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HOW DO BRANDS ON TWITTER WORK? !1
INTRODUCTION ! Although Twitter user growth has slowed in recent months, it is one of the most active
social networking sites (SNSs), gaining 50 million new users a month. From July to September
2014, Twitter accrued 284 monthly active users (MAUs). Compared to Facebook’s 1.3 billion
MAUs, Twitter is still catching up. However, ad sales continue to rise, accounting for a
significant part of Twitter’s annual revenue. Bands are flocking to its advertising opportunities,
with ad revenue in 2014 more than doubling from November 2013—$320 million, beating
analysts’ expectations. Recently, Twitter has been experimenting with releasing new platforms
for brands to connect with consumers—the latest feature, Twitter Offers, released in late
November 2014, “enables advertisers to create card-linked promotions and share them directly
with Twitter users.” On the Twitter Advertising Blog, Group Product Manager Tarun Jain stated
that Twitter Offers will allow advertisers to “attribute redemptions directly to their campaigns on
Twitter, so that they can effectively measure the ROI from their promotions, even when
redemption happens offline.”
The ad sales are driven by a set of assumptions that Twitter advertising works. However,
social media advertising—and in particular Twitter advertising—is still a very new channel and
there is not yet a defined way to measure the efficacy of Twitter ads. What do brands think they
are doing on Twitter? What are they actually doing on Twitter? Are they accomplishing what
they set out to do? Jain stated that advertisers will soon be able to effectively measure the ROI
from their Twitter campaigns, but there is no clear pathway to quantifying what exactly that
return on investment would look like, as these campaigns do not fall into the traditional
advertising model—especially when in many cases, brand activity cannot even be defined as a
HOW DO BRANDS ON TWITTER WORK? !2
campaign in the traditional sense. Consequently, when it comes to brand presence on Twitter,
success cannot be measured simply through impressions. As Gangadharbatla (2012) wrote, in the
traditional advertising model, ads are “a clearly demarcated advertisement bounded by time (e.g.,
30-second spot) or space (e.g., full- or half page ad), but in a social media context…become
complex ongoing message[s] that illustrate the consumption behavior and habits of individuals
who choose to share, and thereby, implicitly recommend the brands to everyone in their network
or on the Internet if their profiles are public” (p. 407). With so many independent variables at
play, there is not yet a clear metric that can be used to measure success when it comes to Twitter
advertising.
!LITERATURE REVIEW ! Social media research is still a fairly new research subject, particularly in the field of
advertising. In a research article published in analyzing the development of social media
research, between 1997 and 2010, only 35 articles focusing on social media research had been
published in top advertising academic journals (Khang, Eyun, and Ye, 2012, p. 283). Among
these articles, “ ‘social media as advertising tools or issues’ was among the leading topics, along
with ‘social media usage’ (Khang et. al, 2012, p. 287).
By 2013, there were more articles focused on specific SNSs, including one that focused
on Facebook brand pages to “provide a conceptual framework to explain how and why
consumers interact with brands on brand SNS pages and to advance the theoretical knowledge on
the mechanism underlying consumer engagement via social media” (Tsai and Men, 2013, p. 77).
This study wanted to test whether users’ social media dependency had a positive affect on
HOW DO BRANDS ON TWITTER WORK? !3
engagement behavior with brand pages because these brand pages increased levels of parasocial
interaction (PSI), or “a user’s interpersonal involvement with a media personality (including
brands’ SNS representatives through media communication” (p. 78). The researchers stated that
“social media communication entails a higher level of PSI, because users can observe how the
brand representative interacts with other fans and followers and become familiar with the
projected personality of the representative through wall posts (p. 78). Results from this study
showed this was not true in the case of Facebook, and in the discussion suggested that future
research should test these hypotheses on other SNSs such as Twitter. However, advertising
research focused specifically on Twitter is still a developing area.
One way academic researchers are looking into the effectiveness of Twitter advertising is
through the Hierarchy of Effects model, also known as the AIDA (Attention-Interest-Desire-
Action) model. The Hierarchy of Effects model has classically been considered to be the
dominant model used to explain how advertising works and focuses on how advertising
influences and persuades people to enter into the purchase process. As Barry (1987) wrote, the
seven steps that consumers follow to get to the point of purchase are: “1. unawareness of product
or service existence, 2. awareness of product or service existence, 3. knowledge of what the
product has to offer, 4. favorable attitude toward the product—consumers like it, 5. a favorable
attitude to the point of preferring one brand over others, 6. a desire to buy as well as conviction
that the purchase would be wise, and 7. the actual purchase” (p. 263).
Much of the current social media research around Twitter is centered around the
Hierarchy of Effects model, focusing on how brands try to use their social media presence to
either increase awareness or to influence and change the attitudes of consumers toward their
HOW DO BRANDS ON TWITTER WORK? !4
brands. Lipsman, Mudd, Rich, and Bruich (2012) stated that the value of an online fan of a brand
can be assessed in three primary ways: “increasing the depth of engagement and loyalty among
fans, generating incremental purchase behavior, and leveraging the ability to influence friends of
fans”—but also that campaign approaches which focus on “raw fan counts—or the total number
of engagements on a given piece of content—fail to depict the potential and realized scope of
social-media brand impressions” (p. 40, p. 52). Lipsman et. al felt that looking at the impact
social media networks had on awareness was not enough to get the full picture.
Naylor, Lamberton, and West (2012) looked at how “mere virtual presence” (MVP), or
the passive exposure to a brand’s supporters that low involvement casual consumers would have
when visiting a brand Twitter would affect their brand evaluations and purchase intention toward
the brand and found that “the decision to reveal a brand’s fan base or to leave supporters’
identities ambiguous is important because the demographic composition of the MVP presented
affects consumers’ reactions to the brand” (p. 115). They suggested that movement from
awareness to interest depends on the level to which potential consumers can already identify with
the presented brand, and curating what information is publicly available in regards to what kind
of people already gravitate towards that brand
Kwon and Sung (2012) turned the focus back on the content of brand Twitter pages and
through a set of empirical research found that brand Twitter pages rarely post product or
company-related information, whereas “brand names appear often in tweets, followed in
frequency by redirecting cues. These findings align with previous research that shows Twitter is
useful in generating exposure to brands and driving more traffic to brand websites, rather than
for selling products or services (e.g., Heaps 2009; Stelzner 2010). That is, Twitter can generate
HOW DO BRANDS ON TWITTER WORK? !5
buzz around brands and help them engage with current and future consumers” (p. 14). Kwon and
Sung also found that the development of distinct personalities on brand Twitters helped influence
consumers to share tweets and spread brand awareness through electronic word-of-mouth
(eWOM). Kwon and Sung’s findings are in accordance with previous research that suggested
that strong consumer-brand relationships could influence a consumer’s decision to spread brand
messages to others (McAlexander, Schouten, & Koenig, 2002). It is also something that Kim,
Sung, and Kang (2014) found in their study looking into what influences brand followers to
retweet brand tweets. However, in their discussion and conclusion sections, both studies
ultimately turned away from the AIDA model and instead turned their focus to identity theory
and how willingness to engage is influenced by the level of self-association a person has with a
brand.
Hanna, Rohm, and Crittenden (2011) referred to SNSs as “platforms for influence” and
called for marketers to focus on using their Twitters as place to both capture and continue
attention via attention, as marketing “can no longer solely be about capturing attention via reach
(p. 267). Hanna et. al however did not feel that social media campaigns could work on their own,
instead suggesting in their conclusion that they are only one part of the purchase funnel system
and the companies “need to consider both social and traditional media as part of an
ecosystem” (p. 273).
Fagerstrøm and Ghinea (2010) turned their focus specifically on low involvement
consumers on SNSs and discussed effective ways to create brand awareness and positive attitude
among this group. They found that low-involvement consumers “must have some incentive to
spend time and energy to share their thoughts, opinions, and experiences” (p. 70). They also
HOW DO BRANDS ON TWITTER WORK? !6
concluded that effective interactive advertising could increase consumer involvement in the
product category and therefore increase their motivation to undertake product-relevant thinking,
shifting the direction of their research from focusing on how to create brand awareness and
positive attitude to consumer motivation to think about a specific brand.
As can be seen, in most of these articles, the AIDA model does not stand alone as an
explanation for the efficacy of Twitter and other SNS campaigns, but is included among a series
of other theories, leading to the possibility that the AIDA model may not be enough to explain
how Twitter works. And in fact, the AIDA model is not the only way to look at how advertising
works on Twitter. Even though it is the dominant view among researchers, there are other models
that can be considered—in particular, the agenda setting theory as described by Max Sutherland
and John Galloway (1981): “the main implication of agenda-setting theory is that the major goal
of advertising may be to focus consumers’ attention on what values, products, brands, or
attributes to think about rather than try to persuade consumers what to think of these” (p. 26).
The agenda setting theory postulates that brand salience (operationally defined as top-of-
mind awareness) is how advertising really works. It has less to do with trying to change the
attitudes of consumers and more to do with getting them to think of the brand, which may in fact
be what is really happening with Twitter advertising. A few academic researchers have
approached social media advertising from this angle. Mangold and Faulds (2009) described
social media as a new hybrid element of the promotion mix and noted that although social media
has greatly increased the power of consumer-to-consumer conversations in the marketplace and
brand managers cannot directly control these conversations, they can use methods “to influence
and shape the discussions in a manner that is consistent with the organization’s mission and
HOW DO BRANDS ON TWITTER WORK? !7
performance goals” (p. 361). In addition, an article on interactive advertising prior to the advent
of social media pointed out that “traditional approaches to advertising practice and research
implicitly assume that advertising is something the firm does to the consumer. Interactive
advertising makes it clear that this is a very limited view of advertising and highlights the need to
understand what consumers do to advertising” (Pavlou and Stewart, 2000, p. 63). Pavlou and
Stewart also discussed control process measures and how setting goals for consumers could help
“provide an organizing framework for consumer behavior [and] determine the product features
consumers find relevant and for which they seek information…goals determine those pieces of
information that are the most salient and accessible to consumers in a particular situation” (p.
66).
In regards to television advertising, Krugman (1965) stated that “for the most part,
persuasion (i.e., overcoming a resistant attitude) is not involved at all and that it is a mistake to
look for it in our personal lives as a test of television’s advertising impact” (p. 349). The same
may apply for Twitter advertising. For instance, on the industry side, at first glance, it seems like
Twitter’s own advertising blog subscribes to the AIDA model to explain to advertisers why
Twitter advertising works, titling one blog post, “Promoted Tweets and tone of voice help drive
purchase intent”. However, the actual content of the post reads more like a subscription to the
agenda setting model, with statements such as “Promoted Tweets play a key role in preparing
brand followers for a “commercial conversation” and “The research points to the importance of
using variations in tone of voice in Twitter bios as a way to conduct particular types of
conversation.”
HOW DO BRANDS ON TWITTER WORK? !8
Another post from November 2014, titled the “Influencer Q&A with Chevy: how the
brand seized the moment with #TechnologyAndStuff”, uses influence in the headline of the
article, but talks entirely about how Chevy’s social media team made use of Twitter to convert
online conversation about a Chevy manager’s socially televised verbal gaffe during the World
Series while presenting a Chevy Colorado truck to World Series MVP Madison Bumgarner into a
conversation about Colorado itself with a clever tweet. According to the article, the day after the
tweet was posted, 70% of Twitter conversations about trucks were about the Colorado. When
asked about why he thought the tweet was successful, Jamie Barbour, manager of digital, site
and social advertising at Chevrolet, he responded by saying “The Tweet was timely, humorous
and authentic. People responded because we joined the conversation in a natural way. We then
successfully changed the direction of the conversation to put the focus on the Chevrolet Colorado
and all the #TechnologyAndStuff it has.”
Furthermore, in a 2012 interview with trade publication BtoB, Richard Alfonsi, VP of
global online sales, stated that “The conversation has changed from ‘Why Twitter?’ to ‘How
Twitter’? The basics are that Twitter now has 200 million global users and growing, including b-
to-b decision makers who engage on the platform to bring them closer to what interests them”.
Another post on the Twitter advertising blog on holiday shopping pointed out that when a subject
is already top of mind, Twitter users willingly flock to talk about it and open up to conversation
suggested by others:
! “Every year, holiday shopping conversation on Twitter peaks on key days like Black Friday. Why does this matter? Data from Crimson Hexagon and The NPD Group indicates that conversation volume on Twitter is strongly correlated with sales. In November-December 2013, the correlation between conversation about buying TVs on
HOW DO BRANDS ON TWITTER WORK? !9
Twitter and sales volume was 0.98 (with -1 indicating no relationship, and 1 indicating a perfect relationship). The results for laptop shopping were similar: our analysis showed a 0.84 correlation between the conversation and sales.” !These industry articles reflect Sutherland and Galloway’s (1981) argument that the agenda-
setting concept goes beyond the notion of simple awareness and “suggests that through media
emphasis, individuals also learn how much importance particular issues, persons, or attributes
are ‘supposed’ to have” (p. 26). Essentially, many of these articles seem to be telling brands that
they should try to set a consumer agenda when considering how to manage their official Twitter
pages. However, the current set of research literature would predominantly suggest that if brands
are asked to explain what their perceived goals are for Twitter, they might use the traditional
Hierarchy of Effects model to explain the purpose and drive behind their actions. For instance, a
Twitter advertising blog post titled “Three new insights for travel brands on Twitter” stated that
“of the 28% of users who said they had engaged a travel brand on Twitter and received a reply,
73% felt more positively about the brand afterward” and “One in two Twitter users says Twitter
content is influential in their consideration of a travel brand.”
This may have to do with the fact that brands and researchers are approaching Twitter
advertising with several sets of expectations. Because it is the predominant approach to
advertising, advertisers are searching for positive attitudes on social media and correlating it with
brand consideration. However, a professional research study conducted by digital marketing
agency Isobar and commissioned by Twitter actually found that likeability of a brand on Twitter
does not necessarily mean consideration. This is a clear interruption of the AIDA process.
Likeability, which falls in between attention and interest, may not even progress to desire; and
without progressing to desire, there is a low chance that action will be taken to move to purchase.
HOW DO BRANDS ON TWITTER WORK? !10
The Isobar report began by stating that “It’s well established that our choices in real
world situations are heavily influenced by the context in which we make them” and then went on
to point out that “very often, people are not aware that they are being influenced by certain
things, or if they are, they find it very hard to judge the extent to which external cues have an
impact on their behavior” (Caig, Donajgrodzki, Gladstone, Jachimowicsz, and Siantonas, 2014,
p. 6, p. 9). The potential effect of unconscious memory cues were discussed again in another post
on the Twitter advertising blog, “Measuring a billion data points to find out the effect of Tweets”,
which discussed the results of a research study conducted by the market research firm Neuro-
Insight to learn how Twitter content can have an effect on long-term memory. According to the
post, the study found that “there is a very strong correlation between memory encoding, what is
stored, and our subsequent actions including purchase behavior…We’re not always consciously
aware of what’s behind our behavior, but what’s been encoded into memory, even unconsciously,
is a key driver.” These findings echo Sutherland and Galloway’s (1981) suggestion that “so
called ‘overlearning’ will move some information out of short term memory and into long term
memory systems, and [that consumers] will permit significant alterations in the structure of
[their] perceptions of a brand or product, but in ways which may fall short of persuasion or
attitude change” (p. 26).
!!!!!!!!!
HOW DO BRANDS ON TWITTER WORK? !11
RESEARCH QUESTIONS ! So what is actually happening on Twitter, and how do official brand Twitters really work?
Thus far, academic research has primarily approached it from the perspective of the Hierarchy of
Effects model, and though industry blogs seem to agree with their viewpoint on the surface level
(i.e., in headlines), the actual content of their posts seem to suggest a more agenda setting based
practice. However, it is not yet clear whether either approach fully encapsulates the phenomenon
that is actually taking place on Twitter, nor is it clear what consumers think is happening in
regards to Twitter advertising. Consequently, we have developed three research questions
designed to search for insights that will add a level of clarity to this new field.
!RQ 1: Do brands use Twitter to reinforce existing consumer attitudes, or do they use it to remind consumers about their products? !Official brand Twitters are carefully curated and managed to reflect brand philosophies maintain a consistent tone of voice. However, consumers who follow a brand Twitter may not follow it because they feel a certain way about the brand, but rather because they want to keep track of potential promotions and deals on products. !RQ 2: Do brands use Twitter to influence consumer attitudes, or do they use it to guide online consumer conversations? !Researchers approaching brand Twitters from the perspective of the AIDA model would suggest that a successful brand Twitter would move a new consumer from awareness of a brand to desiring that brand and then eventually choosing to purchase, whereas the agenda setting theory would suggest that brands on Twitter are not speaking to consumers who are unaware; rather, they are already aware, and are actively seeking new information. !RQ 3: Do brands use Twitter to create brand awareness, or do they use it to keep their brand top of mind among consumers? !Through promotions such as Promoted Tweets, brands can spread awareness about their brand. However, by creating a Promoted Tweet, they are also potentially setting the agenda for consumers who already want to learn more about brand promotions and create salience and thus, top-of-mind awareness.
HOW DO BRANDS ON TWITTER WORK? !12
!METHODOLOGY !PRETEST !To get an initial read on how consumers believe brands on Twitter work, our group conducted a
short qualitative survey pretest with 11 informants from a range of ages and backgrounds. We
asked them a series of questions to gain insight into their perspectives and lay opinions. The
questions can be found in Appendix 1.
!FINDINGS ! We found that the number of brands informants followed were quite diverse, from 0 to 50 to
over 100. In terms of why they chose to follow Twitter brands, the majority did so because they
wanted to stay updated—they wanted to know about new products, deals and other information.
They also stated that they would follow a Twitter brand if it posted something cool or interesting.
Two of the informants indicated they only follow brands they liked and were familiar with.
The brands informants followed were quite diverse, but mostly technology products and
media (TV shows/ magazines). Others included music, sports, and food. When asked why they
like these brands, the informants tended to say it was because they liked the product and brand
image. There was also some confusion among some informants as to what was considered a
brand—they were unsure whether celebrities or news outlets counted as brands.
In terms of content, informants liked humorous, professional (high-quality photos/videos),
informed tweets. However, in terms of actively engaging with the content, they were very
passive—they rarely visited the brand's Twitter page to retweet the brand tweets, and just read
brand tweets when they showed up on their newsfeed.
HOW DO BRANDS ON TWITTER WORK? !13
The informants did not think that brand Twitters changed their opinion of the brand,
although two informants mentioned that a brand might have changed their attitude toward the
brand to some extent—one informant began to feel the Denny’s brand is “laidback and cool”
after reading official tweets which were “surprisingly humorous and modern with its use of
memes and quick-wittedness” because it didn’t “ooze of professionalism”. The other informant
stated that if they saw an interesting brand Twitter page, it would, “if anything, change my
opinion of that individual brand Twitter, rather than the brand itself."
When asked why they think brands use Twitter, most informants responded by stating that
they believe brands use Twitter to interact with consumers by updating information about the
product or promotions and understanding their opinions through comments and complaints. They
also believed that Twitter is also an efficient way of marketing to reach potential consumers.
However, if a Twitter brand posts too often, too little, or posts offensive tweets, informants said
they would quickly unfollow them.
The informants generally agreed that they would find themselves thinking more about the
brand after following their Twitter page, and also believed that they would think more about a
brand if asked to follow an official Twitter page. Half of the informants said that the brands they
follow become top of mind in product category; however, the other half disagreed.
!PROPOSED RESEARCH ! Our pretest findings suggest that when asked about Twitter, consumers generally believe
that brand Twitters are designed to find new consumers and reach out to a wide audience, but not
to change or influence consumer attitudes. They also suggest that consumers are generally
HOW DO BRANDS ON TWITTER WORK? !14
unmotivated to initiate brand conversations and interactions unless they show up directly on their
newsfeed, indicating that consumers like to wait for the brand to come to them. To probe further
into how consumers actually interact with and process the content on brand Twitters, we have
developed an expanded research study. We will first select a group of participants who are active
on Twitter and also actively follow brands. After we finish selecting the participants, we will
conduct the same pretest survey with them and afterward, go through their Twitter account
timeline with them and review their activity over the past month and note down every interaction
they have with a brand. We will also take note of how much they have interacted with their
“favorite” brands (brands whose content they have retweeted, favorited, or responded to >5 in a
month). After this timeline review, participants will be asked to keep track of two different bands
on Twitter for a month: the first will be a brand they are already following, and the second will
be a randomly assigned popular brand on Twitter. Participants will be assured that there is no
need to change their behavior to deliberately engage with the brands, but will rather be
encouraged to use Twitter as usual. At the beginning of the month, participants will be asked two
questions to determine the baseline level of brand experience: “What is your opinion of this
brand?” and “How often do you think about it?” At the end of the month we will contact the
participants again (there will be no interaction between researchers and participants throughout
the month) and ask them the same two questions, with one additional question: “Do you think
your opinion of this brand has changed from a month before?” This research study could
potentially help us gain some useful and interesting insights for our research question on the
consumer side of the equation.
!
HOW DO BRANDS ON TWITTER WORK? !15
!DISCUSSION AND FURTHER RESEARCH ! There are many opportunities for further research into Twitter advertising. It is still a new
field and there are many angles that still bear further exploration on how and why Twitter
advertising is effective other than either the Hierarchy of Effects model or the agenda setting
theory. One angle that deserves specific focus is consumer motivation. What motivates people to
join Twitter and engage with brands? What encourages them to share such information? One
earlier study looked into theories of user gratification as a way to research user motivation for
using social media—specifically the need for online social capital and psychological well-being
—and found that user motivation affected attitudinal responses and participation intention in
brand communities on SNSs (Chi, 2011). Another recent study found that the rate at which
people spread information on Twitter depends on how many followers they have; the larger their
network, the more quickly they share content that shows up on their Twitter feed—therefore,
their motivation to share content is impacted by the number of people willing to listen to what
they have to say (Morales, Boronodo, Losada, and Benito, 2014). Another study found that
message sharing behavior is “motivated by the need for self-enhancement. Specifically, when
consumers perceive an online advertisement as consistent with their self-concept, they are more
likely to share that message with others…the likelihood that they share online advertisements
depend on the degree to which consumers perceive that the ad enables them to express their
identity” (Taylor, Strutton, and Thompson, 2012, p. 23).
Connected to this, further research into the structure of consumer relationship norms on
Twitter would result in many useful insights into how Twitter advertising works. For instance,
HOW DO BRANDS ON TWITTER WORK? !16
“Beware, This is Sponsored!”, a conference paper from 2012, used the reactance theory to come
to the conclusion that with television ads that if people “feel they are being influenced, they will
oppose the appeal, and people tend to resist persuasion attempts when they recognize them as
such…[and] in line with this assumption, several studies have demonstrated that the activation of
persuasion knowledge leads to a less favorable brand attitude” (p. 8). However, brand Twitter
pages are in a unique position because they stand alone. People make a choice to follow them.
What is the level to which they will tolerate messages coming at them and what makes a
successful brand Twitter? What is the relationship between a brand and someone who commits to
follow a brand Twitter for the incentives/promos versus someone who simply follows to keep
track of entertaining tweets? If they are irritated by the messaging, then they stop processing it
and unfollow. How can a brand earn a Twitter user’s trust? McAlexander, Schoueten, and
Koenig’s (2002) ethnographic and quantitative research on the power of building brand
communities found that “the benefits to a firm of cultivating brand community are many and
diverse. Community-integrated customers serve as brand missionaries, carrying the marketing
message into other communities” (p. 51). Research into how the tenets of communication within
an online brand community would translate into the context of the Twitter environment could
also explain why or why not certain Twitter campaigns are successful or unsuccessful. Related to
the context of a communication within online environments, looking into the connection between
word of mouth advocacy—specifically eWOM, could prove to be useful for future research into
Twitter advertising, as found in some of the earlier studies using the AIDA model (Kim, Sang,
and Sung, 2014; Kapoor, Jayasimha, and Sadh, 2013).
HOW DO BRANDS ON TWITTER WORK? !17
It is also important to conduct further research into elaboration and how people process
information when it comes to Twitter. For example, in terms of existing research on online and
interactive advertising, phenomenons such as banner blindness with banner advertising have
been well documented, but limited research on elaboration has been done with Twitter
advertising. What are people looking at? What elements of a brand tweet do they notice first?
The actual content? The number of favorites and retweets? The username? And what do they
actually remember about what they see? There has been some research on this (Sundar and Kim,
2005; Fenn, Griffin, Uitvlugt, and Ravizza, 2014) but much more is necessary to achieve a more
comprehensive of how Twitter functions as a communication medium. Another aspect
researchers should look into is how different media devices (smartphone vs. tablet vs. laptop)
influence elaboration levels of Twitter content.
Finally, more research needs to be done on how to actually analyze Twitter data. As
Lewis, Zamith, and Hermida (2013) note, even though scholars have access to thousands of
tweets via Twitter’s public Application Programming Interface (API), “many researchers are not
getting the “firehose” of the complete content stream, but merely a “gardenhose” of very limited
numbers of public tweets—the randomness of which is entirely unknown, raising questions
about the representativeness of such data to all tweets, let alone to all users on the service” (p.
37). Furthermore, as Nelson, Sharp, and Wind (2013) stated in their article calling for new laws
for digital marketing, Twitter media conditions need to be examined to search for empirical
generalizations that can be used to analyze Twitter advertising and consumer response. As
Kietzmann, Hermkens, McCarthy, and Silvestre (2011) stated in their article breaking down the
functional building blocks of social media, social media—and in particular, Twitter—have
HOW DO BRANDS ON TWITTER WORK? !18
changed the advertising landscape and “by analyzing the seven building blocks—identity,
conversations, sharing, presence, relationships, reputation, and groups—firms can monitor and
understand how social media activities vary in terms of their function and impact” (p. 250).
Ultimately, there is still a lot to learn about how Twitter advertising actually works, but
the good news is that there are many theoretical paths to explore and decode its mysteries.
!!!APPENDIX 1 !Reinforcement How many brands do you actively follow on Twitter? Why would you follow a brand on Twitter? What kind of brands are they? What do you like about the brand? What do you like about their tweets? How often do you check their Twitter page? Do you like to retweet brand tweets? !Influence Has a brand twitter ever changed your opinion of that brand? Why do you think brands use Twitter? (lay opinion) What would make you unfollow a brand Twitter? !Top of Mind Awareness Do you find yourself thinking about the brand more after following their Twitter pages? Is that brand the one at the top of your mind when you think about the product category? Do you believe you would think about a brand more after following their Twitter page? !!!!!!!!!!
HOW DO BRANDS ON TWITTER WORK? !19
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