New Issues available from J.W. Pepper ® Vol. 27 J.W. Pepper ® Order Toll-Free! Call: 1-800-345-6296 / Fax: 1-800-260-1482 / E-mail: [email protected]J.W. Pepper ® Order Toll-Free! Call: 1-800-345-6296 / Fax: 1-800-260-1482 / E-mail: [email protected]J.W. Pepper ® Order Toll-Free! Call: 1-800-345-6296 / Fax: 1-800-260-1482 / E-mail: [email protected]J.W. Pepper ® Order Toll-Free! Call: 1-800-345-6296 / Fax: 1-800-260-1482 / E-mail: [email protected]1 ABRSM RAISING AN AMAZING MUSICIAN You, Your Child and Music ABRSM (London, England, 2009) This self help guide is essential reading for any parent or carer wishing to know more about bringing music into the life of their child. 20 short chapters, which assume no musical knowledge, are packed with expert advice on how to support your child through every stage of musical development, from birth through to early adulthood. Paper, 183 p. 10075379 Paperback Book . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32.50 Adam, Nathan MULTI PLATINUM PRO TOOLS Focal Press (Milwaukee, WI, 2009) Learn how a real professional uses Pro Tools to make multi-platinum records with this jam-packed, fast-paced guide. Including over 300 color illustrations, Multi-Platinum Pro Tools takes you inside the mind of one of the top Pro Tools engi- neers in the business, giving you the skills you need to succeed. Using the interactive DVD (featuring a real Nashville recording session) you can watch, listen, learn and edit alongside famed engineer Brady Barnett in a real Pro Tools edit- ing session! Essential reading for current and aspiring recording engineers, students, musicians and all those who have some prior knowledge of Pro Tools but wish to become expert users. Paperback (308 p.) with DVD. 10074387 Paperback Book . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .57.95 Adson, John COURTLY MASQUING AYRES Performers’ Facsimiles (New York, NY, 2009) From the Performers’ Facsimile Series. Composed for 5 and 6 parts for violins, consorts, and cornets. Consists of six part- books: Cantus, Medius, Altus, Tenor, Bassus, and Sextus. It is based on the copy belonging to the Christ Church Library, University of Oxford. Set of parts. 10074734 Violins, Consorts and Cornets Parts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32.50 Aguilera, Christine KEEPS GETTIN’ BETTER A Decade of Hits Hal Leonard Corporation (Milwaukee, WI, 2009) Here are a dozen megahits from the first ten years of this talented diva’s career. Titles include: Ain’t No Other Man; Beautiful; Candyman; Come On Over Baby (All I Want Is You); Dirrty; Dynamite; Fighter; Genie in a Bottle; Hurt; I Turn to You; Keeps Gettin’ Better and What a Girl Wants. 10073889 Piano/Vocal/Guitar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16.99
RAISING AN AMAZING MUSICIANYou, Your Child and Music
ABRSM (London, England, 2009)
This self help guide is essential reading for any parent or carer wishing to know more about bringing music into the lifeof their child. 20 short chapters, which assume no musical knowledge, are packed with expert advice on how to supportyour child through every stage of musical development, from birth through to early adulthood. Paper, 183 p.
MULTI PLATINUM PRO TOOLSFocal Press (Milwaukee, WI, 2009)
Learn how a real professional uses Pro Tools to make multi-platinum records with this jam-packed, fast-paced guide.Including over 300 color illustrations, Multi-Platinum Pro Tools takes you inside the mind of one of the top Pro Tools engi-neers in the business, giving you the skills you need to succeed. Using the interactive DVD (featuring a real Nashvillerecording session) you can watch, listen, learn and edit alongside famed engineer Brady Barnett in a real Pro Tools edit-ing session! Essential reading for current and aspiring recording engineers, students, musicians and all those who havesome prior knowledge of Pro Tools but wish to become expert users. Paperback (308 p.) with DVD.
From the Performers’ Facsimile Series. Composed for 5 and 6 parts for violins, consorts, and cornets. Consists of six part-books: Cantus, Medius, Altus, Tenor, Bassus, and Sextus. It is based on the copy belonging to the Christ Church Library,University of Oxford. Set of parts.
Here are a dozen megahits from the first ten years of this talented diva’s career. Titles include: Ain’t No Other Man;Beautiful; Candyman; Come On Over Baby (All I Want Is You); Dirrty; Dynamite; Fighter; Genie in a Bottle; Hurt; I Turn to You;Keeps Gettin’ Better and What a Girl Wants.
Ahrens, Lynn & Stephen FlahertyAHRENS AND FLAHERTY SONGBOOK, THEAlfred Publishing, Inc. (Van Nuys, CA, 2009)
A collection of highlights from the career of one of the most honored Broadway songwriting teams of our time: LynnAhrens and Stephen Flaherty. This songbook contains songs that are a joy to perform, no matter what your age fromtheir Tony Award-winning musical Ragtime to acclaimed shows like Seussical: The Musical and Once On This Island. Titles:After the Storm; All Those Christmas Cliches; Alone in the Universe; At the Beginning; Back to Before; Close But No Cigar; ComeDown from the Tree; How Lucky You Are; The Human Heart; I Was Here; If the World Were Like the Movies; It’s Possible; Journeyto the Past; Larger than Life; Love Who You Love; Make Them Hear You; Mama Will Provide; My Body Wasn’t Why; Oh, theThinks You Can Think; Once Upon a December; Our Children; Ragtime; Something Beautiful; Streets of Dublin; Times Like This;Waiting for Life and Wheels of a Dream. 10074395 Piano/Vocal/Guitar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21.95
Anfossi, Pasquale
SALVE REGINA
Mannheim Editions (New York, NY, 2009)
Edited by Thomas J. Martino. For alto solo and string quartet. First Edition prepared from a manuscript in the library ofConservatorio di Musica, Naples, Italy. Study score (spiral bound), 23 p.
Be an eyewitness to the creation of music in all its forms. The superb real-life photographs of instruments ranging fromzithers and pan pipes to electric guitars and synthesizers offer a unique view of ancient and contemporary music. All ages.
Asher, JayGOING PRO WITH LOGIC PRO 8Course Technology PTR (Milwaukee, WI, 2009)
Going Pro with Logic Pro 8 is an expert level book that addresses the needs of the professional Logic user. The book picksup where the manual leaves off, guiding you from initial setup of Logic Pro 8 through the recording and editing processto final delivery media; dropping power-user tips and tricks throughout the process. The book also features sidebarsfrom well-known Logic experts, explaining how they integrate advanced techniques into their workflow. Topics coveredinclude building custom mixers, designing templates, organizing your sound pallet, dealing with multi-computer set-ups, the ins and outs of working with reference video, scoring inside Logic, mixing tips, mastering tips, and much more.Paperback, 196 p.
PRELUDIO IN E MAJOR, BWV 1006/1 AND CHACONNE IN D MINOR, BWV 1004/5
Breitkopf & Hartel (Wiesbaden, Germany, 2008)
Edited by Anselm Hartinger. Piano accompaniment by Felix Mendelssohn. Urtext Edition. Preface in Ger. and Eng.Contains critical commentary. Includes violin part with and without fingerings and bowings. Score (28 p.) and parts.
For four part mixed voices. First Edition. A lighter take on the melody from the previously released Winter, drawing itstext from Shakespeare’s Love’s Labour Lost. For advanced singers. Duration: ca. 1’20”. Choral octavo.
Digital Performer 6 Power!: The Comprehensive Guide provides a versatile guide to setting up and using the newest ver-sion of MOTU’s Digital Performer 6 audio/MIDI sequencing, editing, and recording software. The book’s approach isone that will simplify and demystify the technical aspects of setting up and using Digital Performer 6, while also supply-ing useful engineering tips and shortcuts to help you get the most out of the program. Chapters and sections progressnaturally through the music production process, from navigating the interface, setting up projects, and recording, toworking with MIDI, editing, arranging, mixing, mastering, handling music notation, and scoring to picture. Paper, 534 p.
Edited by Jens Dufner. Urtext Edition. Preface in Ger., Eng. and Fr. This edition incorporates findings contained in thecritical report of the Beethoven Complete Edition. Contains: Sonata in C Major, Op. 102,1; Sonata in D Major, Op. 102,2; Sonatain F Major, Op. 5,1; Sonata in G Minor, Op. 5,2 and Sonata in A Major, Op. 69. Includes extensive critical commentary. Alsoincludes two copies of cello part, one with fingerings and bowings and one without. Score (167 p.) and parts.
For soprano and piano. Contains arias from Beatrice di Tenda, I Capuleti e I Montechhi, Norma, Il pirata, I Puritani, La son-nambula, La straniera and Zaira. Includes texts in Italian and English. Vocal score, 144 p.
In special cooperation with Martin Guitar Company, both these books can be purchased in a collectible boxed set. Theartwork on the slipcase features a painting by Robert F. Goetzl that was commissioned for Martin’s 175th anniversarycelebration. The slipcase will hold both books, Martin Guitars: A History and Martin Guitars: A Technical Reference.
For clarinet and piano. First Edition. This three-movement work was premiered in 1959 by electronic composer/clar-inetist Morton Subotnick and William Bolcom at Mills College, where they both studied composition with DariusMilhaud. Duration: ca. 15’. Score (36 p.) and part.
For medium voice & piano. Previously available in separate volumes, the original 24 Cabaret Songs have been collectedtogether for the first time in this new complete edition. Includes bios, notes from the composer, and Weinstein’s articleWhat Is Cabaret Song? Score, 128 p.
Edited by Camilla Cai. Preface in Ger., Eng. and Fr. Urtext Edition. Follows the musical text of the New Brahms CompleteEdition. Includes critical commentary. Score.
Edited by Linda Correll Roesner and Michael Struck. For violin and piano reduction. Urtext Edition. Preface in Ger., Eng.and Fr. This edition follows the musical text of the New Brahms Complete Edition. The appendix also contains an alterna-tive version of Joachim’s cadenza that to date has not been published in a practical edition. Also contains critical com-mentary. Includes two copies of violin part, one with fingerings and bowings and one without. Score (48 p.) and parts.
MARCHING BANDS AND DRUMLINESSecrets of Success from the Best of the BestMeredith Music Publications (Galesville, MD, 2009)
This extraordinary study takes you onto the practice field, inside the meeting room, and into the stadium including the“Five Factors Influencing Excellence” - valuable to any high school or college band program. The leaders of these out-standing organizations reveal their goals for success including: expectations; values; leadership styles; motivational tech-niques; practice habits and recruiting strategies. A must-read for band directors, percussion educators, students and any-one pursuing excellence in leadership.
For piano solo. First Edition. Composed in 1942 while Cage was on the faculty of Mills College. Recorded by SteffenSchleiermacher for his MDG release John Cage Complete Piano Music, Vol. 10: Etcetera. Duration: ca. 2’. Score, 5 p.
BECOMING A SYNTHESIZER WIZARDCourse Technology PTR (Milwaukee, WI, 2009)
The popularity of digital recording has created an astronomical rise in the number of people with software instruments,but many of these musicians have no idea how to use the modular synthesizers included with their music software pro-grams. Here is the first book that explains what a modular synthesizer is, how it works, and how to use software synthe-sizers to make music. The book takes a highly practical approach, beginning with an explanation of the basic buildingblocks of modular synthesis, and how they interact. It then continues to specific exercises using software synthesizersreadily available to readers, regardless of platform or their digital audio workstation of choice. Paper, 334 p.
Recognized as the best-selling female pop artist of the millennium, this superstar has racked up countless hits. Here are18 of her best ballads: Always Be My Baby; Can’t Let Go; Dreamlover; Endless Love; Hero; I Still Believe; I’ll Be There; LoveTakes Time; One Sweet Day; Vision of Love; When You Believe; Without You and more.
Hendon Music/ Boosey & Hawkes (New York, NY, 2009)
For piano. First Printing. Written in 2005. Contains composer’s note in Ger., Eng. and Fr. Intermittences was co-commis-sioned by the Carnegie Hall Corporation and the Gilmore International Keyboard Festival. Premiered on May 3, 2006.Duration: ca. 6’. Catenaires was premiered on December 12, 2006. Duration: ca. 4’. Score, 24 p.
For piano. First Edition. Contains: Ballade No. 1, Op. 23; Ballade No. 2, Op. 38; Ballade No. 3, Op. 47 and Ballade No. 4, Op.52. Includes critical commentary in Russian, p. 66-78. Score, 65 p.
WALTZESSeries BPolskie Wydawnictwo Muzyczne (Krakow, Poland, 2009)
Edited by Jan Ekier. For piano. Urtext Edition from the Chopin National Edition Series. Includes waltzes in E Major; BMinor; D flat Major; A flat Major; E Minor; G flat Major, A flat Major, F Minor and A Minor all published posthumously.Comes with a meticulous source commentary (abridged) and a performance commentary, along with relevant correspon-dence about the pieces, including snippets from Chopin’s own letters. Score, 61 p.
For violin and piano reduction. First Edition. A concerto for violin and orchestra inspired by the Diego Rivera muralDetroit Industry. This mural, the detail of which appears on the cover of this publication, was commissioned by Ford in1932 to represent the city’s auto industry. Duration: ca. 25’. Score (64 p.) and part.
DESMOND CHILD SONGBOOKHal Leonard Corporation (Milwaukee, WI, 2008)
Desmond Child was inducted into the “Songwriting Hall of Fame” in 2008. During his long career, he has written andproduced hits for such diverse artists as Joan Jett, “Kiss,” Cher, Michael Bolton, Ricky Martin, “Bon Jovi” and others. Thisfolio features 18 of his songs: Angel; Dude (Looks like a Lady); How Can We Be Lovers; I Hate Myself for Loving You; I WasMade for Lovin’ You; Kiss the Rain; Livin’ La Vida Loca; Livin’ on a Prayer; Poison; What It Takes; You Give Love a Bad Nameand more.
Theodore Presser Company (King of Prussia, PA, 2009)
For piccolo and piano. First Edition. The sequel to Sonatine de Giverny. This piece hits the ground running and keeps up aflashy, quick pace, allowing players to show off their chops with plenty of jazzy flourishes. For advanced players.Duration: ca. 6’30”. Score (16 p.) and part.
Edited by Nanna Koch. For bass solo (violin solo), violin, 2 violas & cello. First Edition. Preface in Ger. and Eng. Part ofDoblinger’s Diletto Musicale Series. Score, 31 p. Parts available separately.
For trumpet or flugelhorn and piano. First Edition. Inspired by the events surrounding the December 26, 2004 Tsunamithat devastated parts of Asia, India and Africa. Premiered in Jansen Music Hall at Clarke College in 2006. Recorded onthe CD “Current” on Curvepoint. Duration: ca. 8’. Score (10 p.) and part.
For solo trumpet. First Edition. Written in the Klezmer Doina style. Includes performance notes and composer biography.Duration: ca. 7’ 11”. Score, 2 p.
Throughout his career, Johnny Cash has been depicted - and has depicted himself - as a walking contradiction: socialprotestor and establishment patriot, drugged wildman and devout Christian crusader, rebel outlaw hillbilly thug andelder statesman. Leigh H. Edwards explores the allure of this paradoxical image and its cultural significance. She arguesthat Cash embodies irresolvable contradictions of American identity that reflect foundational issues in the Americanexperience, such as the tensions between freedom and patriotism, individual rights and nationalism, the sacred and theprofane. She illustrates how this model of ambivalence is a vital paradigm for American popular music, and forAmerican identity in general. Making use of sources such as Cash’s autobiographies, lyrics, music, liner notes, and inter-views, Edwards pays equal attention to depictions of Cash by others, such as Vivian Cash’s publication of his letters toher, documentaries and music journalism about him, “Walk the Line,” and fan club materials found in the archives at theCountry Music Foundation in Nashville, to create a complete, albeit fragmented, portrait of Cash and his significance asa cultural icon. Available in hardcover and paperback, 256 p.
Edited by Robert Walker. Version for 2 pianos, 4 hands. First Edition. Preface by the editor. Commissioned by DartingtonInternational Summer School and first performed by the Dartington Festival Orchestra on August 17, 1997. Recorded bythe BBC Concert Orchestra, Dutton Epoch CDLX 7148. Performance material available on rental from publisher. A studyscore is also available. Duration: ca. 36’. One copy of score included. Full score (spiral bound), 114 p.
For SATB chorus and organ. First Edition. A celebration of churches, a musical setting of Biblical, British and Americanverse from the Psalms to the present. Commissioned by Saint Thomas Church Fifth Avenue, New York City, and is dedi-cated to John Scott and the Saint Thomas Choir of Men and Boys, who gave the premiere in May of 2009. Score (lettersize), 60 p.
STEPHEN COLLINS FOSTER SIXTY FAVORITE SONGSMel Bay Publications (Pacific, MO, 2009)
Edited by Joanna Smolko and Steven Saunders. Features the original piano arrangements with added guitar chords. Insome instances the texts have been revised to capture the spirit Foster intended, eliminating obsolete or objectionablelyrics. A detailed introduction by Steven Saunders describes both Foster’s biography and the traditions surroundingnineteenth-century popular songs. Well-known Foster songs are included, along with a number of pieces that have neverbefore been included in published collections, such as The Voice of By Gone Days; Turn Not Away and Willie We HaveMissed You. The collection demonstrates Foster’s range as a writer of parlor songs, comedic ballads, Civil War tunes, andreligious hymns.
For voice and piano. Includes versions for high voice (G major), medium voice (F major) and low voice (E flat major).First Edition. Preface in Ger., Eng. and Fr. Text from Sacris Solemnis by St. Thomas Aquinas. Translations in Latin, English,Dutch and French are included. Score, 15 p.
GEORGE GERSHWIN THE DEFINITIVE COLLECTIONFaber Music Ltd (London, England, 2006)
This is THE definitive Gershwin songbook - a truly magnificent collection containing 50 of George Gershwin’s best songsfor piano and voice with guitar chords in a large 216 page volume. This is the first in a brand new series entitled “ThePlatinum Collection.” All the songs within this book are newly engraved and have been thoroughly researched and edit-ed to provide the best published edition. Titles include: A Foggy Day; Bess, You Is My Woman Now; Bidin’ My Time; ButNot For Me; By Strauss; Clap Yo’ Hands; Do It Again!; Do-Do-Do; Embraceable You; Fascinating Rhythm; Fidgety Feet;Funny Face; He loves and she loves; High Hat and many more!
For guitar quartet and narrator. First Edition. A set of miniatures evoking characters and scenes from Dylan Thomas’play for voices, Under Milk Wood. Commissioned by the Dylan Thomas Society of Great Britain for the Tetra GuitarQuartet. Premiered at Saint John’s Smith Square, London in February of 1990. For advanced players. Score (16 p.) andparts.
THANK YOU THAT’S ALL WE NEED FOR TODAYA Practical Guide to Musical Theatre Auditions
Hinrichsen Edition (London, England, 2009)
This book is full of practical advice for anyone who auditions for musical theatre shows, whether professional or ama-teur. Starting with the earliest stages, it covers every aspect of the audition process: choosing and learning songs; lookingafter your voice; deciding what to wear; preparing CV’s and photos; how to make a good impression and who’s who onthe audition panel. Includes a CD. Paper, 163 p.
MESSIAH THE SOLO VARIANTSLorenz Publishing Company (Dayton, OH, 2009)
In this new companion to Handel’s classic Messiah, American music scholar and conductor Dr. Chester L. Alwes has cre-ated an essential resource for singers, teachers, conductors, and scholars who want to understand and make informeddecisions about the oratorio and its performance. This simple, accessible book contains all of the recitatives and arias,along with every variant written and authorized by Handel and the rationale behind their potential use. The thoughtfulcommentary that accompanies the music also suggests a wide array of choices regarding ornamentation, style, phrasing,dynamics and more. Ideal for scholars and advanced singers.
ISRAEL IN EGYPT PART NO. 1, HWV 264The Ways of Zion Do Mourn
Carus-Verlag (Stuttgart, Germany, 2009)
Edited by Clifford Bartlett. Vocal score by Paul Horn. Urtext Edition. Preface in Ger. and Eng. This edition presents theFuneral Anthem for Queen Caroline both as an independent work and as part 1 of the Israel in Egypt. Vocal score, 59 p.
Edited by Colin Timms. Text by Thomas Morrell after Robert Boyle’s “The Martyrdom of Theodora and Didymus”(London, 1687) and the play “Theodora, vierge et martyre” by Pierre Corneille (1645). First complete critical editionbased on the Urtext of the Halle Handel Edition, Series I, Band 29. Preface in Ger. and Eng. Includes all versions. Vocalscore, 274 p.
STUDIO ESSENTIALSCherry Lane Music Company (New York, NY, 2009)
Whether you’re a beginner looking for clear instructions on the fundamental techniques of recording, or you’re a sea-soned pro in search of a reference guide of key concepts, Studio Essentials is for you. Tom Hapke provides precise, results-oriented information geared towards the hands-on musician. With instructions on dozens of techniques and conceptswritten in a “just the facts” manner, you’ll be up and running in no time. Over 100 helpful photos and diagrams help toshow the way. Topics include room acoustics, microphones, effects, exciters, enhancers, equalizers, filters and tips andtricks. This is an excellent resource and reference guide for home hobbyists and experienced professionals, with valuableinformation on miking techniques. The basic information is transferable and won’t “go out of style” because it’s notgeared towards any one software package.
For double bass and piano reduction. First Edition. Inspired by the use of the bass viol in Bach cantatas as well as jazzgroups. Includes two piano reductions: concert pitch and solo tuning in D. Co-commissioned by 15 orchestras and theInternational Society of Bassists. Score (52 p.) and part.
Edited by Annette Oppermann. Urtext Edition. This hardbound study score is based on the musical text in the HaydnComplete Edition. Contains a preface in Ger., Eng. and Fr., reflecting the latest in scholarly research and a critical reportwith key information concerning the sources and textual criticism. Study score (cloth), 470 p.
Edited by Ernst F. Schmid. Urtext Edition. This hardbound study score is based on the musical text in the HaydnComplete Edition. Contains preface in Ger., Eng. and Fr., reflecting the latest in scholarly research and a critical reportwith key information concerning the sources and textual criticism. Study score (cloth), 632 p.
Edited by Marjorie Rycroft & Andreas Friesenhagen. For voice, violin, cello & piano. First Edition. Urtext Edition. Prefacein Ger. and Eng. A selection from the songs written for George Thomson and William Whyte. Score (63 p.) and parts.
Edited by Armin Raab. Urtext Edition. This hardbound study score is based on the musical text in the Haydn CompleteEdition. Contains a preface in Ger., Eng. and Fr., reflecting the latest in scholarly research and a critical report with keyinformation concerning the sources and textual criticism. Study score (cloth), 602 p.
Edited by Hubert Unverricht. Urtext Edition. This hardbound study score is based on the musical text in the HaydnComplete Edition. Contains a preface in Ger., Eng. and Fr., reflecting the latest scholarly research and a critical reportwith key information concerning the sources and textual criticism. Study score (cloth), 200 p.
Edited by Simon Rowland-Jones. For string quartet. Urtext Edition. Preface in Ger., Eng. and Fr. with editorial practicesand notes on performance, v-xxviii. Contains: Quartet in G Major Op. 76, No. 1; Quartet in D Minor Op. 76, No. 2; Quartet inC Major Op. 76, No. 3; Quartet in B flat Major Op. 76, No. 4; Quartet in D Major Op. 76, No. 5 and Quartet in E flat Major Op.76, No. 6. Critical commentary, p. 119-130. Score (118 p.) and parts.
All of Joseph Haydn’s 69 string quartets, in 12 paperback editions, are presented on the occasion of his anniversary year2009. Each of the study scores minutely follow the musical text contained in the uncontested reference edition by theJoseph Haydn Institute in Cologne. Each quartet opus reflects the latest in scholarly research and is introduced by aninformative preface.
Edited by Isidor Saslav & Georg Feder. Urtext Edition. Preface in Ger., Eng. and Fr. This study edition complements theparts of the “Apponyi Quartets” which are already available in Henle Urtext; a new preface by Chrisitn Heitmann pro-vides insightful background information. Includes critical commentary. Study score, 136 p.
Edited by Sonja Gerlach. For piano. Preface in Ger., Eng. and Fr. Urtext Edition. Follows the musical text of the JosephHaydn Complete Edition. Includes critical commentary. Score.
For violin solo. First Edition, custom print. This composition is the result of a commission offered by the Polish-born vio-linist and composer Piotr Szewczyk for his “Violin Futura” recitals. The design of the work is built out of the alternationof a high, somewhat wispy chant and low glassy tremolos. For advanced performers. Duration: ca. 4’. Score.
For solo piano. First Edition, custom print. Acclaimed American pianist Barry Snyder suggested that the composer pro-duce a set of shorter pieces for recital, using Hodkinson’s Piano Concerto No. 1 as source. With that commission,Hodkinson has created, indeed, four short piano pieces called Stolen Goods, based upon themes and snippets of the three-movement Concerto. For advanced pianists. Duration: ca. 13’. Score.
A beautiful souvenir songbook featuring 33 songs and an elaborate 24-page introduction with many photos. Includes: Bo Diddley; Crying, Waiting, Hoping; Everyday; I’m Lookin’ for Someone to Love; It’s So Easy; Maybe Baby; Not Fade Away; OhBoy!; Peggy Sue; Peggy Sue Got Married; Real Wild Child; That’ll Be the Day; Well All Right; Wishing; (You’re So Square) Baby, I Don’t Care and more.
This collection features 20 chart-topping hits from throughout Janet’s illustrious career, including: All for You; Again; BlackCat; Escapade; If; Let’s Wait Awhile; Love Will Never Do (Without You); Miss You Much; Nasty; Rhythm Nation; That’s the WayLove Goes; Together Again; When I Think of You and more.
For full orchestra. First Edition. Commissioned by the Houston Symphony. Duration: ca. 11’. Parts are available on rentalfrom the publisher. Full score, 54 p.
For soprano, baritone, violin, cello, percussion and piano. First Edition. Includes 3 copies of the score - 1 for each singerand pianist. Duration: ca. 14’. Score and parts.
For 12 players: Flute, oboe (Eng. Horn), clarinet, bassoon, harp, percussion (1), 2 violins, viola, cello and bass. FirstEdition. Duration: ca. 12’. Parts available on rental from publisher. Score (coil bound), 52 p.
For flute, clarinet, violin, cello, percussion and piano. First Edition. Commissioned by the Pittsburgh New MusicEnsemble. Includes three movements: Bells - Forwards and Backwards; Dome of Heaven and Dance. Duration: ca. 11’. Set ofparts. Coil bound score available separately.
This collection features cool photos plus all the songs from their brand-new CD: Boys (Lesson One); Closer; Don’t Stop;Forgive Me; Headphones; Heart; Heaven; Hero; The Long Fall; Safe to Land; Scenic Route; There Might Be a Light; Two Hands andWeapons.
Revised Edition. A Martin acoustic guitar is the beloved instrument of millions of fans and famous players worldwide.Starting with the early days in New York circa 1833, this fabled story comes to life in the long-awaited revision of theseminal “Martin History” book. Originally published in 1975, this new edition is completely updated and redesigned bywell-known industry experts. Hardcover, 220 p.
For high voice and piano. First Edition. Text by Stephen Tunnicliffe. Commissioned by the Presteigne Festival 2003. Titlesinclude: Shropshire Hills; Early Spring in the Marches and Clun Forest. Duration: ca. 14’. Score, 22 p.
From the soul-stilling rendition of You’re My Thrill to the inspirational version of Where or When, the titles inside the QuietNights songbook are unnerving in their intimacy. The twelfth album released by Diana Krall pushes her familiar breathycontralto vocals into the realm of sweet surrender with a Brazilian-influenced flare. Titles: The Boy from Ipanema; Este SeuOlhar; Every Time We Say; Goodbye; Guess I’ll Hang My Tears Out to Dry; How Can You Mend a Broken Heart; I’ve GrownAccustomed to His Face; Quiet Nights; So Nice; Too Marvelous for Words; Walk on By; Where or When and You’re My Thrill.
WOODSTOCK VISION - THE SPIRIT OF A GENERATIONCelebrating the 40th Anniversary of the Woodstock FestivalBackbeat Books (New York, NY, 2009)
In the turbulent sixties, the Woodstock Festival and the Generation that came from that event were a manifestation of thedesire to create a free, loving and just world. Elliott Landy has had his finger on the pulse of the Woodstock generation.He was there before the famous festival, hanging out with Dylan and The Band; he was the photographer of record at theWoodstock festival itself; and he still lives in Woodstock today. In this edition of Woodstock Vision, Landy captures andpreserves the true vision and pure essence of the festival-what it was like to be part of the sixties, sharing the spirit ofunlimited hope, optimism, and belief that the world can be made better through peace and love. The book affectionatelychronicles what it was like to be at the Woodstock Festival and to be a part of the spirit of its generation. Hardcover, 224 p.
Transcribed and edited by Susan Pickett. For viola and piano. First Edition. Written in formal classical style, this lovelysonata gives way to soaring, romantic impulses and stark key changes, supported by a driving piano accompaniment.The piano accompaniment is a reprint of the impressively accurate 1878 edition, and the viola part is newly engravedand transposed from the cello part, with discrepancies reconciled by the editor. For advanced players. Score (26 p.) and part.
Enjoy chart-topping singles from “Lifehouse’s” first three major label albums. Titles: Blind; Breathing; Broken; Come BackDown; Everything; First Time; From Where You Are; Hanging By a Moment; Sick Cycle Carousel; Storm; Whatever It Takes; WhoWe Are and You and Me.
Theodore Presser Company (King of Prussia, PA, 2009)
For piano solo. First Edition, custom print. The last of four variations by different composers on Papageno’s “BirdCatcher” aria from The Magic Flute. Commissioned by the Kimmel Center fro their Mozart: Reloaded program in 2006. Foradvanced pianists. Duration: ca. 6’. Score.
This songbook features vocal arrangements with piano accompaniment for all 11 songs off the gospel chart-topping fifthCD from this R&B/gospel duo. Includes the Grammy-winning single Get Up and: Boom; Dirt, Forgiven Me, God in Me, IWorship You, I’m Running, It Will All Be Worth It, Seattle, The Sound and Superfriend. Includes choir vocals!
TO LIVE IS TO DIEJawbone Press (Berkeley, CA, 2009)
“Metallica,” the seventh-biggest recording act in American history, are consummate musicians - but it wasn’t always thatway. A significant proportion of their playing expertise was acquired from a pivotal three-year period in their history -1983 to 1986 - during which their music, a potent variant of thrash metal, evolved from garage-level to sophisticated,progressive heights - thanks to the teachings of their bass player, Cliff Burton. The San Francisco-raised Burton pushedthe band to new musical levels with his musical training, songwriting ability, and phenomenal bass guitar skills. Cliff’slife was short but influential; his death was sudden and shocking. With his death, Metallica’s most critically acclaimedperiod of activity ended. They went on to record huge-selling albums, but by their own admission, never pushed the cre-ative envelope as radically as they had done in the first four years of their career. Paper, 272 p.
Edited by Christopher Hogwood. For orchestra. Urtext Edition. Preface in Ger. and Eng. Familiar today only in the ver-sion from 1834, this 1828 version contains an additional 50 bars which only survive in a manuscript copy from the com-poser’s estate. This edition offers for the first time the 1828 version in score and parts followed by the 1834 version inscore and parts. Score includes facsimiles and critical commentary. Duration: ca. 12’.
Edited by Ullrich Scheideler, Rudolf Elvers and Ernst Herttrich. Urtext Edition. Preface in Ger., Eng. and Fr. Includes:Capriccio Op. 5, Sonata in E Major, Op. 6; Perpetuum Mobile, Op. 119; Scherzo, Op. 119, 7 Character Pieces, Op. 7; Sonata in BFlat Major, Op. 106, Scherzo in B Minor; Rondo Capriccio, Op. 14; Fantasy in E Major, Op. 15; Three Fantasies or Capriccios, Op.16; Phantasie in F Sharp Minor, Op. 28; 3 Preludes Vol. 1, Op. 104 and 3 Etudes Vol. 2, Op. 104. Contains critical commentary.Score, 288 p.
Edited by Ullrich Scheideler and Christa Jost. Urtext Edition. Preface in Ger., Eng. and Fr. Includes: Andante Cantabile -Presto Agitato; Gondola Song in A Major; Praeludium and Fuga in E Minor; Scherzo a Capriccio; Album Leaf, Op. 117; Andante -Allegro, Op. 118; Trois Caprices, Op. 33; 6 Preludes and Fugues, Op. 35; Variations Serieuses, Op. 54; Children’s Pieces, Op. 72;Andante con Variazioni in E Flat Major, Op. 82 and Andante con Variazioni in B Flat Major, Op. 83. Contains critical commen-tary. Score, 264 p.
Edited by Christa Jost. For piano. Urtext Edition, revised. Preface in Ger., Eng. and Fr. Based on the 1848 first editionwhich was initiated by Mendelssohn before his death. The appendix contains the two pieces that Mendelssohn originallydid not include in his Opus 72. Includes critical commentary. Score, 24 p.
Edited by Christian Martin Schmidt. For voice and piano. Urtext Edition from the Leipzig Mendelssohn Edition. Preface inGer. and Eng. Contains: Zwolf Gesange, Op. 8; Zwolf Lieder, Op. 9; Sechs Gesange, Op. 19(a) and Ohne Opuszhal. Score, 90 p.
Edited by Christian Martin Schmidt. For voice and piano. Urtext Edition from the Leipzig Mendelssohn Edition. Preface inGer. and Eng. Contains: Sechs Gesange, Op. 34; Sechs Lieder, Op. 47; Sechs Lieder, Op. 57; Sechs Lieder, Op. 71 and OhneOpuszhal. Score, 86 p.
“Mixerman” is a recording engineer working with a famous producer on the debut album of an unknown band with agiant recording budget. He writes a gripping diary loaded with anti-heroes: the drummer who’s as “dumb as cotton,”and the bassist who is mean and petty. Mixerman takes you through the recording process of a bidding war band in overtheir heads with a famous record producer. Hardcover, 392 p.
HANNAH MONTANA: THE MOVIEHal Leonard Corporation (Milwaukee, WI, 2009)
This Disney TV superstar has made the leap to the big screen in a big way: Hannah Montana: The Movie had the biggestopening day ever for a musical film! Miley Stewart heads back to her hometown for some much-needed soul searchingwhen she finds her popularity as Hannah beginning to take over her world. Songs include: Back to Tennessee; The Best ofBoth Worlds; Butterfly Fly Away; Everything I Want; The Good Life; Hoedown Throwdown; Let’s Go Crazy; What’s Not to Likeand more. Features fantastic full-color photos from the film!
Edited by Ernst Herttrich. For piano, clarinet (violin) and viola. Urtext Edition. Excerpted from the volume containingthe complete Mozart piano trios, which was revised for the Mozart Year 2006 and includes the latest scholarly findings.Score (49 p.) and parts.
Neal, JocelynSONGS OF JIMMIE RODGERS, THEA Legacy in Country MusicIndiana University Press (Bloomington, IN, 2009)
First Edition. The songs of country music pioneer Jimmie Rodgers have been appropriated by dozens of musicians andradically transformed since he first recorded them nearly 90 years ago. His songs have often resurfaced at criticalmoments when country music has been forced to confront issues of style, gender, race, and tradition. In this cultural andhistorical study, Jocelyn R. Neal discusses three of Rodgers’ most influential songs: Muleskinner Blues; In the Jailhouse Nowand T for Texas. She offers a radically new perspective on the role of Rodgers and his music in the making of countrymusic, and on the ways in which individual songs take on special significance in American cultural life. Includes 12 b&wphotos. Available in hardcover and paperback, 288 p.
Theodore Presser Company (King of Prussia, PA, 2009)
For brass quintet. First Edition, custom print. Winner of a composition competition at the 2004 Brass Chamber MusicForum, premiered by The American Brass Quintet at the Forum, and subsequently recorded by the same group on their2007 release Jewels (Summit Records). Five contrasting movements describe the composer’s “traumatic” trip to a circus.Score and parts.
Here are 14 songs from the Broadway musical based on the hit film about sorority girl turned Harvard law student ElleWoods. Includes: Bend and Snap; Find My Way/Finale; Legally Blonde; Omigod You Guys; Take It Like a Man; What You Wantand more, in standard piano/vocal format with the melody in the piano part.
Edited by Thomas J. Martino. For SATB chorus, french horn, harp, viola, cello & bass. First Edition from the Masterworksfrom the 19th Century Italy Series. Full score (spiral bound), 28 p.
THREE SKETCHES FOR BASS CLARINET AND PERCUSSION QUARTET
Creation Station (Marlborough, NH, 2008)
For bass clarinet and percussion quartet. First Edition. Three movements: Overture; Nearly the Blues and Rondo.Commissioned by Richard Prior. Score (spiral bound) 36 p. and parts.
Theodore Presser Company (King of Prussia, PA, 2009)
For soprano and piano. First Edition. The text draws its inspiration from the monologues of Shakespeare’s Macbeth.Heartfelt, dramatic, and at times artfully atonal, Pasatieri brings the words of Shakespeare alive in a ravishing new set-ting. World premiere on September 14, 2008 at Voices of Change, Contemporary Theatre of Dallas, TX. Available onAlbany CD TROY 1083. For the advanced vocalist. Duration: ca. 18’. Score, 17 p.
For organ. First Edition. The six movements include: Introduction; Chorale; Canon; Trumpet Dialog; Aria and Scherzo Finale.Duration: ca. 8’. Score, 11 p.
Choosing a piano becomes a lot easier with the knowledge provided in Tipbook Piano, a guidebook that helps readersgain a better understanding of this complex, expensive instrument without going into “data overload.” How to evaluatean instrument’s timbre, how to judge and compare piano keyboards and pedals, the influence of the instrument’s dimen-sions, different types of cabinets, the difference between laminated and solid wood soundboards, accessories, hybrid anddigital pianos, and why tuning and regulation are so important - everything is covered in this handy guide. Paper, 240 p.
For violin, viola & cello trio. First Edition. Includes detailed performance instructions. Duration: ca. 15’. Performancescore (oversized, looseleaf), 12 p.
This cool collection includes an intro by Iggy himself, photos, and 20 tunes from his illustrious career: Bang Bang; Candy;China Girl; Cold Metal; Cry for Love; Gimme Danger; Home; I Wanna Be Your Dog; Lust for Life; Nightclubbing; Real Wild Child;Sister Midnight; Tonight and more!
Edited by Thomas J. Martino. For SATB and string quintet. First Edition. From the Masterworks from the 18th CenturySeries. Full score (spiral bound), 126 p.
THREE OCCASIONAL ODESVolume 1Stainer & Bell Ltd (London, England, 2009)
Edited by Bruce Wood. First Edition. Volume 1 from the Purcell Society Edition Series. In addition to Celestial music andGreat Parent, hail!, this volume contains the Yorkshire Feat Song, Of old, when heroes thought it base, which was the inaugu-ral volume of the series, published in 1878. The first English score with full Baroque instrumentation, including trumpetsand oboes, it is a consummate display of orchestral mastery, and represents the composer’s first response to GiovanniBattista Draghi’s 1687 setting of Dryden’s Cecilian Ode From Harmony. Hardcover score.
For piano. First Edition. A collection of pieces Ravel composed under a pseudonym for “choreographic entertainment.”The pieces were never published during the composer’s lifetime and exist only in partial manuscript form. Score, 27 p.
Rockwell, JohnOUTSIDERJohn Rockwell on the Arts, 1967-2006Limelight Editions (New York, NY, 2009)
This compilation by longtime New York Times music and arts critic John Rockwell features the creme de la creme of therenowned journalist’s arts criticism and commentary over the past 40 years. Taken mostly from the Times, but alsoincluding pieces from 17 other sources, such as the Los Angeles Times, The New Republic, the San Francisco Examiner, HighFidelity, Opera, and the Village Voice, these writings present Rockwell’s unique vision of the arts scene over the past 40years, with essays on classical music (including the breadth of contemporary works), rock, dance, art, film, theater, general arts topics, and reports from abroad. Rockwell’s analysis includes parallels among the arts, insights from one toanother, as he brilliantly communicates his aesthetic experiences to the reader. Paper, 544 p.
HOW TO WRITE SONGS ON GUITAR2nd EditionBackbeat Books (New York, NY, 2009)
So you want to write songs, and you want to write them on guitar. This is the book that shows you exactly how. Takingtips and tricks from classic songwriters, from Bob Dylan to the “Beatles” to Tori Amos, How to Write Songs on Guitar takesyou through the four main elements of a song - rhythm, melody, lyrics, and harmony - and inspires you to combine themin exciting new ways. Now with updated songs and tips on writing trends, it’s packed with wisdom and practical adviceculled from over 1,500 songs, How to Write Songs on Guitar 2nd edition will soon have you producing better, more memo-rable songs. Paper, 240 p.
Joshua Schmidt’s groundbreaking score inspired critics to praise Adding Machine as “the best new musical of 2008.” Aftertaking Chicago and New York by storm, menacingly dark Adding Machine is enjoying success in cities everywhere. Titles:Something to Be Proud Of; In Numbers; I’d Rather Watch You; Zero’s Confession; Didn’t We; The Gospel According to Shrdlu;Daisy’s Confession and Freedom (Reprise).
For piccolo and piano. First Edition. Outside My Window BIRD is a charming, musical sketch inspired by the composer’scat’s obsession with pigeons outside his apartment window. Score (6 p.) and part.
For flute and piano. First Edition. The piece has great theatrical energy, probably as a result. Written in the traditional,eighteenth-century, three-movement sonata format, the last movement carries Classicism even further with its flavor ofHaydn’s music. Incidentally, Sonata No. 6 (La Salmonella) was written while Schocker was recovering from the aftermathof a substandard Scottish poached egg. Score (19 p.) and part.
A concise history of jazz - featuring the most noteworthy composers and musicians and the most influential recordingsof all time: Included is a complete guide to terminology and lingo. Paperback, 285 p.
Transcribed and edited by Robert Stallman. For flute and piano. First Edition. Preface by the editor. This is a transcriptionof Schubert’s early Piano Sonata in E flat Major. This sonata can be heard in a chamber music setting, as the Quartet in Eflat for Flute and Strings, on the CD “New Schubert for Flute and Strings” (BOCA-103). Score (30 p.) and part.
For three instrumentalists: piano, marimba and percussion instruments. Movements: Observe; Reflect and Act. Appears onthe Innova Recordings CD, “Music for Hammers and Sticks,” Innova 630 and on Alex Shapiro’s CD, “Notes From theKelp,” Innova Recordings 683. Score (37 p.) and parts.
Edited by Leo Wanenchak. For SATB or SSA choir with piano. First Edition. Lyrics by the composer. Commissioned bythe University Campus Choir of Los Angeles in honor of the group’s 20th anniversary. Duration: ca. 5’. Choral score, 17 p.
For solo piano. First Edition. This is the fourth movement from the larger work, Piano Suite No. 1: The Resonance ofChildhood. Duration: ca. 5’ 30”. Score, 3 p.
For tuba, double bass, drum set & piano. First Edition. Appears on Alan Baer’s debut CD, “Coast to Coast,” on BaerTracks Records 001, and on Alex Shapiro’s CD of her chamber music, “Notes from the Kelp” on Innova Recordings 683.Duration: ca.8’. Score (21 p.) and parts.
For tuba and piano. First Edition. Appears on Alan Baer’s debut CD, “Coast to Coast,” on Baer Track Records 001, andon Alex Shapiro’s CD of her chamber music, “Notes from the Kelp” on Innova Records 683. Duration: ca. 7’. Score (15 p.)and part.
For bassoon and piano. First Edition. Appears on bassoonist Carolyn Beck’s debut CD, “Beck and Call,” Crystal Records846. Duration: ca. 10’. Score (16 p.) and part.
For violin, harpsichord and percussion. First Edition. Commissioned by violinist Robert Lorentz. Includes performancenotes. Appears on the 2007 CD, “Notes From the Kelp,” Innova Recordings 683. Duration: ca. 9’ 30”. Score (18 p.) and parts.
For clarinet, violin and piano. First Edition. Appears on the Cambria Master Recordings CD, “Clariphonia: Music of the20th Century on Clarinet,” Cambria 1125. Duration: ca. 12’. Score (13 p.) and parts.
For flute/piccolo, violin, cello and piano. First Edition. Commissioned by Chamber Music Palisades Delores Stevens andSusan Greenberg, artistic directors. Duration: ca. 13’. Score (24 p.) and parts.
For flute trio. First Edition. Preface in Ger., Eng. and Fr. Five pieces include: Promenade; Undine; Hectic Rush; Bagpipe andWaltz. Includes composer biography. Score (12 p.) and parts.
For soprano, piano & string quartet. First Edition. Text from Sephardic Poems translated by the composer. Duration: ca.20’. Composed in 2007. Score and parts.
10073643 Soprano Solo Collection with String Quartet and Piano Acc. . . . . . . . . . . . . . . . . . . . . .64.95
A lively and provocative account of the one hundred and one most important albums in the history of popular music. Ittells the fascinating stories behind the most groundbreaking, influential, and often controversial albums ever recorded,ranging from The Anthology of American Folk Music (1952) to Elephant (2003) by “The White Stripes.” Paper, 304 p.
NPR CURIOUS LISTENERS GUIDE TO CLASSICAL MUSIC, THE
Perigee Books (New York, NY, 2002)
For the beginner or the devotee - a concise history of classical music. Covers major composers, significant performancesand landmark works. Paperback, 249 p.
For baritone and piano. Commissioned by the MacDowell Club of Milwaukee for their Centennial Celebration.Premiered by Kurt Ollman, baritone, with the composer at the piano, on May 19, 2009. Duration: ca. 15’. Score (saddlestitch), 44 p.
HOME STUDIO ESSENTIALSCengage Learning (Chicago, IL, 2009)
Covers each of the essential components of a home studio, in a way that is targeted to the end-user’s specific use andbudget. A broad view of the available equipment is taken in each category, with specific recommendations according tobudget and user. Everything is covered, from all the computer hardware and software, to microphones, monitors, pre-amps, mixers, processors and much more. A “best practices” discussion is also provided, based on the users’ specificuses, goals and application. The book also includes interviews with home studio owners from many diverse back-grounds that discuss how these users overcame specific obstacles and challenges. Paper, 304 p.
Vocal/piano arrangements of 20 signature standards performed by this Grammy-winning jazz singer. Includes: Don’t GetAround Much Anymore; Fly Me to the Moon (In Other Words); Give Me the Simple Life; I’ve Got a Crush on You; I’ve Got theWorld on a String; In the Wee Small Hours of the Morning; The Way You Look Tonight; Witchcraft and more, plus a fascinating bio.
Unterberger, RichieWHITE LIGHT/WHITE HEATThe Velvet Underground Day by DayJawbone Press (Berkeley, CA, 2009)By turns fiercely confrontational, literate, primitive and sweetly melodic, “The Velvet Underground” remain one of themost influential bands in the history of rock. The ultimate cult band and the ultimate art rock experience, the VU’s musicand style have served as a blueprint for everyone from David Bowie to The Jesus and Mary Chain. Yet for all theirenduring importance, they were unsuccessful in their day, selling minute numbers of records, with their monochromelook and photo-realist lyrics at odds with the garish colors and peace fantasies of the hippy era. It was only when DavidBowie started to champion the band in the early 70s, after they had split up, that the VU’s reputation started to spread.In White Light/White Heat, noted rock writer and historian Richie Unterberger analyses the band’s career and influence inforsensic detail, drawing on many new interviews with band members and associates, previously undiscovered archivesources and a vast knowledge of the music of the times. The result is a comprehensive, articulate, immensely detailedhistory - the most thorough work on the band yet published. Paper, 368 p.10074980 Paperback Book . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29.95
Various
2009 GREATEST COUNTRY HITSDeluxe Annual Edition
Alfred Publishing, Inc. (Van Nuys, CA, 2009)
This unique compilation includes the most popular country songs released throughout the year. You’ll be singing andplaying your favorites in no time! Titles include: 15 Minutes of Shame; A Baby Changes Everything; Do You Believe Me Now;Forever; Home Sweet Home; I Saw God Today; I Told You So; Just a Dream; Let it Go; Lookin’ for a Good Time; River of Love;Shuttin’ Detroit Down; That’s A Man; Waitin’ on a Woman and Where I’m From.
2009 GREATEST POP AND ROCK HITSDeluxe Annual EditionAlfred Publishing, Inc. (Van Nuys, CA, 2009)This unique compilation includes songs from every genre, from popular ballad by Jennifer Hudson and Beyonce andpop sensations Katy Perry and Kelly Clarkson, to best-selling rock singles such as “Nickelback’s” Gotta Be Somebody,Bruce Springsteen’s Working on a Dream, and “Lifehouse’s” Broken. Collect all 32 songs now and learn the best hits of theyear! Titles: 1, 2, 3, 4; 15 Step; All Summer Long; Angels on the Moon; At Last; Broken; Careless Whisper; Crush; Decode;Footprints in the Sand; Gotta Be Somebody; Home Sweet Home; Hot N Cold; I Hate This Part; I Told You So; If Today Was YourLast Day; Let It Rock; Live Your Life; My Life Would Suck Without You; Never Far Away; One Step at a Time; Second Chance;Shuttin’ Detroit Down; Stuck with Each Other; Supermassive Black Hole; Thinking of You; What About Now; What Do I Do withMy Heart; Working on a Dream; What’s Right Is Right; Whatever You Like and You Pulled Me Through.10074394 Piano/Vocal/Guitar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19.95
Various
BIG BOOK OF BLUES
Hal Leonard Corporation (Milwaukee, WI, 2009)
80 of the all-time best blues tunes in one jam-packed collection! Includes: Baby Please Don’t Go; Caldonia; I’m a Man; KansasCity; Milk Cow Blues; Reconsider Baby; Wang Dang Doodle; You Shook Me and scores more.
OK, everyone: lighters out for this great collection of 67 hits! Includes: Angie; Bed of Roses; Dream Weaver; Easy; Layla; LoveHurts; Melissa; Oh Sherrie; Rosanna; She’s Got a Way; Tears in Heaven; Time for Me to Fly; Yesterday and more.
DECADE BY DECADE THE 1950SAlfred Publishing, Inc. (Van Nuys, CA, 2009)Containing more than 50 of the most popular hits during the 1950s, this songbook is jam-packed with the decade’s topsongwriters and biggest stars. Each song is sure to spark a memory or create a new one for pianists or vocalists of allages. For practice, performance, or pleasure, play and sing your way through your favorite decade in pop music history!Titles include: A Teenager in Love; All I Have to Do Is Dream; Best Is Yet to Come; Bird Dog; Blueberry Hill; Bye, ByeLove; Chances Are; Crying in the Chapel; Earth Angel; Everybody Loves to Cha Cha Cha; Everything’s Coming UpRoses; From This Moment On; Great Balls of Fire; Hey There; Hold Me, Thrill Me, Kiss Me; I Could Have Danced AllNight; Just in Time; Lipstick on Your Collar; Love and Marriage; Love Is a Many Splendored Thing; Misty; Mr. Lee; MySpecial Angel; On the Street Where You Live and many more!
DECADE BY DECADE THE 1960SAlfred Publishing, Inc. (Van Nuys, CA, 2009)Containing more than 50 of the most popular hits during the 1960s, this songbook is jam-packed with the decade’s topsongwriters and biggest stars. Each song is sure to spark a memory or create a new one for pianists or vocalists of allages. For practice, performance, or pleasure, play and sing your way through your favorite decade in pop music history!Titles include: All Along the Watchtower; Aquarius/Let the Sunshine In; Ballad of Gilligan’s Isle; Batman Theme; Blowin’in the Wind; Both Sides Now; A Change Is Gonna Come; Don’t Rain on My Parade; Dream a Little Dream of Me;Everyday People; For What It’s Worth; Gimme Some Lovin; Gloria; Higher and Higher; Hit the Road Jack; Hot Fun inthe Summertime and many more!
DECADE BY DECADE THE 1970SAlfred Publishing, Inc. (Van Nuys, CA, 2009)
Containing more than 45 of the most popular hits during the 1970s, this songbook is jam-packed with the decade’s topsongwriters and biggest stars. Each song is sure to spark a memory or create a new one for pianists or vocalists of allages. For practice, performance, or pleasure, play and sing your way through your favorite decade in pop music history!Titles include: All My Love; Another Saturday Night; Big Yellow Taxi; Born to Run; Casey Jones; Cat’s in the Cradle;Closer to the Heart; Comfortably Numb; Dancing Queen; Desperado; Evergreen; Flash Light; Hotel California; HowDeep Is Your Love; Killing Me Softly with His Song and many more!
Alfred Publishing, Inc. (Van Nuys, CA, 2009)Containing more than 40 of the most popular hits during the 1980s, this songbook is jam-packed with the decade’s topsongwriters and biggest stars. Each song is sure to spark a memory or create a new one for pianists or vocalists of allages. For practice, performance, or pleasure, play and sing your way through your favorite decade in pop music history!Titles include: Against All Odds; Always; Another Brick in the Wall Part 2; Beat It; Billie Jean; Bizarre Love Triangle; Boysof Summer; Careless Whisper; Celebration; Crazy for You; Don’t Stop Believin’; End of the Innocence; Endless Love; Eyeof the Tiger; Faithfully; The Greatest Love of All and many more!
Alfred Publishing, Inc. (Van Nuys, CA, 2009)Containing more than 40 of the most popular hits during the 1990s, this songbook is jam-packed with the decade’s topsongwriters and biggest stars. Each song is sure to spark a memory or create a new one for pianists or vocalists of allages. For practice, performance, or pleasure, play and sing your way through your favorite decade in pop music history!Titles include: All I Wanna Do; All My Life; Amazed; Angel Eyes; Basket Case; Beauty and the Beast; Because You LovedMe; Bittersweet Symphony; Can You Feel the Love Tonight; Creep; Feels Like Home; From a Distance; Get Here; GoodRiddance (Time of Your Life); Hedwig’s Theme (from “Harry Potter”); Hero; High and Dry; How Do I Live; I Can SeeClearly Now; I Do It for You (Everything I Do); I Don’t Want to Miss a Thing and many more!
Theodore Presser Company (King of Prussia, PA, 2009)
For flute and piano. First Edition. A collection of commissioned flute solos by eight different composers, a result of a col-laboration between flutist Marya Martin and Meet the Composer, a prestigious organization dedicated to fostering con-nections between composer and community. Contains works by Ned Rorem, Kenji Bunch, Tania Leon, Chen Yi, PaulMoravec, Melissa Hui, David Sanford and Eve Beglarian. Score (72 p.) and part.
For two guitars. Reprint of earlier publication. Includes Spanish favorites from Enrique Granados, Manuel de Falla,Joaquin Turina and Emilio Pujol. Score, 69 p.
GLAM ROCK25 Outrageous Songs from Rock & Roll’s Revolutionary Era
Hal Leonard Corporation (Milwaukee, WI, 2009)
Hits from Bowie, Queen, Iggy, Alice Cooper, T. Rex and others! Includes: Ballroom Blitz; Bang a Gong (Get It On); KillerQueen; Lust for Life; Rebel, Rebel; Rock & Roll - Part II (The Hey Song); School’s Out; Slave to Love; Sweet Jane; We Are theChampions; We Will Rock You and more.
Hal Leonard Corporation (Milwaukee, WI, 2009)This songbook features 80 country love songs popularized on one of the most famous stages in America. Includes: All IHave to Do Is Dream; Always Late with Your Kisses; Always on My Mind; Blue Eyes Crying in the Rain; Crazy; El Paso; Foreverand Ever, Amen; He Stopped Loving Her Today; I Believe in You; I Still Miss Someone; I’m So Lonesome I Could Cry; If LovingYou Is Wrong I Don’t Want to Be Right; Kiss an Angel Good Mornin’; Leavin’ on Your Mind; Make the World Go Away; Ring ofFire; She’s Every Woman; When You Say Nothing at All and more, plus a special photo section featuring couples of theGrand Ole Opry!
Music is a powerful agent of change: the soundtrack to our lives and culture. This new collection highlights 13 life-changing Contemporary Christian songs that have marked the growth and change the church has experienced over theyears. Songs include: Dive (Steven Curtis Chapman); Friends (Michael W. Smith); I Can Only Imagine (“MercyMe”); Jesus Freak(dc Talk); Thy Word (Amy Grant) and more. Includes a brief essay on the genre.
This collection highlights 13 beloved hymns that are the bedrock of our faith, recorded by today’s top artists. Titlesinclude: Amazing Grace (Aaron Neville); Holy, Holy, Holy (Steven Curtis Chapman); How Great Thou Art (Martina McBride); ItIs Well (Jeremy & Adie Camp); Nothing but the Blood (Matt Redman) and more.
This collection highlights 13 worship songs that have marked the growth and change the church has experienced overthe years. Songs include: Awesome God; Here I Am to Worship; In Christ Alone; Lord, I Lift Your Name on High; Shout to theLord; We Will Glorify and more.
SONGWRITERS HALL OF FAME FROM 2003-2009Hal Leonard Corporation (Milwaukee, WI, 2009)
The Songwriters Hall of Fame spotlights the invaluable contributions of the men and women who have mastered thepopular song. This amazing collection gathers 38 gems of the inductees from 2003-2009, including such icons as VanMorrison, Daryl Hall & John Oates, John Fogerty, David Bowie, Merle Haggard and Jackson Browne, to name but a few.Songs include: American Pie; Born Free; Doctor, My Eyes; Fame; Good Morning Starshine; Killing Me Softly with His Song; Let’sStay Together; Livin’ on a Prayer; My Cheri Amour; Proud Mary; Sara Smile; Teach Your Children; We Are the Champions; YouGive Love a Bad Name and many more. Features bios and photos of each inductee, plus an intro by Hal David!
SPECTACULAR!Music from the Nickelodeon Original Movie
Hal Leonard Corporation (Milwaukee, WI, 2009)
A dozen songs from the soundtrack of this Nickelodeon hit featuring Nolan Gerard Funk and Tammin Sursok: Break MyHeart; Dance with Me; Don’t Tell Me; Everything Can Change; Eye of the Tiger; For the First Time; Just Freak; Lonely Love Song;Something to Believe In; Things We Do for Love; Wings of a Dream and Your Own Way.
Arranged by Rudolf Buttmann. For flute and basso continuo (guitar). First Edition. Preface in Ger. and Eng. Based upona facsimile edition of this manuscript published by Scelte, Florence, 1986. Score (11 p.) and parts.
Transcribed for 2 pianos, 4 hands by Sergei Chebotaryov. First Edition. Preface and critical commentary in Russian andEnglish. Only includes one copy of score. Score, 31 p.
Transcribed for 2 pianos, 4 hands by Sergei Chebotaryov. First Edition. Preface in Russian and English. Includes criticalcommentary in Russian and English. Only one copy of score included. Score, 32 p.
Described as “edgy and rockin’, yet charming and sensitive,” Cleveland-bred singer/songwriter Kate Voegele acceleratedthe rising of her star with a recurring role on the hit TV series One Tree Hill. This songbook offers all 13 songs from her 4-star debut CD released on the MySpace label: Chicago; Devil in Me; I Get It; It’s Only Life; Only Fooling Myself and more.
HOW THE BEATLES DESTROYED ROCK AND ROLLAn Alternative History of American Popular Music
Oxford University Press (Cary, NC, 2009)First Edition. As its blasphemous title suggests, “How the Beatles Destroyed Rock ‘n Roll” rejects the conventional pietiesof mainstream jazz and rock history. Rather than concentrating on those traditionally favored styles, the book traces theevolution of popular music through developing tastes, trends and technologies - including the role of records, radio,jukeboxes and television - to give a fuller, more balanced account of the broad variety of music that captivated listenersover the course of the twentieth century. Paper, 336 p.
For soprano/mezzo soprano, flute, cello & piano. First Edition. A reverent and introspective collection of three works byfemale poets set to music, A Time to Blossom includes “A Song to Mary,” by Hildegard von Bingen, “Have You Got aBrook,” by Emily Dickinson, and “Caesaria,” by Hannah Senesh. For advanced singers and players. Score and parts.
All new material from the amp guru Gerald Weber. Tons of empirical data that de-mystify the inner workings of tube amps tohelp you get the most from your amps! You will learn how tube amps work, electronic concepts, how different types of tubeswork, the anatomy of a gain stage, how to resurrect a dormant tube amp, how to do a cap job correctly, modifications to preserve your amp, how to voice an amp and tune the reverb, how to build an amp, recover a cabinet, re-grill a baffleboard,how to buy a vintage amp; and common wiring mistakes and idiosyncrasies found in vintage amps. Paper, 520 p.
Theodore Presser Company (King of Prussia, PA, 2009)
For string quartet. First Edition, custom print. Premiered by the esteemed Juilliard String Quartet. Features a four voicemeasured canon that spins out over a span of about ten minutes followed by a homophonic coda which the proportionalrelationship is no longer from voice to voice, but from chord to chord. Score and parts.
For double bass. First Edition. A challenging seven movement piece. Premiered by DuBost at the International Society ofBassists convention in Oklahoma City in 1007. For advanced players. Score.
Composer, bon vivant, pianist, teacher, superstar showman, raconteur, writer, entrepreneur, ladies’ man, philanthropist,and priest, Franz Liszt is widely viewed today not only as a great composer, but also as the greatest pianist of the 19thcentury. Yet his enormous body of piano music, by turns poetic, glittering, acrobatic, prophetic, profound, and haunting,failed to command the acclaim it deserved in his lifetime. In Liszt, John Bell Young takes a close look at this opulentmusic, illuminating its many facets and challenges from a pianist’s engaged perspective. Paperback (152 p.) with CD.
For 7 cellos & solo cellist. First Edition, custom print. Commission from the city of Beauvais, France, and premiered bycello soloist Jesus Castro-Balbi and the Beauvais cello ensemble. Score and parts.
