N rojas portfolio 2014

NATALY ROJASM.Arch Portfolio

Winter 2012Professor: Howard Davis

INTERIOR STREET

SW 1ST AVEN

UE

SW ANKENY

Interior Street Street Circulation

Proportion=Portland Block

Parti

t r a n s p a r e n t

f u n c t i o n

DIFFERENT TYPE OF SPACES

Dierence type of space

CIRCULATIONCirculation

Atrium Eect

SW 1ST AVEN

UE

SW ANKENY

Circulation In Site

Vertical Connection

When I think of food I think about

being in the middle of a market in

Atlixco, Mexico. I think about the

smells of the fruit, the cheese, the

chocolate, the tortillas and many

of the other amazing products. I

also think about the small restau-

rants and the incredible food that

is cooked there. This project for

C.H.O.P made me want to design

a place where people in Portland

can feel like the people in Atlixco;

where the whole town has devel-

oped around the market, to them

the markets is the place where

they can meet with their favorite

flavors as well as with their friends.

The concept of Transparent Fun-

damental has driven my design

not only in the organization but

in the overall sensation of the

building, this should be a beautiful

space that houses all types of food

lovers and offers them a sensation

like no other.

Welcome to C.H.O.P!

CULINARY HUB IN PORTLAND

Culinary Hub In Portland 10

SW 1ST AVENUE

SW ANKENY STREET

Meeting Room

OceLoading Dock

Classroom/Oce

Classroom/OceBathroom

Bathroom

FIRST FLOORSCALE - 1 = 1/16

Market

SOUTH SECTION

EAST SECTION

N

Light Eect

FACADE STRUCTURAL ORDER

Facade structure order

CLASSROOM

CLASSROOM

LIBRARY

MEETING ROOM

MEETING ROOM

MARKET

GROCER

RESTAURANT

CAFE

Vertical Program Connection

CULINARY HUB IN PORTLAND

Meeting Room

Teaching Classroom

SECOND FLOOR SCALE - 1 = 1/16

Grocer

LibraryBathroom

Bathroom

Teaching ClassroomRestaurant Kitchen

Restaurant

THIRD FLOOR SCALE - 1 = 1/16

SOUTH ELEVATION

Winter 2012Professor: Howard Davis

Observing the program I noticed

a distinction between activities.

They are activities that can clearly

be connected to the food, places

like the market, the restaurant and

the cafe. The other realm of the

program are what I have called

the educational aspect, the places

where food is more of a concept,

where food will be studied and

discussed, places like the library,

classrooms and meeting room. I

took this separation as a literal one

and created two buildings that are

connected by clear paths.

Bathroom

BathroomMeeting Room

Teaching Classroom

Teaching Classroom

FIFTH FLOORSCALE - 1 = 1/16

12

Metting Room

Garden

Teaching Classroom

Teaching Classroom

Cafe

Oce

Bathroom

Bathroom

FOURTH FLOORSCALE - 1 = 1/16

SOUTH ELEVATIONEAST ELEVATION

The food part of the program

is one that needs to be transparent

and assesable to the general pub-

lic, its the place that needs to be

seen right away and should have

a simple circulation design. The

educational part of the program

is more of a fundamental element,

the background and core of the

food environment, this space is

opaque and secure for those that

venture into the world of food

knowledge.

Culinary Hub In Portland

DETROIT IDEA CENTER

Fall 2012Professor: Melinda Nettles

WatecolorObservations

InspirationCollages

The Idea Center is a space that

unites urban-farming and enriches

the area of Corktown by emphasiz-

ing its beauty and history with a

quality of education.

Detroit has developed a culture of

urban farming, a movement that

offers great potential for the com-

munity. The sill will be a connec-

tion between the urban-farmers

in Detroit and offer them the tools

that they may not have access to.

The design incorporates education

which can be achieved through the

areas of farming, composing/Re-

cycling and the arts, with a strong

understanding of te history of the

site and the community.

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

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16

Exhibit Space 10,000

Lobby 3,000

Lecture/Auditorium 25,000

Caf/Gift Shop 5,000

Classrooms 1,000 3

Community Meeting Space 5,000 Indoor and/or Outdoor

Offices 3,000

Restrooms 100 9

Janitor Closet 40

Mechanical/electrical Room 10,000

Loading 2,500 2 Semi trucks & 1 DeliveryTruck

Storage 4,000

Total 71,440

Hydroponics Fishery 6,000

Packaging & Food Processing 6,500

Forestry Yard 3,000

Indoor Farm Space min of 2,500

Outdoor Farm Space min of 7,500

Teaching Laboratory 1,500 4

Compost Training Area 2,500

Recycling Room 2,500

Total 32,000

Compost Training Area 2,500PROJECT TOTAL 103,440


Lobby 3

,000


Caf

/G

ift S

hop

5,00

0

Classroo

ms

1,000

Community Meeting Space 5,000

Offices

3,000


Loading 2

,500

Storage 4,000

Hydropo

nics Fish

ery 6,00

0

Packagin

g & Foo

d Proces

sing 6,5

00

Forestry Yard 3,000

Teaching

Laborato

ry

1,500

Teaching

Laborato

ry

1,500

Teaching

Laborato

ry

1,500

Teaching

Laborato

ry

1,500

Compost

Training

Area 2,5

00

Recycling

Room

2,500

Restroom

s 100

9

Classroo

ms

1,000

Classroo

ms

1,000

O P T I O N O N ET H E I D E A C E N T E R S T U D I O P R O F . M E L I N D A N E T T L E S N ATA LY R O J A S


Lobby 3,000


Caf/Gift Shop 5,000

Classrooms 1,000 3


Offices 3,000

Restrooms 100 9

Janitor Closet 40



Storage 4,000

Total 71,440



Forestry Yard 3,000






Total 32,000


Exhibit S

pace 10,0

00

Lobby 3

,000

Caf

/G

ift S

hop

5,00

0

Commun

ity Meetin

g Space

5,000


Storage 4,000

O P T I O N T W OT H E I D E A C E N T E R S T U D I O P R O F . M E L I N D A N E T T L E S N ATA LY R O J A S

Loading 2,500



Com

post

Training

Area 2,500

Recycling

Room

2,500

Lecture/

Auditor

ium 25,

000

Cla

ssro

oms

1,00

0O

ffice

s 3,

000 For

estry Ya

rd 3,000

Teac

hing

Labo

rato

ry

1,50

0

Teac

hing

Labo

rato

ry

1,50

0

Teac

hing

Labo

rato

ry

1,50

0

Teac

hing

Labo

rato

ry

1,50

0

Rest

room

s 10

0

9

Cla

ssro

oms

1,00

0

Cla

ssro

oms

1,00

0

Caf

/G

ift S

hop

5,00

0

Caf

/G

ift S

hop

5,00

0

Caf

/G

ift S

hop

5,00

0

Caf

/G

ift S

hop

5,00

0

Caf

/G

ift S

hop

5,00

0

Caf

/G

ift S

hop

5,00

0


Lobby 3,000


Caf/Gift Shop 5,000

Classrooms 1,000 3


Offices 3,000

Restrooms 100 9

Janitor Closet 40



Storage 4,000

Total 71,440



Forestry Yard 3,000






Total 32,000


Exhibit S

pace 10,0

00

Lobby 3

,000

Lecture/

Auditor

ium 25,

000

Cla

ssro

oms

1,00

0

Community Meeting Space 5,000Offices 3,000


Loading 2,500

Storage 4,000



Forestry Yard 3,000

Teac

hing

La

bora

tory

1,

500

Teac

hing

La

bora

tory

1,

500

Teac

hing

Labo

rato

ry

1,50

0

Teac

hing

Labo

rato

ry

1,50

0



Res

troo

ms

100

9

Cla

ssro

oms

1,00

0

Cla

ssro

oms

1,00

0

O P T I O N T H R E ET H E I D E A C E N T E R S T U D I O P R O F . M E L I N D A N E T T L E S N ATA LY R O J A S

Cla

ssro

oms

1,00

0

Caf/Gift Shop 5,000 Caf/Gift Shop 5,000


Lobby 3,000


Caf/Gift Shop 5,000

Classrooms 1,000 3


Offices 3,000

Restrooms 100 9

Janitor Closet 40



Storage 4,000

Total 71,440



Forestry Yard 3,000






Total 32,000


Exhibit S

pace 10,0

00

Lobby 3

,000

Lecture/

Auditor

ium 25,

000


Storage 4,000

O P T I O N T H R E ET H E I D E A C E N T E R S T U D I O P R O F . M E L I N D A N E T T L E S N ATA LY R O J A S

Classroo

ms

1,000

Teaching

Laborato

ry

1,500

Teaching

Laborato

ry

1,500

Teaching

Laborato

ry

1,500

Teaching

Laborato

ry

1,500

Restroom

s 100

9

Classroo

ms

1,000

Classroo

ms

1,000

Hydropo

nics Fishe

ry 6,000


Forestry Yard 3,000

Offices 3,0

00

Caf/Gift Shop 5,000

Community Meeting Space 5,000

Com

post

Trai

ning

Are

a 2,

500

Recy

clin

g

Room

2,50

0

Process Diagrams

Site Plan

Detroit IDEA Center


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Detroit IDEA Center


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West Facade


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Plans

Detroit IDEA Center

Winter 2013Professor: Linda Zimmer

KENNEL ELLISREDESIGN

The objective of this program is to

provide the textile community of

Eugene the opportunity to access

resources that they do not have at

home.The program offers incuba-

tor space that can be rented to

experienced people and a resource

Library in which the members can

use items like textile examples

and a large collection of special-

Storage/Display

00 10' 20'

First Floor PlanRetail SpaceTool Checkout Sewing Rooms

Retail Space

Lobby

Cutting Station

Sewing Space

Sewing Space

Knitting MachineStorage

Tool Station

Working Space

Gallery Space

Display

Pin-up W

all

Pin-up W

all

Display Wall

00 10' 20'

Second Floor PlanWeaving SpaceKnitting Space Incuvator SpaceCafe

Knitting Space

Knitting Circle

Weaving Space

Incuvator SpaceIncuvator SpaceIncuvator Space

Movable wall with Desk

Cafe

Working Table/Wall

Working Tab

le/W

all

ized books. This space is mostly a

members only space. However, the

layout of the space and activities

was created to produce inspiration

inside and outside the building.

Kennel Ellis Redesign 22

TRANSITION

MAIN CONNECTION

ACTIVITY BOTH FLOORS

2ND FLOOR

2ND FLOOR

1ST FLOOR

1ST FLOOR

2ND FLOOR

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PERSPEC

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MAIN CONNECTION

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Interior Detail

00 10' 20'

Library

Library

Tool Checkout

Weaving

GardenDyeing Lab

Knitting

Sewing

Retail Space

East to West Section

Winter 2013Professor: Linda Zimmer

24

00 10' 20'

Library

Library

Tool Checkout

Weaving

GardenDyeing Lab

Knitting

Sewing

Retail Space

East to West Section

Kennel Ellis Redesign

Watercolor Studies

El Centro Project

PiaxtlaisatownlocatedinthesouthoftheMexicanstateofPuebla.Alargepartofitspopulationhasmigrated

totheU.S.tofindworkandmoneyfortheirfamilies.Theseremittencesfuelthelocaleconomyandhaveanimpact

onthestructureofthetown.Perhapsthebesttimetoseethisimpactisduringthefestivaldevotedtothetowns

patronsaint.InPiaxtla,thetownholdsayearlyeventtopayhomagetoLaVirgendelaAsuncion,VirginoftheAscen-

sion.Thefestival(laFeria)isthemostimportanteventinPiaxtlaandrunsthroughthemonthofAugust.Thisisthe

timethatmanywhoarelivingintheU.S.returntoPiaxtlatospendtimewithfamilyandreconnectwiththeircus-

toms.AsmoremoneyissentbackfromtheU.S.thefestivalbecomesmoreandmoreextravagantwhichinturnmoti-

vatesimmigrantstoreturntoexperiencethecelebration.

ThisprojectwasbornfromthefascinationofElCentro,thetownsquarealsoknownasthezocalo,andtheway

itisutilizedduringtheFeria.Itmorphsintoamarketplace,acarnival,adancehall,apublicparkandashoppingcen-

teralmostseamlessly.Itisanextremelyflexiblespacethathastheabilitytoaccomodatetheneedsoftwodifferent

worlds:thetownspeoplewholivehereyear-roundandthereturningpopulationduringthefestival.

El Centro ProjectPiaxtla | Puebla | Mexico

Map of Piaxtla with the main square (El Centro) and main highway highlighted.

A) Map of Mexico showing the location of the state of Puebla. B) Map of Puebla showing the location of the municipality of Piaxtla.

Photograph taken in 1942 from the northern mountain. It shows the most important elements in a Mexican community: 1) the church 2) the Market place 3) the public park 4) and the Municipal building

The plaza is a weekly market where vendors gather to sell their goods in Piaxtla. This event enables townspeople to do their shopping of fresh pro-

duce along with most items needed throughout the week and eliminates the need for supermarkets or large retail stores.

The festival is a celebration devoted to the Virgin of the Ascension and many ceremonies and events are held. Many carnival rides and booths are

invited to participate, and this gives the town a nocturnal quality that doesnt exist throughout the rest of the year. Whereas the market place and

the plaza are used by locals and visitors for necesities, the feria serves mostly recreational purposes.

This phtograph taken from the southern mountain 70 years later shows that the town expands concentrically around El Centro. The four structures have remained important.

This photgraph shows the market place (mercado) in use in 1942, where vendors could gather to

sell their goods. This commercial method has been in use since precolumbian times.

This fountain was constructed near the church and was meant to represent the core of the town. Still a very important structure, the market place (mercado) has grown exponentially to acco-

modate a growing population. This shed is used for the weekly Plaza market and for important

events and gatherings especially during the festival (feria). It is also slowly transforming into a

permanent market place like those found in larger Mexican cities such as Puebla and Oaxaca.

The fountain has been replaced by a kiosko, a small pavilion for taking refreshment.

A

B

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El Centro | TheSquare

La Plaza | TheWeeklyMarket

La Feria | TheFestival

Antonia Manuel German & Juana

Symbol Key

Mobile Stalls: Vendors whose wares are small enough to be carried through the market place. Some examples are blankets, wire mesh stands and small carts.

Booths: Assembled structures that protect vendors and their goods from the elements and act as shelter through the month.

Rides: Amusement rides that include a carousel, bumper cars, ferris wheel, tilt-a-whirl. Also arcade houses and trampolines.

Table Stalls: Stalls created by joining tables for displaying goods. Primarily found within the shed which provides cover.

El Mercado: The shed (el jacaln) at the center of town has been used primarily to hold major events and the weekly plaza. It has begun to be used by resident vendors to sell produce, food and other goods on a daily basis.

La Plaza: The plaza is a traditional farmers market. Every wednesday local vendors set up in the town square to sell everything from household items to livestock. This lasts from sun-up to sun-down.

La Feria: The fair is an annual festivity held during the month of August. Vendors from all over Mexico are invited, along with carnival booths and rides. They are primarily out-of-towners whose booths serve as their shelter for the duration of the fair.

Color Key

August 8th 2012First Plaza of the month.

Vehicles: Many of the vendors transport their goods using cars and trucks. These fill space around the main square.

AntoniaisaresidentofPiaxtlaandavendorthatsellsgrilledcorn

inthezocalo.Shetoldmethatcomparedtootherpeopleshehad

theluxuryofgoinghomeeverynightandsleepingonherownbed.

Howeverifthiswasnotthecaseshewouldnothaveaproblem

stayinginthezocalosinceshebelievesittobesafeandaproduc-

tivewayofkeepingthemerchandiseinoneplace.Atnightshelocks

everythingtothebenchsheusesashervendingpostandreturns

thenextdaywithcornforgrillingandthetraditionaltoppingsof

chilepowder,limeandsalt.Herstandisapublicbench,asmall

tableandasmallcharcoalgrill.Thisisherfirsttimesellingcornin

thezocalo,andknowsthatthefestivalisagreattimetomakeextra

money.ThoughshehaschildrenwhoareworkingintheU.S.she

doesntliketojustsitandwaitforthemtosendhermoney,asshe

believesmanyinthetowndo.AtthebeginningofthemonthAn-

toniawasinthezocalobyherselfandlatershewasjoinedbyher

husbandandgranddaughterwhowouldkepthercompany.Since

Antonialocksherpropertytothemetalbenchithascreatedasmall

circlewherepeoplethatsheknowsgather,thisisalsoenforced

sinceherfriendhasalsosetupshopinfrontofher,sellinggumand

candy.Theyenjoyedbeingabletochatinthetimebetweensales.

Manuelsellssmalltrincketslikethepopularturtlebobble-heads

madeofsmallgourdsandwoodfor25pesos($2.00).Hecameto

PiaxtlawithhismotherwhohasbeencomingtotheFeriaforthe

last5years.Manueltoldusthattheymoveallyearround,selling

knickknacksandcrafts.Theirtripbeginsintheirhometownand

takesthemallaroundMexico.Theyexplainthattheyusedtobeable

totravelbybusbutthatisnowdifficultbecausebuslinesarenot

beingasaccommodatingduetotheirlargequantitiesofmerchan-

diseandtheirboothcomponents.Nowtheymusthiretruckdrivers

thattakethemtotheirdestinationforafee.Forthedurationofthe

festivaltheyliveintheirboothtokeepaneyeontheirmerchandise.

German&Juanacreatepersonalizedbraceletsbywrappingcolor-

fulthreadtoastripofplastic.Thecouplemadethemselvesstand

outfromothersofthesametradebytheirquicknessanddesigns.

Theyholdacustom-madestandthatholdspre-madebraceletswith

popularnamesandcolors.Theirstandiscomprisedofthreehinged

boardsthatcanbefoldedandeasilycarried.Whenacustomerap-

proachesthem,theysetdowntheirboardtodisplaytheirwork.

Theyhaveasmallnotebookwheretheywritetherequestednames

orwordsstrugglingabitwithspelling.Thecoupleplacethemselves

inthezocalonearthekioskoandawaitforpasserbys.Theirthree

childrensitpatiently,usingcardboardtomakethecementsofter

andcooler,astheylearnthecraftsoftheirparents.Theyexplain

thattheyhavelearnedmanycraftsandskillsintheircityofTaxco,

locatedintheneighboringstateofGuerrero.Butthebraceletsallow

themtotravellightandareverypopular,especiallywiththeyoung

peoplethatarevisitingfromtheU.S.Otherthantheirdisplaythey

haveabackpackinwhichtheycarrytheirmaterialsandonebench

forJuanatositon.Theyalsocarrywiththemaplastictarpthatthey

useasaprotectivecanopy.Theirestablishmentreliesontheirplace-

mentsincetheyareintheverycenterofthezocalotheycanuse

thecementbenchofthezocaloasasittingplace,eatingplaceand

restingarea.

Vendors

Vendor Stalls

Section: North to south. Mercado and kiosko

Felipeandhisbrotherwereonlyinthetownforthemainweekof

thefestival.TheycamefromthecityPueblaandoncetheywere

doneinPiaxtlatheyweregoingtoanotherfestivalinCholula.Fe-

lipewasresponsibleforonelargeboothandhisbrotherforanother.

Eachhadacombinationofhandmadewoodenitemsrangingfrom

spoonstobackmassagers.Theyexplainedthattheydidnotfindthe

festivaltobeasprosperousasithadbeeninpastyearsandthata

lotlesspeopleseemedtobeinPiaxtlacomparedtoprioryears.Like

therestofthevendorsthatwerestationedinthezocalotheyslept

intheirboothsandfoundthatthiswasthebestwaytosavemoney

andprotecttheirmerchandise.WhenIaskediftheyfoundthisway

oflivinguncomfortabletheyrespondedthatitwasfinesincetheir

booth,measuringtenfeetinlength,offeredthemmuchmorespace

thanotherpeoplethere.

SantosisparticipatinginPiaxtlasfestivalforthefirsttime.Heisa

memberoftheOtomitribefromthenorthsectionofthestateof

PueblafromatownasremoteasPiaxtla.HeendedupinPiaxtla

becauseafriendwhohasparticipatedinthefestivalinvitedhim.

HiscraftisatradehelearnedinhishometownintheSierraNorte

ofPuebla.Theregionsartisansarewellknownforcreatingintricate

andbeautifulobjectsusingbeadworkandbarkpaper.Hefounditto

beverypopularinPiaxtlaandbecauseofthisheplanstocomeback

nextyearandbringothersfromhistown.Santosexplainedthatafter

monthsofsavinghewasfinallyabletopurchasehisstall,which

wasdesignedbyhimandconstructedbyametalsmithinhistown.

Santosexplainedthathedecidedonthemeasurementsbasedon

themoneythathehadatthetime,ifonehadthemoneytohavea

biggerstalldoneheexplainedthenonecould.Healsotookinto

considerationtheamountofspacethatheneededforhisworkand

thefactthattownslikePiaxtlachargevendorsafeerelativetothe

dimensionsofthestalls.Theboothisametalframedstructuremea-

suringfivefeetinlengthandadepthof6feet.Thetabletopwhere

heplaceshismerchandiseisthreefeetdeepandrisesthreefeet.

Thetotalheightoftheboothissevenfeetwithagableroof.Putting

thestalltogetherisverysimpleandsincehismerchandiseissmall

hedoesnotusemuchofthespaceunderneathotherthantohave

somepersonalitemsandextramerchandise.Santosexplainedthat

hisboothdidnothaveboardsrisingbetweenthetabletopandthe

floorthatmanyusetosleepon.Insteadhesethisboothagainstthe

thepark,sothathecouldsitontheledgeduringthedayandsleep

onitatnigh.SantoswasoriginallyplanningtostayinPiaxtlafor

twoweeksbutoncehewasthereherealizedthatstayinguntilthe

endofthemonthwasbeneficialsincemanyofthethatweregoing

backtotheU.S.weredoingsoatheendofthemonth.Thisisthe

timethatmanyusetobuylastminutegiftsandsouvenirs.

MartaisfromAcatlan,acityanhourawayfromPiaxtla.Shewasin

townforthedurationofthefestival,sellingclothingfromdifferent

regionsofMexico.Shewasintownforabouttwoweeks,duringthe

firstweekhersonkepthercompanyandinthelastweekherhus-

bandarrivedwithnewmerchandise.Sheexplainedthatsheneeded

helpfrombothofthemassembleanddisassembleherestablish-

mentbecausethemetalbarsaretooheavyforhertodoitalone.

Oncethefestivalisovershewillhiresomeonefromthenexttown

tomoveherthingstothenextfestival.Inpreviousyearsshehad

reliedonpublictransportationbutthishaschangedsincebusesno

longermakeasmanylocalstopsandlimitpickups.Liketheoth-

erswhocomeforthefestival,shesleepsinherboothandrelieson

beingwithhermerchandisetoprotectit.Thebenefitstosleepingin

herbootharenothavingtowastemoneyforhotelsandnothaving

tomovehermerchandise.

Vendors

Felipe Santos Marta

August 22nd 2012Third Plaza of the month.

Elevation: North facade of zocalo and kiosko.

5 am

7 am

11 am

1 pm

3 pm

5 pm

PLAZA TIMELINESMARKET TIMELINE

Though the weekly plaza is organized in a very organic manner, there are new attempts to make business within the shed more orderly. Pathways were made to create sections for dierent types of vendors. So the meat sellers are grouped together in one section while the baked goods are in another. The mercado is also used during other days of the week though not in the same scale as the weekly market. The schedule is similar however, with people setting up fruit stands and makeshift kitchens for selling food. It is a known fact that in most Mexican cities it is in the market places that you find their culture. The best food, the local styles, regional goods and crafts. And as Piaxtla grows, El Mercado must also adapt.

LupeisoriginallyfromChinantlaanearbytown(itsdividedfrom

Piaxtlabyastreet).ShemovedtoPiaxtlabecausethereshehadthe

opportunityofputtingupherownbusiness.Shedecidedthatveg-

etableswouldbethebestproducttosellsincethetowndoesnot

haveasupermarketandhasaccesstofreshproduceonlyduring

thePlazaonwednesdays.SincethemercadoinPiaxtlaisanopen

shed,itwaseasyforhertoset-upandinthisyearherbusinesshas

grownfromhavingatableofproducetohavingsixtablesstacked

withfruits,vegetablesandflowers.LupetravelstoAcatalntofind

freshproduceonceaweekandreliesonherchildrenorhusbandto

takecareofthestand,whichhasbecomeapermanentfixtureofthe

mercado.

Lupe

Mariawasveryhappytobesellinginthetown,shewasastrong

believerofthequalityofthesweetsthatshesells.Sheofferedall

kindsoftraditionalMexicansweets,suchaschilcacayote,ared

candiedsquashandfamoussweetpotatotreatknownascamote.

Sheencouragedhercustomerstosamplehermerchandisetoprove

itsquality.Shebelievedthatthefreshnessofhersweetswerewhat

maintainedhercustomershappy.Shetookturnswithherhusband

andsontravellingbackandforthfromhertowntotransportfresh

productswhensheranlow.MariaarrivedinPiaxtlaaftergoingtoa

festivalinthecityofAcatlanandwasplanningtostaythereforthe

remainderoftheweekwithhersonwhileherhusbandlefttosetup

forafestivalinCholula.Theysleptintheirbooth,whichmeasured

tenfeetinlengthbyadepthofsixfeet.Shewaslocatedinthewest-

ernedgeofthezocalo,surroundedbyotherboothsthatalsosold

sweets.Shefeltthatthecompetitionwasessentialformaintaininga

highqualityproduct.

InesisaresidentofPiaxtla.Butcheringandmeatsellinghavebeen

herfamilystradeforgenerationsandtheyarealsoknownfortheir

pozole(awhitehominysoup)andtheirtacos.Shecanbefound

sellingfoodinthemercadoonsomedaysandsellingmeatdur-

ingthewednesdayplaza.Sheexplainedthatthenewpresidenthas

helpedthemerchantsorganizeinthemercadobypavingthefloor

withbricksanddemarcatingpathwaysforcustomerstotraversethe

marketplacewithease.Thepathwaysalsomarkdifferentsections

ofthemarketduringtheplaza,sothatmeatsellersareallinone

place,thebakersinanother,etc.WhiletalkingtoInesothervendors

askediftheycouldsettheirestablishmentnexttoherssinceitwas

emptyandsheexplainedtothemthatthislocationwasformeat

sellers.Itsanewsystemthatalsohassomepoliticalcomplexity.An

associationofvendors,ofwhichInesisamember,pooledmoney

togethertohelpimprovethemercadoandtheshed.Shebelieves

thatthisgrantsthemmorerighttohavetheirbusinesshousedwith-

inthestructureoftheshed.

Ines Maria

Vendors

Stage

August 15th 2012Second Plaza of the month.

5 am

7 am

11 am

1 pm

3 pm

5 pm

PLAZA TIMELINESPLAZA TIMELINE

The weekly market is held every wednesday, though most vendors arrive the night before to set up. The plaza sprawls accross the square and takes a dierent shape every week. This timeline shows the duration of the plaza from 5 am where the vendors wake to display their merchandise until 5 pm when the square is thouroughly cleaned by municipal waste management.

Elevation: South facade of mercado.

Summer + Fall 2012Professor: Howard Davis

Piaxtla is a town located in the south of the Mexican state of Puebla. A

large part of its population has migrated to the U.S. to find work and a bet-

ter life. Many of them send money back to their family. These remittences

fuel the local economy and have an impact on the social and physical

structure of the town. The best time to see this impact is during the festi-

val devoted to the towns patron saint. In Piaxtla, the town holds a yearly

event to pay homage to La Virgen de la Asuncion, Virgin of the Ascension.

The festival is the most important event in Piaxtla and runs through the

month of August. This is the time that many who are living in the U.S.

return to Piaxtla to spend time with family and reconnect with their tradi-

tions.

This project was born from my fascination of El Centro, the town square,

and the way it is utilized during the Feria. It morphs into a weekly market

place, a carnival, a dance hall, a public park and a shopping center almost

seamlessly. It is also slowly growing into a permanent market. During the

fair it is an extremely flexible space that has the ability to accomodate the

needs of two different worlds: the townspeople who live here year-round

and the returning population during the festival.

The information for this project was obtained through direct observation

and interaction with the space of the town square and those who use it.

Poster Series

28

Theareahassomepermanentconveniencestoresthatareopenall

weeklong.Howeverthelackoffreshproducemakesthemercado

essential.Someoftheretailerscomplainthatthemercadoandthe

plazaweretakingcustomersawaybutwhenobservingtheitems

thataresoldineachestablishmenttheyarenotcompetingwith

eachotherbutcomplementthemselves.

Thechurchisanessentialparttothetownsorganizationandde-

velopment.SincethemainreasonforthefestivalistheVirginofthe

townthechurchalsogoesthroughsometransformationstoaccom-

modatetheincreaseinpopulation.Whenlargereventsareprepared

inthechurchalargetentisset-uptogooutsidethechurchcreating

anewchurchinthefrontpartofthechurch,thiswaythefacade

becomesthealtarandthepathtoenterthechurchbecomesthe

centralaisle,whennolargereventsareplanthechurchreturnstoits

commonstate.

August 29th 2012Fourth Plaza day of the month.

Elevation: North facade of the church

Throughoutthemonthaseriesofeventsinpeopleshouseshappen

tocommemoratetheVirgin,Howeverthebiggestandmostim-

portantistheprocessionthathappensonAugust14th.Onthisday

eachyearadifferentpatronfamilyorganizestheeventssurrounding

theVirginandareresponsibleforlayingafloorpatternonthepath

thatwillbeusedbytheprocession.Beginningatthepatronfam-

ilyshometheprocessiongoesthroughmainstreetsandendsatthe

churchwherealargergroupofpeopleawaits.

Additional Observations

La Procesion La Iglesia Tiendas La Quema

AbigpartofthefestivalistheQuemawhichisasequenceof

fireworksthatoccurincelebrationofthevirginandthepeo-

plethatwillsoonbereturningtotheUnitedstates.TheQuema

happensinbetweenthemercadoandmunicipalbuildings.

El Centro Project

OMSI Newport Educational Camp

CLEAR DIRECTION CENTRAL DIVISION SITE EXPOSURE CHANGE IN SITE

DINING HALL DRAWING SCALE 1/8

Spark- The OMSI exploration camp

should be a place where kids get a

spark into discovering a new world

Control Exploration- This should be

a place of introduction. to achieve this

its necessary to control the experi-

ence in the site and allow special

places to be emphasized.

Organic- The site planning should

response to the activity as much as

to the natural effects on the site, to

achieve this organic organization is

necessary.

Clear Center- There should be a place

where everyone comes together, a

place that is clear and important.

Transition makes a space magical- To

achieve a positive experience, its

necessary for the camp to become its

own place outside the rest of New-

port. to get this feeling there needs to

be a transitional place.

Jenny young Fall 2013

24

OMSI Newport Educational Camp

Jenny young Fall 2013

Spring 2013Christina Bollo (Current Work)

Section

River

Center of Gated Community

VIEWS

CONNECTIVITY

EDGES

OPENNESS

Gates and Details The Community is surrounded by tall walls and Three gates that allow access to the homeowners. On the North-East side of the community the gates are opened by code However they are beutifutly detailed with many trees and brick detail when possible.

Walls and Tress The only side that the gated community is not enclosed by the tall wood walls id by the river there the level of separation is much more suddle, However all the other side have walls as tall as 6 feet, which fully limits view into the houses.

House 1

House 2

House ONE

House TWO606 Shoreline WayEugene, OR 97401

613 Shoreline Way Eugene, OR 97401

This is one of the main houses that can be seen from the bike path, the only thing that separates the two is a large plot of land thatis plublic land. The main focus in this houseis the connection to the river making it thesecond most valuable house ($506,554) in the gated community. The house is owned by EDWARD G & JANICE POOLE and its on 0.27 acres with a 3673 sf house it was finished in 2002

One of the largest and the most valuable housein the gated community ($646,462). This house stands out because of its brick facade which no other house in the community appears to have. The house has a visually direct connection to the river as well as the center of the community, to leave the community and get to the river residents are required to see the house since the exit is directly next to it. The house is owned byKEITH & SALLY WRIGHT and its on 0.33 acres with a 4237 sf house it was finished in 2002

THE SHORELINE WAY GATED COMMUNITYNataly RojasSpring 2013 - Studio

SEED Community

34SEED Community

South Elevation Entrance to Community Space

40

10

First Floor

Second Floor

Roof 20

East Elevation Entrance to Community Spaceand Units

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North Elevation Entrance to Unitts

40

First Floor

Second Floor

Roof

West Elevation Entrance Units

50

20

10

28

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Seed Community Housing for Foster Teen and Artistic SeniorsEugene, Oregon

Nataly Rojas Christina Bollo

Midterm Review

Foster Teens Housing with Community Space

Foster TeensArtistic Seniors Community Space

Process Drawings

Senior Housing Scale 1/4=1

Scale 1/4=1

Scale 1/4=1

Site Organization

Relation Pattern

Townhouses Organization

Three Types of Buildings

STUDIOPROFFESOR

Spring 2013 Rob Thallon

Residential Construction

REVISIONS

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ELEVATIONS 1/4''=1'

SECTIONS 1/4''=1'

INTERIOR ELEVATIONS 1/4''=1'

SITE 1/60''=1'

SECTION 2interior e. 1 & 3

SECTION 1interior e. 2

west facade

north facade

North facade west facade

section 1 section 2

elevation 1 elevation 2 elevation 3

see flat roof detail a2.see glass roof detail a4.

see roof detail a2.

see found. detail a3.

15'

8'-7''

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2-0EAVE

1'-6''EAVE

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2X6 HEADER

2X8 R

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2X8 RAFTERS @ 24'' O.C.

R-21 BATT INSULATION

VAPOR RETARDER

PRE-PAINTED HARDIE BOARD FACIA

2X6 DECKING

STANDING SEAM METAL ROOF OVER BUILDING PAPER

SHT. METAL FLASHING AND REGLET

SHEET METAL GUTTER AND DOWNSPOUT

BLOCKING

2X8 RAFTER

2X6 HEADER

VENTILATION SCREEN

FASCIA

2x6 STUDS @ 24O.C.

R-19 BATT INSULATION.

1'' THICK POLY-ISO RIGID INSULATION AND 1'' THICK EPS SHEATHING, TYPICAL

PLYWOOD SHEATHING

STUCCO

1X6 BASEBOARD

5/8'' gypsum wallboard

FOUNDATION WITH CRAWL SPACE:SEE DETAIL

SUBFLOOR

CONCRETE FINISH FLOOR


VAPOR RETARDER

2X12 CEDAR, STAIN TO MATCH DECKING


2X6 DECKING

PLYWOOD SHEATHING




STUCCO


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METAL SIDING

GRAVEL

ROOF MEMBRANEROOF DECKING


VAPOR RETARDER

GRAVEL STOPER



2X6 DECKING

PLYWOOD SHEATHING

ROOF PLAN 1/4''=1'

EAVE AND WALL SECTION 1 1/2''=1'

RAKE SECTION 1 1/2''=1'

FLAT ROOF SECTION 1 1/2''=1'

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3 REINFO

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3 REINFORCED CONCRETE SLAB #3REBAR @ 24 O.C ON TOP OF TJI 150

TJI 150 @ 24 O

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3 REINFORCED CONCRETE SLAB #3REBAR @ 24 O.C ON TOP OF TJI 150

TJI 150 @ 24 O

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37'-2''

12'-2''

9'-9

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SLAB ON GRADE

15'-2''

13'-9''10'-4''8'-0''

31'-7''

37'-2''

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16''X8'' CONCRETE FOOTINGW/2 #3 REBAR CONT. HORIZ.#3 VERT. @24'' O.C.

2X8 P.T. PLATE W/1/2'' DIAM.ANCHOR BOLTS @ 6' MAX 0.CW/IN 12'' OF EACH CORNER

8'' FOUNDATION WALL

EXTENDED FLASHING 1

CONCRETE WALKWAY

THRESHOLD

RAIL OF DOORSUBFLOOR


SILL

CASING ATTACHED TO FRAMING

STUCCO WALL SEE DETAIL.

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8''X 18'' CONT. CONC FOOTING

6 GRAVEL

3'' SLAB ON GRADE

CONCRETE WALKWAY

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FIX WINDOW SASH

STOP

3 2X8 BEAMS TO SUPPORT WINDOW

METAL WINDOW ATTACHMENT

FLAT ROOFSEE DETAIL

2x6 STUDS @ 24O.C.


2X8 P.T. PLATE. W/10'' A.BOLT @6'OC

#3 BAR CONT.TOPCOURSE BOND BEAM GROUT SOLID

#4 BAR @ 32'' O.C.

8'' CMU STEM WALL. GROUT SOLID


2 #4 REBAR CONT.

4'' RIGID STORM DRAIN

4'' PERFORATED FOOTING DRAIN

12'' STRUCT. FILL

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1-1/8'' T&G PLYWOOD30# FELT

5/8'' WOOD FIN. FLOOR

1X6 BASEBOARD


1/8'' MIN. THICK. THREE COAT CEMENT PLASTER

2'' DEEP ''Z'' CLIP @ 16 O.C. HORIZONTALLY

3.4 LBS SELF-FURRING METAL LATH AT-TACHED TO ''Z'' CLIP

2 LAYERS OF GRADE ''D'' BUILDING PAPER


PLYWOOD SHEATHING

PLYWOOD SHEATHING

FOUNDATION SECTION 1''=1'

DECK FOUNDATION SECTION 1 1/2''=1'

DOOR SILL AND HEAD SECTION 1 1/2''=1'

FOUNDATION PLAN 1/4''=1'


6 GRAVEL

3'' SLAB ON GRADE

CONCRETE WALKWAY

VAPOR RETARDER

HEADER

FIX WINDOW SASH

STOP



FLAT ROOFSEE DETAIL

TRADITIONAL EAVE SEE DETAIL

2X6 DOOR MOUNTED HEADER

TORTION SPRING

VINYL WEATHER SEAL

OVERHEAD DOOR

DOOR ANGLE TRIM

OVERHEAD DOOR TRACK

TORTION SPRING MOUNTED BOARD

STUCCO WALL SEE DETAIL

TRIM

VAPOR RETARDER


EXTENDED FLASHING 1

CONCRETE WALKWAY

THRESHOLD

RAIL OF DOOR

SILL


FLASHING

SHEATHING


AIR SPACE

STUCCO

HEADER

VERTICAL PIVOT WINDOW SASH

FLASHINGCASING


STROOL

STOP


GLASS AND BEAM SECTION 1 1/2''=1'

GARAGE DOOR SECTION 1 1/2''=1'

WINDOW SILL AND HEAD SECTION 1 1/2''=1'

REVISIONS

DATE:

DATE:

PROJECT

NUMBER:

STAMP

NA

TALY

RO

JAS

22

50

PA

TT

ERSO

N S

TR

EET

EU

GEN

E, O

R 9

740

5P

HO

NE:

917

-64

0-0

287

MIN

IMA

L R

ESID

ENC

E M

ALH

EUR

NA

TIO

NA

L W

ILD

LIFE

REF

UG

EJU

NE

11, 2

013 8

A


REVISIONS

DATE:

DATE:

PROJECT

NUMBER:

STAMP

NA

TALY

RO

JAS

22

50

PA

TT

ERSO

N S

TR

EET

EU

GEN

E, O

R 9

740

5P

HO

NE:

917

-64

0-0

287

MIN

IMA

L R

ESID

ENC

E M

ALH

EUR

NA

TIO

NA

L W

ILD

LIFE

REF

UG

EJU

NE

11, 2

013 8

A



PRO

DU

CED

BY

AN

AU

TOD

ESK

ED

UC

ATI

ON

AL

PRO

DU

CT


PRO

DU

CED

BY A

N A

UTO

DESK

EDU

CA

TION

AL PR

OD

UC

T


PRO

DU

CED

BY

AN

AU

TOD

ESK

ED

UC

ATI

ON

AL

PRO

DU

CT


PRO

DU

CED

BY A

N A

UTO

DESK

EDU

CA

TION

AL PR

OD

UC

T

PLAN 1/4''=1'


PRO

DU

CED

BY

AN

AU

TOD

ESK

ED

UC

ATI

ON

AL

PRO

DU

CT


PRO

DU

CED

BY A

N A

UTO

DESK

EDU

CA

TION

AL PR

OD

UC

T






PRO

DU

CED

BY

AN

AU

TOD

ESK

ED

UC

ATI

ON

AL

PRO

DU

CT


PRO

DU

CED

BY A

N A

UTO

DESK

EDU

CA

TION

AL PR

OD

UC

T


PRO

DU

CED

BY

AN

AU

TOD

ESK

ED

UC

ATI

ON

AL

PRO

DU

CT


PRO

DU

CED

BY A

N A

UTO

DESK

EDU

CA

TION

AL PR

OD

UC

T

ELEVATIONS 1/4''=1'

SECTIONS 1/4''=1'


SITE 1/60''=1'



west facade

north facade


section 1 section 2



see roof detail a2.


15'

8'-7''

REVISIONS

DATE:

DATE:

PROJECT

NUMBER:

STAMP

NA

TALY

RO

JAS

22

50

PA

TT

ERSO

N S

TR

EET

EU

GEN

E, O

R 9

740

5P

HO

NE:

917

-64

0-0

287

MIN

IMA

L R

ESID

ENC

E M

ALH

EUR

NA

TIO

NA

L W

ILD

LIFE

REF

UG

EJU

NE

11, 2

013 8

A



PRO

DU

CED

BY

AN

AU

TOD

ESK

ED

UC

ATI

ON

AL

PRO

DU

CT


PRO

DU

CED

BY A

N A

UTO

DESK

EDU

CA

TION

AL PR

OD

UC

T


PRO

DU

CED

BY

AN

AU

TOD

ESK

ED

UC

ATI

ON

AL

PRO

DU

CT


PRO

DU

CED

BY A

N A

UTO

DESK

EDU

CA

TION

AL PR

OD

UC

T

PLAN 1/4''=1'


PRO

DU

CED

BY

AN

AU

TOD

ESK

ED

UC

ATI

ON

AL

PRO

DU

CT


PRO

DU

CED

BY A

N A

UTO

DESK

EDU

CA

TION

AL PR

OD

UC

T






PRO

DU

CED

BY

AN

AU

TOD

ESK

ED

UC

ATI

ON

AL

PRO

DU

CT


PRO

DU

CED

BY A

N A

UTO

DESK

EDU

CA

TION

AL PR

OD

UC

T


PRO

DU

CED

BY

AN

AU

TOD

ESK

ED

UC

ATI

ON

AL

PRO

DU

CT


PRO

DU

CED

BY A

N A

UTO

DESK

EDU

CA

TION

AL PR

OD

UC

T

ELEVATIONS 1/4''=1'

SECTIONS 1/4''=1'


SITE 1/60''=1'



west facade

north facade


section 1 section 2



see roof detail a2.


15'

8'-7''

REVISIONS

DATE:

DATE:

PROJECT

NUMBER:

STAMP

NA

TALY

RO

JAS

22

50

PA

TT

ERSO

N S

TR

EET

EU

GEN

E, O

R 9

740

5P

HO

NE:

917

-64

0-0

287

MIN

IMA

L R

ESID

ENC

E M

ALH

EUR

NA

TIO

NA

L W

ILD

LIFE

REF

UG

EJU

NE

11, 2

013 8

A


REVISIONS

DATE:

DATE:

PROJECT

NUMBER:

STAMP

NA

TALY

RO

JAS

22

50

PA

TT

ERSO

N S

TR

EET

EU

GEN

E, O

R 9

740

5P

HO

NE:

917

-64

0-0

287

MIN

IMA

L R

ESID

ENC

E M

ALH

EUR

NA

TIO

NA

L W

ILD

LIFE

REF

UG

EJU

NE

11, 2

013 8

A


2-0EAVE

1'-6''EAVE

3 2X8 BEAMS

2X6 HEADER

2X8 R

AFT

ERS

@ 2

4'' O

.C.



VAPOR RETARDER


2X6 DECKING




BLOCKING

2X8 RAFTER

2X6 HEADER

VENTILATION SCREEN

FASCIA

2x6 STUDS @ 24O.C.



PLYWOOD SHEATHING

STUCCO

1X6 BASEBOARD



SUBFLOOR



VAPOR RETARDER



2X6 DECKING

PLYWOOD SHEATHING




STUCCO


PLYWOOD SHEATHING

TRIM

SHETHING


METAL SIDING

GRAVEL



VAPOR RETARDER

GRAVEL STOPER



2X6 DECKING

PLYWOOD SHEATHING

ROOF PLAN 1/4''=1'




Spring 2013 Rob Thallon

REVISIONS

DATE:

DATE:

PROJECT

NUMBER:

STAMP

NA

TALY

RO

JAS

22

50

PA

TT

ERSO

N S

TR

EET

EU

GEN

E, O

R 9

740

5P

HO

NE:

917

-64

0-0

287

MIN

IMA

L R

ESID

ENC

E M

ALH

EUR

NA

TIO

NA

L W

ILD

LIFE

REF

UG

EJU

NE

11, 2

013 8

A


REVISIONS

DATE:

DATE:

PROJECT

NUMBER:

STAMP

NA

TALY

RO

JAS

22

50

PA

TT

ERSO

N S

TR

EET

EU

GEN

E, O

R 9

740

5P

HO

NE:

917

-64

0-0

287

MIN

IMA

L R

ESID

ENC

E M

ALH

EUR

NA

TIO

NA

L W

ILD

LIFE

REF

UG

EJU

NE

11, 2

013 8

A


2-0EAVE

1'-6''EAVE

3 2X8 BEAMS

2X6 HEADER

2X8 R

AFT

ERS

@ 2

4'' O

.C.



VAPOR RETARDER


2X6 DECKING




BLOCKING

2X8 RAFTER

2X6 HEADER

VENTILATION SCREEN

FASCIA

2x6 STUDS @ 24O.C.



PLYWOOD SHEATHING

STUCCO

1X6 BASEBOARD



SUBFLOOR



VAPOR RETARDER



2X6 DECKING

PLYWOOD SHEATHING




STUCCO


PLYWOOD SHEATHING

TRIM

SHETHING


METAL SIDING

GRAVEL



VAPOR RETARDER

GRAVEL STOPER



2X6 DECKING

PLYWOOD SHEATHING

ROOF PLAN 1/4''=1'




REVISIONS

DATE:

DATE:

PROJECT

NUMBER:

STAMP

NA

TALY

RO

JAS

22

50

PA

TT

ERSO

N S

TR

EET

EU

GEN

E, O

R 9

740

5P

HO

NE:

917

-64

0-0

287

MIN

IMA

L R

ESID

ENC

E M

ALH

EUR

NA

TIO

NA

L W

ILD

LIFE

REF

UG

EJU

NE

11, 2

013 8

A


REVISIONS

DATE:

DATE:

PROJECT

NUMBER:

STAMP

NA

TALY

RO

JAS

22

50

PA

TT

ERSO

N S

TR

EET

EU

GEN

E, O

R 9

740

5P

HO

NE:

917

-64

0-0

287

MIN

IMA

L R

ESID

ENC

E M

ALH

EUR

NA

TIO

NA

L W

ILD

LIFE

REF

UG

EJU

NE

11, 2

013 8

A


2-0EAVE

1'-6''EAVE

3 2X8 BEAMS

2X6 HEADER

2X8 R

AFT

ERS

@ 2

4'' O

.C.



VAPOR RETARDER


2X6 DECKING




BLOCKING

2X8 RAFTER

2X6 HEADER

VENTILATION SCREEN

FASCIA

2x6 STUDS @ 24O.C.



PLYWOOD SHEATHING

STUCCO

1X6 BASEBOARD



SUBFLOOR



VAPOR RETARDER



2X6 DECKING

PLYWOOD SHEATHING




STUCCO


PLYWOOD SHEATHING

TRIM

SHETHING


METAL SIDING

GRAVEL



VAPOR RETARDER

GRAVEL STOPER



2X6 DECKING

PLYWOOD SHEATHING

ROOF PLAN 1/4''=1'




REVISIONS

DATE:

DATE:

PROJECT

NUMBER:

STAMP

NA

TALY

RO

JAS

22

50

PA

TT

ERSO

N S

TR

EET

EU

GEN

E, O

R 9

740

5P

HO

NE:

917

-64

0-0

287

MIN

IMA

L R

ESID

ENC

E M

ALH

EUR

NA

TIO

NA

L W

ILD

LIFE

REF

UG

EJU

NE

11, 2

013 8

A


REVISIONS

DATE:

DATE:

PROJECT

NUMBER:

STAMP

NA

TALY

RO

JAS

22

50

PA

TT

ERSO

N S

TR

EET

EU

GEN

E, O

R 9

740

5P

HO

NE:

917

-64

0-0

287

MIN

IMA

L R

ESID

ENC

E M

ALH

EUR

NA

TIO

NA

L W

ILD

LIFE

REF

UG

EJU

NE

11, 2

013 8

A


2-0EAVE

1'-6''EAVE

3 2X8 BEAMS

2X6 HEADER

2X8 R

AFT

ERS

@ 2

4'' O

.C.



VAPOR RETARDER


2X6 DECKING




BLOCKING

2X8 RAFTER

2X6 HEADER

VENTILATION SCREEN

FASCIA

2x6 STUDS @ 24O.C.



PLYWOOD SHEATHING

STUCCO

1X6 BASEBOARD



SUBFLOOR



VAPOR RETARDER



2X6 DECKING

PLYWOOD SHEATHING




STUCCO


PLYWOOD SHEATHING

TRIM

SHETHING


METAL SIDING

GRAVEL



VAPOR RETARDER

GRAVEL STOPER



2X6 DECKING

PLYWOOD SHEATHING

ROOF PLAN 1/4''=1'





6 GRAVEL

3'' SLAB ON GRADE

CONCRETE WALKWAY

VAPOR RETARDER

HEADER

FIX WINDOW SASH

STOP



FLAT ROOFSEE DETAIL

TRADITIONAL EAVE SEE DETAIL

2X6 DOOR MOUNTED HEADER

TORTION SPRING

VINYL WEATHER SEAL

OVERHEAD DOOR

DOOR ANGLE TRIM

OVERHEAD DOOR TRACK

TORTION SPRING MOUNTED BOARD


TRIM

VAPOR RETARDER


EXTENDED FLASHING 1

CONCRETE WALKWAY

THRESHOLD

RAIL OF DOOR

SILL


FLASHING

SHEATHING


AIR SPACE

STUCCO

HEADER


FLASHINGCASING


STROOL

STOP


GLASS AND BEAM SECTION 1 1/2''=1'

GARAGE DOOR SECTION 1 1/2''=1'

WINDOW SILL AND HEAD SECTION 1 1/2''=1'

REVISIONS

DATE:

DATE:

PROJECT

NUMBER:

STAMP

NA

TALY

RO

JAS

22

50

PA

TT

ERSO

N S

TR

EET

EU

GEN

E, O

R 9

740

5P

HO

NE:

917

-64

0-0

287

MIN

IMA

L R

ESID

ENC

E M

ALH

EUR

NA

TIO

NA

L W

ILD

LIFE

REF

UG

EJU

NE

11, 2

013 8

A


EXTENDED FLASHING 1

CONCRETE WALKWAY

THRESHOLD

RAIL OF DOORSUBFLOOR


SILL

CASING ATTACHED TO FRAMING

STUCCO WALL SEE DETAIL.

JAMB

HEADER

INSULATION

MOISTURE BARRIER


Mixed MediaV E G E TA B L E H A R V E S T T I M E

Green Beans55 Days

Broccoli78 Days

Red Beet35 Days Onion120 Days

Carrot65 Days

Sweet Corn83 Days

Cucumber58 Days

Tomato100 Days

Pepper80 Days

Lettuce50 Days

SPRING

WINTER

FALL

SUMMER

Nataly RojasMedia

January 31, 2012

Media: Hand & Digital 32

Date post:	14-Mar-2016
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