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Rosa Loveseat, $3,320 + COM JudeCollection Ashanti Mirror, $6,040 Niermann Weeks

Portofino Sofa, $6,983 + COM Quadrus Studio Mirasol Mirror, $4,083 Colibri

Tight Back Settee, $3,320 + COM ArtePieces Sevigne Mirrored Screen, $3,420 Niermann Weeks

Loggia Knole/Patio Sofa, $8,680 + COM Niermann Weeks Mirror-B, $1,400 White Webb

JUST four fabulous PIECES CAN TAKE ANY ROOM FROM TIRED TO fantastic

Aster Coffee Table, $7,316 Quadrus Studio Chandelier-A, $2,900 White Webb

Laquer Coffee Table, $5,140 Niermann Weeks Cristobal Chandelier, $9,330 Niermann Weeks

Alano Coffee Table, $6,042 Casa Marron Shaded Laguna 8 Light, $5,375 RJesse

Akbar Table, $1,450 White Webb Armillary Chandelier 6 Arm, $3,740 Niermann Weeks

JUST four fabulous PIECES CAN TAKE ANY ROOM FROM TIRED TO fantastic

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ART The Red-Backed

Sandpiper by John James AudubonBy John James Audubon. Hand-colored aquatint and copperplate engraving framed Audubon’s Birds of America is unique in the world of art due to its combination of scientific ac-curacy and aesthetic appeal. $5,700. 47 W X 37 H. Arader Galleries.

DianaBy Roberto Santo Bronze 39x15x13 in$32,000 Caldwell Snyder

Stream Bank By Ann Shrogen Original mixed Media art on canvas with silk, archival inks and acrylic paint. Ready to hang on stretched gallery wrap canvas.$14,800. 1 L X 48 W X 60 H, Premiere Designers

Who will stand? By Sharon Booma Oil on board 42x42x6 in

$32,000 Caldwell Snyder

View of San Francisco Coast “Black Point”By Albert Bierstadt This rare view of the rugged San Fran-cisco coast depicts the area known as Black Point. This area, once a west coast Civil war fortication, is now the area of Upper Fort Mason in the Marina area of San Francisco. It was named Black Point because of the dark laurel trees that grow along the bluff. It is exquisite works such as this that laid the foundation for the American Impressionist period that followed. $95,000 31 W X 24 H, Arader Galleries

Marseilles ScreenBy Raymond Goins Beautiful verre eglomise screen features original art by Raymond Goins. Reverse painted by hand depicting a stylized sce-nic of the Amazon, then silvered for reflective light as a background for the sky and water. Handsome and flaw-less color combinations are revealed in sages, soft aquas and umbers. Frame is solid wood, hand glazed. Inlaid gilt divisions between panels. Inquire to find out more about the verre eglomise process. $16,140 Premiere Designers

The Archeology of Wine #2By Dan Shrogen. Digging deep at Freemark Abbey Winery, in Napa Valley, Dan Shogren shows us unique views of the old stone win-ery and the making of fine wines. Traditional images become a modern statement through the Artist’s eye. $1,600 per fine art giclee print on canvas 24W x 36H, unstretched. Available 2-4 weeks from order. ArtePieces.

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Dorothy Simpson Krause has always been one of our favorite mixed media artists. Her work is at the forefornt of combining art with the newest technologies, while keeping a consistent sense of artistic design, and fabulous color in every work.

Sarah E. Fagan reviewed this body of work by Krause in the Summer 2009 issue of artscope. She said: “all of the chosen work, contains a metallic glow, both beauti-ful and apocalyptic. The show has been called a “plea” to make permanent the po-tentially ephemeral and ephemeral the potentially permanent, and the combined use of digital technologies and the handmade imparts a bewitching solemnity to

DorothySimpson Krause

Losing Ground Artist Book. Drum leaf with pa-per cover and collagraph print pages. 7’’ x 7’’ Dorothy Simpson Krause © 2008

Saquish UV cured flatbed print on dibond brushed aluminum, diptych 24'' x 48'' x 2'' Dorothy Simpson Krause © 2008

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Art for a cause.

According to Krause, “As our global population increases exponentially, the effects of our actions are changing the environment. With global warming and the melting polar icecaps contributing to rising ocean levels, we are literally and figuratively losing ground. Over the past several years Krause work has focused on the beauty of the land and its potential loss. She works with both large-scale mixed media pieces and artists books combining traditional art materials with digi-tal processes. Her most current series, “Losing Ground” includes wall-hung pieces printed primarily on uv cured flatbed printers on substrates such as aluminum and polycarbonate. Extremes of temperature are reflected in color palettes that range from burning red to cold silver grey. Recycled copper is a recurring material and water is a recurring image.

One of Krause books, also titled “Losing Ground” was produced in three editions; a 12” x 12” deluxe edition of 6 bound in aubergine Nigerian goat, a limited edi-tion of 100 also 12” x 12” bound in black linen, and a 7” x 7” softcover open edi-tion available on Blurb.

Twilight UV cured flatbed print on polycarbonate over copper leaf

32’’ x 48’’ x 3’’ Dorothy Simpson Krause © 2008

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Caldwell Snyder Gallery specializes in 21st-century American and European paintings, drawings, sculpture, and limited-edition prints, including major American post-war and emerging contemporary artists. The gallery has developed a particular niche in introducing new collectors to European and Latin American painters and sculptors who have earned a following in their home countries but rarely shown in the United States.

Established in 1983 in San Francisco, Caldwell Snyder Gallery has since ex-panded to two locations: Sutter Street in San Francisco’s renowned Union Square district, and downtown St. Helena, Napa Valley, in the turn-of-the-century Star Build-ing, listed in the National Register of Historic Places. The gallery features a combined 12,000 square feet of exhibition space with shows changing monthly, and is an ac-tive member of the San Francisco Art Dealers Association.

gallery staff work closely withprivate collectors in building their collectionsOliver Caldwell & Susan Snyder

IIn addition to mounting exhibitions, gallery staff work closely with private col-lectors in building their collections, locating works of art, providing art advisory services, and assisting individuals in home or corporate installations.

gallery staff work closely withprivate collectors in building their collectionsOliver Caldwell & Susan Snyder

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Bavarian Marriage SchrankThis marriage “schrank,” or cabinet, is exemplary of mid-19th century of Bavarian peasant (or rustic) craftsmanship. Its bold rectangular shape is topped with a step-moulded, faux-marbled cornice with canted corners, directly above a frieze with two recessed panels inscribed with “Maria Brandacker” centering “1843.” The name suggests this as a wedding gift. The date indicates this was one of the last models of its time; by the late 19th-century, factory-produced models replaced local industries. $28,000 Arader Galleries

Terrestrial Floor GlobeA fine, rare and handsome pair of large English Regency terres-trial and celestial floor globes by J. & W. Cary, generally regarded as the greatest British globe makers of the late Georgian period. The terrestrial globe is dated 1825, showing early western explo-

ration of the United States. Raised on mahogany stands in the Georgian taste with compass stretchers. $185,000 Arader Galleries

Early 1800’s French FountainEarly 1800’s French Antique Blend Fountain. Gorgeous! Make any property a French Maison with this incredible antique stone fountain. $12,800 Portalais Antiques

Antique Walnut Double Entry DoorsAntique Walnut Double Entry Doors with round top and intricate leaded glass top section. Heavily carved

lower panels. Door comes with hardware already installed. $32,000, Portalais Antiques

Pair of Antique Curule-Form ArmchairsA Pair of Antique Directoire Painted and Parcel Gilt Fruitwood Curule-Form Armchairs Possibly German, circa 1795. $27,000 Arader Galleries

French Provence Antique ChestLouis XIV - French Provence Chest, from the middle of the XIX Century. Detailed Parquet Inlay. Beautiful seldom seen piece. Brass fittings. $22,000, Maison Antiques

Louis XVI Style Vitrine Table Bronze mounted, fruitwood and beechwood Late 19th Century, Continental. Glass inset lid hinged above a lined rectan-gular display interior surrounded by an acanthus mounted frieze raised on turned tapered legs ending in turned spade feet. $14,000, Arader Galleries

Louis XVI Style Vitrine Table

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Frank Webb’s Living Room, NYC

An unlikely pairing of Top Designers

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The design team of Matthew

White and Frank Webb is

an unlikely pairing. Perhaps

the Odd Couple of interior

design, White is buttoned

up with a smart bowtie to Webb’s sweater

and sport coat. White’s aesthetic is classi-

cal; Webb prefers a modern look. The two

met shortly after moving into the same

Gramercy Park apartment building and

bonded while commiserating over their

respective renovations. Each immediately

appreciated the other’s sense of style, and

together they undertook a redesign of the

building’s lobby. “The project was a good

meeting of the minds,” says Webb.

Inspired by the success of that collaboration,

the two joined forces and founded White

Webb. Now in its fifth year, White Webb

has an office on New York’s Madison Av-

enue, a booming interior design business,

and several product lines on the market.

Webb describes their firm as “a blend of

new ideas mixed with old inspiration, with

architecture as our jumping-off point.”

Matthew White’s Living Room, NYC

Media Room in NY

Their work is steeped in history, specifi-cally the history of Italy. “I’m interested in ancient Rome and the Renaissance,” says White. “While Frank likes the 1940s-60s.” No matter the time period, White explains, “There is a joy in Italian design. You can see them smiling. We love that.”

Intaglio in Situ in CA Penthouse

Certainly you can see both White and Webb smiling in their newly launched Itaglio prod-uct line. The pieces are Pop Art renderings of ancient Rome. Taking inspiration from early

engravings and sculptures, White Webb created silk-screened interpretations of the originals. 2-D table lamp bases are take-offs of ornate urns. Their graphic console is a copy of one from the ancient world. “It’s fun to dabble in furniture design,” says Webb. “It is a creative way to

Itaglio Lamp

Itaglio Console

White Webb is also passion-ate about reflective sur-faces. “We are interested in the idea of reflection:

antique mirror, antiqued mirror, Lucite, glass. We’ve designed small tables in Ve-netian glass made by Seguso Viro,” says White. “Where appropriate, we love gold leaf. We use a lot of natural fibers which tend to be more matte and receding so that something shiny and glamorous can pop off it.”

“It’s also the reason we started our Clearly Classic line, to add a sparkle but be in-nocuous at the same time,” explains Webb. Their Clearly Classic pieces are polished acrylic occasional tables. The tables are modern in material; however, their shapes are cut in historical lines inspired by travels

Pasha Table

Large and Small Alexander Tables

Venetian Glass Table

Purple Sofa

Furthering their exploration of re-flection, the team is working on their newest series of home ac-cents that will be inspired by jew-

els and jewel tones. “During this econom-ic downturn, it is uplifting to surround yourself with great, glamorous color,” says Webb. “We are working on projects in the jewel space in form and color. Not the tra-ditional jewel. Rather one that is tweaked ever so slightly.”

The jewel tone they gravitate towards most in their work is purple. “We’re interested in muted versions of purple. Recently, we covered a sofa entirely in aubergine fabric from Donghia by Castel,” Webb explains. “There’s a lot happening with purple now that is just slightly off. Whether the red or blue direction, purple is a strong color but it is being rendered in subtler ways.”

“However,” White warns, “purple is a dif-ficult color. It is a very tricky color to get

Pasha in Situ at MetHome Showtime House

Alexander Tables in Situ at Kips Bay Showhouse in NYC, 2008

That spark is woven throughout

White Webb’s designs. Recent-

ly, they have been turning small

spaces into magical retreats.

“Little alcoves or corners are something

that people are asking for,” says White.

“For instance, there was a cloak room but

this young family wanted a new idea for it.

I suggested an adult area where they could

go with their friends and close the children

out.”

Paisley Room in NY

Tailored to the tiny space, they

ordered custom mirrors from

Campbell Glass and got the

camel from J.F. Chen. “We

named it the boxcar on the Orient Ex-

press,” Webb continues. “You go in and it’s

Shangri-La. This was an 8’ x 10’ fantasy

room.”

Fantasy seems to be the through line in

White Webb’s work, be it interior or prod-

uct design. Whether a gleaming tin can lid

wall treatment or a couch upholstered in

purple, these two enjoy touches of whimsy.

“There’s a certain amount of fantasy in all

of our work,” says White. “Even our more

conservative work has elements of fantasy

to help realize our clients’ dreams.”

Detail of Paisley Room in NY

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A simple bowl of ice cream with carmelized walnuts becomes a symphony of flavor with a pairing of Turkish Coffee.

After Dinner

HISTORY OF TURKISH COFFFEObsedieni se etilibus andiest de cultorum obus cupessi der-ceps, se cons fere, obus concludam publin silic tem oportium me fuit, Ti. Ehentrum mei comnorum egerfir auctatu scepero-reme publicasdam mus, unte, tanticam it. Lus, que atari, ser-nit, publiss essis. Oximis vivirtudes nonum et nent? Viviripse condes! Lum deatiae inequam que nost int? Nem imus hos, non dienihi curissoli consupiorum .

CARMELIZED WALNUTS

INGREDIENTS:Obsedieni se etilibusandiest de cultorumobus cupessi derceps, se cons fere, obus concludam publin silic tem oportium

STEPS:Obsedieni se etilibus andiest de cultorum obus cupessi derceps, se cons fere, obus concludam publin silic tem oportium me fuit, obus cupessi derceps, se cons fere, obus concludam publin silic tem oportium.