I L M A SA V A R I (A J I K U M 'E )

L O R E A N D M U D O F U B O R I D A

S W E MA J A I (TH E R I S I N G SU N) 2017Sihoti'e taliobamë'e (appliquéd mud-dyed barkcloth)

97 × 77 cm

ST O R Y O F T H E SP I R I T - C A N N I B A L H U N T I N G T H E N Y O N I R A J E C L A N -M A N A T

UB O R I D A (JO R D A N R I V E R) 2017Natural pigments on nioge (barkcloth)

117 × 79 cm

NY O N I R A J É C L A N- M A N AN C E S T O R —W H O W A S H U N T E D B Y T H E SP I R I T - C A N N I B A L

A T UB O R I D A (JO R D A N R I V E R) 2017Natural pigments on nioge (barkcloth)

100 × 78 cm

AN C E S T O R S ’ B O N E S— H U N T E D B Y T H E SP I R I T -C A N N I B A L O F UB O R I D A (JO R D A N R I V E R) 2017Natural pigments on nioge (barkcloth)

118 × 55 cm

UB O R I D A J Ä ' I N O C A R T I C A R T I (M A R K I N G S O N T H E F O O T P R I N T - S T O N E/ S A T T H E JO R D A N R I V E R ‘SP I R I T - C A N N I B A L ’ S I T E) 2017Natural pigments on nioge (barkcloth)

112 × 71 cm

CH I E F ’S P R E S T I G E C L O T H (T H E F I R S T A P P L I Q U É D M U D- D Y E D B A R K C L O T H D E S I G N) A N D

B E A K S O F T H E P A P U A N H O R N B I L L 2017Sihoti'e taliobamë'e (appliquéd mud-dyed barkcloth)

122 × 62 cm

M O D O D A 'E D I B U R I ' E H I J Ë ' O H O (TA I L - F E A T H E R S O F T H E S W I FT I N F L I G H T) 2017Sihoti'e taliobamë'e (appliquéd mud-dyed barkcloth)

103 × 68 cm

NO G’E (RA I N B O W) 2017Sihoti'e taliobamë'e (appliquéd mud-dyed barkcloth)

108 × 62 cm

BU B O R I A N Ö’E (BE A K S O F T H E PA P U A N H O R N B I L L) 2017Sihoti'e taliobamë'e (appliquéd mud-dyed barkcloth)

101 × 59 cm

TA M A J A I O H U’ O D E B’ É (AN C E S T R A L TA T T O O D E S I G N O F T H E N E C K L A C E

W I T H PA N D A N U S F I B R E S T R I N G) 2017Natural pigments on nioge (barkcloth)

136 × 65 cm

DE S I G N O F T H E B U S H S N A I L , D E S I G N O F T H E B E L L Y B U T T O N, S P O TS O F T H E

W O O D -B O R I N G G R U B, TA T T O O S A N D B E A K S O F T H E PA R R O T 2017Natural pigments on nioge (barkcloth)

102 × 72 cm

TA M A J A I (AN C E S T R A L TA T T O O D E S I G N O F T H E N E C K L A C E ) 2017Natural pigments on nioge (barkcloth)

101 × 66 cm

DE S I G N O F T H E B U S H S N A I L , D E S I G N O F T H E B E L L Y B U T T O N, S P O TS O F T H E

W O O D -B O R I N G G R U B, TA T T O O S A N D B E A K S O F T H E PA R R O T 2017Natural pigments on nioge (barkcloth)

96 × 73 cm

UB O R I D A (JO R D A N R I V E R) A N D TA T T O O S 2017Natural pigments on nioge (barkcloth)

94 × 77 cm

TA T T O O D E S I G N O F T H E B E L L Y B U T T O N, B E A K S O F T H E P A P U A N H O R N B I L L A N D

S P O TS O F T H E W O O D- B O R I N G G R U B 2017Natural pigments on nioge (barkcloth)

124 × 62 cm

ST O R Y O F T H E B I R D -O F- PA R A D I S E 2017Natural pigments on nioge (barkcloth)

126 × 59 cm

TA T T O O S O F T H E ÖM I E I N I T I A T I O N R I T E 2017Natural pigments on nioge (barkcloth)

94 × 77 cm

I L M A S A V A R I

I L M A S A V A R I (A J I K U M' E )Born c.1968, Oro Province, Papua New Guinea

Lives/works Anahobehi village (Gora), Ömie territory, Oro Province, Papua New Guinea

Language Ömie

Clan Sidorajé

BI O G R A P H Y

Ilma Savari is the daughter of venerated elder and pre-eminent Ömie artist Sarah Ugibari. In recent years, Sarah (the oldest living Ömie, at approximately ninety-seven years of age), has begun the crucial task of imparting her store of ancient wisdom to daughter Ilma. Among other things, this has involved Sarah teaching Ilma to paint and sew a number of enduring Ömie and Managalasi barkcloth designs. Both mother and daughter began working with Ömie Artists Inc. in 2009. These days, Ilma spends much of her time preparing barkcloths and painting and sewing the many ancestral designs Sarah has handed-down to her. She also enjoys preparing for (and singing and dancing at) tribal celebrations.

At the dawn of time, Managalasi and Ömie Ancestors emerged from the underground cave Vavago as a single people. Over time, these first people migrated across the greater Huvaimo region and into Hydrographer’s Range above Managalasi Plateau. Subsequently this group split into separate tribes which both still celebrate ‘Mina and Suja’, a shared ancestral creation story about the first man and woman. They also have many customs and barkcloth designs in common. Ilma creates works originating from both tribes because her mother Sarah was born Managalasi but later married an Ömie man. It was she who brought knowledge of Managalasi culture into the Ömie realm.

Ilma’s painted Ömie designs depict traditional Sidorajé clan tattoo markings, while her painted Managalasi designs originate from Koruwo and Kiara villages high on Hydrographer’s Range. Her appliquéd mud-dyed barkcloth designs, in the form of Chiefs’ prestige barkcloths, are derived from both tribes. Along with abstract paintings and appliquéd mud-dyed barkcloth designs, Ilma also paints important stories relating to sacred sites of Gora, such as those relating to Uborida (Jordan River), and her surrounding homelands. She uses a unique (for Ömie) combination of figuration and symbolism to create these compelling images.

S O L O E X H I B I T I O N

2017 Lore and mud of Uborida, Andrew Baker Art Dealer, Brisbane

2016 Aréro Ajivé (A New Light), Andrew Baker Art Dealer, Brisbane

GR O U P E X H I B I T I O N S

2017 PNG: It’s Dynamite (Papua New Guinea Art 1968–2017), Andrew Baker Art Dealer, Brisbane

2016 The Sacred Mountain, Illuminated: Ömie Barkcloth Art of Papua New Guinea, Aboriginal Signature–Estrangin Fine Art, Brussels, Belgium

2015 Hijominöe Modéjadé (Guided by Ancestors), Andrew Baker Art Dealer, Brisbane

An Exploration of Bark, Outstation Gallery, Darwin

Art Karlsruhe 2015, Karlsruhe Trade Fair Centre, Baden-Württemberg, Germany

2014–15 Unter dem Vulkan: Kunst der Ömie aus Papua-Neuguinea (Under the Volcano: Art of Ömie from Papua New Guinea), Artkelch, Freiburg im Breisgau, Baden-Württemberg, Germany; Artkelch, Stuttgart, Baden-Württemberg, Germany; Museum Fünf Kontinente | Staatliche Museen in Bayern, München, Bayern, Germany

2014 Das soll Kunst sein Vol. 12, Kunstverein Freiburg, Freiburg im Breisgau, Baden-Württemberg, Germany

Painted and Woven in Song: Ömie Barkcloths and Bilums, RAFT Artspace, Alice Springs

BI B L I O G R A P H Y

Aréro Ajivé (A New Light) [ex. cat.], Andrew Baker Art Dealer, Brisbane, 2016

Hijominöe Modéjadé (Guided by Ancestors) [ex. cat.], Andrew Baker Art Dealer, Brisbane, 2015

Appel, Michaela; Kelch, Robyn; and King, Brennan. Ömie Artists [ex. cat.], Artkelch, Freiburg & Stuttgart and Museum Für Völkerkunde, München, 2014

Purdon, Fiona. 'Jungle Life', U on Sunday, Sunday Mail, 28 February 2016

CO L L E C T I O N

Ross Bonthorne Collection, Sydney

The Arthur Roe Collection, Melbourne

Andrew Baker Ar t Dea le r26 Brookes Street • Bowen Hills Qld 4006

07 3252 2292 • 0412 990 356info@andrew-baker.com • www.andrew-baker.com

This exhibition is kindly supported by: