Silver Soldering for Jewelry Gretchen Raber Students spend an intensive hands-on day devoted to working with the acetylene torch. Torch safety is stressed along with techniques, materials, and equipment. Participants practice with metal and silver solders. Materials are included. $105 March 4, 2017 (Saturday) 10:00am–4:00pm Dyeing: Shibori: Tie-Dye on Steroids Candace Edgerley Shibori is a Japanese word for the technique of resist dyeing fabric by stitching, binding, or wrapping. Students learn the basics of this art, Arashi (pole wrapped), Trikit (stitch resist), and Boshi (capping), while making samples using silk and cotton fabrics. Dyes, discharges, and the care of silk are covered. Students design and complete two personal silk scarf projects. Materials fee of $45 due at first session. $195 March 4 & 5, 2017 (Sat–Sun) 10:00am–4:00pm March 2017 Workshops at e Art League Portrait Photography Robin Reid In this offsite workshop addressing studio portraiture, the goal is to teach the student how to quickly produce a saleable, flattering photograph. Topics include lighting principles, use of strobes, portraiture posing, and flaws. Sample sheets, educational resources, reviews, and critiques are made available. $195 March 4 & 5, 2017 (Sat–Sun) 10:00am–4:00pm Introduction to Enamel & Fold Forming Nick Barnes Abby Goldblatt This workshop explores torch and kiln enameling and the dramatic effects of fold forming for small-scale jewelry design. Students work through a number of fold forming samples to develop a sense of the technique. Next, students explore a number of enameling techniques, and apply those best suited to one or two of their fold formed pieces. A tools and materials list is available from instructor once enrolled. A$55 materials fee is payable to the instructors on the first day of the workshop. $185 March 11 & 12, 2017 (Sat–Sun) 10:00am–4:00pm Page 1 of 6 Nick Barnes - Fold Forming
Transcript
Silver Soldering for JewelryGretchen RaberStudents spend an intensive hands-on day devoted to working with the acetylene torch. Torch safety is stressed along with techniques, materials, and equipment. Participants practice with metal and silver solders. Materials are included.$105 March 4, 2017 (Saturday) 10:00am–4:00pm
Dyeing: Shibori: Tie-Dye on Steroids Candace Edgerley Shibori is a Japanese word for the technique of resist dyeing fabric by stitching, binding, or wrapping. Students learn the basics of this art, Arashi (pole wrapped), Trikit (stitch resist), and Boshi (capping), while making samples using silk and cotton fabrics. Dyes, discharges, and the care of silk are covered. Students design and complete two personal silk scarf projects. Materials fee of $45 due at first session.
$195 March 4 & 5, 2017 (Sat–Sun) 10:00am–4:00pm
March 2017 Workshopsat The Art League
Portrait PhotographyRobin ReidIn this offsite workshop addressing studio portraiture, the goal is to teach the student how to quickly produce a saleable, flattering photograph. Topics include lighting principles, use of strobes, portraiture posing, and flaws. Sample sheets, educational resources, reviews, and critiques are made available.$195 March 4 & 5, 2017 (Sat–Sun) 10:00am–4:00pm
Introduction to Enamel & Fold FormingNick Barnes Abby GoldblattThis workshop explores torch and kiln enameling and the dramatic effects of fold forming for small-scale jewelry design. Students work through a number of fold forming samples to develop a sense of the technique. Next, students explore a number of enameling techniques, and apply those best suited to one or two of their fold formed pieces. A tools and materials list is available from instructor once enrolled. A$55 materials fee is payable to the instructors on the first day of the workshop.$185 March 11 & 12, 2017 (Sat–Sun) 10:00am–4:00pm
Dyeing: Indigo—A Blue Like None OtherSylvia DeMarUnlike conventional dyes, indigo uses the air to impart its unique shades of blue to natural fibers. Participants explore the mysteries of setting up, caring for, and maintaining an indigo vat. No previous dye experience is needed. A $10 materials fee is payable to the instructor. Students may bring items to dye.$100 March 12, 2017 (Sunday) 10:00am–5:00pm
iPad Apps for the Traditional ArtistBobbi PratteStudents explore how digital apps can benefit the traditional artist. The iPad can help artists work out issues with existing images or assist in the creation of new ones. It can help improve observational skills. Students learn a variety of apps that help with value, color, drawing, and composition. Students also discover how the iPad helps when they are working plein air or when traveling. The focus is not creating digital art, but rather how to support and enhance creative time that is spent at the easel, drawing table, or outside the studio.
$105 March 18, 2017 (Saturday) 10:00am–4:00pm
Lightroom WorkshopPete DuvallLearn to use Adobe Lightroom as the centerpiece for digital photography workflow and integrate it with Photoshop. Participants learn to use the program to organize, edit, print, or share images. This class is taught using Lightroom. Students should bring a laptop and download the month-long trial of Lightroom from www.adobe.com prior to class.
$105 March 18, 2017 (Saturday) 11 :00am–4:00pm
TapestryTea OkropiridzeStudents are introduced to basic and intermediate Gobelin tapestry weaving techniques, creating a miniature woven tapestry sample on a small frame loom. Warping the loom, color mixing and hatching, finishing, and design shaping techniques are covered. The instructor works closely with students in class and provides individual guidance and demonstrations. A $30 fee is payable to the instructor for materials and frame loom use.$185 March 18 & 19, 2017 (Sat–Sun) 10:00am–4:00pm
Crash Course in DrawingDeirdre SaunderThis workshop is ideal for beginners and those in need of a refresher course. Fundamental drawing techniques, primarily in pencil and charcoal, are taught. Students learn to use line, value, gesture, and perspective, and develop the ability to “see” as artists. Subjects include still life, figure, landscape, and photographic references. Model fees and supplies are extra.$195 March 18 & 19, 2017 (Sat–Sun) 10:00am–4:00pm
Micro-Mosaic JewelryAnita Bucsay DamronCreate beautiful jewelry using glass from around the world, including authentic Italian filato and millefiori as well as Moroccan nano tiles. Some mosaic experience recommended. $50 materials fee is payable to the instructor.$105 March 18, 2017 (Saturday) 10:00am–4:00pm
Metal Clay and EnamelingPaula Coupe & Abby GoldblattDiscover the expanded possibilities of metal clay when paired with enameling. The first day, students create jewelry pieces from metal clay. Basic techniques for working with the clay are covered along with design considerations for future enameling. On day two, basic procedures are demonstrated and students enamel their own work. Clay and a $15 clay tool kit are available for purchase. A $20 materials fee paid to the enameling instructor covers all other supplies.$195 March 18 & 19, 2017 (Sat–Sun) 10:00am–4:00pm
The Monotype PartyMike Francis Pattee Hipschen Thomas HipschenIn the last quarter of the 1800s, monotype parties were all the rage for artists in Europe and America. In this two-day intensive workshop, participants use their drawings, paintings, or photos as reference while exploring the printing territory pioneered by Edgar Degas. Demonstrations include traditional monotype printing techniques and manipulation of the image with watercolor, gouache, and pastels. A gourmet lunch is served daily. A $20 lab fee, payable to the instructor, covers all supplies and lunch. This workshop is offsite.$230 March 18 & 19, 2017 (Sat–Sun) 10:00am–4:00pm
Watercolor Flowers in the Style of Sumi-éCharlene Fuhrman-SchulzThis workshop offers intensive instruction for those who wish to paint flowers in the splashing ink style of Sumi-é painting. It is ideal for the first-time painter or for those wishing to refine their skills. The workshop offers step-by-step, hands-on instruction and concentrates on flowers such as the iris, wisteria, morning glory, peony, and lotus. Instruction also includes background wash, and the subjects typically associated with traditional flower paintings such as birds, rocks, butterflies, and bees.$195 March 18 & 19, 2017 (Sat–Sun) 10:00am–4:00pm
Dyer’s Open Studio Sylvia DeMarDyers: this one’s for you–a day to experiment and share tips and techniques with fellow dyeing enthusiasts. Use the studio’s equipment (pots, pans, stove, measures, etc.) Although some dyes are available, participants are encouraged to bring their own. This is not a class, however an instructor is available to answer questions and demonstrate unfamiliar techniques.$30 March 19, 2017 (Saturday) 10:00pm–4:00pm
Photographing Your ArtworkPete Duvall & Alison DuvallLearn the basics of taking images of artwork for gallery submission, websites, or print reproduction. Lighting, lenses, backdrops, film and digital options are explored. Both 2-D and 3-D artwork are discussed. Sudents bring a camera (film or digital) that can be operated in full manual mode and a notebook. No artwork needed.$105 March 19, 2017 (Sunday) 11:00am–4:00pm
Figure SculpturePaul LucchesiStudents of all levels have an opportunity to study portrait and figure sculpture with an internationally famous sculptor. Students work in clay, with emphasis on anatomy, technique, and expression. Three bags of clay are included. Model and firing fees are extra and may be paid to the instructor. $410 March 20–23, 2017 (Mon–Thurs) 10:00am–3:30pm
Taking the Bull by the Horns: Creating a Body of WorkDiane TeslerParticipants plan and start a series of three to four paintings based on their own photos and sketches. The first afternoon, students meet with Diane to review ideas and plan subject matter for the week. This workshop offers a chance to explore ideas in depth and from different angles, while initiating the practice of developing several paintings simultaneously. Canvas and stretching supplies are used to move beyond standard canvas sizes. After the workshop, students are encouraged to keep in contact with Diane via email for feedback on works in progress.$360 March 20, 2017 1:00pm–3:00pm (Mon) &
March 21–24, 2017 10:00am–4:00pm (Tues–Fri)
Alla Prima Portrait PaintingTeresa OaxacaAlla prima is Italian for “at first attempt,” an apt description and a good goal for a class that has a different long pose each day. The class begins with a painting demonstration by the instructor, followed by students working individually from the live model and receiving regular individualized critiques. On the second day, students dive into the beginning of another portrait. A materials lecture and examples for study are presented. Discussion includes creating emphasis, light and dark, drawing, and navigating color.$295 March 20–22, 2017 (Mon – Wed) 10:00am–4:00pm
EmergeMarsha StaigerAcrylic painters find a path to a series of artwork. In the first three sessions, students use problem solving to expand control and invite new ideas into their personal visions. Students consciously break old habits and conventions, daring to engage the intuitive and build up critical thinking for analyzing their creations.$360 March 20–23, 2017 (Mon–Thurs) 10:00am–4:00pm
Photoshop WorkshopAlison DuvallLearn the basics of Adobe Photoshop and apply these skills to photos. This class covers everything from editing and correcting photos to creating new images. This class is taught using Adobe Photoshop Creative Cloud. Students bring a laptop and download the free trial from www.adobe.com before the first class. Each workshop meets Tuesday and Thursday for two weeks.$110 March 21, 23, 28, 30, 2017 7:00pm–9:00pm
Still Life and Floral in OilRobert JohnsonThis workshop concentrates on capturing the natural beauty of flora and other still life subjects in oil while working directly from life. The beauty and power of fresh undisturbed oil paint, as well as the expressive and descriptive quality of the brushstroke is stressed. The instructor demonstrates and emphasizes the direct alla-prima approach to painting. All levels welcome.$320 March 24–26, 2017 (Fri–Sun) 10:00am–4:00pm
Patterned Metal Sheet Jewelry: Mokume-GaneEric BurrisStudents learn a low-tech, low cost and efficient method of making fusion bonded Mokume-gane. Each participant is provided with a premade billet that is ready to be worked into either a seamless washer formed ring or a forged band ring, both done with an inside sterling silver liner. Materials fee payable to the instructor for pre made billet and ring liner. Students should have a good knowledge of soldering and use of basic hand tools.$195 March 25 & 26, 2017 (Sat–Sun) 9:30am–5:30pm
Faces in WatercolorJackie SaundersLearn to draw and paint human faces using shape, proportion, sighting techniques, contour and cross-contour line. Students learn to mix warm and cool flesh tones from fresh washes of watercolor pigment and define features with clean, descriptive shadow shapes. Correct placement of the features is taught to capture not only the likeness but the spirit of the model. Model fees are extra.$195 March 25 & 26, 2017 (Sat–Sun) 10:00am–4:00pm
Mola Stretches for Wet Felting ScrapsRenate Maile-MoskowitzVarious ethnic groups have unique techniques for piecing together their smallest scraps into stunning masterpieces. Students take inspiration from the Kuna Indians and Hmong with their Mola and Pa nDau techniques for joining even the smallest scraps together with wet felting. A materials fee is paid to the instructor based on materials used.$90 March 25, 2017 (Saturday) 10:00am–5:00pm
Color Mixing for the ArtistPriscilla TreacyThis workshop thoroughly explores the four properties of color: hue, value, temperature, and saturation. Targeted exercises help students come away with a greater ability to use color sensitively and creatively. All work is done with either acrylic or oil. A lab fee for some materials is payable to the instructor.$195 March 25 & 26, 2017 (Sat–Sun) 10:00am–4:00pm
Architectural PhotographyAndargé AsfawLearn the elements of good architectural photography including perspective, scale, lighting, and composition, as well as technical aspects such as camera formats, lenses, filters, and lighting. On day one, students meet on location as the instructor works alongside the students, teaching through demonstration and lecture. A critique of the students’ work followed by demonstration of editing features in Photoshop occurs in the classroom on day two. Both film and digital cameras are welcome. Tuition is $175.Library of Congress: March 25 & 26, 2017 (Sat–Sun)
Atmospheric WatercolorsPeter UlrichWet-into-wet watercolor offers wonderful opportunities for creating a mood or “atmosphere”. Landscapes and cityscapes in the rain, fog, or haze are especially good candidates for expressive treatment by transparent washes and subtle effects. This approach is not only limited to somber, bad-weather scenes. Bright shimmering sunlight, especially when dappled by overhead trees or sparkling on water, also lends itself to watercolor’s unique effects. This workshop explores a gamut of atmospheric subjects. Students work from photographs and imagination.$195 March 22 & 23, 2017 (Wed–Thurs) 10:00am–4:00pm
Traveling with your SketchbookSusan AbbottThis popular workshop teaches students to use gesture, contour, collage, and color to record their travels. Participants learn to use the sketchbook as a journal, and to make it a work of art. Students use picturesque Old Town Alexandria as source material, and for inspiration look at many artists’ sketchbook journals. Past students say, “This class changed my life!”$215 March 24, 2017 (Friday) 7:00pm–9:00pm &
March 25 & 26, 2017 (Sat–Sun) 10:00am–4:00pm
Plaster Cast Relief SculptureThanasi PapapostolouRelief sculpture bridges the skills of the painter and the sculptor. Casting a relief sculpture is an effective way for beginners to learn casting technique before attempting more complex pieces. Day one of the workshop focuses on sculpting a portrait relief from a live model. On day two, participants make a plaster mold and cast the finished piece. Materials are included, model fees are extra.$195 March 25 & April 1, 2017 (Saturdays) 10:00am–4:00pm
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office: 105 North Union Streetannex: 808 North Fairfax StreetAlexandria, VA [email protected]
Intermediate/AdvancedAbstract PaintingJoyce McCartenAbstract painting can be representational or non-subjective. Whatever the preference, working in a series can lead to making work that is personal and satisfying. Students have three days to develop ideas through drawing, painting, and mixed media. New creative solutions to conceptual problems are discovered as students learn to paint in layers, integrate subject and ground, and use transparencies, found images, and lost and found lines.$300 March 27–29, 2017 (Mon–Wed) 9:30am–4:30pm
Next Step in Encaustic PaintingBeverly RyanEncaustic painters explore this exciting medium on four consecutive afternoons. Demonstrations and plenty of hands on time provide the opportunity for students to review basic techniques, try new materials, develop imagery for a series, work in a larger format, explore mixed media, hone tool skills, and connect with other encaustic enthusiasts. Workshop fee includes most materials, three 15”x15” panels, four 10” x 10” panels, and use of equipment$455 March 27–30, 2017 (Mon–Thurs) 1:00pm–5:00pm
Color Lessons from the MastersSusan Abbott This intensive workshop combines art history and challenging painting exercises to study how great artists from Giotto to today’s masters use color. Participants look at how color theory has been interpreted from the middle ages onward, and how these lessons on color intensity, complements, color mixing, and many other aspects of color use may be incorporated to improve one’s own paintings. Instruction is in gouache or watercolor.$360 March 28–31, 2017 (Tues–Fri) 10:00am–4:00pm
The Techniques of TiepoloRobert LiberaceVenice, known for its celebrated painters such as Titian and Tintoretto also produced one of the greatest draftsmen in history, Giambatista Tiepolo. He fused the great traditions of Florentine “disegno” with Venetian “colorito” to produce a distinctly original approach to drawing. This class explores Tiepolo’s dynamic approach to ink and red chalk drawing and looks at both traditional tools and modern day equivalents to achieve similar effects to the great 18th century master.$345 March 31, April 1 & 2, 2017 (Fri–Sat) 10:00am–4:00pm
