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Onstage Publications€¦ · Edie in Grey Gardens (Gregory Award) for Seattle’s ACT Theatre....

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Page 1: Onstage Publications€¦ · Edie in Grey Gardens (Gregory Award) for Seattle’s ACT Theatre. Patti resides with her husband of thirty four years on the Pacific Northwest’s Olympic
Page 2: Onstage Publications€¦ · Edie in Grey Gardens (Gregory Award) for Seattle’s ACT Theatre. Patti resides with her husband of thirty four years on the Pacific Northwest’s Olympic
Page 3: Onstage Publications€¦ · Edie in Grey Gardens (Gregory Award) for Seattle’s ACT Theatre. Patti resides with her husband of thirty four years on the Pacific Northwest’s Olympic
Page 4: Onstage Publications€¦ · Edie in Grey Gardens (Gregory Award) for Seattle’s ACT Theatre. Patti resides with her husband of thirty four years on the Pacific Northwest’s Olympic
Page 5: Onstage Publications€¦ · Edie in Grey Gardens (Gregory Award) for Seattle’s ACT Theatre. Patti resides with her husband of thirty four years on the Pacific Northwest’s Olympic
Page 6: Onstage Publications€¦ · Edie in Grey Gardens (Gregory Award) for Seattle’s ACT Theatre. Patti resides with her husband of thirty four years on the Pacific Northwest’s Olympic

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ADVERTISINGOnstage Publications937-424-0529 | 866-503-1966e-mail: korlowski@onstagepublica-tions.comwww.onstagepublications.comThis program is published in association with Onstage Publications, 1612 Prosser Avenue, Kettering, OH 45409. This program may not be reproduced in whole or inpart without written permission from the publisher. JBI Publishing is a division of Onstage Publications, Inc. Contents © 2018. All rights reserved. Printed in the U.S.A.

You Are Here | 11Cast of Characters | 12Musical Numbers | 13Who’s Who | 14Authors' Notes | 20About Goodspeed Musicals | 21History of The Terris Theatre | 22The Goodspeed Opera House Foundation | 24Corporate Support | 25Foundation & Government Support | 25Looking to the Future | 26Memorial and Tribute Gifts | 28Goodspeed Musicals Staff | 33For Your Information | 43

Editor: Lori A. Cartwright

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Page 11: Onstage Publications€¦ · Edie in Grey Gardens (Gregory Award) for Seattle’s ACT Theatre. Patti resides with her husband of thirty four years on the Pacific Northwest’s Olympic
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WithPATTI COHENOURSTACIA FERNANDEZANDREA FRIERSONDAN ROSALES

A Non-Profit Arts Organization

MICHAEL GENNAROExecutive Director

Book by BRIAN HILL

Music & Lyrics byNEIL BARTRAM

First Performance: May 18, 2018 at The Terris Theatre

Marquee Producing Partners: DR. ANNE ROTHSTEIN AND MS. JANE HELLMAN JESSICA AND CARL THOMPSON

Founding DirectorMICHAEL P. PRICE

Scenic Design by MIKIKO SUZUKI MacADAMS

Costume Design byVALÉRIE THÉRÈSE BART

Lighting Design by KEN BILLINGTON

Sound Design byJAY HILTON

Orchestrations byDAVID SHRUBSOLE

Production ManagerERICA GILROY

Production Stage ManagerJANE POLE

Casting by PAUL HARDT STEWART/ WHITLEY CASTING

Line Producer DONNA LYNN COOPER HILTON

General ManagerRACHEL J. TISCHLER

Music Direction by DAVID HOLCENBERG

Choreographed by PATRICK McCOLLUM

Directed by SARNA LAPINEThe 2018 Carol L. Sirot Director

Sponsored by:

presents

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Diana .................................................................................................. PATTI COHENOURVoice 1 .............................................................................................ANDREA FRIERSONVoice 2 ........................................................................................... STACIA FERNANDEZVoice 3 ......................................................................................................DAN ROSALES

ASSISTANT STAGE MANAGERKELLY HARDY

MUSICIANSKeyboard/Conductor DAVID HOLCENBERG; Reed I MICHAEL PAGLIONE; Reed II ANDREW STUDENSKI; Cello CELESTE CUMMING

The authors wish to thank the following organizations and artists who have all played a part in the development of You Are Here:

Michael Gennaro, Donna Lynn Hilton and the entire Goodspeed staff; The Signature Theatre and Eric Schaeffer; Acting UpStage and Mitchell Marcus; Thousand Islands Playhouse and Ashley Corcoran; Robert McQueen; David Therriault; Chris Barillaro; Rick Fox; Linda Kash; Astrid Van Wieren; Barbara Walsh

CAST OF CHARACTERS

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MUSICAL NUMBERS

Setting: Chicago, June 20 – 24, 1969. A suburban living room, a downtown hotel, a park bench, a west side apartment, the moon.

Overture .......................................................................................................................................... Voices I Couldn’t Imagine .................................................................................................................Diana, Voices A Monumental Day In Human History ....................................................................................Diana, VoicesPanic (Part 1) .........................................................................................................................Diana, Voices My New To-Do List ................................................................................................................Diana, Voices Awkward .............................................................................................................................. Voices, Diana Joan, Darling ...........................................................................................................................Diana, JoanPanic (Part 2) .........................................................................................................................Diana, VoicesSlumber Doodle ............................................................................................................................... Daniel Moonwalk ..............................................................................................................................Diana, VoicesIs That Me? ...................................................................................................................................... Diana Everyone Dances .........................................................................................................Diana, Ruby, James The Invisible Man ............................................................................................................................. Diana Panic (Part 3) .........................................................................................................................Diana, Voices I Couldn’t Imagine (Reprise) ...................................................................................................Diana, VoicesSea of Tranquility .............................................................................................................................. Diana Home ................................................................................................................................................ Diana

Subject to change

You Are Here will be performed without an intermission.

Please turn off your cell phone, beeper, watch alarm, or anything else that might make a distracting noise during the performance.

Out of respect for our actors and your fellow theatergoers, we ask that you remain seated until the curtain calls are over and the house lights have come up.

We appreciate your cooperation.

Audio/Video recording and photography are prohibited during the performance.

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PATTI COHENOUR* (Diana ) was the standby for the role of Elizabeth Arden in War Paint and originated the following Broadway roles: Signora Naccarelli/Margaret (Alternate) in LCT’s The Light in the Piazza, Mother Abbess in The Sound of Music revival, Christine in Phantom of the Opera

(also Canada), Rosabud in Drood (also London, UK; Clarence Derwent Award, Tony and Drama Desk nominations), Mary Jane in Big River (Theatre World Award, Drama Desk nomination). Additional credits: Adeline in Sweet Adeline for NYC Encores, Magnolia in Hal Prince’s Show Boat, Mimi in La Bohème (Theatre World Award) and Isabel/Mabel in The Pirates of Penzance for the New York Shakespeare Festival, Florence Foster Jenkins in Souvenir, and Edith/Little Edie in Grey Gardens (Gregory Award) for Seattle’s ACT Theatre. Patti resides with her husband of thirty four years on the Pacific Northwest’s Olympic Peninsula and is very honored to participate in the development of this original musical.

STACIA FERNANDEZ* (Voice 2, Joan) is excited to be back at The Terris, where she also appeared as Jeannie Jeanine in Lucky Guy and as the Nurse in Romeo and Juliet. Broadway credits include Mamma Mia—Tanya, The Drowsy Chaperone—standby for Drowsy herself, Swing, Tom

Sawyer, The Scarlet Pimpernel, Beauty and the Beast. Regional Theatre: Night of the Iguana, 9 to 5, Next to Normal, Guys and Dolls, Cats, Annie, and more. TV/Film/Soundtracks: Homeland, Frozen short, Enchanted, and more. Stacia is also a playwright with several projects in the world: The Loop, Smalltowne Christmas, Middle (St)age (webseries) Thanks to everyone involved with You Are Here, my Joe, and to John. @Fernandezstacia StaciaFernandez.com

ANDREA FRIERSON* (Voice 1, Ruby) A two-time Helen Hayes Award nominee, Andrea is pleased to return to Goodspeed. Broadway: The Lion King, Once on This Island (Erzulie Goddess of Love, Original Broadway cast), Marie Christine and Juan Darien: A Carnival Mass (Lincoln Center

Theater), Bring in ‘Da Noise/Funk, For Colored Girls…. Regional Theatre: Show Boat (Goodspeed Musicals), Falsettos (Hartford Stage), Beehive! (Arena Stage), Cymbeline (Utah Shakespeare Festival), A New Brain (Studio Theatre). Writing credits include Lady Be Good

(workshop, Lincoln Center Theatre), Soon of a Mornin’ (NYMF Festival), and Me & Ella (York Theatre, Summer 2017). Television: Allegra’s Window (Nickelodeon), Quantico (ABC), Elementary (CBS), and the new Ryan Murphy TV series POSE (FX). www.andreafrierson.com

DAN ROSALES* (Voice 3, Daniel) is so happy to be back at Goodspeed after appearing in the Festival of New Musicals staged reading of Come From Away. Dan was most recently seen as the star of the smash Off-Broadway parody Spamilton, portraying Lin-Manuel Miranda;

the New York Times Critics' Pick ran for over 500 performances at the Triad Theatre and the Puerto Rican Traveling Theatre. Selected credits include the titular role in the National Tour of Peter Pan 360 and in Wringer at New York City Center. Dan is a proud graduate of the Boston Conservatory. Thanks to this magical team and the Goodspeed family. @danrosales

BRIAN HILL (Book ) For Goodspeed Musicals, Brian was the bookwriter for The Theory of Relativity and The Story of My Life, which went on to premiere on Broadway in 2009, earning four Drama Desk Award nominations (Outstanding Musical, Music, Lyrics, and Book). Both are now licensed through Music Theatre International. Additional projects with composer/lyricist Neil Bartram are Something Wicked This Way Comes (Delaware Theatre Company) and The Adventures of Pinocchio (Chicago Shakespeare Theater). Current Bartram and Hill projects include Bethune and Senza Luce (CMTP), Belles Soeurs and Bedknobs and Broomsticks (Chicago Shakespeare Theater). Brian wrote the new book for the Old Globe's production of October Sky and the revised book for the Goodman Theatre's acclaimed production of Brigadoon. For the Stratford Festival, he directed Gilbert and Sullivan’s Patience and was Associate Director of Man of La Mancha and Fiddler on the Roof. He was Associate Director for the U.S. National Tours of Sunset Boulevard and The Sound of Music. He was the Developmental Director of Come From Away (CMTP, Goodspeed Musicals, NAMT). For Disney Theatrical Productions, he was Resident Director of the Toronto and Broadway companies of The Lion King and Associate Director of Broadway’s The Little Mermaid.

NEIL BARTRAM (Music & Lyrics) is the composer and lyricist of Broadway’s The Story of My Life with book writer Brian Hill, which received four Drama Desk Award nominations, including two for Neil for Outstanding Music and Outstanding Lyrics. His adaptation of The Adventures of Pinocchio was commissioned by

WHO’S WHO

*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

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Chicago Shakespeare Theater and is now licensed through the Rodgers & Hammerstein Organization. His musical The Theory of Relativity, commissioned by Sheridan College’s Canadian Music Theatre Project, had its U.S. premiere at Goodspeed Musicals in 2015, with its London premiere in the same year. It is now licensed worldwide by Music Theatre International. Recently, Neil wrote the score for Chicago Shakespeare Theater’s and Asolo Rep’s productions of Shakespeare in Love. Current projects include Senza Luce and Bethune (both commissioned by Michael Rubinoff and the CMTP), a musical adaptation of Michel Tremblay's play Les Belles-Soeurs, a musical based on Ray Bradbury’s classic novel Something Wicked This Way Comes, and the stage adaptation of Disney’s beloved film Bedknobs and Broomsticks, all with book writer Brian Hill. Neil’s awards include the ASCAP Foundation’s Yellen Award, a Jonathan Larson Foundation Award, and a Dramatists Guild Fellowship. Cast albums include The Story of My Life and The Theory of Relativity (both on PS Classics).

SARNA LAPINE (Director ) is a New York-based director and developer of new work. Recent productions include the Japan premiere of Anna Ziegler’s Photograph 51 at the Tokyo Metropolitan Theatre and the critically-acclaimed Broadway revival of Sunday in the Park with George starring Jake Gyllenhaal and Annaleigh Ashford. Upcoming productions include Frost/Nixon at Bay Street Theater and the new Kate Hamill adaptation of Little Women produced by Primary Stages. Sarna has directed concerts for the L.A. Philharmonic at The Hollywood Bowl, the Boston Pops at Tanglewood, New York City Center, Umeda Arts Theater in Tokyo and Osaka, The Café Carlyle, 54 Below, and the 92nd Street Y. In addition to productions at regional theaters around the country and in Canada, she directed the National Tour of Dirty Dancing, was the Associate Director of The National Theatre’s War Horse tour of North America and Japan, and directed the 2nd National Tour of Lincoln Center Theater’s South Pacific. Sarna began her career in New York assisting Bartlett Sher on The Light in the Piazza and was Assistant and Associate Director for Mr. Sher on three subsequent Broadway productions. She holds an MFA from Columbia University.

PATRICK McCOLLUM (Choreographer ) Credits include The Band’s Visit (Broadway and Atlantic Theater Company); Oh, Hello! (Broadway and Cherry Lane Theatre); Man From Nebraska (Second Stage); The Lightning Thief (TheatreWorks); Blueprint Specials (Public Theater Under the Radar Festival onboard the Intrepid); Rain (Old Globe); Unknown Soldier (Williamstown Theatre Festival); Wilderness (Abrons Arts Center); The Legend of Georgia McBride (Dorset). As Associate Choreographer on

Broadway: Angels in America, The Last Ship, Peter and the Starcatcher, and Rocky; Wicked (Dance Supervisor); Off-Broadway: Murder Ballad (Manhattan Theatre Club, Associate Choreographer); Permission (MCC, Movement Consultant).

DAVID HOLCENBERG (Music Director ) is happy to be back at Goodspeed after working on the premiere of The Story of My Life. Broadway: Groundhog Day, Matilda, Rocky, Ghost, Mamma Mia!, The Story of My Life, Bye Bye Birdie, Good Vibrations, Seussical, Titanic, and Show Boat. David music directed the US premiere of Ragtime (LA Drama Critics Award-Distinguished Achievement in Music Direction), as well as the world premiere of Newsies at Paper Mill Playhouse. His show Bingo! The Winning Musical, written with Michael Heitzman and Ilene Reid, is represented by Samuel French and currently playing worldwide.

MIKIKO SUZUKI MacADAMS (Scenic Design) Mikiko’s work has been seen Off-Broadway at Epic Theater Ensemble, INTAR, EST, Working Theater, and NAATCO, and Regionally at Cleveland Playhouse, Berkeley Rep, Opera Theatre of Saint Louis, Arena Stage, the Old Globe, Seattle Rep, Oregon Shakespeare Festival, Long Wharf, Actors Theatre of Louisville, and Yale Rep, among others. National Tour: Dirty Dancing and South Pacific. Internationally: Aichi Triennale, Kanagawa Prefectural Hall, Nissei Theatre, Nikikai Opera, and more. As an Associate Scenic Designer, her Broadway musical credits include My Fair Lady, Fiddler on the Roof, The King and I, The Bridges of Madison County, and Women on The Verge of a Nervous Breakdown.

VALÉRIE THÉRÈSE BART (Costume Design) Selected credits include A Doll’s House, Part 2 (Actors Theatre of Louisville); Rocking Horse Winner/Vinkensport (Opera Saratoga); Listen, Wilhelmina! (Costumes/Sets, Wolf Trap); Rigoletto (Minnesota Opera); The Great Leap (Denver Center/Seattle Rep); The Invisible Hand (Cleveland Play House); Too Heavy For Your Pocket (Roundabout); Vanity Fair (Pearl Theatre); Butterfly (Heartbeat Opera); The Servant of Two Masters (TFANA, Seattle Rep, Guthrie, Shakespeare Theatre Company, Yale Rep); Twelfth Night and What You Will (Bedlam, Central Square Theatre); Macbeth (Acting Company); Tina Packer’s Women of Will (Costumes/Sets, National/International Tours); She, After (Costumes/Sets, Urban Arias); POP! (Sets, Yale Rep). MFA, Yale University School of Drama. valeriebart.com

KEN BILLINGTON (Lighting Design) Almost 100 Broadway shows to his credit, including such theatre milestones as Sweeney Todd and the longest-running American musical in history, Chicago. Current touring

WHO’S WHO

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*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

productions include Waitress, Dirty Dancing, Chicago (worldwide), and the annual tour of Irving Berlin’s White Christmas. Other projects include Disneyland’s Fantasmic!, Hugh Jackman in Concert, The Radio City Music Hall Christmas Spectacular from 1979 to 2006, and the architectural lighting for New York’s Tavern on the Green. Awards: Tony, NY Drama Desk, Outer Critics Awards, Ace Award for Television Lighting, and the Lumen for his architectural work. In 2015, he was inducted into the Theatre Hall of Fame.

JAY HILTON (Sound Design) is pleased to continue his long association with Goodspeed Musicals and is thrilled to be working on another project with Brian Hill and Neil Bartram. Jay has designed countless productions at both The Terris Theatre and The Goodspeed in East Haddam. His work has also been heard on Broadway, National Tours, and at Regional Theatres from coast to coast. In addition to being Goodspeed’s Resident Sound Designer, Jay serves as their Audio Supervisor. He and his wife, Goodspeed Line Producer Donna Lynn Hilton, make their home (and garden) in Hadlyme, Connecticut.

DAVID SHRUBSOLE (Orchestrator ) is a graduate of Trinity College of Music, London. David has worked extensively as music director and arranger for Simon Green, and together they have played three seasons at New York’s 59E59, where he wrote the music and lyrics for Life is For Living (Drama Desk winner 2017). Other compositions include The Diary of Anne Frank, Traveling Light (59E59–Drama Desk nomination), Troilus and Cressida (co-composed with George Stiles and nominated for a Chicago Jeff Award). Orchestrator/Arranger: Hello, Dolly! ; Annie ; Annie Get Your Gun (National Tour). Musical Direction credits include American Psycho (Almeida, Broadway), Miss Saigon (National Tour), and Master Class with Patti LuPone.

ERICA GILROY (Production Manager ) looks forward to her first season sitting in the PM’s chair. She has been part of the Goodspeed Production Management team since 2005, where she has assisted on two National Tours, several world premieres and transfers to Broadway. Prior to Goodspeed, she worked in the field of stage management up and down the East Coast. A soon-to-be mom of two, she enjoys exploring new playgrounds with her son, James, and husband, Mike.

JANE POLE* (Production Stage Manager ) Broadway: The Addams Family, Macbeth, Tartuffe. Off-Broadway includes: School for Scandal, 39 Steps, The Anthem, Bill W & Dr Bob, Hurt Village, Play It Cool, On the Levee, Evil Dead The Musical. BAM: The Bridge Project–The

Cherry Orchard and Winter’s Tale (and International Tour), Macbeth, Happy Days, King Lear, The Seagull, Medea. Regional: A Connecticut Christmas Carol (Goodspeed), Guys and Dolls, Clue, Cake Off, Steel Magnolias, Plaid Tidings, Meet Me In St. Louis, It’s a Wonderful Life, Barefoot in the Park (Bucks County Playhouse); Trying, Daddy Long Legs, Rich Girl, One Slight Hitch, The 39 Steps (George Street Playhouse); Intimate Apparel (Westport Country Playhouse). UK: Over 50 productions for the RSC.

KELLY HARDY* (Assistant Stage Manager ) Goodspeed: Debut. Broadway: Anastasia, The Real Thing. New York: Lincoln Center–LCT3, The Public, NYMF, Theatre for a New Audience, Working Theatre, Rattlestick Playwrights Theatre, The Actors Company Theatre. Regional: Hartford Stage, Trinity Repertory Company, Long Wharf Theatre, La Jolla Playhouse, New York Stage and Film, North Coast Rep, Bard SummerScape, Bucks County Playhouse. International: Royal College of Music, London; Shakespeare’s Globe, London. Education: UC San Diego.

PAUL HARDT, STEWART/WHITLEY (Casting) is happy to continue his 14-year relationship with Goodspeed and pleased to join the casting office of Duncan Stewart CSA & Benton Whitley CSA. Broadway/NY: The Great Comet (Josh Groban), On the Town, Pippin, Chicago The Musical, La Cage aux Folles, August Osage County, West Side Story, Come Fly Away, Hot Feet, Grey Gardens (Betty Buckley), The Radio City Christmas Spectacular, Carnegie Hall West Side Story, The Band Wagon, Carnegie Hall Sings, Pageant; West End/UK: West Side Story, Thriller Live, Menier Chocolate Factory. Tours: Finding Neverland, Into the Woods, The Bodyguard, Once, Shrek, Elf, Flashdance, Anything Goes, Bullets Over Broadway, The Duck Commander Musical, We Will Rock You. Upcoming: A View From the Bridge (Alley Theatre), Sondheim on Sondheim (Gustavo Dudamel–Hollywood Bowl/LA Phil), Prince of Egypt (Stephen Schwartz), Hadestown (Rachel Chavkin), Man in the Ceiling (Andrew Lippa), As You Like It (John Doyle), Waterfall (Maltby/Shire), August Rush (John Doyle). CSA Artios Awards Winner. stewartwhitley.com

DONNA LYNN COOPER HILTON (Line Producer ) leads artistic efforts on all productions at The Goodspeed and The Terris Theatre. She guides Goodspeed’s Festival of New Musicals and the Johnny Mercer Writers Colony, is a past president of the National Alliance for Musical Theatre, and serves on the selection committee for NAMT’s Festival of New Musicals. Donna Lynn and her husband Jay make their home in Hadlyme with Cookie.

WHO’S WHO

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RACHEL J. TISCHLER (General Manager ) is enjoying a third season of shows at Goodspeed Musicals. Prior to Goodspeed, Rachel practiced law in Manhattan, specializing in employment litigation and counseling. Before her brief law career, she was Trinity Repertory Company’s General Manager up in Providence, RI. She lives with her partner, Owen (also an Amherst College grad), in Middletown.

MICHAEL P. PRICE (Founding Director ) Under the direction of Michael Price for 47 years commencing in 1968, Goodspeed Musicals became internationally recognized for its dedication to the advancement and preservation of the American Musical. For Goodspeed, Mr. Price produced over 250 classic and forgotten musicals, 100 new musicals, and transferred 19 shows to Broadway, earning 13 Tony Awards. Goodspeed itself was honored with two special Tony Awards. Mr. Price is the founder of the League of Historic American Theatres and a founding member of the National Alliance for Musical Theatre. He serves on the Executive Committee of the American Theatre Wing and as a member the Tony Administration Committee. His board memberships include the American Academy of Dramatic Arts, the Johnny Mercer Foundation, the ASCAP Foundation, and numerous charitable and non-profit organizations. He received his BA from Michigan State University, MA from Minnesota, MFA from Yale, and holds honorary doctorates from Wesleyan University, Connecticut College, and The University of Hartford. He is married to Jo-Ann Nevas Price; they are the proud grandparents of Ezra and Ari.

MICHAEL GENNARO (Executive Director ) is entering his fourth season at Goodspeed after serving as Executive Director at Trinity Repertory Company in Providence, RI for seven years. Prior to Trinity, he served as Managing Director at Ford’s Theatre in Washington,

DC; Executive Director at Pennsylvania Ballet in Philadelphia; Producing Director at Paper Mill Playhouse in NJ; and for eight years as Executive Director at the prestigious Steppenwolf Theatre in Chicago. During his tenure at Trinity, Michael was instrumental in leading a coalition of nine Rhode Island performing arts organizations to secure a $35 million bond referendum providing state funding to private organizations, the first of its kind in the State. While at Steppenwolf, the theatre received the National Medal of Arts from President Clinton and transferred numerous productions to London’s Barbican Centre, the Dublin and Galway Arts Festivals, and Broadway, where One Flew Over the Cuckoo’s Nest won the Tony Award for Best Play Revival. Michael has served on grant panels for the National Endowment for the Arts, Theatre Communications Group, the Doris Duke Charitable Foundation, and the Rhode Island Foundation. He received a Fellowship from the RI Foundation in 2012 and received the 2015 Pell Award for Outstanding Leadership in the Arts. Michael is a licensed attorney in New York, where he practiced for several years as a litigator and entertainment attorney, and has appeared as an actor at the Brooklyn Academy of Music, Off-Broadway, and in the Broadway production of Godspell. He is a graduate of the University of Notre Dame and received a JD from Fordham University. Michael’s wife, Donna Lee, is a special events consultant and his son, Brendan, lives in Chicago.

ACTORS’ EQUITY ASSOCIATION, founded in 1913, represents more than 49,000 actors and stage managers in the U.S. Equity negotiates wages and working conditions, providing a wide range of benefits, including health and pension plans. Equity seeks to foster the art of live theater as an essential component of our society.

WHO’S WHO

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You Are Here is the story of a woman who, late(-ish) in life, takes a small step away from her sheltered suburban home and makes a giant leap into a world as unfamiliar to her as the surface of the moon.

When we first set out to write this piece, we had just completed our run of The Theory of Relativity at Goodspeed, which was a view through the eyes of 20-somethings about to step into the unfamiliar world of adulthood. After writing for that incredibly talented company of young actors, we thought it would be an exciting challenge to tackle something that viewed the world from the other end of the spectrum, from a 50-something point of view.

The theatrical canon isn't exactly crowded with leading roles for brilliant actresses of a certain age. For every Dolly or Rose there are dozens of Laureys, Julies, Marias, Millies, Cosettes, Elphabas, Anastasias, Elsas, Annas…the list is endless. So, we were intrigued by the possibilities presented to us by tapping into the talents of an established actress who could bring a depth of life and work experience to this piece. We were also interested in tossing her into a time period that would test anyone's limits, let alone our central character Diana, who has decades of established patterns and ingrained behaviors.

1969 was a time of great social upheaval. The women's movement was gaining its footing, race-related riots were frequent and volatile, the Vietnam War was raging on, and men were walking on the moon. It was also a time of great change

in the music world. It was the moment when parents and children stopped listening to the same music. Hair had premiered on Broadway just one year earlier, and the Beatles had made a splash on The Ed Sullivan Show only a few years before that. The surface serenity of the previous twenty years was cracking. But many were watching this through the safe filter of a television screen. We wondered what this would have been like for our grandmothers who had gone through one, maybe two, world wars and were finally able to settle into the social stillness of the 1950s only to have the cart upset once again.

This combination of a veteran performer playing a specific yet familiar character living in a turbulent time feels particularly fertile. Add to the mix our wonderful director Sarna Lapine and Goodspeed's Norma Terris Theatre (our home for both The Story of My Life and The Theory of Relativity ) and we feel we're in the perfect place to really dig into this story. We plan to spend our time here developing the piece to see if Diana's journey into the wildly unsettled world of 1969 will resonate with audiences who are experiencing the equally unsettled world of 2018. The similarities between this year and that are constantly surprising us, and we're likely to find more as we dive in deeper with our extraordinary cast and creative team.

In hindsight, it seems as though You Are Here has evolved into a companion piece to The Theory of Relativity—each looking at the changing world from opposite ends of the age spectrum.

AUTHORS' NOTESBy Brian Hill and Neil Bartram

Brian Hill and Neil Bartram. Photo by Nathan Johnson

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Where We’ve BeenGoodspeed’s beginnings date back to 1963 when we opened our doors as a professional musical theatre in an historic building on the banks of the Connecticut River in East Haddam. Under the direction of Michael Price from 1968 to 2014, Goodspeed transformed from a struggling entity into a non-profit arts organization with a mission. At first, Goodspeed’s commitment was to discover rarely produced musicals from the repertoire, reworking them and bringing them to life. We were also intent on adding to the repertoire by discovering and nurturing promising new musicals presented at both The Goodspeed and The Terris Theatre in neighboring Chester.

In our history, we have produced over 250 musicals, including over 70 world premieres, and exported 21 productions to Broadway. Goodspeed stands as the first regional theatre in America to earn two special Tony Awards, one in 1980 for outstanding contributions to the American musical and a second in 1995 for distinguished achievement for a regional theatre.

Who We Are TodayGoodspeed Musicals mounts both new and newly revived musicals each year on our main stage at The Goodspeed in East Haddam and on our second stage, The Terris Theatre, in Chester–a total of more than 400 performances during the April to December season, attracting 130,000 patrons to the Connecticut River Valley. We stand at the forefront of producing and preserving the American musical, simultaneously reinventing the classics and inventing new ones. We attract well-known icons of the theatre world and foster emerging talent among composers, lyricists, and librettists. Each year, thousands of actors, directors, choreographers, and technicians aspire to come to Goodspeed to practice their craft. Among millions who know and love this art form–and those who appreciate its history and enduring appeal–Goodspeed is widely recognized as “The Home of the American Musical.”

Throughout the year, and intensively during the winter months, Goodspeed addresses issues unique to the field by offering innovative and highly-sought after programs through our Max Showalter Center for Education in Musical Theatre, including the celebrated Musical Theatre Institute providing programs for aspiring musical theatre professionals. The Arts Education Collaboration provides art-education programs for underserved Connecticut youth. The Festival of New Musicals features students from The Hartt School and the Boston Conservatory performing staged readings of three brand-new musicals, industry-related seminars, a symposium, and cabaret performances. Each winter, Goodspeed also hosts the Johnny Mercer Foundation Writers Colony that invites musical theatre writing teams to retreat from daily life for a four-week residency and concentrate solely on writing new musicals. In addition, Goodspeed serves as a resource for the preservation of the art form through our Scherer Library of Musical Theatre, the second most extensive musical theatre research library in the United States.

The Future We EnvisionThe Goodspeed campus will continue to serve as a thriving artist colony where the creative process informs the work on our stages and expanding educational programs. We aspire to serve as a safe haven where a singular commitment to discovery and innovation will enrich the field with the next generation of musical theatre artists.

A complete listing of past Goodspeed Musical productions can be found at www.goodspeed.org

ABOUT GOODSPEED MUSICALS

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The Terris Theatre was inaugurated in 1984 by Goodspeed Musicals for the development of new musicals. The theatre is named in honor of the actress Norma Terris, star of Jerome Kern’s Show Boat and devoted patron and trustee of the Goodspeed Opera House during her later years.

Miss Terris began her stage career as a young vaudeville performer, which led to her first major role in George M. Cohan’s Little Nellie Kelly. She gained immortal acclaim as the creator of the roles of Magnolia and Kim in the original Florenz Ziegfeld 1927 production of Show Boat. After making two films for Fox, Married in Hollywood and Cameo Kirby, she starred for 10 seasons at the Municipal Opera Company in St. Louis.

Miss Terris first performed for Goodspeed audiences in the 1970 production of Little Mary Sunshine. She presided over the dedication of The Terris Theatre, and in 1987 she established the Norma Terris Fund to expand the talents of individuals and to foster the vitality, excellence, and diversity of musical theatre at The Terris Theatre. A beloved friend of the Goodspeed Opera House, Norma Terris is remembered for enriching the art of musical theatre with her beautiful voice, fine acting, and generous spirit.

The Terris Theatre formerly was a factory built in the early 1900s for Susan Bates, Inc., which became one of the largest manufacturers of knitting needles and needlework accessories. In 1982, after relocating to a larger facility, Susan Bates, Inc., donated its abandoned factory in Chester to the Goodspeed Opera House Foundation. An intimate 200-seat performing space, The Terris Theatre was fully renovated, opening its doors on July 10, 1984 with the new musical Harrigan ‘n’ Hart.

HISTORY OF THE TERRIS THEATRE

The mission of Goodspeed Musicals is to be the leader in preserving and producing musical theatre of the highest quality by:

• Rethinking, restoring, and producing works that are valued and significant in the history of musical theatre; • Developing new musical theatre works; • Nurturing the talents of new composers, lyricists, and librettists; • Encouraging and developing the talents of artists, technicians, and administrators; • Inspiring future audiences through education programs and outreach efforts; • Preserving and expanding the archival collections of its Scherer Library of Musical Theatre and making them available for professional use; • Maintaining the Goodspeed Opera House, a national historic landmark.

OUR MISSION

Ms. Norma Terris

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OfficersFrancis G. Adams, Jr.

ChairmanJennifer Brown

SecretaryAlvin Deutsch

General CounselMichael Gennaro

Executive DirectorJeffrey S. Hoffman

Vice PresidentSusan Link

TreasurerDannel P. Malloy Ex Officio

Honorary ChairmanMark Masselli

Vice-PresidentHila Rosen

First Vice PresidentJohn F. Wolter

President

Timothy ArborioJay BenetMyron R. Bernstein*J. Robert Buchanan*Anthony CacaceTheodore S. ChapinKay Knight ClarkeChristopher DoddMuriel FleischmannJohn H. HambyChandler HowardLynde Selden KarinMary Ellen KlinckJulie Godbout LeBlancLawrence McHughRobert Roy Metz*

Linda MorasuttiRobert F. Neal*Eric D. OrtMichael G. PoloMichael P. Price*Jeffrey RichardsJefferson B. RileyKristen RobertsSusan SchererH. William Shure*Joseph SmithPeter E. Strniste, Jr.Leonardo H. SuzioDeRoy C. Thomas*John VoegeStephanie Stiefel WilliamsDona D. Young*

*Emeritus Trustee

2018 BOARD OF TRUSTEES

Carol AdamsSandra AnagnostakisRichard T. Cersosimo and

Valerie J. KoifCatherine Ladnier and

J.M. Robinson

Mrs. Charles R. LindbergAndrew and Bonnie

Lee McKirdyAnthony and Chelsea MichaudChuck and Dianne RamseySaul Rosen

Dr. Anne L. Rothstein and Ms. Jane Hellman

Edgar E. ShirleyCarl and Jessica ThompsonMeghan Young

GOODSPEED COUNSELORS

Ken BloomTheodore S. ChapinAlvin DeutschChristine Donohue

Brian DrutmanMichael A. KerkerRobert KimballBruce Pomahac

Bill RosenfieldHenry S. Scherer, Jr.Steven Suskin

THE SCHERER LIBRARY OF MUSICAL THEATRE ADVISORY BOARD

Amy Campbell President

Jay McAnulty Vice President

Dale Ferris Recording Secretary

Jessica Adelson Corresponding Secretary

C. William Stamm Treasurer

GOODSPEED GUILD BOARD OF DIRECTORS

Gordon GreenbergRobert R. Metz

Jane PercyPeter Walker

Nancy Wolf

THE MAX SHOWALTER CENTER FOR EDUCATION IN MUSICAL THEATRE ADVISORY BOARD

THE GOODSPEED OPERA HOUSE FOUNDATION

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Altek Electronics, Inc.AmazonSmileAmica InsuranceAqua Compliance SpecialistsArborio CorporationAshlawn Farm CoffeeBarnes Group, Inc.Becker’s Diamonds & Fine JewelryBuckley Appraisal Services, Inc.C. Sherman Johnson Co., Inc.Centerbrook Architects & Planners, LLPMasonicare at Chester VillageCollins Medical Associates 2, P.C.ComcastConnecticut Public Broadcast NetworkCreative Endeavor OfficeCreative Transportation & ToursEversource EnergyFalcetti MusicThe John Gore OrganizationHartford Business JournalHoffman AudiJensen’s Inc.Julia Balfour, LLCJunkyard Dog ProductionsKainen, Escatera & McHale, P.C.The Lane Construction Corporation

LAZ ParkingLiberty BankMystic & Shoreline Visitor Information CenterOnstage PublicationsQuinnipiac UniversityR.A. Parady & Sons, Inc.Reliable Cleaners & TailoringReynolds Subaru & Reynolds BoatsRisCassi & Davis, P.C.The Riverhouse at Goodspeed StationRobinson + Cole LLPSennheiser Electronic CorporationShipman’s Fire EquipmentThe Shops at Mohegan SunStarkweather & Shepley Insurance Brokerage Inc.The Suzio York Hill CompaniesTower Labs, Ltd.TravelersUnited AirlinesUnited Mechanical Resources, Inc.Updike, Kelly & Spellacy, P.C.Webster BankWebster Private BankWells Fargo BankWithumSmith+Brown, P.C.WSHU Public Radio GroupYoung’s Printing

CORPORATE SUPPORT

GOVERNMENT SUPPORT

Acorn Alcinda FoundationActors’ Equity FoundationThe Aeroflex FoundationThe ASCAP Foundation Irving

Caesar FundBodenwein Public Benevolent

FoundaionThe Brian and Marilyn Lindsay

Foundation Case Graber FoundationCommunity Foundation of

Middlesex County/Whelen Family Endowed Fund, River View Cemetery Fund, Middlesex Enhancement Fund

The Frederic R. Coudert Foundation

Daphne Seybolt Culpeper Memorial Foundation

The Aldo DeDominicis FoundationEIS FoundationBurry Fredrik FoundationHoward Gilman FoundationKitchings Family Fund at the

Community Foundation of Middlesex County

Lucille Lortel FoundationThe Johnny Mercer FoundationThe William & Alice Mortensen

FoundationThe Christine E. Moser FoundationNational Alliance for Musical

Theatre’s Innovation & Exploration Grant

The Noël Coward FoundationThe Norma Terris/Albert D.

Firestone FoundationFrank Loomis Palmer FundRodgers & Hammerstein

FoundationSBM Charitable Foundation, Inc.Adolph and Ruth Schnurmacher

Foundation, Inc.The Scripps Family Fund for

Education & the ArtsThe Max Showalter Foundation, Inc.The Shubert FoundationStarkweather & Shepley Charitable

Fund at the Rhode Island Foundation

Theatre Development Fund

FOUNDATION SUPPORT

FOUNDATION & GOVERNMENT SUPPORT

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BEQUESTSGoodspeed Musicals fondly remembers those who left a bequest or in whose honor a memorial fund was established. Their love of musical theatre and our institution is an example to us all.

The Milon Barnes Memorial Fund

Cynthia Kellogg BarringtonDavid A. BeldenLeonard N. BlakeTimothy J. ClutterStephen B. Crowley, IIIRalph DavidsonFellner Family FoundationAlbert D. FirestoneBurry FredrikNorwick and Elizabeth

Goodspeed

Henry Sage Goodwin Memorial Fund

Judith HaleviThe Edith O. Haynes TrustMartha C. HinkelThomas W. Holton

Memorial FundMarjorie W. JolidonThe Adrienne I. Koch

Revocable TrustWilliam J. Kotchen

Memorial FundDorothy LiepertzEvan S. McCord

Alice Hammerstein MathiasEdith L. NymanMuriel Selden ParisRochelle RichilsonBarbara V. RossBertha L. RottmannEdward RousseauMarco S. SavonaRichard SchnellerLucille Lortel SchweitzerMartha ShattuckJohn F. Single, IIIMary Sargent SwiftMark A. Wainger

WILLIAM H. GOODSPEED LEGACY SOCIETYGoodspeed Musicals thanks the members of the William H. Goodspeed Society who have included a future bequest to Goodspeed Musicals in their wills or estate plans.

Anonymous (8)Dolores L. AndrewLeon Hugh and

Anne Sullivan CalanquinFrank & Amy Campbell Edward CapeJack & Bertie ChuongDonald Yale Church &

Anthony O’Grady SchillaciAmy Lee Crockett, DVMJohn M. DarceyCharles M. EricsonMuriel FleischmannDavid F. Frankel

Richard GoodmanMrs. Harry J. GrayLynde Selden KarinRuth KatzMrs. Charles LindbergMrs. Carmela MarzanoAndrew C. McKirdyPeter J. MustoLeslie & Lynne NathanJane E. OndovcsikBarbara A. PetersenB. A. PomaricoMichael & Jo-Ann PriceMary Jane Richilson

Jay Rose, CASDr. Anne L. Rothstein &

Ms. Jane HellmanDr. & Mrs. Gerald SandlerDr. Benjamin SevitchJerome & Marian SilversteinCarol L. SirotDr. & Mrs. David SnydermanC. William StammSheila L. TomlinsonMark & Roberta VelezJessica WaldmanJerry & Linda WanoskyChristopher Weed

Since its inception, Goodspeed Musicals has particularly benefited from the unique advantages of planned gifts and bequests. Because such gifts provide financial support over time, they have been essential to Goodspeed Musicals’ ability to consistently move from strength to strength, plan for the future with confidence, and ensure millions more will enjoy award-winning productions for generations to come.

LOOKING TO THE FUTURE – LEAVING A LEGACY

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NAMED FUNDS AND ENDOWMENTSThese funds and endowments listed below were established during lifetime, by bequest, or in memoriam with an outright gift to Goodspeed Musicals.*

The Dr. & Mrs. Harold D. Bornstein, Jr. Charitable Gift Annuity*

The Dr. Harold D. Bornstein, Jr. Charitable Gift Annuity*

The Frederick A. & Justine Millspaugh Catlin Family Fund

The Rochelle Dauenheimer Charitable Gift Annuity*

The Arthur & Elizabeth Godbout Fund for the Support of the Music Department

The George S. & Charmian A. Goodspeed Memorial Fund

The A. Nicholas Groth, Ph.D. Charitable Gift Annuity*

The Charles R. Lindberg Family FundThe Lucille Lortel Fund

The Maryann & Jane E. Ondovcsik Fund for the Preservation of the Victorian Goodspeed Opera House

The Salvatore Marzano, Jr. Memorial Student Scholarship Fund

The Elaine McKirdy Intern/Apprentice EndowmentThe Michael P. Price Endowment Fund at

Goodspeed MusicalsThe Charlotte & Gerald Sandler

Educational EndowmentThe Scherer Library of Musical Theatre FundThe Max Showalter Center for Education in

Musical TheatreThe Jerome & Marian Silverstein Endowment FundThe Carol L. Sirot Family Endowment FundThe C. William Stamm Charitable Gift Annuity*The Ashton M. Tenney, Jr. Memorial Annuity Fund*The Zachs Family Endowment

*The donors receive a tax advantaged income stream during their lives and a named fund or endowment will be created when the annuity reverts to Goodspeed Musicals.

LOOKING TO THE FUTURE – LEAVING A LEGACY

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SPECIAL GIFTSGoodspeed Musicals is grateful to those who have made a special gift during the 2018 season. They include:

Shawn Amdur & Dale WoodsDenise Bernardo & Edwin MuentesAnne & Leon CalanquinFrank & Amy CampbellCynthia ClaytonKevin CondrinDon & Terri CoustanRobert & Mary Lou CovielloAlvin & Davida DeutschJames & Laura DuncanDr. David EpsteinDrs. Stephen & Evelyn FirsheinSusan F. GonsalvesBill Gratz & Jay BrunoJanice GrowerJohn & Joanna HambyPeter HoyleAndrew A. Isen

Stu & Ellen KazinRita LandinoBenjamin B. Liveten Charitable

Grand Nephew TrustDr. & Mrs. Koen LoevenLucille Lortel FoundationJon Lukomnik & Lynn DavidsonDave & Judith MacriCarmela MarzanoLinda Morasutti & Robert LeeKenneth & Paula MunsonJoan PereraMark PlannerBessy Reyna & Susan HolmesJeff Riley & Mary WilsonRichard RobinHila & Saul Rosen

Dr. Anne Rothstein & Ms. Jane Hellman

Dr. & Mrs. Gerald SandlerAllyn & Karen SeymourCarol L. SirotMegan & H. William StineRuss Tait & Lee AndersonNatalie TenneyJessica & Carl ThompsonCathy Velenchik & Chris JoyGeorge Vinick & Margaret SaxeTracy & Christopher WeedCarlisle WildemanLuke & Stephanie WilliamsE. Marie Wilson & Colette TrohanJef & Kate WolterZachs Family Foundation, Inc.

In memory of Martha D. “Pepper” Hitchcock: Sheila Tomlinson and Ted Earl, Carole Hope, Susan Lesoff

In memory of Jack and Maureen King: Colleen Ferris, Ellen Faber, Vicki & Alan Wasserman

In memory of Enza Konior: Michael Chaiklin and Wendy Green

In memory of Peter Perkins: Michael Chaiklin, William Bonney and the Creative Crew

In honor of Christine Marcks’ retirement: Michael Chaiklin, William Bonney and the Creative Crew

In memory of Peter J. Otto: Janet Nettleton Otto

In honor of Mr. and Mrs. Anthony Cacace: Colonel & Mrs. Wm. R. Jones

In honor of Jeff Riley and Mary Wilson: Ed Bass & Sasha Camacho

In honor of Henri Van Dam’s birthday: Jane Brooks

In memory of Michele Van Epps: John Van Epps, Margaret Cordts

In honor of Nancy Altschuler, Gloria Gorton, Mary Miko & the 2017 London Tour: Janice & David Ogden, Valerie F. DeQuattro

In honor of Barbara Wilkinson: Lydia Klatsky

In memory of Richard and Mary Ann Valinski: Robert Henning, Phil Valinski

In memory of Muriel Selden Paris: Stephen & Susan Mathews

In honor of Bob Alwine: Chris Joy & Cathy Velenchik

In honor of Mary Miko and 50 years of friendship: Robin Stegner

In memory of William K. Walton, Jr.: Nancy Marikur

In memory of William Blatchley: Lois Fermann, Kristin Cantrell, Patricia Florio

Goodspeed Musicals gratefully acknowledges the following gifts made to honor a special occasion or in memory of a loved one.

*for period May 11, 2017 to May 1, 2018

MEMORIAL AND TRIBUTE GIFTS

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Did you know that Goodspeed has the only library dedicated solely to musical theatre in the country? Make an appointment to stop by and peruse the unique collection by contacting Education Manager & Library Director Josh Ritter at 860.873.8664 ext. 522 or by email at [email protected]. The library is located a few minutes up the street from The Goodspeed at 20 Norwich Rd, East Haddam, CT 06423. To learn more about the library, please visit www.goodspeed.org/education-library/library.

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ARTISTIC

Michael Gennaro .............................................................Executive DirectorDonna Lynn Cooper Hilton ......................................................Line ProducerAnika Chapin ................................................................... Artistic AssociateJorge Lopez ......................................................... Assistant to the ProducerMichael O’Flaherty ................................................. Resident Music Director

ADMINISTRATION

Rachel J. Tischler ............................................................. General ManagerKristan McLaughlin .....................................................Artistic AdministratorDonna Tafel ........................................................... Assistant to Mr. GennaroLiz Ottone ................................................................................Receptionist

BUILDING SERVICESEdward C. Blaschik ...................................................... …Theatre ManagerKarin Nickel .......................................................Building Services AssistantJonathan Cubeta, John Sola, Paul Zajac ........................... Building ServicesBurgess Cleaning ............................................................Custodial Services

COMPANY MANAGEMENTAmanda Paulick ................................................. Interim Company ManagerJason Sedgwick..............................................Assistant Company ManagerMadison Rutledge ......................................... Company Management Intern

DEVELOPMENTNancy Altschuler ....................................................Director of DevelopmentGloria Gorton............................................................. Director of Major GiftsMichele R. Baumann .................................................. Membership DirectorMary Miko .........................................................Special Events CoordinatorKatie Wasserman ............................................. Institutional Giving ManagerDavid Mai ...............................................................Development Associate

EDUCATION & LIBRARYJoshua S. Ritter ................................Education Manager & Library DirectorErin Lafferty ................................................Education & Outreach Manager

FINANCEWilliam F. Nivison ...........................................................Director of FinanceStacy Booth ...................................................... Accounts Payable ManagerJoanne D’Amato ................................................................Payroll ManagerWithumSmith+Brown, PC; Karen Kowgios................................Accountants

HOUSE MANAGEMENTNancy Fitzgibbon, Amanda Michaud ...............Supervising House ManagersKathy Raczka, Beryl W. Thorpe, Leigh Beatty, Alison Harris, Diane Rottmann ............................Assistant House ManagersBob Bennett, Joe Kaminski, David Loffredo, Paula Moriarty ...................................................Bartenders

MARKETINGDan McMahon ...........................Director of Marketing and Public RelationsElisa G. Hale.........................................................Public Relations ManagerLori A. Cartwright ..........................................................Marketing ManagerKatherine Desjardins ...........................................Creative Content ManagerDiane Sobolewski ...................................................... Official PhotographerMichaela Seidl ............................................................. Marketing/PR Intern

TECHNOLOGYJeffrey Mays ............................................................ Systems Administrator

TICKETINGRoger-Paul Snell ........................................................Ticket Sales ManagerShanna Lisitano .............................................Assistant Box Office ManagerShannon Robbins, Daniel G. Varghese, Barbara Wilkinson .......................................... Box Office Managers on DutyPatricia T. Backes, Mollie Carey, Dominique A. DeLuca, Catherine Ematrudo, Maddy Evans, Stephanie Garvey, Kailee A. Goodine, Jorge Lopez, David Mai, Megan Ouelette, Jennifer A. Roberts, Tricia Trimble ......................Box Office RepresentativesKathryn Micari-Miller .................................................Group Sales ManagerWilliam Addison ..........................................Subscription Services ManagerKim Kane, Linda Misarski, Judy O’Mara ....................................Subscription Services Representatives

PRODUCTION

Erica Gilroy ..................................................................Production ManagerNicole Makos ................................................Assistant Production Manager

COSTUME RENTALMark Adam Rampmeyer ......................................Costume Rental ManagerDawn Barlow, Breeanna Korcak, Stephanie Wooley ..............................................Costume Rental Assistants

COSTUMESCindy Kubala.................................................................... Costume DirectorLloyd Hall ...................................................Costume Shop/Design AssistantStephanie Taff ........................................................... Draper/Craft ManagerEmilia Corbin ................................................................................... DraperBecky Erlitz, Maureen Wynne .....................................................First HandsAmy Gawthrop, Amanda Rose Smith ............................................. StitchersJohn Riccucci ..........................................The Goodspeed Wardrobe MasterAmber Kuennen, Anastasia Lillpopp, Emily Walters ......................................The Goodspeed Wardrobe AssistantsSaundra Magana ................................. Terris Theatre Wardrobe SupervisorAllison Burkholder ..............................................The Goodspeed Wig Stylist

LIGHTING Will Johnson ................................................................. Lighting SupervisorL. Clay Little ......................................The Goodspeed Production ElectricianLacey Barkhurst ...........................................Terris Theatre Head Electrician

PROPSRyann D. Lee .......................................................................Props ManagerTroy A. Junker ...................................................................... Master ArtisanCrystal Gonzalez ....................................................................Props ArtisianDevin Gallo ........................................................................Props CarpenterElizabeth White ......................................... The Goodspeed Props Run CrewTory Sheppard .............................................Terris Theatre Props Run Crew

SCENERYMatt Francis ................................................................... Technical DirectorJason Wadecki ................................................. Assistant Technical DirectorAndy Smith ...................................................................... Master CarpenterMike Cummings, Eric Hansen, Sean McConaughey, Michael Siddell ................................. Shop CarpentersAlexandra Olinyk ......................................................Journeyman CarpenterValerie Drake ............................................ The Goodspeed Stage Carpenter Shayne Henkel ....................................................The Goodspeed Run CrewAnthony Cacchione ......................................Terris Theatre Stage Carpenter

SCENIC ARTISTSCarla Tiezzi ..................................................................Charge Scenic ArtistMiranda Casler ............................................................... Lead Scenic ArtistRosalind Isquith .............................................................. Staff Scenic ArtistKacey Skurja, Gina Smothers .................................................Scenic ArtistsPatti Lizotte................................................................ PT Staff Scenic Artist

SOUNDJay Hilton .........................................................................Audio SupervisorBecca Stoll ............................... The Goodspeed Production Audio EngineerMarisa Olson................................Terris Theatre Production Audio Engineer

FOR THIS PRODUCTIONJoo Kim ................................................................... Assistant Set DesignerAndja Budincich ...............................................Assistant Costume DesignerMatthew Kresch................................................Assistant Lighting DesignerNick Ibarguen ............................................................. Production AssistantR. Baldwin ............................................................Assistant Audio EngineerMaureen Condon ........................................................... Directing ObserverMatthew R. Meckes ............................................................Music AssistantWilliam J. Thomas .............................................................Music ContractorBruce MacLeod, James Carter Pianos ............................. Piano Technicians4Wall Entertainment ............................................Additional Lighting Rental

R. Baldwin, Jordan Bliese, Stephanie Brown, Olivia Denison, Cat Foley, Savannah Hamiter, Rosalind Isquith, Sabrina Lopez, Melissa Michelson, Theo Pinnow, Laura Portera, Felina Sutterfield, Gretchen Wadel ......................Apprentices

Julia Daniels ..........................................Elaine McKirdy Student Apprentice

Special Thanks: Bank Street Cobbler; Costume Rental volunteers Donna Lee Gennaro, Lenore McLean, and Karen Wiswell; Megan and Bill Stine

GOODSPEED MUSICALS STAFF

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Box OfficeThe Goodspeed6 Main Street, East Haddam, CT 06423-0392860.873.8668 • [email protected]

HoursMonday & Tuesday: 10 a.m. to 5 p.m.Wednesday & Thursday: 10 a.m. to 8 p.m.Friday & Saturday: 10 a.m. to 8:30 p.m.Sunday: 10 a.m. to 7 p.m.

Follow us on goodspeed.org

Infra-red Hearing System:The Goodspeed offers the Sennheiser infra-red hearing system to assist hearing-impaired patrons. Free headsets are available from the Box Office. Goodspeed Musicals gratefully acknowledges the Carol L. Sirot Foundation for underwriting.

Goodspeed Guild:The Goodspeed Guild is a volunteer organization dedicated to supporting Goodspeed Musicals’ operations and productions. Since 1975 it has provided services to artists, patrons, and staff on a year-round basis, while offering its members the opportunity to become part of the behind-the-scenes activities at Goodspeed. To find out about volunteer opportunities that fit your interests and schedule, visit our website at goodspeed.org or contact Amy Campbell at 203.494.7328.

Sets, costumes, and props are designed especially for The Goodspeed and are built in Goodspeed Musicals’ shops.

Goodspeed Musicals is a professional theatre operating under an agreement between the League of Resident Theatres and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

FOR YOUR INFORMATION

Goodspeed Musicals is a member of The League of Resident Theatres.

The scenic, costume, lighting and sound designers in LORT Theatres are represented by United Scenic Artists, Local USA-829 of the IATSE.

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