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Lesson Overview - lheartprogram.files.wordpress.com · Maria Martinez 1887-1980 Maria Martinez was...

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Lesson Overview FOCUS ARTIST: Maria Martinez FOCUS ELEMENTS: – Form: a 3-demensional shape, either real or illusional. – Texture: how an actual object feels or how a 2-demensional object appears to feel. FOCUS PRINCIPLES: – Balance: creating a sense of stability where no part overpowers another.
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Page 1: Lesson Overview - lheartprogram.files.wordpress.com · Maria Martinez 1887-1980 Maria Martinez was a Native American woman of the San Ildefonso Pueblo near Santa Fe, New Mexico. When

Lesson Overview

• FOCUS ARTIST: Maria

Martinez

• FOCUS ELEMENTS:

– Form: a 3-demensional shape,

either real or illusional.

– Texture: how an actual object

feels or how a 2-demensional

object appears to feel.

• FOCUS PRINCIPLES:

– Balance: creating a sense of

stability where no part

overpowers another.

Page 2: Lesson Overview - lheartprogram.files.wordpress.com · Maria Martinez 1887-1980 Maria Martinez was a Native American woman of the San Ildefonso Pueblo near Santa Fe, New Mexico. When

Maria Martinez1887-1980

Maria Martinez was a

Native American woman of

the San Ildefonso Pueblo

near Santa Fe, New

Mexico. When she was a

young girl she used to

watch her aunt make hand

made pottery. There were

few left who knew how to

do it since enamel and tin

bowls were available.

Maria became very good at

making pots and her and her

family helped to preserve

this cultural art. Some

archeologists found

remnants of shiny black

pottery from many, many

years ago. They heard that

Maria made the thinnest,

smoothest pots, so they

went to her to see if she

would try to make this style

of pot to put in museums.

Page 3: Lesson Overview - lheartprogram.files.wordpress.com · Maria Martinez 1887-1980 Maria Martinez was a Native American woman of the San Ildefonso Pueblo near Santa Fe, New Mexico. When

It took Maria a long time and a lot of

experimenting to learn how to do the black

pottery of her ancestors. At first she was

embarrassed that she couldn’t make the

pots as well as she wanted, so she hid her

other pots away. When some people

came looking for her after they had seen

her pots in the museum, she became

more confident. She worked and worked

until she finally perfected the art.

Page 4: Lesson Overview - lheartprogram.files.wordpress.com · Maria Martinez 1887-1980 Maria Martinez was a Native American woman of the San Ildefonso Pueblo near Santa Fe, New Mexico. When

Maria was very generous in sharing her

technique with others. Her husband usually

did the decorating on her pots. She taught

her family also and they carry on her legacy.

Maria formed her pots by using the pinch pot

method. As the pots dried, Maria would

burnish, or rub, them over and over until they

were shiny. Most of the clay in New Mexico is

red in color like this pot. Maria developed a

special technique for turning red clay to black

when it was fired.

Page 5: Lesson Overview - lheartprogram.files.wordpress.com · Maria Martinez 1887-1980 Maria Martinez was a Native American woman of the San Ildefonso Pueblo near Santa Fe, New Mexico. When

Some things to know about clay. . .

�Clay will become stone-like when it is baked in an oven

called a kiln to over 2000 degrees. This is called firing the

clay.

�When clay is fired, it shrinks a little. When air is heated it

expands. Can you imagine what might happen if there is

air trapped inside the clay?

�Clay is much different than play-dough. Squishing clay

and folding it causes the clay to get air bubbles and to dry

out and become harder to work with. Clay should be

shaped gradually, smoothing the surfaces as you go.

Page 6: Lesson Overview - lheartprogram.files.wordpress.com · Maria Martinez 1887-1980 Maria Martinez was a Native American woman of the San Ildefonso Pueblo near Santa Fe, New Mexico. When

Making a Pinch Pot• Using a cut off wire, cut a 3 inch cube of

clay off the block.

• Shape it into a ball shape by gently dropping it on the table to smooth out the corners and edges.

• Use your hands to finish patting it into a ball shape.

• Holding the clay in one hand, use the thumb of your other hand to push gently in the center. Turn the clay a bit and then push a bit more with your thumb.

• As you form a hole in the middle push on the inside with your thumb and the outside with your fingers, turning it slightly after each “pinch”.

• Be careful to keep the whole pot the same thickness.

• When you are finished forming the pot you can add decorations by pressing objects into the clay. Make sure to clearly write your name on the pot.


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