 3 PHANTOM POWER MAIN INSTRUMENT (CH 1) Power Cord Boom Extender (Included) Mic Stand Adapter (Included) Electric Guitar Vocal Mic MP3 Player This illustrates how to use the SRM150 as a per- sonal monitor. Mount the SRM150 on a microphone stand using the Mic Stand Mounting Bracket in- cluded with the SRM150. Attach the Boom Extender (also included) to the top of the SRM150 and use a microphone boom to hold your microphone. Connect the microphone and an instrument to the SRM150 (Channels 1 and 2), and a playback device like an MP3 player to Channel 3. SRM150: PRACTICE SETUP USING MIC STAND AND BOOM
Transcript
6
SRM150: SMALL CLUB SETUP WITH SRM450
HOOKUP DIAGRAMS
HIGH12kHz
MID2.5kHz
LOW100Hz
MAXMIN
U
+15-15
U
+15-15
U
+15-15
MAXMINMAXMIN
SRM150
MAXOFFLEVEL
EQ
MIC/LINE MIC/LINE
1 2 3
L
R
PHANTOM POWER
MAIN
INSTRUMENT (CH 1)
48V
Boom Extender(Included)
Mic Stand Adapter(Included)
Electric Guitar
Vocal Mic
SRM450
PowerCord
THRU Out
To Input
PowerCord
Here the SRM150 is used as a personal monitor and the SRM450 is the main PA speaker.
HIGH12kHz
MID2.5kHz
LOW100Hz
MAXMIN
U
+15-15
U
+15-15
U
+15-15
MAXMINMAXMIN
SRM150
MAXOFFLEVEL
EQ
MIC/LINE MIC/LINE
1 2 3
L
R
PHANTOM POWER
MAIN
INSTRUMENT (CH 1)
48V
PowerCord
Boom Extender(Included)
Mic Stand Adapter(Included)
Electric Guitar
Vocal Mic
MP3 Player
This illustrates how to use the SRM150 as a per-sonal monitor. Mount the SRM150 on a microphone stand using the Mic Stand Mounting Bracket in-cluded with the SRM150. Attach the Boom Extender (also included) to the top of the SRM150 and use a microphone boom to hold your microphone.
Connect the microphone and an instrument to the SRM150 (Channels 1 and 2), and a playback device like an MP3 player to Channel 3.
SRM150: PRACTICE SETUP USING MIC STAND AND BOOM
7
HIGH12kHz
MID2.5kHz
LOW100Hz
MAXMIN
U
+15-15
U
+15-15
U
+15-15
MAXMINMAXMIN
SRM150
MAXOFFLEVEL
EQ
MIC/LINE MIC/LINE
1 2 3
L
R
PHANTOM POWER
MAIN
INSTRUMENT (CH 1)
48V
HIGH12kHz
MID2.5kHz
LOW100Hz
MAXMIN
U
+15-15
U
+15-15
U
+15-15
MAXMINMAXMIN
SRM150
MAXOFFLEVEL
EQ
MIC/LINE MIC/LINE
1 2 3
L
R
PHANTOM POWER
MAIN
INSTRUMENT (CH 1)
48V
ALT 3/4 ALT 3/4 ALT 3/4 ALT 3/4 ALT 3/4 ALT 3/4 ALT 3/4 ALT 3/4
1
ONYX MIC PRE
GAIN+40dB
U
-20dBU
20
30
40
60
GAIN+40dB
U
-20dBU
20
30
40
60
GAIN+40dB
U
-20dBU
20
30
40
60
GAIN+40dB
U
-20dBU
20
30
40
60
HIGH12kHz
MID MID MID MID
U
+15-15
U
+15-15
U
+15-15
LOW80Hz
FREQ
EQ
8k100
1k
FREQ
8k100
1k
FREQ
8k100
1k
FREQ
8k100
1k
AUX
2
1
OO MAX
OO MAX
OUTIN
2
ONYX MIC PRE
HIGH12kHz
U
+15-15
U
+15-15
U
+15-15
LOW80Hz
EQ
AUX
2
1
OO MAX
OO MAX
OUTIN
3
ONYX MIC PRE
HIGH12kHz
U
+15-15
U
+15-15
U
+15-15
LOW80Hz
EQ
AUX
2
1
OO MAX
OO MAX
LINE3
OUTIN
4
ONYX MIC PRE
HIGH12kHz
U
+15-15
U
+15-15
U
+15-15
LOW80Hz
EQ
AUX AUX AUX AUX AUX
2
1
OO MAX
OO MAX
2
1
OO MAX
OO MAX
2
1
OO MAX
OO MAX
2
1
OO MAX
OO MAX
2
1
OO MAX
OO MAX
AUX MASTER
2
1
OO +15
OO +15
AUX RETURN
2
1
OO +10
OO +10
LINE4
OUTIN EQOUT
IN EQOUTIN EQOUT
IN EQOUTIN
L R
PAN
L R
PAN
L R
PAN
L R
PAN
L R
PAN
L R
PAN
L R
PAN
L R
PAN
MAINMIXTALKBACK
L(MONO)
R
BAL/UNBAL
BAL/UNBAL
BAL/UNBAL
L(MONO)
R
BAL/UNBAL
L(MONO)
R
BAL/UNBAL
L(MONO)
R
BAL/UNBAL
LINE IN 5-6 LINE IN 7-8 LINE IN 9-10 LINE IN 11-12
TAPE
IN OUT
L L
R R
GAIN+20dB-20dB
GAIN+20dB-20dB
GAIN+20dB-20dB
GAIN+20dB-20dB
PHONES
RIGHTLEFT(MONO)
BAL/UNBAL BAL/UNBAL BAL/UNBAL
AUX RETURN
2 1 RIGHTLEFT(MONO)
21
BAL/UNBAL
AUX SEND
RIGHTLEFT
MAIN OUT
ALT 3-4
TAPE
CONTROLROOM/PHONESSOURCE
FIREWIRE(OPTION)
ASSIGN TOMAIN MIX
PHONESCONTROLROOM
OO MAX OO MAX
MAIN MIX
MID2.5kHz
U
+15-15
U
+15-15
LOW80Hz
U
+15-15
HIGH12kHz
MID2.5kHz
U
+15-15
U
+15-15
LOW80Hz
U
+15-15
HIGH12kHz
MID2.5kHz
U
+15-15
U
+15-15
LOW80Hz
U
+15-15
HIGH12kHz
MID2.5kHz
U
+15-15
U
+15-15
LOW80Hz
U
+15-15
HIGH12kHz
RUDESOLO
20
10
7
4
2
0
2
4
7
10
20
30
LEFT RIGHT0dB=0dBu
LEVELSET
CLIP
TALKBACK MIC
POWER
PREPOST
PREPOST
FX TOMON
PREMIUM ANALOG MIXERw/ PERKINS EQ & FIREWIRE OPTION
HI-Z1
HI-Z2
HI-ZMIC
75Hz18dB/OCT
75Hz18dB/OCT
HI-ZMIC
UUUU
dB
30
20
10
4050
5
5
U
60
10
OL
+10
0
-20
OL
+10
0
-20
OL
+10
0
-20
OL
+10
0
-20
OL
+10
0
-20
OL
+10
0
-20
OL
+10
0
-20
OL
+10
0
-20
OO
dB
30
20
10
4050
5
5
U
60
10
OO
dB
30
20
10
4050
5
5
U
60
10
OO
dB
30
20
10
4050
5
5
U
60
10
OO
1 2 3 4dB
30
20
10
4050
5
5
U
60
10
OO
56 dB
30
20
10
4050
5
5
U
60
10
OO
78 dB
30
20
10
4050
5
5
U
60
10
OO
910 dB
30
20
10
4050
5
5
U
60
10
OO
1112 dB
30
20
10
4050
5
5
U
60
10
OO
AUX1-2
PHONES
DESTINATION
EXTERNALMIC
TALKBACK
LEVELOO MAX
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE MUTE MUTE MUTE MUTE
SOLO
48V 48V 48V 48V
SOLO SOLO SOLO SOLO
MAIN IN
Keyboard or other line-level instrument
Stereo MonitorOut Power
CordPowerCord
MAIN IN
Stereo line-level output
Electric Guitar
Vocal Mics
Two SRM150s are used as floor monitors to provide a stereo monitor mix for the keyboard player.
