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SEARCH LUXURIOUS MAGAZINE To search type and hit enter RECENT HIGHLIGHTS Pascale Hayward talks to renowned sculptor David Williams-Ellis February 3, 2015 Luxurious Magazine samples some Singaporean luxury at tri-tower Marina Bay Sands February 2, 2015 The URWERK UR-110 EastWood - Precious Woods, Tweed and an astonishing engine February 1, 2015 The new Startimer Pilot Big Date professional pilot watches from Alpina January 30, 2015 Montegrappa Salvador Dalí Surrealista Pens Exhibited At Opera Gallery In Dubai January 30, 2015 A Taste Of “The Langham Afternoon Tea With Wedgwood” January 29, 2015 Superyacht M/Y NOBLE HOUSE for Sale with Fraser Yachts January 28, 2015 Places to visit in 2015: The Zulu Camp Spa at Shambala January 28, 2015 Xerjoff's Sergio Momo unveils the new Casamorati Bath Collection January 28, 2015 Jamie Ndah Discovers The Luxury Of Sharjah January 27, 2015 Peter Layton’s London Glassblowing ‘Grandmaster of glass’ showcases Young Masters January 26, 2015 Coastal Comforts At The Grand Hotel Eastbourne January 23, 2015 Automobili Lamborghini unveil the new Huracán GT3 in Sant'Agata Bolognese January 22, 2015 Backes & Strauss sparkle at the World Presentation of Haute Horlogerie 2015 January 21, 2015 Celebrity Cruises Give First Look Into New Suite Class Restaurant - Luminae January 21, 2015 Google+ LUXURIOUS MAGAZINE ON SOCIAL MEDIA Luxurious Magazine google.com/+luxuriousmagazine Luxurious Magazine - One of the worlds most popular online and digital dedicated luxury maga… + 886,739 Follow +1 THE LUXURIOUS MAGAZINE TRAVEL SHOW LUXURIOUS MAGAZINE PARTNERS LUXURIOUS MAGAZINE PARTNERS LUXURIOUS MAGAZINE PARTNERS Luxurious Magazine © 2015. All Rights Reserved. ABOUT US CONTACT FEATURES PRIVACY POLICY SUBMITTING ARTICLES MEET THE TEAM ABOUT US ABOUT US CONTACT CONTACT FEATURES FEATURES PRIVACY POLICY PRIVACY POLICY SUBMITTING ARTICLES SUBMITTING ARTICLES MEET THE TEAM MEET THE TEAM HOME PAGE HOME PAGE LUXURIOUS CATEGORIES LUXURIOUS CATEGORIES ABOUT LUXURIOUS MAGAZINE ABOUT LUXURIOUS MAGAZINE CONTACT CONTACT LUXURIOUS MAGAZINE TV CHANNEL LUXURIOUS MAGAZINE TV CHANNEL ADVERTISING ADVERTISING Read more from Read more from People and Interviews People and Interviews , , web2phone web2phone slider slider , , wp2phone wp2phone February 3, 2015 Pascale Hayward Talks To Renowned Sculptor David Williams-Ellis David Williams-Ellis is a renowned figurative sculptor whose unique work, cast in bronze, silver and glass, can be seen around the world. In December 2014, David held a solo exhibition: “ELEMENTAL” in a prestigious London Mayfair gallery. I met him at the Portland Gallery and was totally taken by his human form sculptures ranging from delicate small figures for a home to stunning substantial sculptures created to stand forcefully in a landscape or garden. Vibrance, Power, Grace, Feminity, Timeless are the words I would use to describe his work. The larger sculptures in the exhibition: Maelstrom, Squall, Sunrise, The Muses are simply mind blowing. LM: David, what was the outcome of your solo exhibition ELEMENTAL? DWE: It has been really successful – the opening nights had a great buzz and the response has been incredibly positive. LM: Why the name: ELEMENTAL? DWE: I live high on a wonderful escarpment in Cumbria looking towards the Pennines which is constantly subjected to the changing vagaries of the weather. Storms can suddenly erupt from bright blue skies and torrential rain can give way to brilliant sunshine in a matter of minutes. I have tried to put the human figure into that context. LM: You declare that your work is unique. What makes it unique? DWE: For a few years now I have been experimenting with new patinations and the effect that the use of different chemicals has on my sculpture. I have tried to bring new challenging and exciting colours into my work, which have been inspired by the elements – fire reds, watery blues and deep golden hues. The results have been phenomenal and I am really excited by what we have achieved. I am not aware that any other sculptor at the moment is working in the way that I do. LM: This was your first solo exhibition since 1994. What have you been doing in the last 10 years? DWE: Various directions really. I have been awarded some pretty exciting commissions throughout Europe and Asia. I particularly enjoyed making Ray Gravell “Grav” for the Scarlets Rugby Stadium in Llanelli and am working on a life size sculpture of Lawrence of Arabia for his birthplace in North Wales. I have also been experimenting with working directly with plaster on large pieces such as the Guardians and Sentinels, both of which are now part of major collections. However, I am never happier than in my studio with a lump of clay in my hand working on a new challenge. LM: Are there any special stories you can tell us behind some of the sculptures you have created? DWE: One of my most successful pieces was a life size male nude, called Adam, which I had modelled in clay. During its transport to the foundry in Basingstoke, about 60 miles away, on arrival, the sculpture literally fell apart and only the head, one arm and shoulders were intact. It actually looked rather amazing in its new form so I had it cast, in bronze, as it was! LM: If you had to keep just one sculpture, which one would that be and why? DWE: It would be a small, unique terracotta bust which was made from clay dug from a garden, which no longer exists, just outside Florence. It was a beautiful head in wonderful, soft terracotta and was my favourite piece for many years. I kept it in a box and one day, ten years later, I lifted it out to view it and my fingers went right through it and the whole bust dissolved into powder. It was rather like a scene from Fellini’s ‘Roma’ when they opened the catacombs and Roman Frescoes dissolved in the air before their eyes. LM: In a video made by the award-winning film maker, Charlotte Metcalf, a gallery owner in Italy explained that your work is bought mostly by women. How do you explain this? DWE: Many women have told me that they sense that I have an instinctive feel for the beauty of the female form and that they can relate to the emotion that I express in my work. LM: The press said your “prestigious commissions have brought international acclaim.” Which commissions were those? DWE: Arethusa at Scone Palace, in Perthshire; Wood Nymph at Rode Hall in Cheshire; The Leapers at the IFC Centre in Shanghai: The Watcher in Swires Building, Oxford House in Hong Kong and The Eagle for C Hoare & Co in The Strand. LM: Do you create based on your own inspiration or do you think in terms of the market? DWE: Inspiration drives my creation. I find it impossible to create something which does not come naturally to me. Sometimes an architectural site or a garden will stimulate my imagination but most of my inspiration is derived from working with a model. LM: What does it take for a painter or sculptor or any artist to reach fame and wealth in his/her lifetime? DWE: I don’t believe that it is a desire for fame and wealth which drives the artist. Notoriety and financial gain do not necessarily produce good art. Integrity is key and I am only satisfied when I have produced a sculpture which has stretched my creative ability. LM: Do you believe that an artist needs a lot of media exposure or any other form of marketing to be known and recognised as a great artist? DWE: Art should speak for itself. People will talk about things they like, which excite them, bring them to the attention of their friends, and in this sense, successful art creates its own media exposure LM: So, David, what now? For this year, the next 10 years? DWE: I shall continue to seek visual truth and discover new ways to represent that truth. For more information on David Williams-Ellis visit: www.dwe.com By Pascale Hayward Work by David Williams-Ellis © 2015, Luxurious Magazine®. All editorial content and graphics on our sites are protected by U.K and U.S. copyright, international treaties and other applicable copyright laws and may not be copied without the express permission of Luxurious Magazine®, which reserves all rights. Re-use of any of Luxurious Magazines’ editorial content and graphics for any purpose without our permission is strictly prohibited.
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Page 1: Pascale Hayward Talks To Renowned Sculptor David Williams-Ellisdwe.com/files/31.Luxurious-Magazine-3-February-2015.pdf · 2015-11-04 · February 3, 2015 Pascale Hayward Talks To

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SEARC H L UXURIOUS MAGAZINE

To search type and hit enter

REC ENT HIGHL IGHTS

Pascale Hayward talks to renowned

sculptor David Williams-Ellis

February 3, 2015

Luxurious Magazine samples some

Singaporean luxury at tri-tower Marina

Bay Sands

February 2, 2015

The URWERK UR-110 EastWood -

Precious Woods, Tweed and an

astonishing engine

February 1, 2015

The new Startimer Pilot Big Date

professional pilot watches from Alpina

January 30, 2015

Montegrappa Salvador Dalí Surrealista

Pens Exhibited At Opera Gallery In

Dubai

January 30, 2015

A Taste Of “The Langham Afternoon Tea

With Wedgwood”

January 29, 2015

Superyacht M/Y NOBLE HOUSE for

Sale with Fraser Yachts

January 28, 2015

Places to visit in 2015: The Zulu Camp

Spa at Shambala

January 28, 2015

Xerjoff's Sergio Momo unveils the new

Casamorati Bath Collection

January 28, 2015

Jamie Ndah Discovers The Luxury Of

Sharjah

January 27, 2015

Peter Layton’s London Glassblowing

‘Grandmaster of glass’ showcases

Young Masters

January 26, 2015

Coastal Comforts At The Grand Hotel

Eastbourne

January 23, 2015

Automobili Lamborghini unveil the new

Huracán GT3 in Sant'Agata Bolognese

January 22, 2015

Backes & Strauss sparkle at the World

Presentation of Haute Horlogerie 2015

January 21, 2015

Celebrity Cruises Give First Look Into

New Suite Class Restaurant - Luminae

January 21, 2015

Google+

L UXURIOUS MAGAZINE ON SOC IAL MEDIA

Luxurious Magazinegoogle.com/+luxuriousmagazine

Luxurious Magazine - One of the worlds mostpopular online and digital dedicated luxury

maga…

+ 886,739

Follow +1

THE L UXURIOUS MAGAZINE TRAVEL SHOW

L UXURIOUS MAGAZINE PARTNERS L UXURIOUS MAGAZINE PARTNERS L UXURIOUS MAGAZINE PARTNERS

Luxurious Magazine © 2015. All Rights Reserved. A BO UT US C O N T A C T F E A T URE S PRIV A C Y PO LIC Y SUBMIT T IN G A RT IC LE S ME E T T H E T E A M

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H O ME PA GEH O ME PA GE LUXURIO US C A T E GO RIE SLUXURIO US C A T E GO RIE S A BO UT LUXURIO US MA GA ZIN EA BO UT LUXURIO US MA GA ZIN E C O N T A C TC O N T A C T LUXURIO US MA GA ZIN E T V C H A N N E LLUXURIO US MA GA ZIN E T V C H A N N E L A D V E RT ISIN GA D V E RT ISIN G

Read more from Read more from People and InterviewsPeople and Interviews, , web2phoneweb2phonesliderslider, , wp2phonewp2phone

February 3, 2015

Pascale Hayward Talks To Renowned Sculptor DavidWilliams-Ellis

David Williams-Ellis is a renowned figurative sculptor whose uniquework, cast in bronze, silver and glass, can be seen around the world.In December 2014, David held a solo exhibition: “ELEMENTAL” in a prestigious London Mayfair gallery. I met himat the Portland Gallery and was totally taken by his human form sculptures ranging from delicate small figures for ahome to stunning substantial sculptures created to stand forcefully in a landscape or garden.

Vibrance, Power, Grace, Feminity, Timeless are the words I would use todescribe his work. The larger sculptures in the exhibition: Maelstrom,Squall, Sunrise, The Muses are simply mind blowing.

LM: David, what was the outcome of your solo exhibition

ELEMENTAL?

DWE: It has been really successful – the opening nights had a great buzzand the response has been incredibly positive.

LM: Why the name: ELEMENTAL?

DWE: I live high on a wonderful escarpment in Cumbria looking towardsthe Pennines which is constantly subjected to the changing vagaries ofthe weather. Storms can suddenly erupt from bright blue skies andtorrential rain can give way to brilliant sunshine in a matter of minutes. Ihave tried to put the human figure into that context.

LM: You declare that your work is unique. What makes it unique?

DWE: For a few years now I have been experimenting with new patinations and the effect that the use of differentchemicals has on my sculpture. I have tried to bring new challenging and exciting colours into my work, which havebeen inspired by the elements – fire reds, watery blues and deep golden hues. The results have been phenomenaland I am really excited by what we have achieved. I am not aware that any other sculptor at the moment is workingin the way that I do.

LM: This was your first solo exhibition since

1994. What have you been doing in the last 10

years?

DWE: Various directions really. I have beenawarded some pretty exciting commissionsthroughout Europe and Asia. I particularly enjoyedmaking Ray Gravell “Grav” for the Scarlets RugbyStadium in Llanelli and am working on a life sizesculpture of Lawrence of Arabia for his birthplacein North Wales. I have also been experimentingwith working directly with plaster on large piecessuch as the Guardians and Sentinels, both ofwhich are now part of major collections.

However, I am never happier than in my studio with a lump of clay in my hand working on a new challenge.

LM: Are there any special stories you can tell us behind some of the sculptures you have created?

DWE: One of my most successful pieces was a life size male nude, called Adam, which I had modelled in clay.During its transport to the foundry in Basingstoke, about 60 miles away, on arrival, the sculpture literally fell apartand only the head, one arm and shoulders were intact. It actually looked rather amazing in its new form so I had itcast, in bronze, as it was!

LM: If you had to keep just one sculpture, which one would that be and why?

DWE: It would be a small, unique terracotta bust which was made from clay dug from a garden, which no longerexists, just outside Florence. It was a beautiful head in wonderful, soft terracotta and was my favourite piece formany years. I kept it in a box and one day, ten years later, I lifted it out to view it and my fingers went right throughit and the whole bust dissolved into powder. It was rather like a scene from Fellini’s ‘Roma’ when they opened thecatacombs and Roman Frescoes dissolved in the air before their eyes.

LM: In a video made by the award-winning film maker, Charlotte Metcalf, a gallery owner in Italy explained

that your work is bought mostly by women. How do you explain this?

DWE: Many women have told me that they sense that I have an instinctive feel for the beauty of the female formand that they can relate to the emotion that I express in my work.

LM: The press said your “prestigious commissions have brought international acclaim.” Which

commissions were those?

DWE: Arethusa at Scone Palace, in Perthshire; Wood Nymph at Rode Hall in Cheshire; The Leapers at the IFCCentre in Shanghai: The Watcher in Swires Building, Oxford House in Hong Kong and The Eagle for C Hoare & Coin The Strand.

LM: Do you create based on your own inspiration or do you think in terms of the market?

DWE: Inspiration drives my creation. I find it impossible to create something which does not come naturally to me.Sometimes an architectural site or a garden will stimulate my imagination but most of my inspiration is derived fromworking with a model.

LM: What does it take for a painter or sculptor or

any artist to reach fame and wealth in his/her

lifetime?

DWE: I don’t believe that it is a desire for fame andwealth which drives the artist. Notoriety andfinancial gain do not necessarily produce good art.Integrity is key and I am only satisfied when I haveproduced a sculpture which has stretched mycreative ability.

LM: Do you believe that an artist needs a lot of

media exposure or any other form of marketing to be known and recognised as a great artist?

DWE: Art should speak for itself. People will talk about things they like, which excite them, bring them to theattention of their friends, and in this sense, successful art creates its own media exposure

LM: So, David, what now? For this year, the next 10 years?

DWE: I shall continue to seek visual truth and discover new ways to represent that truth.

For more information on David Williams-Ellis visit: www.dwe.com

By Pascale Hayward

Work by David Williams-Ellis

© 2015, Luxurious Magazine®. All editorial content and graphics on our sites are protected by U.K and U.S.copyright, international treaties and other applicable copyright laws and may not be copied without the expresspermission of Luxurious Magazine®, which reserves all rights. Re-use of any of Luxurious Magazines’ editorialcontent and graphics for any purpose without our permission is strictly prohibited.

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