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4 P r o j e c t C a t a l o g u e

C O N T E N TPreciosa - Complete Solutions 6History & today 10List of references 18

Crystal Symphony 23The Island Shangri-La Hotel, Hong Kong, Hong Kong S.A.R.

The Taj Krishna Hotel, Hyderabad, India

39 Bohemian Classic

Le Royal Meridien, Mumbai, India

59 Enamel Romance

Maria Theresa 69The Okura Hotel, Sapporo, Japan

85 Light Elegance

The Bolshoy Theatre, Moscow, Russia

The Shangri-La Hotel, Singapore

Royal Heritage 111The Ritz-Carlton Hotel, Philadelphia, U.S.A.

The China World Hotel, Beijing, China P.R.

P r o j e c t C a t a l o g u e 5

Samples Container 284Cross - section of the lighting fixture - terminology 294Index 296Contacts 307

Oriental Style 153The Emirates Palace Hotel, Abu Dhabi, U.A.E.

173 Brilliant

The Sheraton Hotel, Dongguan, China P.R.

The Himeji Wedding Hall, Osaka - Himeji, Japan

Contemporary Design 199The Shangri-La Hotel, Beijing, China P.R.

The China World Hotel, Beijing, China P.R.

The Island Shangri-La Hotel, Hong Kong, Hong Kong S.A.R.

The Hilton Hotel, Omaha, U.S.A.

The Ritz-Carlton Hotel, Hong Kong, Hong Kong S.A.R.

263 Glass Sculpture Lighting

The Westin Hotel, Bangkok, Thailand

The Sheraton Grande Hotel, Miyazaki, Japan

The Sheraton Hotel, Taipei, Taiwan


P R E C I O SA - C O M P L E T E S O LU T I O N SAsk yourself honestly, what do you really expect from a custom design? Is it just a creative response to your

imaginative thoughts?

Because we do not limit your options solely to creative freedom, Preciosa has become a globally recognized

leader in the area of lighting design. Any project surely requires visualization as early as during the actual design

stage and it requires material samples. And if necessary, it also includes services such as a certificate from

a suspension mechanism test. The most important part, however, is flexibility and reliability. This is what we

call an individual approach.

For nearly 300 years, custom made chandeliers from Kamenický Šenov have been shipped to customers all over the

world and we know very well why. Let us share our secrets of this success with you:

WE UNDERSTAND GLASS

Our extensive experience allows us to take a creative approach

to the uniqueness and beauty of Bohemian crystal . For

generations we have been passing on the art of glass blowing

and hand shaping. We know how to accentuate the hardness

and clarity of crystal by its cutting. Each precisely cut facet

amplifies the natural luster and brilliance. For us, the refraction

of light is no longer a phenomenon - it is a design plan.

Whether it is leaded or lead-free crystal, Preciosa is a symbol

of master craftsmanship in its shaping, cutting and polishing.

Tradition, combined with the latest in technology, is what

inspires our designers.

We know hundreds of different methods of glass decoration.

And, this is not where the l ist ends: For example, recently

we extended our portfolio of products by adding shaped flat

glass, decorated with so-called frit (baked on crushed glass

of dif ferent colors and coarseness). Bending, shaping using

a mold, baking on of layers.. . each piece is unique and one-

of-a-kind. And since we are in the 21s t century, the inside of

our glass is covered with a safety layer, which prevents

shattering in the event of an impact. You can come and

see for yourself - for example, at the Hilton Hotel in Omaha,

Nebraska, USA (see p210).

7P r o j e c t C a t a l o g u e

WE UNDERSTAND LIGHT

The original purpose of crystal chandeliers was to transform candlelight into thousands of shimmering points of light. Today, dif fused

and adequately strong light is no longer a problem. It can be accomplished inexpensively and mass produced - however, only to the

point where you begin to increase the demand for ambience, originality and perfect design. At Preciosa, we have managed to find

a solution for even the most daring visions.

As an example, we can mention our project for the Sheraton Grande in Miyazaki,

Japan (see p.266). The local 'Sun' from Preciosa is definitely more than just an ordinary

chandelier. Halogen spot lights have been installed in the ceiling as well as into the

floor. The lighting effect is then created by the pure reflection and refraction of light

that takes place in this seemingly glowing ball with a diameter of up to two meters.

But a daring and original design must walk hand-in-hand with functionality.

That is why three-dimensional computer graphics with exact technical specifications

(shop drawings) are essential when designing such projects. Whether you

decide for a tradit ional chandelier or an ultra-modern sculptural piece, our

modeling permits us to exactly plan the character and the intensity of light at any

location within the il luminated space.

WE UNDERSTAND CHANDELIERS

Sometimes, time takes its toll on historical buildings. Three centuries of exporting

chandeliers from Kamenický Šenov to all over the world allows us penetrate

the mind of our ancestors and understand their intentions and their work.

It would be hard to find another company, which possesses an archive of

nearly 12,000 original crystal chandelier designs. Some of these are

centuries old.

Refitting, reconstruction and replication of historical chandeliers therefore

may, but doesn't have to, include working with the original designs. Among

our technical skills, you will be able to find techniques such as laser cutting

and also traditional sand casting. This enables us to produce authentic replicas

using the same techniques that were used to make the original piece.

This is also because unlike many other manufacturers, we have our own

glassworks, crystal trimmings manufacturing and even metalworking.

Machine or hand cutting, lead-free or certif ied leaded crystal with 30%

lead oxide content - all of this is available to us. It is therefore no surprise

that we were chosen to refurbish the 200 year old chandeliers in the reception

areas for the Czech President at the Prague Castle. During the reconstruction

of the Tuscan Palace in Prague, our historical archive served as a resource

for the design of the chandeliers and the original 18t h and 19t h century

designs were used.


WE UNDERSTAND YOU

Preciosa chandeliers can also be found as far away as the Southern hemisphere

- in New Zealand. It is therefore clear that our sophisticated system enables

us to reliably work on projects regardless of their geographic location. Today,

the delivery of plans, drawings or even animations is no longer a problem. At

the same time, we know that no vir tual simulation can give you a complete

picture of the dif ferent options available to you.

We therefore think of sample materials as a standard component of design

documentation. Normally, we have available samples of approximately 30

dif ferent kinds of glass and 20 dif ferent kinds of metal sur face finishes.

However, these samples are all original creations and they are not the limit to

your creativity. With our customers, we frequently use non-standard, special

materials and technologies.

A perfect example of such successful collaboration is the Sheraton Hotel in Taipei, Taiwan (see p.268). For the flowers that were used in

this project - the size of which topped ninety centimeters in diameter, we used a unique manufacturing method of flaring molten glass to which

colored decoration was added while it was being shaped. The oversized main chandeliers are all hand blown. And when executing this unique

design, we were not discouraged by the fact that Taiwan is a distance of almost 10,000 kilometers from the North Bohemian foothills.

WE UNDERSTAND TIME

Speed and reliability - two magic words, that are important to any project. Although

they are two different words, in reality, they represent the same idea: Doing things

right. Verify the structural conditions before a chandelier (weighing several tons)

is designed. Design a proper hanger. Incorporate the methods for future maintenance

into the actual design. For us, all of these are natural tasks including professional

installation and the obtaining of the necessary certificates required under the

laws of the particular country. And this also saves time. For example, we were the

only ones who were able to supply not only the chandelier but also the entire ceiling

cupola to the China World Hotel in Beijing - even when the entire structure is held

up by its perimeter ring and a structural solution was therefore crucial.

Although we emphasize an individual approach, in reality, we are one of the

largest manufacturers of crystal chandeliers in the world. With our nearly one

thousand employees, we can offer you sufficient capacity for the rapid

execution of your project - even for very large orders. For example, for the Ritz-

Carlton in Philadelphia, Pennsylvania, USA (see p.112), we manufactured

over 600 original chandeliers and more than one hundred of them were large

pieces. The largest of these had a diameter of approximately five meters. You

can try to guess how long it took us to manufacture the order, ship it across

the ocean and install it. Although there were skeptics, we accomplished

what we had promised - all in four months.


Despite all of the effort and the quality of products, we know that time can take its toll. Dust, pollution, minor accidents and many

other things will gradually affect even the most beautiful and most precise work. Therefore, we naturally offer regular maintenance

and cleaning services and also refurbishing if necessary. These post sale services enable the chandeliers from Kamenick_ _enov to

maintain their charm for centuries. The direct link to the factory, the availability of spare parts and the professional skills of our staff

will save you not only time, but also money in the end. Remember this when you the premier stage of the world famous Russian ballet,

the Bolshoi Theater in Moscow. The large chandelier in the theater's auditorium was made by Preciosa. What you cannot see while

sitting in the auditorium is the specially designed suspension mechanism, which allows for easy and fast maintenance.

WE UNDERSTAND THE WORLD

When someone in the 18th century wanted to become a glass master in North Bohemia, the person was first required to undergo

14 years of training in other countries. This shows how, as early as back then, we had functioning worldwide market research. Although

thanks to modern telecommunication technologies and air travel, the world seems much smaller than it used to be, we want to stay

as close to you as possible. That is why we put such a high degree of importance on our direct commercial representatives located

across the globe from Hong Kong to Buffalo, New York, USA. The list of these representatives can be found at the end of this catalog.

Custom made chandeliers that bear the name of Preciosa can be found in theaters, monasteries, private residences and hotels all

across the world. In addition to their quality and beauty, our success is the result of the continually growing portfolio of our services,

global partners and most importantly, our satisfied customers.

Why don't you join in!

P r o j e c t C a t a l o g u e10

T H E H I S T O RY O F G L A S S M A K I NG

More than 500 years ago, in the territory of the former Kingdom of Bohemia, skilled craftsmen began to discover ways of making

glass and to work this material into pleasing forms. By the beginning of the 17th century, Bohemian glassmakers were manufacturing

a glass mass that closely resembled natural crystal. Bohemia has become the source of the world's finest crystal known for its high

degree of brilliance, fire and optical purity.

In 1724, in connection with the development of glassmaking, the first chandelier workshop was opened in Prácheň, a small village

near the Bohemian town of Kamenický Šenov (Preciosa-Lustry's present headquarters), and started a brisk trade in lighting fixtures.

Other workshops in the region soon followed. Thanks to their exquisite form and the purity of their mouth blown and hand cut crystal,

the chandeliers from Kamenický Šenov soon became much sought after by the aristocracy of that time. The palaces of Louis XV, King

of France, Maria Theresa, Empress of Austria, and Elisabeth, Tsarina of Russia, were among those for which original Bohemian chandeliers

provided the crowning touch.

Since then, Bohemian chandeliers have been true representatives of the creative abilities, originality and traditional skills of master craftsmen

working with glass. Preciosa - Lustry proudly develops the tradition of chandelier production born more than 280 years ago.

P R E C I O S A - LU S T RY T O DAY

Preciosa - Lustry, a.s, based in the North Bohemian region of the

Czech Republic, is one of the world's largest and most traditional

manufacturers of both classic and modern decorative lighting

fixtures. The company successfully blends traditional glass-

making and chandelier-making techniques the North Bohemian

region has always been famous for with the latest production

technologies in order to make top-of-its-class products meeting

customer's expectations.

Preciosa crystal chandeliers are still manufactured where they

were born - in the town of Kamenický Šenov in the Czech

Republic. The product range can broadly be divided into standard

lighting fixtures and those customized for a variety of projects,

mainly for 5-star hotels, theaters, palaces and large residencies.

Preciosa - Lustry has full-time lighting designers and expert

artisans who can advise on technical, safety and price specifications.

The company takes full advantage of the cooperation with its

sister company, Preciosa, a.s., which specializes in machine

cutting and machine polishing crystal chandelier trimmings and

fashion jewelry stones and beads.

Compared with other world manufacturers of lighting fixtures,

Preciosa - Lustry, a company employing nearly 1000 people, offers

the widest selection of decorative and modern lighting fixtures

in terms of style, size, own-design and number of models.

H I S T O R I E S K L Á Ř S T V Í

Před více než 500 lety začínali na území někdejšího Českého

království zruční řemeslníci objevovat způsoby jak vyrobit sklo

a jak mu vtisknout půvabné tvary. Do začátku 17. století zde již

čeští skláři vyráběli sklovinu velmi podobnou přírodnímu křišťálu.

Čechy se tak staly zdrojem nejjemnějšího křišťálu na světě,

známého vysokým stupněm brilance, ohněm a optickou čistotou.

V roce 1724, v souvislosti s rozvojem sklářství, byla v malé

vesnici Práchni nedaleko českého města Kamenický Šenov

(dnešní sídlo společnosti Preciosa - Lustry) otevřena první

lustrařská dílna a začala čile obchodovat se svítidly. Další dílny

na sebe nenechaly dlouho čekat. Pro vytříbenost tvarů a čistotu

foukaného a ručně broušeného křišťálu byly kamenickošenovské

lustry záhy velice vyhledávané u tehdejší aristokracie. Paláce

francouzského krále Ludvíka XV., rakouské císařovny Marie

Terezie a ruské carevny Alžběty byly mezi těmi, jimž originální

české lustry vtiskly pečeť dokonalosti.

Od té doby jsou české lustry pravými reprezentanty tvořivých schopností, originality a tradiční zručnosti sklářských mistrů. Preciosa

- Lustry hrdě rozvíjí českou lustrařskou tradici, která se zrodila před více než 280 lety .

P R E C I O SA - LU S T RY D N E S

Preciosa - Lustry, společnost sídlící v severním pohraničí České republiky, je jedním z největších světových výrobců klasických

i moderních dekorativních svítidel. Společnost úspěšně spojuje tradiční sklářské a lustrařské techniky, j imiž byla vždy známa,

s nejnovějšími výrobními technologiemi, aby tak svými špičkovými výrobky uspokojovala očekávání svých zákazníků.

Křišťálové lustry z Preciosy se stále vyrábějí tam, kde vznikly -

v Kamenickém Šenově v České republice. Výrobní sortiment lze

obecně rozdělit na standardní svítidla a svítidla vyráběná na zakázku

pro řadu vybavovacích akcí, zvláště pak pro pětihvězdičkové

hotely, divadla, paláce a velké rezidence. Preciosa - Lustry

zaměstnává na plný úvazek designéry a odborné řemeslníky, kteří

dokáží poradi t s technickými , bezpečnostními a cenovými

předpisy. Společnost plně využívá spolupráce se sesterskou

společností Preciosa, a.s., specializující se na strojní broušení a leštění

křišťálových lustrových ověsů a bižuterních kamenů a perlí .

Pokud jde o styl, velikost, vlastní design a množství modelů,

Preciosa - Lustry, společnost s téměř 1000 zaměstnanců, nabízí

ve srovnání ostatními světovými výrobci svítidel nejširší sortiment

dekorativních a moderních svítidel.

P r o j e c t C a t a l o g u e 11


��

Более 500 лет тому назад начинали на территории бывшего

Чешского королевства искусные ремесленники открывать способы, как

изготовить стекло и как придать ему прелестные формы. До начала

17 века чешские стеклоделы уже изготовляли здесь стекломассу,

очень сильно напоминающую природный хрусталь. Чехия стала таким

образом источником тончайшего хрусталя в мире, известного высокой

степенью блеска, искристостью и оптической чистотой.

В 1724 году, в связи с развитием стеклоделия в маленькой деревушке

Прахни, что неподалеку от чешского города Каменицки Шенов

(на сегодняшний день - офис компании „Preciosa - Lustry“) была открыта

первая мастерская по производству люстр, которая начала бойкую

торговлю светильниками. Появление других мастерских не заставило

себя долго ждать. Благодаря изысканности форм и чистоте выдувного

хрусталя ручной огранки, люстры из Каменицкого Шенова вскоре

стали пользоваться особой популярностью среди аристократии того времени. Дворцы французского короля Людовика XV,

австрийской императрицы Марии-Терезии и русской царицы Елизаветы были среди тех, на которые наложили отпечаток

совершенства оригинальные чешские люстры.

С тех пор чешские люстры стали истинными представителями творческих способностей, оригинальности и традиционной

искусности стекольных дел мастеров. Компания „Preciosa - Lustry“ с гордостью развивает традицию производства люстр,

которая зародилась более, чем 280 лет назад.

�� „PRECIOSA - LUSTRY“ ��

Компания „Preciosa - Lustry“, которая находится в северной пограничной области Чешской Республики, - один из

крупнейших в мире производителей классических и современных декоративных светильников. Компания успешно

сочетает традиционные методы стеклоделия и производства люстр, благодаря которым она всегда славилась, с самыми

современными производственными технологиями, чтобы таким образом удовлетворять ожидание заказчиков своей

продукцией высочайшего качества.

Хрустальные люстры от компании „Preciosa“ все еще производятся там, где они зародились - в городе Каменицки Шенов

в Чешской Республике. Производственный ассортимент можно в общем плане разделить на стандартные светильники

и светильники, изготовляемые под заказ для ряда специальных проектов, главным образом для пяти-звездочных гостиниц,

театров, дворцов и крупных резиденций. В компании „Preciosa - Lustry“ работают на полную ставку дизайнеры и ремесленники

- профессионалы, которым под силу технические стандарты, правила техники безопасности и ценовые нормативы.

Компания в полной мере использует сотрудничество с сестринской компанией - акционерным обществом „Preciosa, a.s.“,

которая специализируется на машинной огранке и шлифовке хрустальных подвесок для люстр, камней для бижутерии и бус.

А если говорить о стиле, масштабе, собственном дизайне и количестве моделей, то компания „Preciosa - Lustry“ - компания,

в которой занято почти 1000 человек, предлагает по сравнению с остальными мировыми производителями светильников

самый широкий ассортимент декоративных и современных модных светильников.


G E S C H I C H T E D E R G L A S I N D U S T R I E

Vor mehr als 500 Jahren begannen auf dem Gebiet des Tschechischen Königsreiches geschickte Glasbläser Möglichkeiten zu

entdeckten, um dem Glas anmutige Formen zu verleihen. Bis zum Anfang des 17. Jahrhunderts produzierten hier schon tschechische

Glasereien eine dem Bergkristall ähnelnde Glasmasse. Böhmen ist so zur Quelle vom feinsten Kristall der Welt geworden, das durch

einen hohen Grad an Brillianz, Feuer und optischer Reinheit bekannt war.

1724 wurde im Zusammenhang mit der Entwicklung der Glasindustrie im kleinen Dorf Prácheň (Parchen) unweit von der böhmischen

Stadt Kamenický Šenov (Steinschönau) - dem heutigen Sitz der Gesellschaft Preciosa - Lustry - die erste Leuchterwerkstatt eröffnet,

die einen regen Handel mit Leuchtern begann. Weitere Werkstätten wurden dann binnen kürzester Zeit gegründet. Für die ausgefeilte

Formen und die Reinheit des manuell geblasenen und manuell geschliffenen Kristalls wurden Steinschönauer Leuchter sehr bald durch

die damalige Aristokratie ausgewählt. Original tschechische Luster drückten den Palästen des französischen Königs Ludwig XV., der

österreichischen Kaiserin Maria Theresia sowie der russischen Zarin Elisabeth das Siegel der Vollkommenheit auf.

Seitdem sind tschechische Leuchter wahre Repräsentanten der kreativen Fähigkeiten, der Originalität und der traditionellen

handwerklichen Kunst der Glasmeister. Preciosa - Lustry entwickelt stolz die tschechische Leuchtermacher-Tradition, die vor mehr

als 280 Jahren geboren wurde.

P R E C I O S A - LU S T RY H E U T E

Die Preciosa - Lustry, Gesellschaft mit Sitz im nördlichen Grenzgebiet der Tschechischen Republik, ist einer der größten Hersteller

klassischer sowie moderner dekorativer Leuchten weltweit. Die Gesellschaf t vereinigt er folgreich die traditionelle Glas- und

Leuchtermachertechnik, durch die sie immer bekannt war, mit neuesten Produktionstechnologien, damit sie durch ihre hochwertigen

Produkte die Erwartungen ihrer Kunden zufrieden stellen kann.

Kristallleuchter aus Preciosa werden immer noch dort produziert,

wo sie entstanden sind - in Kamenický Šenov in der Tschechischen

Republik. Das Produktionssortiment kann allgemein auf Standard-

leuchten und auf kundenspezif ische Leuchten für zahlreiche

Ausstattungsaktionen, insbesondere dann für Fünfsternehotels,

Theater, Pa läs te und große Residenzen aufgete i l t werden.

Preciosa - Lustry beschäf t igt hauptberuf l ich Designer und

Fachhandwerker,d ie s ich in technischen, S icherhei ts - und

Preisvorschriften sehr gut auskennen. Das Unternehmen nutzt voll

die Zusammenarbeit mit der Schwestergesellschaft Preciosa, a.s.,

die sich auf maschinel les Schleifen und Glanzschleifen von

Leuchterbehängen sowie Bijouteriesteinen und Perlen spezialisiert.

Was den Stil, die Größe sowie das eigenständige Design und die

Anzahl von Modellen anbelangt, bietet Preciosa - Lustry als eine

Gesellschaft mit mehr als 1000 Mitarbeitern, im Vergleich zu

anderen Leuchterproduzenten das weltweit breiteste Sortiment

von dekorativen und modernen Leuchten


H I S T O R I A D E L A V I D R I E R Í A

Hace más de 500 años empezaron los artesanos hábiles

en el territorio del Reino Checo a descubrir las maneras de

producir el vidrio y de darle formas bonitas. Hasta los

principios del siglo XVII, los vidrieros checos ya habían

producido una materia vítrea muy semejante al cristal

natural. Así Bohemia se convirtió en la fuente del cristal más

fino del mundo, reconocido por un alto grado de brillo,

fuego y pureza óptica.

Junto con el desarollo de la cristalería, fue fundado el primer taller de lámparas en el año de 1724 en un pueblo pequeño en las cercanías

de Kamenický Šenov (la sede central actual de Preciosa - Lustry, a. s.) que se llamaba Prácheň.

Pronto se inició un negocio vivo de luminarias. Otros talleres no tardaron en abrirse. Gracias a la delicadeza de las formas y pureza

del cristal soplado y tallado a mano, las lámparas de Kamenický Šenov se popularizaron pronto entre la aristocracia. Los palacios

del rey francés Luis XV., de la emperatriz de Austria María Teresa, de la czarina rusa Isabel figuran entre los que, gracias a las lámparas

originales checas, adquirieron el toque final de la perfección.

Desde entonces, las lámparas checas son representantes de las capacidades creativas, originalidad y habilidad tradicional de los maestros

de cristalería. La sociedad de Preciosa - Lustry sigue desarrollando orgullosamente la tradición checa de lámparas que nació hace

más de 280 años.

P R E C I O S A - LU S T RY D E H OY

Preciosa - Lustry, una empresa que por tradición reside cerca de la frontera del norte de la República Checa, es uno de los mayores fabricantes

tanto de luminarias decorativas clásicas como modernas. La sociedad une con éxito sus famosas técnicas tradicionales de cristalería

y fabricación de arañas con las tecnologías más modernas, para que sus productos excelentes satisfagan los requisitos de sus clientes.

Las arañas de cristal de Preciosa se siguen fabricando en el mismo

lugar - en Kamenický Šenov, República Checa. En general, la gama de

la producción se puede dividir en luminarias estándares y luminarias por

encargo, especialmente para hoteles de cinco estrellas, teatros, palacios

y grandes residencias. Preciosa - Lustry emplea a sus diseñadores propios

y ar tesanos profesionales, quienes saben atender los reglamentos

técnicos, de seguridad y de precios. La sociedad aprovecha plenamente

la cooperación con la sociedad hermana de Preciosa, a.s. , que se

especializa en el tallado y pulido a máquina de colgantes de lámparas,

piedras y perlas de bisutería.

En cuanto al esti lo, tamaño, diseño propio y cantidad de modelos,

Preciosa - Lustry, una sociedad con casi 1000 empleados, ofrece el

surtido más amplio de luminarias decorativas y modernas en comparación

con otros fabricantes mundiales.


P r o j e c t C a t a l o g u e16


L I S T O F R E F E R E NC E S

HOTELS

The Wentworth HotelSydney, Australia, 2003

The Shangri-La HotelSydney, Australia, 2004

The Marriott HotelPrague, Czech Republic, 1999

The Palace HotelSpindleruv Mlyn, Czech republic, 1999

The Hilton HotelPrague, Czech Republic, 2001

The Sheraton HotelAddis Ababa, Ethiopia, 1997

The Adlon Palais HotelBerlin, Germany, 2003

The Hotel KempinskiHeiligendamm, Germany, 2003

The Empire HotelLlandudno, Great Britain, 2002

The Holland House HotelCardiff, Great Britain, 2003

The Astir Palace HotelAthens, Greece, 2004

The Pentelikon HotelAthens, Greece, 2004

The Gresham Four Seasons HotelBudapest, Hungary, 2004

The Great Eagle HotelHong Kong, Hong Kong, S.A.R., 2001

The Wharney HotelHong Kong, Hong Kong, S.A.R., 2001

The Ritz-Carlton HotelHong Kong, Hong Kong, S.A.R., 2003

The Kowloon Shangri-La HotelHong Kong, Hong Kong, S.A.R., 2003

The Four Seasons Hotel Hong Kong, Hong Kong, S.A.R., 2005

The Island Shangri-La HotelHong Kong, Hong Kong, S.A.R., 2003-04

The Meritus Shantou HotelShantou, China P.R., 2001

The Westin Hotel Shanghai, China P.R., 2002

The Sheraton Hotel Dongguan, China P.R., 2003

The China World HotelBeijing, China P.R., 2003

The Shangri-La HotelBeijing, China P.R., 2003

The Shangri-La HotelZhon Shan, China P.R., 2003

The Peninsula Palace HotelBeijing, China P.R., 2003

The Shangri-La HotelFuzhou, China P.R., 2004

The Marriot Hotel Sanya, China P.R., 2004

Le Royal Meridien HotelMumbai, India, 2000

The Holiday Inn Crown Plaza HotelAhmedabad, India, 2000

The Taj Bengal HotelCalcutta, India, 2001

The Taj Krishna Hotel Hyderabad, India, 2003

The Taj Palace HotelJaipur, India, 2003

The Taj Chandigarh HotelChandigarh, India, 2004

The Mulia HotelJakarta, Indonesia, 2004

The Ritz-Carlton HotelJakarta, Indonesia, 2005

The Killashee House HotelNaas, Ireland, 2003

The Cavan Crystal HotelCavan, Ireland, 2003

The JR Central Towers HotelNagoya, Japan, 1999

The Grand Tiara HotelAnjo, Japan, 2001

The Meitetsu HotelHamamatsu, Japan, 2001

The ANA HotelTokyo, Japan, 2001

The Sheraton Grande HotelMiyazaki, Japan, 2002

The Industry ClubTokyo, Japan, 2003

The Okura HotelSapporo, Japan, 2003

The Okura HotelKobe, Japan, 2003

The Ritz-Carlton HotelHong Kong, Hong Kong, S.A.R., 2003

The Meritus Shantou HotelShantou, China P.R., 2001

The China World HotelBeijing, China P.R., 2003

Le Royal Meridien HotelMumbai, India, 2000

The Taj Krishna Hotel Hyderabad, India, 2003

The Grand Tiara HotelAnjo, Japan, 2001


The Imperial HotelTokyo, Japan, 2003

The Prince HotelSapporo, Japan, 2003

The Xuanwu Hotel Nanjing, Japan, 2004

The Shangri-La HotelSuzhou, Japan, 2005

The New Prince Shinagawa HotelShinagawa, Japan, 1994; 2002

The Nansha Grand HotelNansha, Japan, 2004

The Westin HotelKuala Lumpur, Malaysia, 2003

Le Meridien HotelKuala Lumpur, Malaysia, 2004

The Sheraton HotelKarachi, Pakistan, 1981

The Shangri-La MactanMactan, Philippines, 2005

The Westin Hotel Warsaw, Poland, 2003

The National HotelMoscow, Russia, 1996

The Four Seasons Hotel (Kingdom Centrum)Riyadh, Saudi Arabia, 2001-02

Regency HouseSingapore, 2000

The Regent HotelSingapore, 2002

The Oriental HotelSingapore, 2002, 2004

The Shangri-La HotelSingapore, 2003, 2004

The Ritz-Carlton HotelSingapore, 2004

The Radisson Plaza HotelSeoul, South Korea, 2002

The Sheraton Walker Hill HotelSeoul, South Korea, 2001

The Paradise HotelPusan, South Korea, 2002

The Radisson Plaza HotelSeoul, South Korea, 2002

The Lotte HotelSeoul, South Korea, 2003

The Hyatt Escherwiese HotelZurich, Swiss, 2004

Le Petit Sherwood HotelTaipei, Taiwan, 1998

The Sheraton HotelTaipei, Taiwan, 2003

The Merchant Court HotelBangkok, Thailand, 1999

The Plaza Athenee HotelBangkok, Thailand, 2000

The Regent HotelBangkok, Thailand, 2001

The Westin HotelBangkok, Thailand, 2003

The Conrad HotelBangkok, Thailand, 2003

The Mandarin Oriental HotelBangkok, Thailand, 2004

The Royal Orchid Sheraton Hotel Bangkok, Thailand, 2004

The Pyramides HotelNabeul, Tunisia, 1988

The Ritz-Carlton HotelDubai, U.A.E., 1998

The Shangri-La Health Club CentreDubai, U.A.E., 2003

The Emirates Palace HotelAbu Dhabi, U.A.E., 2004

The Ramada HotelDubai, U.A.E., 2004

The Sheraton HotelAbu Dhabi, U.A.E., 2004

The Omni HotelNew Haven, U.S.A., 1997

The Renaissance HotelCharleston, U.S.A., 2000

The Ritz-Carlton HotelWashington D.C., U.S.A., 2000

The Ritz-Carlton HotelNew Orleans, U.S.A., 2000

The Ritz-Carlton HotelPhiladelphia, U.S.A., 2000

The Venetian Hotel - Venezia TowerLas Vegas, U.S.A., 2003

The Hilton HotelOmaha, U.S.A., 2004

Four Seasons HotelScottsdale, U.S.A., 2004

The Ritz-Carlton HotelLaguna Beach, U.S.A., 2004

The Sheraton HotelKarachi, Pakistan, 1981

The Shangri-La HotelSingapore, 2003, 2004

The Lotte HotelSeoul, South Korea, 2003

The Merchant Court HotelBangkok, Thailand, 1999

Le Petit Sherwood HotelTaipei, Taiwan, 1998

The Mandarin Oriental HotelBangkok, Thailand, 2004

The Ritz-Carlton HotelPhiladelphia, U.S.A., 2000

The Hilton HotelOmaha, U.S.A., 2004


The Mandarin Oriental HotelWashington DC, U.S.A., 2004

Wynn Las Vegas CasinoLas Vegas, U.S.A., 2005

Caesars PalaceLas Vegas, U.S.A., 2005

Embassy SuitesBirmingham, U.S.A., 2002-03

The Sheraton HotelSaigon, Vietnam, 2003

PALACES AND GOVERNMENT´S BUILDINGS

The Premier´s PalaceAlgiers, Algeria, 1997

The Presidential ResidenceBaku, Azerbaijan, 2002-03

State Majlis (Al Rawdah Palace)West Riffa, Bahrain, 2001

Sakhir Palace - Majlis AmbassadorWest Riffa, Bahrain, 2004

The Presidential PalaceMinsk, Belorussia, 1997

Prague Castlethe Seat of the Czech PresidentPrague, Czech Republic, 1986

Wallenstein PalacePrague, Czech Republic, 1993

Lichtenstein PalacePrague, Czech Republic, 1996

The Tuscany PalacePrague, Czech Republic, 1997

The Houses of ParliamentPrague, Czech Republic, 1997

The Palffy PalacePrague, Czech Republic, 1998

Russia EmbassyPrague, Czech Republic, 1999

The Nostic PalacePrague, Czech Republic, 2003

The Royal PalaceCopenhagen, Danmark, 2002

The Residence of the Sultan of OmanBait Al Seifah, Egypt, 2001

The Imperial PalaceDire Dawa, Ethiopia, 1996

The Archbishop´s PalaceAddis Ababa, Ethiopia, 1997

Municipal HallKassel, Germany, 2004

Istana Negara (President´s Palace)Jakarta, Indonesia, 2003

The Presidential ResidenceAlmaty, Kazakhstan, 2001

Sheik Al Khalif´s PalaceKuwait City, Kuwait, 1996

Sheik Nasser´s PalaceKuwait City, Kuwait, 1996

Deputy Prime Minister's ResidencePutrajaya, Malaysia, 2001

Selda Multi-Purpose HallKuala Lumpur, Malaysia, 2002

Istana Mellawati - Royal PalaceKuala Lumpur, Malaysia, 2002,2003

Parliament Hall (Pyithu Hluttaw)Yangon, Myanmar, 1999

Singapore EmbassyYangon, Myanmar, 2002

The Residence of the President of TatarstanKazan, Russia, 2001

The Presidential PalaceMoscow, Russia, 2004

The Crown Prince's PalaceRiyadh, Saudi Arabia, 2000

The Crown Prince PalaceNontaburi, Thailand, 2000

Patcharapirom PalaceBangkok, Thailand, 2004

Lawadan PalaceBangkok, Thailand, 2004

The Presidential PalaceGammarth, Tunisia, 1999

Japanese EmbassyIstanbul, Turkey, 1998

Zabeel Palace Tent MajlisDubai, U.A.E., 1997

Richard Nixon Presidential LibraryYorba Linda, U.S.A., 2004

The Houses of ParliamentKiev, Ukraine, 2000

TEMPLES

Blida MosqueBlida, Algeria, 1987

The Sheraton HotelSaigon, Vietnam, 2003

The Tuscany PalacePrague, Czech Republic, 1997

Blida MosqueBlida, Algeria, 1987

Parliament Hall (Pyithu Hluttaw)Yangon, Myanmar, 1999

Richard Nixon Presidential LibraryYorba Linda, U.S.A., 2004


Mosque at Al Rawdah PalaceWest Riffa, Bahrain, 2004

The Betlehem ChapelPrague, Czech Republic, 1999

The ChurchVechelde, Germany, 1998

Imam Reza´s MosqueMashhad, Iran, 1972

The BasilicaLichen, Poland, 2003

Green MosqueDoha, Quatar, 1962

Great MosqueMecca, Saudi Arabia, 1984

Al-Harm MosqueMecca, Saudi Arabia, 2003

Temple of BuddhaNong Khai, Thailand, 1998

Al-Mulla MosqueDubai, U.A.E., 2002

Al-Mansoori Private MosqueAbu Dhabi, U.A.E., 2004

THE OTHERS

The UniversityConstantine, Algeria, 1982

ABN Amro BankPrague, Czech Republic, 1998

Olympic Stadion BerlinBerlin, Germany, 2004

The Harlan`s RestaurantHong Kong, Hong Kong, S.A.R., 2004

The Cyberport ClubhouseHong Kong, Hong Kong, S.A.R., 2004

The Cuisine Cuisine RestaurantHong Kong, Hong Kong, S.A.R., 2005

Sekaino Galasu Kan KagatennKaga City, Japan, 1998

The Himeji Wedding HallOsaka-Himeji, Japan, 2001

The Royal Chester Wedding PalaceFukuoka, Japan, 2003

The Royal Chester Wedding PalaceOta, Japan, 2003

The Theatre RestaurantDrammen, Norway, 1999

Bank "Senator"Moscow, Russia, 2004

Jeddah Equesterian ClubJeddah, Saudi Arabia, 2000

Villa of the Minister of oilAbu Dhabi, U.A.E., 2000

Mohammed Al - Abaar VillaAbu Dhabi, U.A.E., 2001

Mohammed Rassol Al Khori VillaAbu Dhabi, U.A.E., 2001

Madinat Jumeirah Resort - Conferencecentre and Multi Purpose VenueDubai, U.A.E., 2003

AL - Mulla Majlis VillaDubai, U.A.E., 2005

Czech and Slovak MuseumCedar Rapids, U.S.A., 1998

Miramont Country ClubBryan, U.S.A., 2004

The Bank of UkraineDonetsk, Ukraine, 1997

THEATRES AND OPERA HOUSES

The National TheatrePrague, Czech Republic, 1983

The Estates TheatrePrague, Czech Republic, 1989-90

Opera HouseTeheran, Iran, 1967

Teatro ComunaleModena, Italy, 1998

The Piccadilly Opera HouseBeirut, Lebanon, 1968

The Musical & Comedy TheatreRostov on Don, Russia, 1999

Daghestan´s State TheatreMachackala, Russia, 2001

The Bolshoy TheatreMoscow, Russia, 2002

Concert HallKhabarovsk, Russia, 2002

State Academic Theatre of DramaOmsk, Russia, 2004

The Grand TheatreCordoba, Spain, 2003

Taipei Orchestra HallTaipei, Taiwan, 2000

The Harlan`s RestaurantHong Kong, Hong Kong, S.A.R., 2004

Temple of BuddhaNong Khai, Thailand, 1998

The UniversityConstantine, Algeria, 1982

The Bolshoy TheatreMoscow, Russia, 2002

Teatro ComunaleModena, Italy, 1998

The Musical & Comedy TheatreRostov on Don, Russia, 1999

C RYS TA L S Y M P H O N Y

T h e wo r k o f m a s te r g l a s s m a ke rs d u r i n g th e m a k i n g o f c h a n d e l i e rs o f p l a i n g l a s s i s re m i n i s c e n t o f a

symphonic concer t - the dynamic sp inn ing o f mol ten g lass , b lowing the g lassmaker ' s p ipe , or the f ine and

prec ise shap ing o f par ts in g lass moulds are a v isua l concer t fo r one 's eyes . The sk i l l s o f our g lassmakers

are transferred into the f inal appearance of these f ixtures. Thanks to the s impl ic i ty of their form and the pur i ty

o f manufactur ing , they wi l l su i t both the t rad i t iona l and modern pro jects .

043 459 020 - 03160 x 95 cm, 63 x 37 inLight Bronze, Crystal + Amber

New Function Room


T H E I S L A N D S H A NG R I - L A H O T E L , H O NG KO NG , H O NG KO NG S . A . R . 2 0 0 3The renovated Peak and Harbor Rooms at Hong Kong's Shangri-La Island Hotel have been decorated with original Preciosa

chandeliers. Specifically, the chandelier design consists of twenty pipe-like arms, which have been hand-shaped using colored, blown

glass. The crystal has been embellished with metallurgical, optical decorations accentuated by the use of special techniques

including those normally used with enameled fixtures.

The overall illumination of the interiors has been accomplished by combining decorative and indirect lighting, while accentuating the atmosphere.

043 460 003 - 0240 x 80 x 28 cm, 16 x 31 x 11 inLight Bronze, Crystal + Amber

New Function Room

043 459 020 - 03160 x 95 cm, 63 x 37 inLight Bronze, Crystal + Amber

New Function Room



T H E TA J K R I S H N A H O T E L , H Y D E R A BA D , I N D I A 2 0 0 3

The Taj Krishna Hotel is strategically located in the business and commercial center of the city of Hyderabad. Preciosa supplied the

three dominant 2,7m size lighting fixtures for the hotel's main public area. The entire interior was designed in crimson tones and glass

of the same color has been used to fabricate the lighting fixtures. For the first time ever, chandeliers with broadening out arms have

been used. The length of these arms (130 cm) is also unique. Smaller versions of the chandeliers and wall brackets in the same color

were also manufactured for the ballroom.


042 845 024 - 02270 x 130 cm, 106 x 51 inAntique Bronze Patina, Carmine

Grand Ballroom


11 5271 006 06 21 00 2864 x 84 cm, 25 x 33 inChromium Plated, Carmine

21 5271 002 06 21 00 2845 x 42 x 28 cm, 18 x 17 x 11 in

Chromium Plated, Carmine


11 5275 012 06 49 00 0090 x 57 cm, 35 x 22 inChromium Plated, Smoky Taupe

21 5275 002 06 49 00 0040 x 36 x 26 cm, 16 x 14 x 10 in

Chromium Plated, Smoky Taupe


The Plaza Athenee Hotel, Bangkok, Thailand 2000, Ballroom

46 5182 006 83 54 01 0030 x 65 cm, 12 x 26 inAntique Nickel Patina, Blue Cobalt

Nikko Alivila, Okinawa, Japan 2004

044 072 010 - 06137 x 106 cm, 54 x 42 inNickel Plated, Amber - gold painted


042 618 021 - 07130 x 120 cm, 51 x 47 inAntique Bronze Patina, Amber

042 619 014 - 0470 x 180 x 42 cm, 28 x 71 x 17 inAntique Bronze Patina, Amber


11 5399 036 06 01 00 00120 x 185 cm, 47 x 73 inChromium Plated, Crystal

The Golden Lion Hotel, Liberec, Czech Republic, 1996, Café


The Shangri-La Hotel, Zhongshan, China P.R., 2004, Meeting Room

043 480 003 - 0040 x 70 x 23 cm, 16 x 28 x 9 inNickel Plated, Crystal

043 355 024 - 0390 x 75 cm, 35 x 30 inNickel Plated, Crystal


042 899 044 - 01300 x 205 cm, 118 x 81 inChromium Plated, Crystal + Crystal Frosted


043 265 006 - 00120 x 38 cm, 47 x 15 in24K Gold Plated, Full Lead Crystal

042 903 002 - 0090 x 180 x 50 cm, 35 x 71 x 20 inAntique Silver Patina, Crystal + Crystal Frosted

042 160 005 - 0075 x 200 x 50 cm, 30 x 79 x 20 inPolished Brass, Crystal


041 058 012 - 04120 x 45 cm, 47 x 18 in24K Gold Plated, Amber

042 985 014 - 00100 x 85 cm, 39 x 33 in24K Gold Plated, Amber

041 059 008 - 0348 x 125 x 30 cm, 19 x 49 x 12 in

Polished Brass, Crystal


41 5009 123 07 01 00 3570 x 40 cm, 28 x 16 inPolished Brass, Crystal


The Meritus Shantou Hotel, Shantou, China P.R., 2001

B O H E M I A N C L A S S I C

Class ic Bohemian cr ys ta l i s known throughout the wor ld for i t s qua l i ty and br i l l i ance . I t s h is tor y s t re tches

back to the 16t h century. Lavishly hand-cut, blown glass par ts prevai l on these f ixtures. To highl ight its features,

the cr ys ta l i s somet imes decorated wi th golden pa int . The sumptuous and impress ive appearance of crys ta l

jewels i s complemented wi th the t r immings o f var ious shapes and s i zes . Br i l l i ance , pur i ty and per fect l ight

d i f f u s i o n to g e t h e r w i t h m o re t h a n 3 0 % l e a d c o n te n t a re t h e o u t s t a n d i n g p ro p e r t i e s o f o u r P re m i u m

tr immings . Another one o f many opt ions ava i lab le i s t r immings o f lead- f ree g lass , so typ ica l fo r t rad i t iona l

manufactur ing in Bohemia .


L E ROYA L M E R I D I A N H O T E L , M U M BA I , I N D I A 2 0 0 0

Le Royal Meridian Hotel in Mumbai opened in August 2000. It is located along the famous Andheri Road, only 5 minutes from the international

airport. The hotel is a combination of genuine colonial grandeur and values skillfully blended with modern style and perfect service.

The Mumbai hotel project is an ideal example of how a lighting fixture can become the dominant element of the entire interior. The

central crystal chandelier (3m in diameter) is a basket combined with glass arms decorated with a cascade of lustrous trimmings.

Two smaller, equally impressive chandeliers were installed alongside of the main chandelier. An additional twenty lighting fixtures

were supplied by Preciosa for the hotel's lounge areas. Etched lighting fixtures such as the one delivered to the Le Royal Meridian

Hotel represent the backbone of the assortment of Preciosa - Lustry products, because, when combined with 'Premium' trimmings,

they most accentuate the beauty of Bohemian crystal. It is in these creations where the craf tsmanship of Czech glassmakers

combined with the experience, tradition and environment of a successful company can best demonstrate its excellence.

Ballroom

12 5402 043 06 01 00 01160 x 260 cm, 63 x 102 in

Chromium Plated, Crystal


Lobby

043 359 050 - 01185 x 290 cm, 73 x 114 inChromium Plated, Crystal


042 151 024 - 00140 x 150 cm, 55 x 59 inPolished Brass, Crystal

The Nostic Palace, Prague, Czech Republic, 2003


12 5596 012 06 11 01 7080 x 98 cm, 31 x 39 inChromium Plated, Full Lead Crystal

12 5596 006 06 11 01 7065 x 68 cm, 26 x 27 in

Chromium Plated, Full Lead Crystal

22 5596 002 06 11 01 7045 x 22 x 42 cm, 18 x 9 x 17 inChromium Plated, Full Lead Crystal






12 5390 024 06 11 00 70120 x 180 cm, 47 x 71 in




The New Prince Takanawa Hotel, Tokyo, Japan 1982



The Musical & Comedy Theatre, Rostov on Don, Russia 1999


035 247 084300 x 450 cm, 118 x 177 inPolished Brass, Crystal + Lime Green






22 5391 002 06 11 00 7041 x 55 x 27 cm, 16 x 22 x 11 in






22 5444 002 06 11 00 0050 x 43 x 26 cm, 20 x 17 x 10 inChromium Plated, Full Lead Crystal

043 596 042 - 00130 x 280 cm, 51 x 110 inChromium Plated, Full Lead Crystal


042 351 042 - 02183 x 183 cm, 72 x 72 inNickel Plated, Full Lead Crystal

042 351 005 - 0684 x 76 x 43 cm, 33 x 30 x 17 inNickel Plated, Full Lead Crystal


22 5496 002 12 01 02 3537 x 54 x 26 cm, 15 x 21 x 10 in24K Gold Plated, Crystal

12 5496 012 12 01 02 3599 x 135 cm, 39 x 53 in24K Gold Plated, Crystal


12 5497 044 85 01 00 28147 x 305 cm, 58 x 120 inAntique Gold Patina, Crystal





043 155 024 - 03180 x 550 cm, 71 x 217 in24K Gold Plated, Crystal

FOUNTAIN

A three-stage variably illuminated glass fountain with running water: height 5.5 meters, maximum width 1.8 meters. The stages of

the fountain, each of them with its own water basin, are formed from hand shaped glass leaves 65 cm long and 14 cm wide with

metal parts plated with 24-carat gold. The light source is placed under the floor feeding light into a bundle of optical fibers each of

them distributing light to individual parts of the fountain. The light source is equipped with an electric color changer system

automatically changing colors of light. There are no mains inside the fountain itself.

E N A M E L RO M A NC E

Tender and romant ic fee l ings wi l l waf t around you f rom these f ix tures that Preciosa-Lustry is able to make as

one of very few manufacturers in the world. No wonder. The main par ts are made of three layers of glass. Crystal

is the bas is that is appl ied with color, t rans lucent g lass meta l - red, b lue or green. The th i rd , top layer is opal

g lass , which is hand cut to create smal l ho les that t ransmit the l ight through the co lored g lass in to the

middle . F in ish ing touches are made with hand paint ing, a unique technology of p las t ic f lora l patterns lav ish ly

decorated with 24-carat gold. Every ref lect ion of color or gold cast by the f ixtures wi l l g ive you a cosy feel ing

of tea par lours , drawing rooms or c lubs - or any p lace where you feel comfor table and wel l .

13 5063 030 07 53 00 28114 x 85 cm, 45 x 33 inPolished Brass, Crystal + Ruby



33 5029 005 07 53 03 2846 x 45 cm, 18 x 18 inPolished Brass, Crystal + Ruby

23 5001 005 07 53 02 2853 x 36 x 33 cm, 21 x 14 x 13 inPolished Brass, Crystal + Ruby


73 5001 007 07 54 00 2870 x 207 cm, 28 x 81 inPolished Brass, Crystal + Blue Cobalt


23 5001 005 07 54 00 2849 x 40 x 32 cm, 19 x 16 x 13 inPolished Brass, Crystal + Blue Cobalt


13 5063 030 07 42 00 28114 x 85 cm, 45 x 33 inPolished Brass, Ruby / Opal



13 5061 030 06 42 00 2888 x 114 cm, 35 x 45 inChromium Plated, Ruby / Opal

33 5025 005 06 42 00 2847 x 32 x 47 cm, 19 x 13 x 19 in

Chromium Plated, Ruby / Opal

73 5001 009 06 42 00 2870 x 200 cm, 28 x 79 inChromium Plated, Ruby / Opal


13 5608 018 06 41 00 2890 x 110 cm, 35 x 43 inChromium Plated, Lime Green / Opal


043 726 050 - 00185 x 290+L cm, 73 x 114+L in24K Gold Plated, Lime Green / Opal + Crystal


043 726 072 - 01210 x 500 cm, 83 x 197 in24K Gold Plated, Opal / Blue Cobalt + Crystal

M A R I A T H E R E S A

T h e s e rav i s h i n g f i x t u re s we re i n s p i re d by a c h a n d e l i e r m a d e fo r M a r i a T h e re s a i n B o h e m i a i n t h e m i d

18 t h centur y. However, not on ly the empress became fond o f i t ; so d id many others who fanc ied the s ty le

a n d t h e m a j e s t i c m a n n e r s a f te r h e r. Ty p i c a l e l e m e n t s a re m e t a l a r m s ove r l a i d w i t h g l a s s b a r s a n d

decora ted wi th c r ys ta l roset tes . Or ig ina l l y, the t r imming was made o f typ ica l f l a t d rops , ca l led “pend les“ .

To d ay, t r i m m i n g s o f va r i o u s s h a p e s a re u s e d .


14 5235 018 90 11 00 70112 x 66 cm, 44 x 26 inGold Color, Full Lead Crystal

Banquet Room

T H E O K U R A H O T E L , S A P P O RO , J A PA N 2 0 0 3

The Okura Hotel in Sapporo is the most luxurious hotel on the island of Hokkaido. Preciosa was selected as the main supplier of lighting

fixtures for the hotel's representative areas. They can be found in the ballroom, conference center and in the lobby.

The entire design was accomplished using 78 pieces of the traditional Maria Theresa type of chandeliers. This unmistakable

chandelier design and the abundance of its crystal trimmings add the finishing touch to the entire interior of this Sapporo hotel. This

project demonstrates that even when using a standard design, we can create an impressive ensemble of chandeliers. Another interesting

part of the design is that the complete illumination of the interiors has been achieved by combining decorative (direct) and technical

(indirect) lighting.


14 5311 037 90 11 02 70120 x 120 cm, 47 x 47 in

Gold Color, Full Lead Crystal

Entrance of Chapel



Banquet Room



Ballroom


Ballroom


14 5311 016 90 01 01 02102 x 112 cm, 40 x 44 inGold Color, Crystal


14 5253 016 06 01 00 0290 x 122 cm, 35 x 48 inSilver Color, Crystal

34 5090 010 90 01 00 02 63 x 163 cm, 25 x 64 inGold Color, Crystal






Ybl Palace, Budapest, Hungary, 2002, Ballroom



Teatro Comunale, Modena, Italy 1998



The Prague Castle, Prague, Czech Republic 1986


035 379 024120 x 55 cm, 47 x 22 inGold Color, Crystal

The Hoffmeister Hotel, Prague, Czech Republic 1996



24 5143 006 90 01 00 02 48 x 45 x 33 cm, 19 x 18 x 13 inGold Color, Crystal







Blida Mosque, Algeria 1987

L I G H T E L E G A NC E

E legance i s a d i s t inc t fea tu re o f any o f our f i x tu res , ye t i t i s ma in ly the we l l -ba lanced use o f meta l in

combinat ion with blown glass and cut tr immings that adds extra l ightness to these chandel iers . A wide range

of sur face f in i shes enab les us to present var ious s ty les , moods and impress ions . The resu l t ing des ign ,

de l ica te ly complemented wi th cas t brass deta i l s and b lown g lass , i s a paragon o f a r t i s t ic harmony.


T H E B O L S H OY T H E AT R E , M O S C OW, RU S S I A 2 0 0 2

One of the greatest successes of Preciosa - Lustry was the victory in a competition advertised for the interior lighting of the world-famous

Bolshoy Theater in Moscow. After its reconstruction, the theater opened with a grand performance of Tchaikovsky's ballet, Swan Lake.

Our company supplied all of the Bolshoy's representative areas - the auditorium, the lobby, the winter garden, the staircases and the

entrance foyer. We supplied a total of 217 lighting fixtures, which included mostly baskets composed of cast pieces richly decorated

with trimmings. To complete the project, Preciosa collaborated with the company Kreml-Bronza. The combination of bril l iant

Bohemian crystal and Russian, flawlessly worked bronze, produced inventive lighting fixtures with an original design that led to the

highest level of client satisfaction.

The project was characterized by specific approaches to resolving many different

issues. One of them was the dif ficult access to the installation area. To

resolve this issue, our company manufactured its own special hoisting

mechanism, which, in the end, simplified not only the actual installation, but

also the future cleaning and maintenance during which the chandelier can

easily be suspended to a serviceable height.

The central chandelier has a diameter of 6 meters; it is 4.5 meters high and

weighs 2.5 tons. The design includes several interesting components such

as cut glass balls, braided with thin stainless steel wire. This design idea not

only creates a new aesthetic ef fect, it also increases the safety of the

audience by protecting them in the event of an accidental cracking of the

glass. When combined with the halogen lamps, the original design of the

trimming strings, together with the cut crystal accentuate the prismatic

dif fusion of the light and thereby the overall brilliance of the chandeliers.


010 067 444 - 00540 x 388 cm, 213 x 153 inMatt Brass + patina, Crystal Frosted

Auditorium

Lighting fixtures designed by „Kreml-Bronza“ company

010 068 056 - 00154 x 500 cm, 61 x 197 inMatt Brass + patina, No glass parts

Conservatory

010 075 167 - 00155 x 1480 cm, 61 x 583 in

Matt Brass + patina, No glass parts

Staircase



010 071 074 - 00155 x 500 cm, 61 x 197 inMatt Brass + patina, No glass parts

Foyer

043 386 046 - 04150 x 190 cm, 59 x 75 inPolished Brass, No glass parts

Lobby Lounge


T H E S H A NG R I - L A H O T E L , S I NG A P O R E 2 0 0 3

This hotel in Singapore was the first hotel built by the Shangri-La group. Preciosa became the supplier for the hotel's 'Valley Wing'.

For this project, we created typical basket chandeliers with unique twisted trimming strings. The crystal trimmings contain embedded

filigree metal components, which create their unmistakable and unique character. To balance out the visual effect, the same motif

was used to decorate the primary metal frames. The resulting lighting effect is created by chandelier trimmings joined into two parallel

layers housing the light sources.

Preciosa supplied a total of 126 lighting fixtures to the Shangri-La Hotel in Singapore.


Function Room

043 083 060 - 04210 x 135 cm, 83 x 53 in

24K Gold Plated, No glass parts


Valley Wing Lobby



043 164 024 - 03150 x 115 cm, 59 x 45 inDark Antique Gold, No glass parts

Prefunction Area

15 5177 018 89 01 00 28120 x 160 cm, 47 x 63 inCopper Gold Patina, Crystal



15 6101 028 99 00 00 28120 x 150 cm, 47 x 59 inDark Antique Gold, No glass parts

043 543 024 - 04120 x 150 cm, 47 x 59 inDark Brown Patina, No glass parts

15 5163 016 89 01 00 02100 x 167 cm, 39 x 66 inCopper Gold Patina, Crystal

The Royal Palace, Warsaw, Poland 1975




042 299 002 - 0044 x 40 x 20 cm, 17 x 16 x 8 in

Dark Antique Gold, No glass parts

The Grand Tiara Hotel, Anjo, Japan 2001



042 147 003 - 0351 x 43 x 29 cm, 20 x 17 x 11 inDark Antique Gold, No glass parts



15 5150 024 85 00 00 00205 x 146 cm, 81 x 57 inAntique Gold Patina, No glass parts

The Ritz-Carlton Hotel, Dubai, UAE 1998

25 5084 005 85 00 00 00 48 x 69 x 85 cm, 19 x 27 x 33 in

Antique Gold Patina, No glass parts

036 071 013150 x 120 cm, 59 x 47 inSand Drif ted Patina, Crystal Frosted

The Trmice Castle, Czech Republic 1996



036 319 037180 x 140+L cm, 71 x 55+L inDark Brown Patina, Opal

The Financial Office, Ústí nad Labem, Czech Republic 1997

043 398 007 - 02110 x 130 cm, 43 x 51 in

Sand Drif ted Patina, Crystal Frosted


043 524 041 - 01167 x 190 cm, 66 x 75 inDark Brown Patina, Ruby + Crystal


043 382 003 - 0055 x 85 x 34 cm, 22 x 33 x 13 inPolished Brass, Crystal

043 381 060 - 03180 x 420+L cm, 71 x 165+L inPolished Brass, Crystal


26 5070 003 07 24 00 0057 x 61 x 39 cm, 22 x 24 x 15 inPolished Brass, Crystal Frosted

042 100 052 - 00300 x 600cm, 118 x 236 inPolished Brass, Crystal Frosted


16 5227 016 07 24 00 00130 x 420 cm, 51 x 165 inPolished Brass, Crystal Frosted

The Butterfly Hotel, Mariánské Lázně, Czech Republic 1992

036 026 012134 x 128 cm, 53 x 50 inNickel Matted, Crystal + Lime Green

The Tuscany Palace, Prague, Czech Republic 1997



036 027 008106 x 112 cm, 42 x 44 inNickel Matted, Crystal + Lime Green

The Tuscany Palace, Prague, Czech Republic 1997

15 5159 016 32 00 00 0088 x 95 cm, 35 x 37 inSand Drif ted Patina, No glass parts

25 5067 002 32 00 00 0030 x 25 x 25 cm, 12 x 10 x 10 inSand Drifted Patina, No glass parts



033 849 024106 x 50 cm, 42 x 20 inAged Brown Patina, No glass parts

041 068 028 - 02180 x 235 cm, 71 x 93 inDark Antique Gold, Lime Green

ROYA L H E R I TAG E

The ornamenta l tas tes o f the pas t t imes and the peacefu l a tmosphere o f the wor ld o f our ances tors when

time was running at a much slower pace are brought in the interiors with our cast f ixtures. Their manufacturing

begins wi th sand cas t ing , a hundred-year-o ld techn ique . Our mas ter foundr y men fo l lowed by chasers and

metal chisel lers complete each par t separately by hand. The products are f inished with various kinds of pat ina

and decorat ions o f embossed ornaments . Fu l l t r immings o f lead-content and lead- f ree cr ys ta l , hand cut or

mach ine cut , a re ava i lab le here as wel l . In a way, any o f these chande l ie rs i s a work o f a r t . A facet that one

can see i t immedia te ly.


T H E R I T Z - C A R LT O N H O T E L , P H I L A D E L P H I A , U. S . A . 2 0 0 0

One of the major projects for Preciosa - Lustry, a.s., during which our client took advantage of all of our capabilities and services,

was the reconstruction of the most prestigious hotel in Pennsylvania, the Philadelphia Ritz-Carlton.

After the client provided us with graphic design proposals for the fixtures, our designers

used the drawings to prepare a design study. The proposed designs for the light

fixtures were modified several times in order to satisfy the client to the maximum

degree. In early 2000, we star ted the technical preparations and the actual

production of the f ixtures.

Over a period of four months, all of the f ixtures were manufactured, shipped

across the ocean and installed in the hotel.

A total of 608 lighting f ixtures of 37 dif ferent types were delivered as part of the

project. 117 of these f ixtures were large chandeliers and baskets and 491 were

sconces. Cast f ixtures represented the greater part of the delivery. For the most

prestigious area of the hotel however - the ballroom, the design consisted of trimming

baskets, where the central basket has a diameter of 488 centimeters. The hotel

has more than thirty floors and Preciosa supplied lighting fixtures to all of the hotel's

public areas, lounges, the above mentioned ballroom and public hallways.

The hotel was reconstructed on the occasion of the new millennium and the ceremony

for the grand reopening was attended by the Governor of Pennsylvania.

26 5144 006 85 01 00 00126 x 58 x 28 cm, 50 x 23 x 11 inAntique Gold Patina, Crystal

Tree Meal Restaurant


16 5264 030 85 01 00 00 122 x 244 cm, 48 x 96 inAntique Gold Patina, Crystal

Tree Meal Restaurant

66 5017 016 90 00 00 0082 x 36 cm, 32 x 14 inPolished Brass + Black Matted, No glass parts

Club Lounge



66 5021 016 90 00 00 0090 x 115 cm, 35 x 45 inPolished Brass + Black Matted, No glass parts

Board Room

66 5022 017 90 35 00 00152 x 213 cm, 60 x 84 inPolished Brass + Black Matted, Opal Frosted

Cigar Bar

66 5023 012 85 35 00 00183 x 120 cm, 72 x 47 inAntique Gold Patina, Opal Frosted

Corridor

66 5025 008 85 35 00 0092 x 122 cm, 36 x 48 inAntique Gold Patina, Opal Frosted

Elevator Lobby



66 5027 016 85 24 00 00153 x 214 cm, 60 x 84 inAntique Gold Patina, Crystal Frosted

Prefunction


Prefunction



16 5239 072 85 00 00 00 250 x 200 cm, 98 x 79 inAntique Gold Patina, No glass parts

Multifunction

76 5012 013 85 00 00 2860 x 240 cm, 24 x 94 in


Grand Ballroom


26 5143 005 05 00 00 0038 x 62 x 26 cm, 15 x 24 x 10 inNickel Matted, No glass parts

French Bar


Meeting Room 26 5140 003 85 00 00 0038 x 56 x 23 cm, 15 x 22 x 9 inAntique Gold Patina, No glass parts


16 5274 036 05 00 00 00170 x 130 cm, 67 x 51 inNickel Matted, No glass parts

French Bar


T H E C H I N A WO R L D H O T E L , B E I J I NG , C H I N A P. R . 2 0 0 3

Parts of the design that was supplied to the China World Hotel in Beijing were 10 cast metal crystal baskets, each of them being up

to 230 cm in diameter. One of the reasons Preciosa won this bid was the fact that we were the only company that was able to supply

not only the chandeliers, but also the entire skylight structure from which one of the central baskets has been suspended.

When manufacturing this technically, extremely elaborate skylight, we used special materials and designs to meet the strict bearing

capacity requirements and at the same time let the visual statement of this dominant chandelier come through. The skylight is composed

of individual elements, which, in their ultimate effect, accentuate the appearance of the entire chandelier.

043 012 056 - 06230 x 180+150 cm, 91 x 71+59 inWild Honey, No glass parts

Main Lobby


043 012 030 - 08180 x 130 cm, 71 x 51 inWild Honey, No glass parts

043 229 000 - 001040 x 640 x 135 cm, 409 x 252 x 53 inWild Honey, Fused Glass - Crystal

Lobby Lounge


043 012 015 - 0090 x 45+L cm, 35 x 18+L inWild Honey, No glass parts

Lift Lobby

043 012 015 - 0090 x 45+L cm, 35 x 18+L in

Wild Honey, No glass parts


Main Lobby



Main Lobby


042 145 018 - 03182 x 92 x 15 cm, 72 x 36 x 6 inDark Antique Gold, No glass parts



26 5144 006 85 01 00 00 126 x 58 x 28 cm, 50 x 23 x 11 inAntique Gold Patina, Crystal

36 5033 005 89 01 00 00 60 x 61 x 60 cm, 24 x 24 x 24 inCopper Gold Patina, Crystal









041 410 001 - 0125 x 35 x 17,5 cm, 10 x 14 x 7 in

Antique Gold Patina, Crystal

043 775 00128 x 60 x 17 cm, 11 x 24 x 7 inMatt Brass, Crystal + Crystal Frosted


66 5008 003 82 01 00 0240 x 80 cm, 16 x 31 in

Dark Antique Gold, Crystal

042 547 008 - 0070 x 180 cm, 28 x 71 inPolished Brass, Crystal + Crystal Frosted

66 5011 004 90 01 00 0037 x 64 cm, 15 x 25 inAntique Gold Patina + Black Color, Crystal


040 272 003 - 0345 x 78 cm, 18 x 31 inDark Antique Gold, Crystal

043 055 003 - 0145 x 335 cm, 18 x 132 inBronze, Crystal

040 272 003 - 0445 x 78 x 55 cm, 18 x 31 x 22 inDark Antique Gold, Crystal






26 5171 003 85 32 00 0048 x 32 x 30 cm, 19 x 13 x 12 inAntique Gold Patina, Opal

042 892 003 - 00 40 x 30 cm, 16 x 12 inAntique Gold Patina, Opal

16 5290 009 85 32 00 0090 x 76 cm, 35 x 30 in

Antique Gold Patina, Opal


16 5246 017 07 24 00 00150 x 380 cm, 59 x 150 inPolished Brass, Crystal Frosted

The Maxim Hotel, Mariánské Láznû, Czech Republic, 1992, Ballroom

041 168 002 - 0136 x 94 x 23 cm, 14 x 37 x 9 inPatina Antique Gold + Wild Honey, Crystal

041 168 002 - 00 36 x 94 x 23 cm, 14 x 37 x 9 inPatina Antique Gold + Wild Honey, Crystal


043 787 075 - 00240 x 600+L cm, 94 x 236+L inSand Drif ted Patina, Crystal

042 002 084 - 00255 x 320 cm, 100 x 126 inAntique Gold Patina, Opal / Amber


029 744 114300 x 375 cm, 118 x 148 inCopper Gold Patina, Opal

The National House, Prague, Czech Republic 1973


043 671 018 - 0295 x 100 x 175 cm, 37 x 39 x 69 in



26 5123 003 32 00 01 2842 x 67 x 26 cm, 17 x 26 x 10 inSand Drif ted Patina, No glass parts

042 504 035 - 01137 x 183 cm, 54 x 72 inAntique Gold Patina, No glass parts


26 5004 003 85 01 00 2846 x 22 x 32 cm, 18 x 9 x 13 in





The Prague Castle, Prague, Czech Republic 1986

46 5303 012 85 51 00 2878 x 134 cm, 31 x 53 inAntique Gold Patina, Lime Green

46 5304 026 85 01 00 2898 x 151 cm, 39 x 59 in





46 5118 016 85 00 00 28100 x 135 cm, 39 x 53 in



027 609 100202 x 350 cm, 80 x 138 in


45 5111 014 90 01 00 2868 x 108 cm, 27 x 43 in

Chromium + Polished Brass, Crystal



The Ritz-Carlton Hotel, Dubai, UAE 1998


043 521 012 - 00140 x 200 cm, 55 x 79 inAntique Gold Patina, No glass parts

16 6103 018 99 00 00 28140 x 200 cm, 55 x 79 in



16 6106 016 82 01 00 28140 x 200 cm, 55 x 79 inDark Antique Gold, Crystal

16 6106 012 82 01 00 2885 x 135 cm, 33 x 53 in

Dark Antique Gold, Crystal


42 6100 045 04 01 26 35115 x 175 cm, 45 x 69 inAntique Gold Patina + Chromium Plated, Crystal

26 5160 001 07 24 01 0022 x 58 x 25 cm, 9 x 23 x 10 inPolished Brass, Crystal Frosted

46 5230 032 07 24 00 35140 x 115 cm, 55 x 45 in

Polished Brass, Crystal Frosted



029 742 102 200 x 250 cm, 79 x 98 in24K Gold Plated, Crystal + Ruby


032 928 218 350 x 600 cm, 138 x 236 inAntique Gold Patina, Crystal


027 670 257375 x 465 cm, 148 x 183 inPolished Brass, No glass parts

The Merchant Court Hotel, Bangkok, Thailand 1999, Main Lobby

O R I E N TA L S T Y L E

The atmosphere of distant countries emanates from each of these magnif icent chandeliers. Constructed from

crystal, brass, or bronze, they are decorated with rich oriental motifs and dressed with mostly machine cut and polished

crystal trimmings. Most of the time, metal par ts are f inished with genuine gold. These chandeliers are most of ten

custom designed to our customers' specif ications, matching and complementing the interior architecture.


T H E E M I R AT E S PA L AC E H O T E L , A B U D H A B I , U. A . E . 2 0 0 4

The Emirates Palace Hotel in Abu Dhabi, United Arab Emirates was completed in 2004 as the largest hotel in the Middle East. The

facility consists of an entire complex of buildings for public use, conferences, diplomatic visits and VIP events. Preciosa was selected

as the primary supplier of lighting fixtures for the hotel's most prestigious areas. So far, the project has been the largest project in

the history of lighting fixture manufacturing in Kamenický Šenov and in the history of Preciosa - Lustry, a.s.

The design of the fixtures that have been supplied was based on traditional basket type chandeliers, modified with decorative

elements inspired by the Arab culture. New forms of brass details with Arab motifs were used to decorate the structural parts of the

chandeliers. The decorative metal elements (brass) were also newly created. An entirely new type of final metal finishes in gold and

silver was especially developed for this project.

The dimensions of the fixtures used in the project were completely unique - the circular basket had a diameter of 405 centimeters

and the oval semi-basket was 465 centimeters high with a width of 150 centimeters. The manufacturing of the smaller fixtures and

the wall brackets was also a very elaborate task due to the use of very small components and the precision of the design.

Nearly 800 lighting fixtures of 38 dif ferent types were created for this project.

042 995 042 - 05180 x 150 cm, 71 x 59 inSilver Gold, Crystal + Alabaster Glass


043 749 010 - 0045 x 80 x 22,5 cm, 18 x 31 x 9 inSilver Gold, Crystal + Alabaster Glass

043 640 020 - 0280 x 120 cm, 31 x 47 inSilver Gold, No glass parts

042 996 066 - 03200 x 250 cm, 79 x 98 inSilver Gold, Crystal + Alabaster Glass

043 641 005 - 0340 x 80 x 23 cm, 16 x 31 x 9 in

Silver Gold, Crystal




042 906 030 - 06150 x 150 cm, 59 x 59 inSilver Gold, Crystal




042 999 003 - 0243 x 57 x 22 cm, 17 x 22 x 9 inSilver Gold, Crystal






46 5161 024 07 00 00 2880 x 110 cm, 31 x 43 inPolished Brass, No glass parts


46 5163 018 12 46 00 2880 x 110 cm, 31 x 43 in24K Gold Plated, Crystal / Lime Green

010 065 019 - 0075 x 165 cm, 30 x 65 inPolished Brass + Green Color, Crystal

26 5164 002 90 01 00 0075 x 165 cm, 30 x 65 inPolished Brass + Green Color, Crystal





042 476 048 - 03170 x 245+L cm, 67 x 96+L in24K Gold Plated, Crystal Frosted

041 380 072 - 00400 x 500+L cm, 157 x 197+L inAntique Gold Patina + Nickel Plated, Crystal

Detail „B“

„B“


060 107 007 - 0270 x 98 cm, 28 x 39 in24K Gold Plated, No glass parts

033 716 00655 x 160 cm, 22 x 63 in24K Gold Plated, Crystal

042 295 002 - 0020 x 40 x 20 cm, 8 x 16 x 8 in24K Gold Plated, Lime Green


040 339 003 - 00152 x 207 cm, 60 x 81 inAntique Gold Patina, Crystal Frosted

040 345 006 - 0055 x 130 cm, 22 x 51 inAntique Gold Patina, Crystal

036 448 03280 x 130 cm, 31 x 51 in24K Gold Plated, Crystal








040 216 003 - 0230 x 110 x 58 cm, 12 x 43 x 23 in24K Gold Plated, Crystal + Color Glass

040 215 024 - 03125 x 150 cm, 49 x 59 inPolished Brass, Crystal + Color Glass




26 5117 004 85 01 01 0049 x 157 x 87 cm, 19 x 62 x 34 inAntique Gold Patina, Crystal

The University, Constantine, Algeria 1982



The University, Constantine, Algeria 1982


042 883 005 - 00130 x 420 x 46 cm, 51 x 165 x 18 inCopper Gold Patina, Crystal Frosted

B R I L L I A N T

The Bril l iant radiance of these l ighting f ixtures is generated thanks to the rich, decorated, machine cut trimmings

made of Bohemian crystal. The l ight, refracted by the sur faces of the trimmings, unravels into an antire spectrum

of colors and generates a rainbow ef fect. The cascades of these resplendent stones of fer the l ighting f ixtures an

attractive form. The bril l iant chandeliers open up a per formance of color and imagination in interiors.


T H E S H E R AT O N H O T E L , D O NG G UA N, C H I N A P. R . 2 0 0 3

The first of the famous “Faberge eggs” was made in 1884. It was an Easter egg that was made for the czar as a gif t for his wife,

Czarina Maria. The egg reminded the empress of her homeland and, from then on, it was agreed that each year, Faberge would make

an Easter egg for Maria. Historical art works that Faberge imitated or copied from his travels or from the Hermitage inspired the designs

for these Imperial Easter eggs.

These eggs became the source of inspiration for the project at the Sheraton Hotel in Dongguan, China.

Preciosa supplied a total of 18 “eggs”', each 1100 mm in height, divided into 3 clusters of 6 eggs each. The structure of each egg

is formed by leaves that have been cut by laser out of polished sheet brass and which are then joined together to make the egg-shaped

objects. These are strung with machine cut amber and orange crystal trimmings from Preciosa. These objects contain a total of 145,000

trimmings.

The wall brackets also have a very interesting concept. When lit up they create a so-called “silver effect”. The silver effect is achieved

by applying a metallic coating to the crystal octagons.

Part of the Sheraton Hotel, Dongguan project was a uniquely conceived design using the traditional chandelier. The result was a combination

of the traditionally shaped, cut glass chandelier and a “veil”, which softens the overall character of the chandelier. The veil has a cylindrical

shape and is composed of fine crystal octagons.


Main Lobby

062 217 216 - 10350 x 980 cm, 138 x 386 inCopper Gold Patina, No glass parts


062 220 023 - 0040 x 300 x 20 cm, 16 x 118 x 8 inCopper Gold Patina, No glass parts

Ballroom

Prefunction Room

042 767 001 - 0035 x 186 x 46 cm, 14 x 73 x 18 inPolished Brass, Opal

Prefunction Room


Ballroom

062 221 027 - 10200 x 250 cm, 79 x 98 inCopper Gold Patina, Crystal


T H E H I M E J I W E D D I NG H A L L , O S A K A - H I M E J I , J A PA N 2 0 01

The Wedding Hall in Himeji, near Osaka, is considered one of the most luxurious wedding locations in Japan. Preciosa outfitted the

interiors with its traditional chandeliers, of which the dominating element is the brilliant basket. The main metal frame was decorated

with large ruby-colored 40 millimeter octagons, which create an interesting contrast to the traditional crystals.

The most interesting part of the project was an atypical chandelier (size 210x67x50). With its shape, the design of the chandelier

resembles a crystal boat. Part of the project was also the installation of an electrical hoist, which permits easy cleaning and

maintenance.

062 098 098 - 00280 x 300 cm, 110 x 118 inPolished Brass, Full Lead Crysta

Entrance Hall


062 098 098 - 00280 x 300 cm, 110 x 118 inPolished Brass, Full Lead Crysta

Entrance Hall


042 313 031 - 01210 x 67 x 50 cm, 83 x 26 x 20 inPolished Brass, Crystal Frosted

Meeting Room

042 311 043 - 01165 x 150 cm, 65 x 59 in

Polished Brass, No glass parts

Grand Ballroom



Grand Ballroom



042 395 018 - 00120 x 120 cm, 47 x 47 in


Waiting Saloon



Waiting Saloon


15 0643 042 07 01 11 01112 x 105 cm, 44 x 41 in

Polished Brass, Crystal



Plaza Atheene Hotel, Bangkok, Thailand 2000, Ballroom


Blida Mosque, Algeria, 1987

25 5001 003 06 01 00 2841 x 51 x 23 cm, 16 x 20 x 9 inChromium Plated, Crystal



035 716 200 - B800 x 290 x 80 cm, 315 x 114 x 31 inPolished Brass, No glass parts

036 097 060 - A390 x 70 x 40 cm, 154 x 28 x 16 inAntique Gold Patina, No glass parts


033 190 156500 x 600 x 90 cm, 197 x 236 x 35 inChromium Plated, No glass parts

The Sheraton Hotel, Karachi, Pakistan 1981, Restaurant



46 5107 016 12 00 00 28100 x 53 cm, 39 x 21 in24K Gold Plated, No glass parts

46 5106 009 12 00 00 2885 x 47 cm, 33 x 19 in



035 806 092 - A350 x 190 cm, 138 x 75 inPolished Brass, No glass parts

035 807 024120 x 190 cm, 47 x 75 inPolished Brass, No glass parts

The Merchant Court Hotel, Bangkok, Thailand 1999, Ballroom





The Hilton Hotel, Prague, Czech Republic, 2001, Ballroom



040 111 054 - 01120 x 225 cm, 47 x 89 in


The Temple of Budha, Nong Khai, Thailand 1998

043 757 012 - 0035 x 108 cm, 14 x 43 inPolished Brass, Crystal Frosted


The Shangri-La Hotel, Zhongshan, China P.R., 2004, Staircase

043 483 004 - 0025 x 74 x 12,5 cm, 10 x 29 x 5 in

Polished Brass, No glass parts


043 443 001 - 03110 x 50+30 cm, 43 x 20+12 inChromium Plated, No glass parts

The Shangri-La Hotel, Zhongshan, China P.R., 2004, Lift Lobby

043 443 001 - 0290 x 45+35 cm, 35 x 18+14 inChromium Plated, No glass parts



043 759 038 - 03340 x 220 cm, 134 x 87 inChromium Plated, No glass parts

010 262 00640 x 130 cm, 16 x 51 in

Chromium Plated, No glass parts




Le Petit Sherwood Hotel, Taipei, Taiwan, 1998, Restaurant







C O N T E M P O R A RY D E S I G N

The distinctive design of l ighting f ixtures from the contemporary l ine is based on simple shapes with an emphasis

on per fect detail and careful selection of colors. In the production of these f ixtures, new approaches to traditional

techniques were adopted, as for instance mouth blowing, by means of which modern shapes are created.


T H E S H A NG R I - L A H O T E L , B E I J I NG , C H I N A P. R . 2 0 0 3

Another one of Preciosa's unique projects can be found in Bei j ing. In the year 2000, three atypical chandeliers, designed as if

created from crystal costume jewelry were made for this Shangri-La Hotel. The overall atmosphere evoked by the interiors is one

of a natural environment (water, rain, sky). The chandeliers complement this impression. Their original and unique design was

created by combining clear and colored, highly ref lective crystal trimmings provided with an ornamental metall ic coating. The

special ef fects have been precisely thought out in each of the three layers so that a unique play of shapes created by the internal

light source can be seen through the outer layer. The metal cloud-shaped ornaments in the middle layer are embedded with machine-

cut black crystal diamonds and topaz colored pearls. These are visible through the outside layer and create a subtle and

unobtrusive magical ef fect.


Lobby Lounge




Lobby Lounge



Lobby Lounge




Lobby Lounge


T H E C H I N A WO R L D H O T E L , B E I J I NG , C H I N A P. R . 2 0 0 3

A member of the Shangri-La Hotel Group, this hotel is located in the heart of the diplomatic and business quarter in the vicinity of

the legendary Forbidden City. Preciosa was one of the company's participating in the extensive reconstruction of the hotel, which

was completed in 2004.

As the dominant element of the structure, the glass cupola is illuminated using external light sources. The actual see through part

has a diameter of 6 meters and is made up of 148 leaves of sheeted glass, the largest of which is 1.5 meters in length. The bottom

rim of the structure is decorated with hand-painted signs of the zodiac. The top of the cupola was decorated with additional hand-

made crystal drops and smaller glass leaves in various colors.

Other public areas of the hotel, such as the front desk, have been illuminated with a variety of interesting wall sconces, smaller chandeliers

and lamps.


043 230 000 - 00600 x 300 cm, 236 x 118 inWild Honey, Fused Glass - Amber

Skylight


THE ISLAND SHANGRI-LA HOTEL, HONG KONG, HONG KONG S.A.R. 2003

The original hanging, wall-mounted and table lamps from Preciosa also provide the light in the newly reconstructed Lobster Bar at

the Shangri-La Hotel in Hong Kong. The objective of the new trends used in the lighting designs was not only to illuminate the interiors

but also to set a particular atmosphere. Once again, colored hand blown glass was used to produce a lighting fixture, the primary

purpose of which was not only to provide light, but also to create the feeling of comfort, intimacy and safety.

This has been achieved not only through the actual design of the fixtures, but also by combining multiple 'local' sources of light (spot,

decorative, indirect, etc.) and by the coordination of these light sources with the bar's interior.

In order to add a finishing touch to the entire interior, we also supplied unique wall brackets made up out of clear, fused glass and

blue crushed glass in dif ferent grades of coarseness. In order to evoke the atmosphere of the deep ocean, we used a combination

of spot, decorative and indirect lighting.

043 449 001 - 0430 x 18 x 102 cm, 12 x 7 x 40 inDark Antique Gold, Crystal / Blue Cobalt


043 447 003 - 0150 x 50 x 18 cm, 20 x 20 x 7 inPolished Brass, Fused Glass - Blue Cob, Cry

Lobster Bar



Lobster Bar



043 448 000 - 0113 x 20,5 cm, 5 x 8 inPolished Brass, Full Lead Crystal

043 546 002 - 0034 x 68 cm, 13 x 27 inLight Bronze, Crystal / Blue Cobalt



043 447 003 - 0150 x 50 x 18 cm, 20 x 20 x 7 inPolished Brass, Fused Glass - Blue Cob, Cry

Lobster Bar


T H E H I LT O N H O T E L , O M A H A , U. S . A . 2 0 0 4

The Hilton Hotel is located in the downtown area of Omaha, at the very heart of the State of Nebraska. Preciosa created unique

lighting f ixtures of an "abstract" design. The set of chandeliers was made using molten glass - multiple layers of fused sheet glass.

The layers of glass have dif ferent colors and dif ferently shaped surfaces. Each piece is original in terms of shape, color and size.

An interesting element is the layer of plastic f ilm attached to the inside of the glass in order to prevent potential shattering.

042 217 000 - 11305 x 518 x 38 cm, 120 x 204 x 15 inDark Bronze, Multicolored fused glass

Lobby



Ballroom


043 239 003 - 0636 x 71 x 17 cm, 14 x 28 x 7 inLight Brown Patina, Multicolored fused glass

Ballroom


Ballroom


Restaurant entry



Escalator


Meeting Room




Elevator Lobby


THE RITZ-C ARLTON HOTEL, HONG KONG, HONG KONG S.A .R. 2003

One of the hotels of the Ritz-Carlton group is located in Hong Kong's so-called 'Golden Circle' - a location with the most prestigious

business addresses. Preciosa's task was to capture the architect's vision for the New Café, designed in the colors of olive oil,

cinnamon and amber. Our designers chose motifs in the style of the 'African bush'. They came up with eccentric, organic objects of

irregular shapes.

The resulting light fixture designs resemble irregular, free growing plants as they can be found in nature. The supporting structure

was made out of hand-shaped brass tubing. The glass components have been colored in the requested tones. Another, naturally chaotic

component of the design are bubbles and grooving in the material. When combined with crystal, all of these elements come

together to create the café's unmistakable African atmosphere.


043 217 230 - 01370 x 360 x 350 cm, 146 x 142 x 138 inMatt Brass, Crystal + Color Glass

The New Café





The New Café

042 383 030 - 05140 x 80 x 120 cm, 55 x 31 x 47 in

Matt Brass, Crystal + Color Glass


043 940 040 - 01200 x 130+L x 75 cm, 79 x 51+L x 30 inChromium Plated, Crystal

The Shangri-La Hotel, Sydney, Australia, 2004


043 754 150 - 00250 x 800 cm, 98 x 315 inChromium Plated, Crystal + Color Glass


042 666 001 - 01120 x 150 cm, 47 x 59 inSprayed chromium surface, Crystal


043 963 001 - 0250 x 100 cm, 20 x 39 in

Nickel Satin, Crystal + Amber

The Lotte Hotel, Seoul, South Korea, 2004, Sidewalk Café



29 5393 002 06 01 01 0068 x 40 x 36 cm, 27 x 16 x 14 inChromium Plated, Crystal



69 5393 008 06 80 00 00138 x 190 cm, 54 x 75 inChromium Plated, Crystal + Color Glass

29 5393 002 06 80 00 0068 x 40 x 36 cm, 27 x 16 x 14 inChromium Plated, Crystal + Color Glass







The Meritus Shantou Hotel, Shantou, China, 2001, Main Lobby


044 233 009 - 0090 x 60 cm, 35 x 24 inLight Bronze, Crystal + Crystal Froste

The Lotte Hotel, Seoul, South Korea, 2004,Italian Restaurant

043 618 040 - 00180 x 233 cm, 71 x 92 in



043 070 003 - 0038 x 60 cm, 15 x 24 inAntique Bronze Matted, Fluted Frosted Amber Glass

The Lotte Hotel, Seoul, South Korea, 2004,Chinese Restaurant

043 354 006 - 0136 x 180 x 36 cm, 14 x 71 x 14 inLight Bronze, Opal

The Lotte Hotel, Seoul, South Korea, 2004,Italian Restaurant

043 069 012 - 00100 x 55 cm, 39 x 22 inAntique Bronze Matted, Fluted Frosted Amber Glass

The Lotte Hotel, Seoul, South Korea, 2004, Chinese Restaurant


042 174 084 - 01180 x 280 x 350 cm, 71 x 110 x 138 inChromium Plated, Amber + Crystal





043 463 002 - 0150 x 28 x 12 cm, 20 x 11 x 5 inPolished Brass, Crystal + Crystal Frosted



The Shangri-La Hotel, Sydney, Australia, 2004

043 758 005 - 0258 x 90 cm, 23 x 35 inChromium Plated, Crystal + Diegel Color



21 5272 001 06 01 00 0031 x 52 x 20 cm, 12 x 20 x 8 in



041 010 030 - 03250 x 370+L cm, 98 x 146+L inChromium Plated, Crystal


69 5400 015 06 24 00 7545 x 91 x 300 cm, 18 x 36 x 118 inChromium Plated, Fused Glass - Crystal Frosted

043 024 025 - 03540 x 65 cm, 213 x 26 inChromium Plated, Fused Glass - Crystal Frosted


043 024 060 - 04500 x 70 x 240 cm, 197 x 28 x 94 inChromium Plated, Fused Glass - Frita Cobalt Blue

Swissotel, Osaka, Japan 2004

043 756 056 - 00500 x 120 x 40 cm, 197 x 47 x 16 inNickel Plated, Fused Glass - Crystal Frosted

The Shangri-La Hotel, Zhongshan,China P.R., 2004, Dalian Room


043 956 001 - 02180 x 80+L cm, 71 x 32+L inGlossy Black Nickel, Blue Cobalt Frosted

The Mandarin Oriental Hotel - Lord Jim's Restaurant, Bangkok, Thailand 2004

043 923 016 - 03110 x 120 cm, 43 x 47 inChromium Plated, Crystal + Crystal Frosted

The Mandarin Oriental Hotel - Lord Jim's Restaurant,Bangkok, Thailand 2004



The Mandarin Oriental Hotel - Lord Jim's Restaurant, Bangkok, Thailand 2004

044 076 000 - 002738 x 210 x 40 cm, 1078 x 83 x 16 inChromium Plated, Crystal





The Shangri-La Hotel, Sydney,Australia, 2004


043 906 001 - 0125 x 100 cm, 10 x 39 inChromium Plated, Frosted Crystal DETAIL


Harlan's Restaurant, Hong Kong, Hong Kong S.A.R. 2004


Detail

043 503 007 - 00 33 x 53 x 15 cm, 13 x 21 x 6 inChromium Plated, No glass parts

043 378 050 - 00190 x 33 x 240 cm, 75 x 13 x 94 inChromium Plated, Crystal


042 613 060 - 00240 x 450+L cm, 94 x 177+L inChromium Plated, Crystal


042 880 024 - 02160 x 100 x 160 cm, 63 x 39 x 63 inNickel Matted, Alabaster Glass

The Westin Hotel, Warsaw, Poland, 2003, Ballroom


010 258 001 - 0040 x 86 cm, 16 x 34 inGlossy Black Nickel, Green Glass + Black Diegel

043 493 040 - 01140 x 300 cm, 55 x 118 in

Nickel Satin, Multicolored fused glass

010 257 001 - 0040 x 67 cm, 16 x 26 inAntique Copper, No glass parts


041 454 012 - 01122 x 40+L cm, 48 x 16+L inAntique Copper, Fused Glass - Crystal Frosted

The Phoenix Resort Country Club, Myiazaki, Japan 2002


041 417 080 - 00200 x 600+L cm, 79 x 236+L inPolished Brass, Crystal Frosted

041 204 040 - 05165 x 280+L cm, 65 x 110+L inMatt Brass, Alabaster Glass


041 143 030 - 03150 x 96+204 cm, 59 x 38+80 in

Sand Drif ted Patina, Fused Alabaster Glass

67 5390 012 79 80 00 00100 x 150 cm, 39 x 59 inAntique Silver Patina, Alabaster Glass

The Meritus Shantou Hotel, Shantou,China, 2001, Hall


043 007 032 - 00122 x 153 cm, 48 x 60 inNickel Matted, Alabaster Glass - combination

The Westin Hotel, Warsaw, Poland, 2003,Restaurant


042 579 001 - 0215 x 60 x 19 cm, 6 x 24 x 7 inAntique Bronze Patina, Alabaster Glass - combination

042 569 010 - 09120 x 100 cm, 47 x 39 inNickel Plated, Alabaster Glass - combination


042 569 010 - 05120 x 100 cm, 47 x 39 inAntique Bronze Patina, Alabaster Glass - combination


043 270 089 - 02200 x 380+L cm, 79 x 150+L in

Nickel Plated, Blue Glass

The Sheraton Hotel, Saigon,Vietnam, 2003, Main Lobby

043 629 004 - 0232 x 120 x 18 cm, 13 x 47 x 7 inChromium Plated, Blue Glass


042 168 006 - 0020 x 107 x 15 cm, 8 x 42 x 6 inMatt Brass, Frosted Amber

042 168 006 - 0220 x 107 x 12 cm, 8 x 42 x 5 inMatt Brass, Frosted Amber


042 406 004 - 0360 x 45 x 60 cm, 24 x 18 x 24 inNickel Matted, Fused Glass - Frita Cobalt Blue

010 180 00590 x L cm, 35 x L inAntique Bronze Patina, Crystal


042 406 008 - 01110 x 70 x 110 cm, 43 x 28 x 43 inMatt Brass, Fused Glass - Frita Amber

The Ana Hotel, Tokyo, Japan, 2001

042 426 001 - 0118 x 60 x 21,5 cm, 7 x 24 x 8 in

Matt Brass, Amber


67 5391 018 07 03 00 00120 x 120 cm, 47 x 47 inPolished Brass, Fused Glass - Crystal Iris

The Meritus Shantou Hotel, Shantou, China, 2001, Hall


67 5392 012 07 03 00 0090 x 140 cm, 35 x 55 inPolished Brass, Fused Glass - Crystal Iris

The Meritus Shantou Hotel, Shantou, China, 2001, Hall

041 422 012 - 0090 x 140 cm, 35 x 55 inPolished Brass, Fused Glass - Crystal

041 422 048 - 03200 x 180 cm, 79 x 71 in

Aged Brown Patina, Fused Glass - Frita Amber


043 231 004 - 0225 x 103 x 16,5 cm, 10 x 41 x 6 inNickel Satin, Alabaster Glass

The Peninsula Palace Hotel, Beijing, China P.R., 2003, Ballroom


043 232 073 - 01300 x 300 x 75 cm, 118 x 118 x 30 inNickel Satin, Crystal

The Peninsula Palace Hotel, Beijing, China P.R., 2003,Ballroom

G L A S S S C U L P T U R EL I G H T I NG

In close collaboration with architects and designers ar t isans create custom-made, innovative designs of glass

sculpture objects, using a combination of ancient techniques and new technologies. Generations of crystal-making

skills are combined with high-tech tools and methods to create masterpieces of light and magic. In these glass creations,

the light is an important but not decisive element in the artwork. The primary goal is to interpret the designer's vision

into the medium of glass. These are of ten inspired by nature or through abstract ideas.


T H E W E S T I N H O T E L , BA NG KO K , T H A I L A N D 2 0 0 3

The concept for the ceiling lighting at the Westin Hotel in Bangkok resembles the waves in the sea. The object was made out of multi-

colored fused glass. Each wave was made out of opal glass in various shades of brown, frosted white and light brown joined into a

single amber layer.

The unique wall brackets were also designed in a very unusual fashion. They are made out of extra long (up to 1.5 meters) hand-

shaped components. The entire sculpture in yellow and crimson colors is illuminated by internal and external light sources that are

accessible from the back through openings in the wall.

010 135 006 - 04180 x 210 x 100 cm, 71 x 83 x 39 inSprayed metallic red surface, Carmine + Amber

Cuban Restaurant


010 155 000 - 001100 x 40 x 330 cm, 433 x 16 x 130 inSprayed white surface, Multicolored fused glass

Reception Area


T H E S H E R AT O N G R A N D E H O T E L , M I YA Z A K I , J A PA N

Sheraton Grande Hotel in Miyazaki is located next to the prestigious Phoenix Resort Country Club, a host of a world famous annual

golf tournament. In 2002, Preciosa designed and manufactured a unique glass sculpture for the hotel's grand lobby. The lobby itself

measures 25 meters and its dominant element is a giant aquarium with a bar. Preciosa realized its unique vision of a glowing, exploding

supernova, which accentuates this one-of-a-kind interior. This 'sun' was created using hand-blown yellow and crimson rays and was

suspended above the aquarium using thin steel cables. It is actually not even a chandelier, since the object is illuminated by external

halogen light sources.

Included in the project are additional 'crystal suns' located in the corners of the lobby that complement the entire interior.

010 135 000 - 02200 cm, 79 in

Sprayed metallic red surface, Carmine + Amber

Lobby Lounge


010 135 000 - 02200 cm, 79 inSprayed metallic red surface, Carmine + Amber

Lobby Lounge


T H E S H E R AT O N H O T E L , TA I P E I , TA I WA N 2 0 0 3

Originally known as the 'Lai Lai Sheraton Hotel', the Sheraton Hotel in Taipei is a member of the Starwood Hotel Group. The hotel

prides itself in housing the largest glass sculpture ever made in the history of our company. Two giant chandeliers in the hotel's ballroom

create the impression of a glowing sun. Each of them has a diameter of 4.5 meters. The design has been created by using hand-blown

beams of molten glass in red and yellow colors. The beams are up to 1.8 meters in length, while each of them has a dif ferent size

and a dif ferent shape.

The additional flower shaped lighting fixtures, made of flared molten glass with the addition of colored decorative touches, accentuate

the exotic natural atmosphere.

043 287 009 - 04450 x 230 cm, 177 x 91 inSprayed metallic red surface, Color Glass

Ballroom


043 474 040 - 01250 x 55 cm, 98 x 22 inSprayed metallic blue surface, Carmine + Amber

Prefunction Room


043 746 016 - 01105 x 70 x 68 cm, 41 x 28 x 27 inDark Antique Gold, Color Glass

043 746 016 - 00110 x 70 cm, 43 x 28 inDark Antique Gold, Color Glass

043 747 010 - 01110 x 72 x 53 cm, 43 x 28 x 21 inDark Antique Gold, Color Glass


042 329 058 - 04300 x 210 cm, 118 x 83 inChromium Plated, Color Glass

043 093 006 - 00110 x 140 cm, 43 x 55 in

Chromium Plated, Color Glass


043 946 500 - 01320 x 750 cm, 126 x 295 inPolished Brass, Crystal + Color Glass DETAIL


043 946 075 - 00300 x 90 cm, 118 x 35 inNickel Matted, Crystal + Color Glass

DETAIL

043 844 000 - 0090 x 105 cm, 35 x 41 inSprayed metallic surface, Blue Cobalt/Crystal with silver effect



042 330 030 - 03290 x 210 cm, 114 x 83 inNickel Plated, Crystal + Color Glass



043 162 019 - 02200 x 165 cm, 79 x 65 inSprayed metalic red surface, Amber + Carmine

The Westin Hotel, Kuala Lumpur, Malaysia, 2003, Grand Ballroom



042 334 068 - 01200 x 145 cm, 79 x 57 inMatt Brass, Crystal + Color Glass




Glass Skulpture ObjectsThe Lottle Hotel, Seoul, South Korea, 2004

Italian Restaurant

042 328 028 - 03250 x 100 x 150 cm, 98 x 39 x 59 inSprayed chromium surface, Crystal + Color Glass


042 382 018 - 0170 x 180 cm, 28 x 71 inMatt Brass, Crystal + Color Glass


043 526 240 - 03350 x 700 cm, 138 x 276 inChromium Plated, Crystal + Amber + Gold Amber


043 701 250 - 00390 x 1000 x 100 cm, 154 x 394 x 39 in

Nickel Plated, Glass of dif ferent types, shapes and decorations

043 702 250 - 00390 x 1000 x 100 cm, 154 x 394 x 39 in


COLOR PAINT OF GROUND AND ROCKS

OPERA BUILDING IN SYDNEY

CHARACTERISTIC AUSTRALIAN FAUNA,STYLED AS PER THE IDEAL OF ORIGINALPOPULATION - X-RAY PRESENTATION

COLOR PAINT OF DESERTS

SUN RAYS FIGURATEDINTO FORM OFPYRAMID AS THE FRAMEWORK OF PRIMECONTINENTAL CIVILIZATION

SAHARA

AFRICAN FAUNA

CULTURE OF AFRICAN TRIBES

SKYSCRAPERS FADING INTOINDIAN TOTEM

BINARY SYSTEM - COMPUTERS AGE

DESERTS AND SAVANNAHS

NORTH AMERICA INDIAN’S DECORS

CENTRAL AND SOUTH INDIAN’SDECORS

PRIMEVAL FORESTS OF SOUTHAMERICA

043 700 250 - 00390 x 1000 x 100 cm, 154 x 394 x 39 in



043 704 250 - 00390 x 1000 x 100 cm, 154 x 394 x 39 inNickel Plated, Glass of dif ferent types, shapes and decorations

043 703 250 - 00390 x 1000 x 100 cm, 154 x 394 x 39 in


MOUNTSTRADITIONAL CHINESE AND JAPANESELANDSCAPE

COLOR PAINT OF DESERTS AND YELLOWRIVER

GRAND CHINA WALL

ISLAMIC ARCHITECTURE

ANCIENT FOUNDATIONS OF EUROPEANCIVILIZATION

MEDIAVEL VITRAGES, FADING INTO THEGEAR OF INDUSTRIAL AGE

ATOMIC ERA - MODERN EUROPE

MEDIAVEL EUROPE

MEADOWS AND FORESTS GREENERY


S A M P L E S C O N TA I N E RG L A S S C O L O R S A N D F I N I S H E S STR. 286

The sample container 'Glass colors and finishes' presents a range of colors and types of surface

treatment used for Preciosa chandeliers. Besides, we are able to develop special types of glass

to customers' specifications.

Samples of mouth blown glass in thirty variants present our basic supply. The ability to provide

that many glass color variants shows the meticulous attention we pay to and constant effort

we put into this challenging business. The samples include surface finishes of glass; such as painted

enamel overlay glass, and frosted opal or gold painted crystal.

M E TA L F I N I S H E S STR. 288

Metalworking, based on extensive centuries-old experience and a good feeling for detail, is one

of Bohemia's traditional crafts. In this field, Preciosa's own know-how enables a range of metal

finishes using a variety of techniques.

The sample container 'Metal surface treatment' presents 20 most frequently applied surface

finishes included in our basic supply. Each sample shows how the final finish affects the quality

and look of embossed as well as smooth-surfaced metal. One of our specialties is sand cast

brass ornamental components with brass serving as a basis for further surface treatment. We

are able to develop customized surface finishes as required by the customer in various layers

and variants resulting in the unique look and character of our chandeliers.

PREMIUM ***A sumptuous type of chandelier trimmings. Fire of the

rainbow spectrum, brilliance, limpidity, glitter and perfect

scattering and dispersion of light - these are their main features

resulting from precise cutting using electronically controlled

machines, but also from high quality crystal containing more

then 30% of lead. Traditional mastery and the revealed

mystery of the glass substance blend together with modern

technologies and first-rate design in each of these unique

pieces. Chandeliers dressed with these tr immings of

exceptional beauty will lend an air of grandeur to the

ambience even of the most prestigious interiors.

The available Premium crystal trimmings are marked with 3 stars.

C RYS TA L T R I M M I NG S STR. 290


STANDARD **Hand cut or partly machine cut chandelier trimmings. Inspired by rich glassmaking tradition as

well as modern trends, these crystals are characterized by distinct fire, rainbow sparkle and purity

of shape. Each piece is checked for accuracy of cut and its high quality is guaranteed. They will

satisfy even the most discriminating customers. Chandelier trimmings of the Standard type offer

an opportunity to those searching for quality at a reasonable price.

The available Standard crystal trimmings are marked with 2 stars.

TRADITIONAL *Chandelier trimmings cut from lead-free glass are typical of the traditional production in Bohemia

stretching back to the former half of the 18th century. Thanks to their look based on tradition

and history, they satisfy even the most discriminating customers. Lighting fixtures dressed

with these trimmings are suitable especially for period interiors. On the other hand, they create

an exciting counterpoint to austere modern interiors. These trimmings are often used in the production

of replicas of historical lighting fixtures.

The available Traditional crystal trimmings are marked with 1 stars.

S P E C I A L G L A S S T Y P E S STR. 292

Having an unbelievably wide

range of special types of glass

enables Preciosa to turn interior

designer's “visions” into beautiful

lighting fixtures. Preciosa uses

slumped and fused glass, where

colored g lass , in a form of

either stripes or chips, is melted

onto the sur face . Th is can

create an interesting mosaic

with interplay of colors.


G L A S S C O L O R S A N D F I N I S H E S

20 - Blue cobalt 54 - High enamel blue cobalt gold painted

45 - Painted crystal overlay blue cobalt

66 - Sky blue 14 - Aquamarine

50 - Amber 49 - Smoky taupe 16 - Solmon 53 - Ruby 44 - Painted crystal overlay - ruby

43 - Painted enamel overlay opal - blue cobalt

40 - Painted enamel overlay opal - crystal

32 - High enamel opal gold painted

32 - Opal 35 - Opal frosted


65 - Spring green 51 - Lime green 46 - Painted crystal overlay - lime green

51 - High enamel l ime green gold painted

17 - Olive oil

53 - High enamel ruby gold painted

21 - High enamel carmine gold painted

21 - Carmine 42 - Painted enamel overlay opal - ruby

41 - Painted enamel overlay opal - lime green

24 - Crystal frosted 01 - High enamel crystal gold painted

01 - Engraved crystal gold painted

01 - Cut crystal 67 - Black hyalit


M E TA L S U R FAC E F I N I S H E S

04 - Nickel plated 05 - Nickel matted 06 - Chromium plated 18 - Nickel satin

42 - Silver gold 19 - Brass satin 74 - Brown satin 86 - Aged brown patina

79 - Antique silver patina 83 - Antique nickel patina


07 - Polished brass 08 - Matt brass 85 - Antique gold patina 82 - Dark antique gold

12 - Gold plated 32 - Sand drif ted patina 78 - Antique bronze patina 89 - Copper gold patina

25 - Wild honey 26 - Dark brown patina


C RYS TA L T R I M M I NG S Q UA L I T Y

115

***

100

****

134

****

610

**

2673

***

1003

****

1002

****

1009

****

1001

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2593

*****

2604

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516

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2626

******

2020

2021

**

2320

2520

*

2602

*


137

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183

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185

******

1008

****

1004

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2074

****

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2616

*****

3501

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2552

2571

2572

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110

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2636

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S P E C I A L G L A S S T Y P E S



1

2

3

5

8

9

11

4

7

12

11

6

10

11

10

13, 14, 1516

5

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CROSS - SECTION OF THE LIGHTING FIXTURE - TERMINOLOGY

1. Suspension of the lighting fixture - every lighting fixture is ended with the suspension (the loop used for suspending the lighting fixture

on the hook in the ceiling) or possibly with the fillet having the holes for fixation to the ceiling.

2. Canopy - the ceiling cover destined for covering the suspension of lighting fixture to the ceiling. The shape and the dimension of canopy are

chosen according to the type of lighting fixture in order to meet the purpose (to cover the suspension) and to complete suitably the design of

lighting fixture. In the case of all-glass lighting fixtures or MT ones the metallic canopy is further overlapped with the glass part.

3. Suspending of the lighting fixture is made in two different ways

a.) on the chain - the length of this suspension can be modified more easily according to requirements of client (shortening).

b.) on the tube - this suspension has to be confirmed in advance, the height of lighting fixture cannot be modified - the length of tube gives it.

4. Supporting tube - along the center of lighting fixture goes the tube carrying all the body of lighting fixture ( it doesn't concern of MT lighting

fixtures and the glass sculptures)

5. - 10. Central parts - the bowls, the dishes, the cups, the balls, the small necks, the vases, the hooks, the crowns, (according to the type of

lighting fixture they can be of glass or metallic), the body structure of the inserted inner lighting fixture. They are put on the supporting tube and

create the shape of the body of lighting fixture.

11. Supporting centers - they include the supporting plates set in the central covers with the connecting space for conductors. The supporting

plates are used as an anchorage of hooks, crowns, arms, lamp holders.

12. The arms - of glass or metallic according to the type of lighting fixture are forming its body (in the case of MT lighting fixtures the arms create

the design of it) and are used

a.) for distribution of conductors - these arms are ended with the cup, with the combination of cups, with the cup and small neck, with the cup

and small tulip, with the cup and great tulip, with the great tulip, with the lampshade + lamp holder with the candle tube.

b.) as a decorative element for putting the finishing touches to the final form of lighting fixture. These arms are in any cases blinded with the

decorative terminal part - glass or metallic.

5. Bowl, bobeche - made from glass or metallic according to the type of lighting fixture in which are applied. They are used for covering the

supporting centers, for the final formation of the body, for ending of the arms and they always make an important part of the lighting fixture design.

6. Ball - made from glass or metallic according to the type of lighting fixture in which is applied. It is used as a joint of the central parts most frequently

of the vases.

7. Small neck - made from glass or metallic according to the type of lighting fixture in which is applied. It is used as a joint or for ending of the

central parts but it is often used for ending the arms as an accessory of design.

8. Vase - made from glass or metallic according to the type of lighting fixture in which is applied. It is most frequently used as a central part for the

final forming of the lighting fixture body but it can be also used as a part for ending the arm. It makes an important part of the lighting fixture design.

9. Hook - made from glass or metallic according to the type of lighting fixture in which is applied. It is used as a central part for final forming of

the required design or as a supplement of the arm appearance.

10. Inserted inner lighting fixture - has a shape of the basket or half basket. It is inserted to the lighting fixture for increasing the diameter of

lighting fixture with the possibility to obtain the illuminated center of lighting fixture.

13. Great tulip - made from glass. It is always used for ending the arm. It is a type of vase that hides the lamp holder and light source on the arm

and makes an important part of the lighting fixture design.

14. Small tulip - made from glass or metallic according to the type of lighting fixture in which is applied. It is often used in a combination with a cup,

too. It is a part developed with the integration of the small neck and the cup into the form of chalice. It is most frequently used as an ending of

arm but it can also make part of the body shape of lighting fixture. It makes always an important testimonial part of the lighting fixture design.

15. Lampshade - made from glass or of cloth. The glass one is mostly of the closed shape, the cloth one is arranged on the lightweight

construction. It is used in order to cover (diffuse) the light of source.

16. Candle tube - overlapped tube made from glass or metallic. It is used as a cover of the lamp holder.

17. Terminal part - made from glass or metallic according to the type of lighting fixture in which is applied. It is most frequently used for the ending

of lighting fixture. In the case of lighting fixtures decorated with the glass pendants the terminal part is ended with a great stone but it is also used

as an ending element of the decorative arms.


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