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Pocket Venus

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    Pocket VenusMichael Blackburn, 2011

    Limited edition originally published by

    The Red Ceilings Press, UK

    www.theredceilingspress.co.uk

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    they didn't teach you to lie

    it came to you as naturally

    as a river falling downthey believed youyour lies acquired the kind of truth

    films have, and memoriesso even when you're saying nothing

    you're still lying

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    before we crossed the border we buried

    our gear in the dirt beside the road

    they let us through in minutes

    returning, they stripped the car

    safe across the linewe lit our cigarettes

    hassle, said Jim and openedthe ashtray

    which was full of roaches

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    unidentified plane crash

    west African route

    mysterious unmarkedbig enough to carryColombian cartel

    worried about this new frontlack of resources

    close to being overwhelmedcocaine-transit zone

    God-fearing

    becoming a user-countrya rush of new mansionsofficial oversightno one questions the sourceoutright war

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    once you've bought it

    it's worthless

    why do you do that?why don't you copy itor steal it

    or borrow it or something?it's worthless

    why do you do that?

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    in terms of light

    the pocket Venus

    vaguely frighteningemerged out of someprimordial chaos

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    gaga

    pretty or sexy

    meaty moonwild

    jumped the fashion

    too hardwondrousness

    brilliant bonkerscan't wait

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    floating orange ghosts

    up in the darkness

    fast slowyou cant tellif near or far

    sudden change of courseyou never see them land

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    how well do you walk through the fire

    the rally was massive

    comrade Joseph writesI didn't like the menuand the chairs were uncomfortable

    the prototype is outI am so excited about the collars

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    four statements for the apocalypse

    the real battle will be the battle of Spain

    I started doing meditation two years agoa violent man kills to survivehow nice it is to laugh

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    and afterwards

    keeping our souls clean

    passing through the Levels of Oblivionnot drinking from the Riverof Unmindfulness

    we shall have our rewardthe story will save us

    this is not what I believe

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    another blonde

    wearing a red top on tv

    and it's only nine o'clockbad news is always goodfrom a blonde wearing a red top

    and I like the weather betterfrom a blonde wearing a red top

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    meetings

    oh God

    not anotherfucking tickbox

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    To the strikers at Tula, June 1920,

    sign this:

    I, the undersigned,a stinking dog and a criminal,repent

    before the Revolutionary Tribunaland the Red Army,

    confess my sinsand promise to work

    conscientiously.

    That's if you want to get out of this campand work again.

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    in the face of

    such adversity

    I keep my eyesshut reallyreally tight

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    due to a full moon

    there is pornography

    exploitationnarcotics abuseburlesque

    channel streamsof predatory sexism

    no discussionand nobody gets hurt

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    my green past

    this English field

    summer dusk lightgold on steeple and barnthree girls in the garden

    they sing

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    Danger road is blocked for hours

    Roundabout work draws to a close

    All welcome as hotel opens doors of a new pubStation revamp is well on trackPlea for information after women shocked by sex pest

    Top cop faces conduct inquiryCharges over fire at house

    Home Care service user dismayed by councilPsychologist assesses Town's struggles

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    1) you're taking a lot of things

    for granted

    2) just tell me where in the worldyou will find these angelswho are going to organise

    society for you?3) well, I don't even trust you to do that

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    very nasty

    gin, psychiatrists

    duck pondsvillage forebodingsa mockery of attention

    meekly, I stepped in

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    Michael, here come some more stories

    we ran into them at 18,000 feet

    we went into them line asternI kicked the rudder, let goin a four-second burst

    I saw the tracerhe seemed to hang motionless

    and he spun out of sightit had happened

    he was dead and I was alive

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    in the beginning was the Mud

    and the Mud was with God

    and the Mud was Godand the rest was Mud

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    She retched suddenly, puking the last mouthful

    of vodka and lime all over his left knee and foot.

    He leapt up in disgust.Oh, for Gods sake! he shouted, what was that for?I told you, she snapped, wiping her mouth,

    I told you not to show me your wrists.

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    Michael Blackburn's previous collections include TheProphecy of Christos (Jackson's Arm) and The AscendingBoy(Flambard Press). His most recent titles are Big OnThe Hawkesburyand Spyglass Over The Lagoon, both

    published by The Knives Forks And Spoons Press. Oncedescribed by Neil Astley of Bloodaxe Books as an enfantterrible of British poetry he has now matured into agrandpre terrible. Founder of Sunk Island Publishing,erstwhile editor of various magazines, one of the country's

    first Literature Development Workers back in the twentiethcentury and a former Writer in Residence on the Internet

    when most people didn't know what an internet was,

    Michael Blackburn now teaches English and CreativeWriting at the University of Lincoln.

    A recording of each poem in this pamphlet is available on

    Audioboo - http://audioboo.fm/SunkIsland

    Michael Blackburn on Google+.

    http://audioboo.fm/SunkIslandhttps://plus.google.com/101854373867297331104http://audioboo.fm/SunkIslandhttps://plus.google.com/101854373867297331104

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