Letter From The EditorTori Blair
Nothing has the power to move us quite like music does.
The perfect red carpet look is part familiar, part fantasticThe perfect red carpet look is part familiar, part fantastic
I came to live in Los Angeles nearly 20 years ago because of rock ‘n’ roll, and it wasn’t because I wanted to go into the music business. I was transported from New York City by the lyrical images evoked by songs — “The Boys of Summer,” “Holly-
wood Nights” and “Hotel California.”
While I was growing up in the 1970s, the Eagles, Fleetwood Mac, Bob Seger and Joni Mitchell were on heavy rotation in our house. My mom hosted an informal class one night a week for neighborhood friends, during which she played records and talked about the history of music. Tucked in bed, I was rocked to sleep by the sunshine sound of the Beach Boys and
the Sunset Strip-produced folk of the Byrds.
The first time I traveled to L.A., at age 12, I couldn’t wait to put on my roller skates and hit the Venice boardwalk à la Linda Ronstadt. In the 1980s, the Go-Go’s kept the dream of Southern California alive for me. And by the time I had relocated to L.A. in the 1990s, I was old enough to see shows at the Whisky a Go Go, which was within stumbling distance of my first
apartment.
Fashion moves to music too. For the spring collections in stores now, designers sampled pop-music imagery that spans decades, genres and locales. So we’ve dedicated our fashion pages to looks inspired by music style archetypes: hippie, glam
rocker, soft and sweet. (You provide the playlist.)
In the issue, we talk to California girl Clare Vivier about her booming handbag business and her new West Hollywood store, her biggest yet. Jenn Harris meets the two architects known as Design, Bitches, who are helping redefine the SoCal restaurant landscape today through their surfer-meets-punk-rock designs of such spaces as Superba Snack Bar in Venice and the Springs in downtown L.A. And Hollywood’s flower power Eric Buterbaugh tells us about his new fragrance line.
I head to Seattle in search of the history of grunge music and find a city that’s booming. Amanda Jones travels to the spectacular Galápagos, where an evolution in luxe accommodations is underway. And Times architecture critic Christo-
pher Hawthorne takes a dream tour of Asia as seen through the work of Toyo Ito, winner of the 2013 Pritzker Architecture Prize.
Enjoy the issue.
Contributors End of Creation
Photography: Michal BobrowiczStylist: Björn Svenson
Clothes: Joanna Samolewicz Make up: Kaya Karasińska
Hair: Edyta KordziModel: Jolanta Rutowicz
Assist: Radosńaw RaczkowskiRetouch: Krystian Marcin Chrzanowski
Location: Studio Stara Suszarnia
Remember Happiness
MODEL : GIOVANNI BONAMYHAIR DESIGNER : AURELIEN BRU
MAKE UP : CATHY BULTEAUPHOTOGRAPHE : ALEXIS SALGUES
MAKE UP : CATHY BULTEAUMODEL : GIOVANNI BONAMY
SALON 52 EME AVENUE’
The Deep End
Concept by Chele Sellman
Model: Sianna ReneeModeling Agency: The Envy Agency
Makeup & Hair: Alyssa VelasquezPhotographer: Kyle Yunker of Zero Five Photography
Bikini: Sun Kitten Swimwear by Elizabeth RovsekCreative Director: Chele Sellman
Makeup: Rain Cosmetics
Demin Licious
Photographer: Sayed Mobin
Model: Nataliia Karpenko
Makeup & Hair ArtistNida Nafees
Pastel Summer
Model: Diana GotsMUAH: Diana Gots
Designer: Jean DaraPhotography: Erich Caparas
Influenced
Photographer - Vitaly SidorenkoMUA - Liz Bomben Makeup
Model - Tomasina Purcell & Patrick Force Phaiyakounh
End of Creation
Photography: Michal BobrowiczStylist: Björn Svenson
Clothes: Joanna Samolewicz Make up: Kaya Karasińska
Hair: Edyta KordziModel: Jolanta Rutowicz
Assist: Radosńaw RaczkowskiRetouch: Krystian Marcin Chrzanowski
Location: Studio Stara Suszarnia
Photography: Michal BobrowiczStylist: Björn Svenson
Clothes: Joanna Samolewicz Make up: Kaya Karasińska
Hair: Edyta KordziModel: Jolanta Rutowicz
Assist: Radosńaw RaczkowskiRetouch: Krystian Marcin Chrzanowski
Location: Studio Stara Suszarnia