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Publications Received Source: Journal of the American Musicological Society, Vol. 50, No. 1 (Spring, 1997), pp. 255- 268 Published by: University of California Press on behalf of the American Musicological Society Stable URL: http://www.jstor.org/stable/832077 . Accessed: 15/06/2014 03:21 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. . University of California Press and American Musicological Society are collaborating with JSTOR to digitize, preserve and extend access to Journal of the American Musicological Society. http://www.jstor.org This content downloaded from 188.72.127.68 on Sun, 15 Jun 2014 03:21:06 AM All use subject to JSTOR Terms and Conditions
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Page 1: Publications Received

Publications ReceivedSource: Journal of the American Musicological Society, Vol. 50, No. 1 (Spring, 1997), pp. 255-268Published by: University of California Press on behalf of the American Musicological SocietyStable URL: http://www.jstor.org/stable/832077 .

Accessed: 15/06/2014 03:21

Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at .http://www.jstor.org/page/info/about/policies/terms.jsp

.JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range ofcontent in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new formsof scholarship. For more information about JSTOR, please contact [email protected].

.

University of California Press and American Musicological Society are collaborating with JSTOR to digitize,preserve and extend access to Journal of the American Musicological Society.

http://www.jstor.org

This content downloaded from 188.72.127.68 on Sun, 15 Jun 2014 03:21:06 AMAll use subject to JSTOR Terms and Conditions

Page 2: Publications Received

Publications Received

Accademia Nazioriale di Santa Cecilia. Annuario 1994. Nuova serie. Edited by Laura Ciancio. Lucca: Libreria Musicale Italiana, 1995. 297 pp.

Ackermann, Peter, Ulrike Kienzle, and Adolf Nowak, eds. Festschriftfiir Winfried Kirsch zum 65. Geburtstag. Frankfurter Beitrige zur Musikwissenschaft 24. Tut-

zing: Hans Schneider, 1996. 622 pp. Adolphe, Bruce. What to Listen for in the World. New York: Limelight Editions,

1996. 104 pp. Albrecht, Theodore, trans. and ed. Letters to Beethoven and Other Correspondence.

Vol. 1, 1772-1812. Vol. 2, 1813-1823. Vol. 3, 1824-1828. North American Beethoven Studies 2. Lincoln and London: University of Nebraska Press, 1996. lii, 267 pp.; xxiv, 290 pp.; xxiv, 353 pp.

Aim, Irene, Alyson McLamore, and Colleen Reardon, eds. Musicafranca: Essays in Honor of Frank A. D'Accone. Festschrift Series, no. 18. Stuyvesant, N.Y.: Pen- dragon Press, 1996. x, 656 pp.

Associazione marchigiana per la ricerca e valorizzazione delle fonti musicale (A.Ri.M.). Quaderni musicali marchigiani. Edited by Marco Salvarani. Vol. 2 (1995). 171 pp.

Aubrey, Elizabeth. The Music of the Troubadours. Music: Scholarship and Perfor- mance. Bloomington and Indianapolis: Indiana University Press, 1996. xxi, 326 PP.

Ayrey, Craig, and Mark Everist, eds. Analytical Strategies and Musical Interpretation: Essays on Nineteenth- and Twentieth-Century Music. Cambridge: Cambridge Uni- versity Press, 1996. xii, 321 pp.

Bach, Johann Sebastian. Das Wohltemperierte Klavier II. B WV 870-893. FfinfPrae- ludien und Fughetten. BWV 870a, 899-902. Edited by Alfred Diirr. Johann Se- bastian Bach. Neue Ausgabe Snimtlicher

Werke. Series 5, vol. 6.2. Score: Kassel, Basel, London, New York, Prague: Birenreiter, 1995. xvi, 360 pp. Kritischer Bericht: Kassel, Basel, London, New York, Prague: Birenreiter, 1996. 520 pp.

Bach Perspectives. Vol. 2, J. S. Bach, the Breitkopfs, and Eighteenth-Century Music Trade. Edited by George B. Stauffer. Lincoln and London: University of Ne- braska Press, 1996. xv, 219 pp.

Baker, Nancy Kovaleff, and Thomas Christensen, eds. Aesthetics and the Art ofMu- sical Composition in the German Enlightenment: Selected Writings ofJohann Georg Sulzer and Heinrich Christoph Koch. Cambridge: Cambridge University Press, 1996. xii, 210 pp.

Balliett, Whitney. American Musicians II: Seventy-Two Portraits in Jazz. New York and Oxford: Oxford University Press, 1996. viii, 520 pp.

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Page 3: Publications Received

256 Journal of the American Musicological Society

Balsano, Maria Antonella. Mignon in Polonia: Rielaborazioni poetiche e musicali po- lacche della ballata di Goethe. Istituto di Storia della Musica dell'Universith di Palermo. Dafni-studi e testi musicali, vol. 3. Palermo: Alfieri & Ranieri, 1995. 69 pp.

Baltensperger, Andre. Iannis Xenakis und die Stochastische Musik: Komposition im Spannungsfeld von Architektur und Mathematik. Bern, Stuttgart, and Vienna: Paul Haupt, 1996. 709 pp.

Barsky, Vladimir. Chromaticism. Translated by Romela Kohanovskaya. Amster- dam: Harwood Academic Publishers, 1996. xiv, 211 pp.

Bart6k, B&la. Studies in Ethnomusicology. Selected and edited by Benjamin Suchoff. Lincoln and London: University of Nebraska Press, 1997. xxiv, 295 pp.

Barz, Gregory F., and Timothy J. Cooley, eds. Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology. New York and Oxford: Oxford University Press, 1997. xii, 243 pp.

Basso, Alberto, ed. Musica in scena: Storia dello spettacolo musicale. Vol. 1, Il teatro musicale dalle origini alprimo settecento. Turin: Unione Tipografico-Editrice To- rinese, 1995. xv, 462 pp.

- . Musica in scena: Storia dello spettacolo musicale. Vol. 4, Altri generi di teatro musicale. Turin: Unione Tipografico-Editrice Torinese, 1995. xii, 568 pp.

. Musica in scena: Storia dello spettacolo musicale. Vol. 5, L'arte della danza e del balletto. Turin: Unione Tipografico-Editrice Torinese, 1995. xvi, 697 pp.

Batz, Karl, ed. Beitrige des 1. Internationalen Simon-Mayr-Symposions vom 2.-4. Ok- tober 1992 in Ingolstadt. Ingolstadt, Germany: Donaukurier, 1995. 254 pp.

Beck, Franz. Stabat Mater a Grand Choeur et Symphonie (Bordeaux 1782). Edited by Jean-Louis Laugier. Bordeaux: Presses Universitaires de Bordeaux, 1996. 200 PP-

Beethoven, Ludwig van. Briefivechsel. Gesamtausgabe. Edited by Sieghard Branden- burg. Band 1, 1783-1807. Band 2, 1808-1813. Band 3, 1814-1816. Munich: G. Henle, 1996. lxxxix, 344 pp.; xxi, 388 pp.; xxii, 368 pp.

-. Kantaten. Edited by Ernst Herttrich. Beethoven. Werke. Abteilung 10, Band 1. Munich: G. Henle, 1996. xi, 362 pp.

- . Klavierkonzerte. II. Edited by Hans-Werner KUithen. Beethoven. Werke. Abteilung 3, Band 3. Munich: G. Henle, 1996. Preface and score: xviii, 189 pp.; Kritischer Bericht: 83 pp.

Beethoven Forum. Vol. 5 (1996). Edited by Lewis Lockwood. Lincoln and London: University of Nebraska Press, 1996. xi, 172 pp.

Bent, Ian, ed. Music Theory in theAge ofRomanticism. Cambridge: Cambridge Uni- versity Press, 1996. xvi, 239 pp.

Berg, Alban. Violinkonzert. Edited by Douglas Jarman. Alban Berg. Simtliche Werke. I. Abteilung. Musikalische Werke, Band 5, Konzerte, Teil 2. Vienna: Universal Edition, 1996. xvii, 83 pp.

Bergeron, Katherine, and Philip V. Bohlman, eds. Disciplining Music: Musicology and Its Canons. Chicago and London: University of Chicago Press, 1992. Pa- perback ed., 1996. xi, 220 pp.

Bernard, Jonathan W., ed. Elliott Carter: Collected Essays and Lectures, 1937-1995. Eastman Studies in Music. Rochester, N.Y.: University of Rochester Press, 1997. xx, 369 pp.

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Publications Received 257

Beveridge, David R., ed. Rethinking Dvoidk: Views from Five Countries. Oxford: Clarendon Press, 1996. xii, 305 pp.

Beyer, Anders, ed. The Music of Per Norgdrd: Fourteen Interpretative Essays. Hants, England, and Brookfield, Vt.: Scolar Press, 1996. 304 pp.; compact disc.

Bickness, Stephen. The History of the English Organ. Cambridge: Cambridge Uni- versity Press, 1996. xxii, 407 pp.

Bisch6fliche Zentralbibliothek Regensburg. Thematischer Katalog der Musikhand- schriften. Vol. 6, Bibliothek Franz Xaver Haberl: Manuskripte BH 7866 bis BH 9438. Compiled by Johannes Hoyer. Preface by Paul Mai. Kataloge Bayerischer Musiksammlungen, vol. 14. Munich: G. Henle, 1996. xxxv, 275 pp.

Blasius, Leslie David. Schenker's Argument and the Claims of Music Theory. Cam- bridge: Cambridge University Press, 1996. xx, 152 pp.

Blow, John. Complete Organ Music. Edited by Barry Cooper. Musica Britannica 69. London: Stainer and Bell, 1996. xxxiv, 97 pp.

Boe, John, ed. Beneventanum Troporum Corpus II: Ordinary Chants and Tropes for the Mass from Southern Italy, A.D. 1000-1250. Part 3, Preface Chants and Sanctus. Recent Researches in the Music of the Middle Ages and Early Renaissance 25- 26. Madison, Wisc.: A-R Editions, 1996.

Boehm, Gottfried, Ulrich Mosch, and Katharina Schmidt, eds. Canto d'Amore: Classicism in Modern Art and Music, 1914-1935. Basel: Offentliche Kunst- sammlung Basel/Kunstmuseum and Paul Sacher Foundation, 1996. 490 pp.

Bohiman, Philip V. Central European Folk Music: An Annotated Bibliography of Sources in German. Garland Library of Music Ethnology. New York and Lon- don: Garland Publishing, 1996. xxii, 316 pp.

Bononcini, Antonio. Complete Sonatas for Violoncello and Basso Continuo. Edited by Lowell E. Lindgren. Recent Researches in the Music of the Baroque Era, vol. 77. Madison, Wisc.: A-R Editions, 1996. xxvi, 157 pp.

Borders, James, and Lance W. Brunner, eds. Early Medieval Chants from Nonantola. Part 1, Ordinary Chants and Tropes. Part 2, Proper Chants and Tropes. Part 3, Processional Chants. Recent Researches in the Music of the Middle Ages and Early Renaissance 30-32. Madison, Wisc.: A-R Editions, 1996. lxxv, 87 pp., 2 plates; lxxiii, 83 pp., 2 plates; lxxv, 152 pp., 2 plates.

Boros, James, and Richard Toop, eds. Brian Ferneyhough: Collected Writings. Con- temporary Music Studies, vol. 10. N.p.: Harwood Academic Publishers, n.d. 533 pp.

Boyce, William. Solomon: A Serenata. Edited by Ian Bartlett. Musica Britannica 68. London: Stainer and Bell, 1996. xlix, 185 pp.

Bozarth, George S. The Brahms-Keller Correspondence. In collaboration with Wil- trud Martin. Lincoln and London: University of Nebraska Press, 1996. xliv, 319 pp.

Brahms, Johannes. Symphonie Nr. 1, C-moll, Opus 68. Edited by Robert Pascall. Johannes Brahms. Neue Ausgabe Snimtlicher Werke. Serie I. Orchesterwerke. Band 1. Munich: G. Henle, 1996. xviii, 250 pp.

Breitner, Karin, comp. Franz Schubert: Werke op. post. 107-173 und Werke ohne Opuszahl. Katalog der Sammlung Anthony van Hoboken in der Musik- sammlung der Osterreichischen Nationalbibliothek 14. Tutzing: Hans Schnei- der, 1996. xii, 179 pp.

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258 Journal of the American Musicological Society

Britain, Radie. Ridin'Herd to Writing Symphonies: AnAutobiography. Composers of North America, no. 12. Lanham, Md., and London: Scarecrow, 1996. xix, 413

pp- Brown, Bruce Alan. W. A. Mozart: "Cosi fan tutte." Cambridge Opera Handbooks.

Cambridge: Cambridge University Press, 1995. xii, 208 pp. Brownlow, Art. The Last Trumpet: A History of the English Slide Trumpet. Bucina:

The Historic Brass Society Series, no. 1. Stuyvesant, N.Y.: Pendragon Press, 1996. xxv, 277 pp.

Burkholder, J. Peter, ed. Charles Ives and His World. Princeton, N.J.: Princeton University Press, 1996. xiv, 452 pp.

Cameron, Catherine M. Dialectics in the Arts: The Rise ofExperimentalism in Amer- ican Music. Westport, Conn., and London: Praeger, 1996. xiv, 163 pp.

Candiani, Rosy. Libretti e librettisti italiani per Mozart. Biblioteca di musica e teatro 1. Rome: Archivio Guido Izzi, 1994. 152 pp.

Chiari, Giuseppe. Storia dei modelli musicali. Florence: Meta, 1995. 120 pp. Clara und Robert Schumann in Baden-Baden und Carlsruhe. [Baden-Baden]: Stadt

Baden-Baden, 1994. 136 pp. Cohen, Judith, ed. Paolo Quagliati: Il primo libro de' madrigali a quattro voci. Recent

Researches in the Music of the Baroque Era, vol. 79. Madison, Wisc.: A-R Edi- tions, 1996. xii, 110 pp.; Supplement: v, 79 pp.

Collver, Michael, and Bruce Dickey. A Catalog ofMusicfor the Cornett. Publications of the Early Music Institute. Bloomington and Indianapolis: Indiana University Press, 1996. 212 pp.

Contemporary Music Review. Vol. 15, parts 1-2, A Poetry ofReality: Composing with Recorded Sound. iii, 179 pp.; compact disc.

Cooper, David. Bart6k: Concerto for Orchestra. Cambridge Music Handbooks. Cambridge: Cambridge University Press, 1996. viii, 103 pp.

Cope, David. Experiments in Musical Intelligence. The Computer Music and Digital Audio Series, vol. 12. Madison, Wisc.: A-R Editions, 1996. xiv, 263 pp.; CD- ROM.

Cowell, Henry. New Musical Resources. With notes and an accompanying essay by David Nicholls. Cambridge: Cambridge University Press, 1996. xvii, 177 pp.

Cowley, John. Carnival, Canboulay and Calypso: Traditions in the Making. Cam- bridge: Cambridge University Press, 1996. xv, 293 pp.

Crawford, Ruth. Music for Small Orchestra (1926). Suite No. 2 for Four Strings (1929). Edited by Judith Tick and Wayne Schneider. 2d ed. Recent Researches in American Music, vol. 19. Music of the United States of America, vol. 1. Mad- ison, Wisc.: Published for the American Musicological Society by A-R Editions, 1996. xxviii, 63 pp.

Crawford, Tim, transcriber and ed. The Moscow "Weiss" Manuscript: M. L Glinka State Central Museum ofMusical Culture, MS 282/8. Monuments of the Lutenist Art, vol. 1. Columbus, Ohio: Editions Orph&e, 1995. xxxiii, 74 pp.

Crosby, Alfred W. The Measure ofReality: Quantification and Western Society, 1250- 1600. Cambridge: Cambridge University Press, 1996. xiv, 245 pp.

Dalmonte, Rossana, and Massimo Privitera. Gitene, Canzonette: Studio e trascrizione delle "Canzonette a sei voci d'Horatio Vecchi" (1587). "Historiae musicae cultores" Biblioteca 78. Madrigalisti dell'Italia centro-settentrionale 7. Florence: Olschki, 1996. 198 pp.

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Page 6: Publications Received

Publications Received 259

Danzi, Franz. Sonate B-Dur fSr Klavier zu vier Handen. Edited by Volkmar von Pechstaedt. Lottstetten, Germany, and Adliswil, Switzerland: Edition Kunzel- mann, 1995. 43 pp.

Davenport, Linda Gilbert. Divine Song on the Northeast Frontier: Maine's Sacred Tunebooks, 1800-1830. Composers of North America, no. 18. Lanham, Md., and London: Scarecrow, 1996. xi, 429 pp.

Dearling, Robert, general ed. The Illustrated Encyclopedia of Musical Instruments. New York: Schirmer Books, 1996. 240 pp.

Della Croce, Luigi, ed. Franz Schubert. Notte e sogni: Gli scritti e le lettere tradotti e commentati. Akademos tascabili musica 5. Lucca: Akademos & LIM, 1996. 181

PP- Dixon, R. M. W., and Grace Koch. Dyirbal Song Poetry: The Oral Literature of an

Australian Rainforest People. St. Lucia, Queensland: University of Queensland Press, 1996. xxiv, 367 pp.

Dizionario della popular music: Gli strumenti. Edited by Alessandro Pestalozza. Aka- demos tascabili musica 6. [Lucca]: Akademos & LIM. 102 pp.

Elliott, Kenneth, ed. The Complete Works of Robert Carver and Two Anonymous Masses. Musica Scotica 1. Glasgow: University of Glasgow Music Department, 1996. xviii, 305 pp.

-. Sixteenth-Century Scots Songs for Voice and Lute. Musica Scotica 2. Glasgow: University of Glasgow Music Department, 1996. xiv, 143 pp.

EM. Annuario degliArchivi di Etnomusicologia dell'Accademia Nazionale di Santa Ce- cilia. Vol. 3 (1995). 225 pp.

Emerson, Isabelle, comp. and ed. Twentieth-Century American Music for the Dance. Music Reference Collection, no. 53. Westport, Conn., and London: Green- wood Press, 1996. xxxiii, 198 pp.

Ertelt, Thomas F. Alban Bergs "Lulu": Quellenstudien und Beitrege zur Analyse. Al- ban Berg Studien, Band 3. Vienna: Universal Edition, 1993. 220 pp.

Everett, Paul. Vivaldi: "The Four Seasons" and Other Concertos, Op. 8. Cambridge Music Handbooks. Cambridge: Cambridge University Press, 1996. xiv, 104 pp.

Faucett, Bill F. George Whitefield Chadwick: His Symphonic Works. Composers of North America Series, no. 19. Lanham, Md., and London: Scarecrow, 1996. xix, 215 pp.

Favaro, Roberto, and Luigi Pestalozza, eds. La musica nella Germania di Hitler 1933-1945: L'emigrazione interna. Musica/Realta 33. Lucca: Libreria Musicale Italiana, 1996. 192 pp.

Feinstein, Sascha, and YusefKomunyakaa, eds. The Second Set: The Jazz PoetryAn- thology, Volume 2. Bloomington and Indianapolis: Indiana University Press, 1996. xiv, 250 pp.

Fetterman, William. John Cage's Theatre Pieces: Notations and Performances. Con- temporary Music Studies 11. Amsterdam: Harwood Academic Publishers, 1996. xviii, 282 pp.

Ficher, Miguel, Martha Furman Schleifer, and John M. Furman, comps. and eds. Latin American Classical Composers: A Biographical Dictionary. Lanham, Md., and London: Scarecrow, 1996. xvi, 407 pp.

Fink, Michael. Inside theMusic Industry: Creativity, Process, andBusiness. 2d ed. New York: Schirmer Books, 1996. xiii, 386 pp.

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260 Journal of the American Musicological Society

Fllmi, Beat. Tradition als hermeneutische Kategorie beiArnold Schiinberg. Bern: Paul

Haupt, 1996. 299 pp. Fowler, Charles. StrongArts, Strong Schools: The Promising Potential and Shortsighted

Disregard oftheArts in American Schooling. New York and Oxford: Oxford Uni-

versity Press, 1996. ix, 227 pp. Friedson, Steven M. Dancing Prophets: Musical Experience in Tumbuka Healing.

Chicago Studies in Ethnomusicology. Chicago and London: University of Chi- cago Press, 1996. xix, 239 pp.

Frisch, Walter. Brahms: The Four Symphonies. Monuments of Western Music. New York: Schirmer Books, 1996. xiv, 226 pp.

-., ed. Schubert: Critical and Analytical Studies. Paperback ed. Lincoln and Lon- don: University of Nebraska Press, 1986. xiv, 256 pp.

Garofalo, Reebee. Rockin' Out: PopularMusic in the USA. Boston: Allyn and Bacon, 1997. xii, 484 pp.

G~isser, Luis. Luis Mildn on Sixteenth-Century Performance Practice. Publications of the Early Music Institute. Bloomington and Indianapolis: Indiana University Press, 1996. ix, 222 pp.

Gerlach, Sonja. Joseph Haydns Sinfonien bis 1774: Studien zur Chronologie. Haydn- Studien. Band 7, Heft 1/2 (May 1996). Munich: G. Henle, 1996. 288 pp.

Gleich, Clemens-Christoph von. Beethovens Prometheus-Variationen in neuer Sicht: Das Rfitsel der Tempi in der Praxis. Musikwissenschaftliche Schriften 28. Munich and Salzburg: Emil Katzbichler, 1996. 35 pp.

Gordon, Stewart. A History ofKeyboard Literature: Music for the Piano and Its Fore- runners. New York: Schirmer Books, 1996. viii, 566 pp.

Goss, Glenda Dawn, ed. The Sibelius Companion. Westport, Conn., and London: Greenwood Press, 1996. xviii, 449 pp.

Graber, Oliver Peter. Register in der Klaviermusik des 19. Jahrhunderts: Gedanken zu einem vernachli~ssigten Ph~inomen. Musikwissenschaftliche Schriften 29. Munich and Salzburg: Emil Katzbichler, 1996. 75 pp.

Graupner, Christoph. Concerti grossi for Two Violins. Edited by John E. Lindberg. Recent Researches in the Music of the Baroque Era, vol. 78. Madison, Wisc.: A-R Editions, 1996. xvii, 188 pp.

Grave, Floyd K., ed. Ballet Music from the Mannheim Court. Part 1, Christian Can- nabich: Le Rendes-vous, ballet de chasse. Georg Joseph Vogler: Le Rendez-vous de chasse, ou Les vendanges interrompues par les chasseurs. Recent Researches in the Music of the Classical Era, vol. 45. Madison, Wisc.: A-R Editions, 1996. li, 143 PP.

Green, Alan. Allen Sapp: A Bio-Bibliography. Bio-Bibliographies in Music, no. 62. Westport, Conn., and London: Greenwood Press, 1996. xiv, 239 pp.

Gribenski, Jean, Marie-Claire Mussat, and Herbert Schneider, eds. D'un opira l'autre: Hommage Jean Mongridien. Paris: Presses de 1'Universite de Paris- Sorbonne, 1996. 441 pp.

Grier, James. The Critical Editing of Music: History, Method, and Practice. Cam- bridge: Cambridge University Press, 1996. xiv, 267 pp.

Griffiths, Paul. Modern Music and After. Oxford: Oxford University Press, 1995. xv, 373 pp.

Groce, N. J. The Musician's Joke Book: Knowing the Score. New York: Schirmer Books, 1996. xi, 121 pp.

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Page 8: Publications Received

Publications Received 261

Guerrero, Francisco. Opera omnia. Vol. 8, Missarum liber quartus. Introd. and tran- scribed by Jose Ma. Llorens Cister6. Monumentos de la misica espafiola 51. Barcelona: Consejo superior de investigaciones cientfficas, 1996. 195 pp.

Hall, Charles J. A Chronicle ofAmerican Music, 1700-1995. New York: Schirmer Books, 1996. xi, 825 pp.

Hamel, Reginald. Louis-Moreau Gottschalk et son temps (1829-1869). Montreal: Guerin, 1996. xvi, 645 pp.

Helander, Brock. The Rock Who's Who. 2d ed. New York: Schirmer Books, 1996. xii, 849 pp.

Heyworth, Peter. Otto Kkmperer: His Life and Times. Vol. 2, 1933-1973. Cam- bridge: Cambridge University Press, 1996. xiv, 486 pp.

Hitchens, Susan Hayes. Ross Lee Finney: A Bio-Bibliography. Bio-Bibliographies in Music, no. 63. Westport, Conn., and London: Greenwood Press, 1996. x, 191 PP-

Hodgson, Peter J. Benjamin Britten: A Guide to Research. Composer Resource Manuals, vol. 39. Garland Reference Library of the Humanities, vol. 1867. New York and London: Garland Publishing, 1996. 245 pp.

Hodson, Millicent. Nijinsky's Crime Against Grace: Reconstruction Score of the Orig- inal Choreography for "Le Sacre du printemps." Dance and Music Series, no. 8. Stuyvesant, N.Y.: Pendragon Press, 1996. xxvii, 205 pp.

Hopkin, Bart. Musical Instrument Design. Practical Information for Instrument Mak- ing. Tucson, Ariz.: See Sharp Press, 1996. v, 181 pp.

Hopkins, Antony. The Seven Concertos ofBeethoven. Hants, England: Scolar Press, 1996. viii, 101 pp.

Howard, Keith. Korean Musical Instruments. Hong Kong, Oxford, and New York: Oxford University Press, 1995. viii, 72 pp.

Jablonski, Edward. Harold Arlen: Rhythm, Rainbows, and Blues. Boston: North- eastern University Press, 1996. xviii, 426 pp.

Jans, Hans J6rg, ed. Welttheater: Carl Orffund sein Biihnen. Tutzing: Hans Schnei- der, 1996. 231 pp.

Jefferson, Alan. Elisabeth Schwarzkopf Boston: Northeastern University Press, 1996. 285 pp.

Jordan, Ruth. Fromental Hal~iy: His Life and Music, 1799-1862. New York: Lime- light Editions, 1996. xiv, 240 pp.

Keates, Jonathan. Purcell: A Biography. Boston: Northeastern University Press, 1996. xi, 304 pp.

Keller, Marcello Sorce. Musica e sociologia: Una breve storia. Milan: Ricordi, 1996. 161 pp.

Kelly, Thomas Forrest. The Exultet in Southern Italy. New York and Oxford: Ox- ford University Press, 1996. xvi, 352 pp.

Kemp, Anthony E. The Musical Temperament: Psychology and Personality of Musi- cians. Oxford, New York, and Tokyo: Oxford University Press, 1996. xvi, 283 PP.

Kendrick, Robert L. Celestial Sirens: Nuns and Their Music in Early Modern Milan. Oxford: Clarendon Press, 1996. xxi, 556 pp.

Kesting, Jirgen. Luciano Pavarotti: The Myth of the Tenor. Translated by Susan H. Ray. Boston: Northeastern University Press, 1996. xiii, 246 pp.

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262 Journal of the American Musicological Society

Kinderman, William, and Harald Krebs, eds. The Second Practice of Nineteenth- Century Tonality. Lincoln and London: University of Nebraska Press, 1996. ix, 279 pp.

Kochevitsky, George A. PerformingJ. S. Bach's Keyboard Music. White Plains, N.Y.: Pro/Am Music Resources, 1996. 168 pp.

Konold, Wulf, ed. Deutsch-italienische Musikbeziehungen. Deutsche und italienische Instrumentalmusik 1600-1750. Referate des wissenschaftlichen Symposions im Rah- men der Internationalen Orgelwoche Nirnberg 1984. Musik ohne Grenzen 3. Mu- nich and Salzburg: Emil Katzbichler, 1996. 279 pp.

Kraft, James P. Stage to Studio: Musicians and the Sound Revolution, 1890-1950. Studies in Industry and Society, no. 9. Baltimore and London: The Johns Hop- kins University Press, 1996. x, 255 pp.

Kramer, Lawrence. Classical Music and Postmodern Knowledge. Paperback ed. Berkeley, Los Angeles, and London: University of California Press, 1995. xvii, 297 pp.

Krimer, Ulrich. Alban Berg als Schuler Arnold Schonbergs: Quellenstudien und Ana- lysen zum Frfhwerk. Alban Berg Studien, Band 4. Vienna: Universal Edition, 1996. 299 pp.

Kravitt, Edward F. The Lied: Mirror ofLate Romanticism. New Haven and London: Yale University Press, xii, 323 pp.

Kiister, Konrad. Mozart: A Musical Biography. Translated by Mary Whittall. Ox- ford: Clarendon Press, 1996. xviii, 409 pp.

La Guerre, Elizabeth-Claude Jacquet de. Triosonaten. Edited by Carol Henry Bates. Vol. 1, Sonate B-Dur und Sonate c-Moll. Kassel: Furore-Verlag, 1995. Preface and score: xiv, 29 pp.; violino I: 8 pp.; violino II: 8 pp.; violoncello: 8 pp. _. Triosonaten. Edited by Carol Henry Bates. Vol. 2, Sonate D-Dur und Sonate g-Moll. Kassel: Furore-Verlag, 1993. Preface and score: xii, 26 pp.; violino I: 7 pp.; violino II: 8 pp.; violoncello: 7 pp.

Laird, Ross, comp. Moanin' Low: A Discography of Female Popular Vocal Recordings, 1920-1933. Discographies, no. 67. Westport, Conn., and London: Greenwood Press, 1996. xii, 738 pp.

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