Solfeggio Frequencies and DNA.pdf

7/26/2019 Solfeggio Frequencies and DNA.pdf

http://slidepdf.com/reader/full/solfeggio-frequencies-and-dnapdf 1/17



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“0%” 9 which cycles at '%& !

!ere are some samples of ‘solfeggio tones‘ from youtube"

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ggio Frequencies and DNA http://timberwolfhq.com/solfeggio-frequen

7 4/5/2013 1



Dr. (eonard oro)it! spent three years researching these si+ tones. !e and *ose+h Puleo

authored a boo3 titled, “!ealing 5odes for the *iological %pocalypse”. In the boo3, !orowit states

that the solfeggio frequencies are" “%n e+tremely unique series of new *ible codes, reportedly

related to ancient music and the physics of creation, have been discovered by a physician from 5lar3

1or3, Idaho. The new revelation, found in the *oo3 of 4umbers, includes a mathematical

electromagnetic frequenc code for “miracles” that e+perts say has already been shown to help

re+air damaged D- 9 the genetic blueprint of life.”

;ven among ancient cultures, the power of sound waves was believed to have an effect on the human

body. /haman usded chanting and drumming to focus their spiritual, mental and physical energies.

In short, they created and used sacred music to heal. (odern man, until recently, had forgotten about

the power of sound, that is until rs *arber, !orowit and #uleo ‘rediscovered’ it. %long with this

discovery, additional research conducted by r !orowit claims to have uncovered three more

solfeggio frequencies. (y research has not discovered any vocal tones for these three frequencies,

however, they are"

#$" h!

&'% h!

963 h!

&amples of the three ‘new’ frequencies"


7 4/5/2013 1



$ith the addition of these three frequencies, the solfeggio scale now has nine tones. These can be

represented as shown in the following diagram"

1or those of you with a mathematical mind, you will already see the interrelationships between these

numbers. Intriguing, don’t you thin3D %nother thought provo3ing idea currently being given voice is

the notion that matter does not really e+ist. lbert 0instein once stated" “'oncerning matter, we

have been all wrong. What we have called matter is energy, whose vibration has been so lowered as

to be perceptible to the senses. There is no matter.”

In an earlier article, 4% %ctivation, I mentioned research being underta3en in :ussia. To recap one

main point"

:ussian scientists have discovered that" “0iving chromosomes function Eust li3e a

holographic computer using endogenous 4% laser radiation.”

&o, matter does not e+ist and D- functions li3e a laser. (odern physics has also postulated that

4% may function as a type of holographic proEector which translates low vibrational state energy into

‘physical patterns’. These physical forms behave in a similar way to acoustic wave forms and as such

can be used as a means for decoding genetic information through sound. avid !ulse is credited with

recogniing sound resonance as a basic principle of good health. !e studied how certain sounds and

frequencies could activate 4% and discovered that biochemists use the %&'! frequency of the

solfeggio scale to repair 4%.

4e+t time you are listenting to a particularly stirring piece of music, you will have to wonder, “)ust

what is this doing to my insidesD”


7 4/5/2013 1



Share this:

(ittle Monke sas1&eptember F, 6@@G at 6"@H am

gi+!ii sas1=ctober 62, 6@@G at 8"8G am

+++"&DATE+++

I chec3ed the H67 ! video. I used the 45! Tone -enerator to compare the tone frequencies in the

video to the pure H67 ! tone. I can now say that the H67 ! tone is there as a subtle but effective

bac3ground tone. I can appreciate this as to listen to the pure tone for H minutes as in this video"

would drive you a little batty. I will leave the original video in place and for the purists among you,

enEoy the pure tone.

&ource" http"solfeggiotones.com

&ource" http"www.somaenergetics.com&oma;nergetics6%boutJ&olfeggio.htm

&ource" http"www.lifetechnology.orgsolfeggio.htm

&ource" http"educateKyourself.orgpnlsolfeggio@/[email protected]

&ource" http"alternativespirituality.suite/@/.comarticle.cfmhealingJwithJsoundMi+@(wTNq

Like 187 Tweet 10 5

:elated posts"

ecoding the 0anguage of the niverse Through 5ymatics/.

5ymatics 9 &acred -eometry 9 4% 6.

5ymatics 5rop 5ircles and 6@/68.

#erception is :eality F.

The *eauty and (usic of 4% H.

bout 2imber)olf

I am a spiritual warrior and a see3er of the way. It is my honour to bring the

information and 3nowledge I encounter to fellow see3ers who pass and enEoy my site.

Indulge yourself in my writings and the paw prints of my pac3 mates.

%o,,en-s

I li3ed this article very much. %fterwards, I saw the images in my sleep.

:eply

1


7 4/5/2013 1



Gail sas14ovember 7, 6@@G at /"8@ pm

2imber)olf sas14ovember G, 6@@G at /@"/8 pm

Psiolf sas14ovember //, 6@@G at G"FL am

2imber)olf sas14ovember //, 6@@G at F"/L pm

awwwwww'.lovely

:eply

If my ear’s accurate Owho 3nowsP, the H67 vid is actually playing a standard 3eyboard “5”,

which is not H67 but is H68. I’m enEoying this free i#hone app from the app store called

1req-en which allows you to put in e+act numeric frequencies and then turn them on Obinaural

wootP. I’m really curious how these tones relate to singing bowls'

:eply

!i -ail

Than3s for the heads up on the H67 ht frequency video. I’ll chec3 it out and update the

insert should it need it.

&top by again and Qeep the helpful comments coming.

:eply

Than3 you so much. I’m into music production OelectronicP, and I have done a little research

into this. I was doubtful at first, but tell me, this stuff is supposed to alter humansD %nd what

would those side effects beD

:eply

!i #si$olf

Than3s for you comment. Interesting point about the effects on humans. 1rom the research

I have underta3en so far, the effects observed have only been beneficial. I have not done

any research into the effects of frequencies other than those mentioned in the post above. It

is something to consider and loo3 into.

:eply


7 4/5/2013 1



/hamhat sas14ovember /G, 6@@G at 2"HL am

2imber)olf sas14ovember /G, 6@@G at 7"6L pm

gnomad#6#' sas1&eptember 8, 6@/6 at F"HL pm

!ello dear sound people,

I have studied and studied this &olfeggio thing for months. &till, I haven’t had evidence for this

numerologistic idea.. It’s beautiful series of numbers of course but I don’t see any relation to

frequencies. This ! means one vibration per second, but what is secondD % second doesn’t

really mean a thing and it hasn’t been possible to measure time in such a small units. ;ven

more impossible it is to ma3e tuning for3s only with plain ear to correspond to these specific

frequencies. %lso there’s no lin3 between these frequencies and geometry or 1ibonacci series or

#hi.. %nd about H67 healing 4%K all the trac3s lead only to (r. #uleo R !orowit. %nd all the

“evidence” everywhere refers only to those two gentleman. Isn’t this weirdD They must’ve sold

millions of their boo3s though.. *ut still, it’s great if those frequencies ma3e people thin3 to

achieve these great things as awa3ening 4%K it’ll certainly do thatSS

*ut, the most interesting thing in these frequencies is" % small part, especially those “original”

frequencies, is heard by ear little bit similarly as overtone spectrum. It is not the real overtone

spectrum but it sounds li3e it. %nd I thin3 this overtone spectrum is the true solfeggio soundsS

The spectrum is heardable in every musical sound and it consists of relationsK and relations are

universal, the true sacred geometryS %nd of course this overtone spectrum is related to

1ibonacci series and #hiS The first overtone is /f of the f basic tone, the second is 6f, 8f and so

on, it goes on eternally.. %nd there’s also “undertones” that are f6, f8 and so on. %nd I’ve

realied that T!;&; tones might be related to cha3rasK undertones refer to earth cha3ras andthe first 2 to our body cha3ras. There’s no specific frequenciesK everybody can have their own

special frequencies and these overtones are Eust related to this own soundSS $hat do you thin3

of my ideaD %nd also please, if u have some further info about &olfeggio scales, I’ll hear it with

great gratitudeS

:eply

&hamhat, than3s for your comment. In response to your claim that all “evidence” only leads bac3 to !orowi and #uelo, my article refers you to wor3 underta3en by r. 5andice #ert,

#h, avid !ulse , #rofessor $illi %pel and r )oseph *arber. %t the bottom of the

article above the related posts, you will see lin3s to additional articles that may be of use to

you.

I’m intrigued by your suggestion in relation to the ‘overtone of f’ and the ‘undertone of f’

having connection to the 1ibonacci sequence and #hi as well as cha3ras. #lease chec3 my

articles on Qundalini <oga, 5ha3ras and 2 and 5ymatics 9 &acred -eometry 9 4% . <ou

may also be interested in the comments and research underta3en by )ohn &tuart :eid on

the last article.

Than3s for dropping by and I hope to see you here again.

:eply

I have to play devil’s advocate, here. I have done some searching on these otherK

thanK!orowitKandK#uelo researchers. I have found nothing that suggests they have

done any research on the H67 frequency’s effect on 4%. #ert tal3s about sound and

molecules, but mentions nothing of solfeggio in her boo3s, 5s or website !ulse, as a

octor of ivinity, is hardly qualified to spea3 of the scientific reality of such a thing

*arber is a psychotherapist who mentions nothing of frequency on his own website


7 4/5/2013 1



+arkeb sas1(arch 6F, 6@/8 at /"FG pm

gnomad#6#' sas1&eptember 8, 6@/6 at F"/L pm

/olfeggio /ound /ource sas1ecember 6@, 6@@G at G"/@ pm

and %pel is a music historian who really only points that the solfeggio frequencies have

changed. There is really no basis for 3nowing the actual frequencies that were originally

used unless some tuned bells or for3s survived intact from the time period.

:eply

I realie this was posted a years ago, but this bugs me so much, I can’t help but post

a reply. The “research” done on this all falls bac3 to !orowit and it’s wea3.

!orowit relies entirely on the divine “revelations” of #uleo. !ave you read their

boo3D I have. %nd I bought a )ewish *ible as well and tried to locate the

information that is “revealed” within it as described by #uleo. %pparently, according

to him, it doesn’t matter if you have an ;nglish version or one in ancient !ebrew or

if it is modern or ancient it all reveals the same. I wanted to believe, I tried to

believe it, but their concepts are so wrought with ridiculousness, %4< boo3 could

have been used. It’s Eust numerology used to postulate a pattern that randomly

appears. (illions of patterns randomly appear. &o whatD =nce the supposed pattern

was discovered, #uleo Eust added /// to it to get the other frequencies. $hat 3ind of

discovery is thatD

I absolutely believe sound frequencies can heal us, but in several years, I have found

nothing to support the wor3 of !orowit and #uleo. 5ountless websites e+ist to sell

tuning for3s or 5s using the “solfeggio frequencies” but they are believing

!orowit without any outside evidence to support it. nfortunately, this website

through this blog is doing the same. If I am wrong, and I would love to be wrong on

this, please provide one lin3 to an independent, scientific white paper or similar

that supports the 4% wor3 or any study being done with these frequencies in a

medical setting. -ood luc3 with that.

% second is measured as part of a formula based on the cycles of the cesium /88 atom.

:eply

I have now created a networ3 for those who wor3 with or who are passionate about the

&olfeggio 1requencies. It has been e+tremely difficult for me to find others who also wor3 with

these frequencies. I welcome anyone to Eoin our networ3 who is at all interested in sharing and

learning about the &olfeggio.

I am a certified Bibrational Therapist and have been wor3ing with the &olfeggio for the last 8

years for deep healing and transformation. I would love to share with others who are doing

similar wor3.


7 4/5/2013 1



marain sas1

)anuary 66, 6@/@ at 6"86 am

2imber)olf sas1)anuary 66, 6@/@ at G"@H pm

(eiah Chantei sas1)anuary 66, 6@/@ at H"@H am

#lease Eoin me on" solfeggioKsoundKsourceUning.com

(any ivine *lessings of 0ove, 0ight and 0uminosity

:eply

These are really great samples of the individual tones. Than3 you for putting them all togetherS

In line with what -ail said, H67 ! is closest to the frequecy of the 5 above middleK5, which is

H68 !, and as the two frequencies are so close, it would ta3e a good ear to be able to

distinguish that they are different 9 that H67 ! is a little tiny bit sharper than H68 ! 9 so they

would sound nearly the same to most listeners.

I have seen in other websites that H67 ! supposedly corresponds to “(i”, but I don’t

understand how this can be, unless “o” would begin on %b Obecause “(i” is a maEor third

above “o”P. The “o”, “:e”, “(i”, etc. scale can have a fle+ible starting point Oi.e., it doesn’t

always have to start on middleK5P, but I would say that most people thin3 of it as starting with

middleK5 Oone octave below H68 !P. I thin3 it really would be more accurate to call H67 ! a

slightly sharp “o” or, more precisely, a slightly sharp octave above what most people consider

the normal starting tone for “o” in the “o”, “:e”, “(i” scale.

.KV marainWs last blog ..*ioenergy !ealing 9 Xden3o omancic VK.

:eply

(arain

Than3 you for your comment and the constructive manner in which you supplied the

information. I have visited and subscirbed to your blog and loo3 forward to additional wor3

from you surrounding energy healing.

Timberwolf

:eply

Than3 you for this wonderful article. $or3ing with the &olfeggio for the last 6 years I still have

many unanswered questions and often drive myself cray trying to find the answers in a left

brained, logical type way. %s a musician of many years I find trying to ma3e the &olfeggio tones

part of our present musical system almost impossible. The “Eust intonation” of the &olfeggio

Eust doesn’t fit into the “equal intonation” of our present musical system. *y retuning our

H68.6H h O5P to H67 h O&olfeggio (IP it doesn’t give us the whole range of the &olfeggio 9 it

only gives us one note that is of divine frequency. &olfeggio is totally “out of the bo+” and we

must create a new system to use these tones which will be totally removed from the old.

I presently wor3 with the whole G ivine 1requencies and their corresponding “mirrors”. $e

then have a system which consists of /7 frequencies only 9 no octaves.


7 4/5/2013 1



2imber)olf sas1)anuary 66, 6@/@ at G"@L pm

(eiah Chantei sas1)anuary 68, 6@/@ at 7"@6 am

marain sas1)anuary 68, 6@/@ at 7"H/ am

I would appreciate to hear from anyone interested in this topic who has any insight regarding

how we can wor3 with the &olfeggio in main stream music.

ivine *lessings to each and everyone of you.

0eiah 5hantei

:eply

!i 0eiah

Than3s for dropping by and engaging in comment on this topic. I find it fascinating, so

much so that I Eoined your 4ing community. I loo3 forward to finding out if you get a

response to your questions and hearing the music you produce with the ‘&olfeggio

frequencies’.

Timberwolf

:eply

I am honored to have you as part of our networ3. The site presently contains the bear essentials

about the &olfeggio 1requencies. I wanted to create a networ3 where enlightened musicians

and healers could discuss their e+periences with these frequencies. There are many

unanswered questions regarding the &olfeggio 9 many of which even r 0eonard !orowit

cannot answer. I have been in email contact with him for sometime, but his actual 3nowledge

on the &olfeggio is limited. I wish to ta3e it further 9 as a musician and healer 9 I feel I can.

5onspiracy Theories are not my game 9 even though I don’t deny they are not part of our

present reality 9 it’s Eust not my path. The &olfeggio is. I hope to have more time soon to devote

to this site and to the development of the &olfeggio within the main stream music busines. I am

presently going through the process of relocating to the south coast of ;ngland. $hen I

eventually settle 9 I will be upgrading the site. Than3 you so much for your continued support.

I have enEoyed browsing your site and together we can create miracles 9 maybeDDD

(uch 0ove 0eiah 5hantei

:eply

=n 66, 6@/@ at G"@H pm Timberwolf wrote"

YquoteZThan3 you for your comment and the constructive manner in which you supplied the

information. I have visited and subscirbed to your blog and loo3 forward to additional wor3

from you surrounding energy healing.YquoteZ

Than3 you for subscribing to my blog. It is 3ind of a hodgepodge of different things and I hope

you enEoy it.

:egarding what I posted before, and then what 0eiah wrote, I realie I had a wrong


17 4/5/2013 1



gi+!ii sas1)anuary 68, 6@/@ at G"// am

(eiah Chantei sas1)anuary 68, 6@/@ at G"67 am

understanding of the “(i” of the H67 ! tone. If I now have a better understanding from what I

understood 0eiah to say, the H67 ! tone is “(i” in the &acred &olfeggio tone scale and

independent of the scale that we normally associate with “o”, “:e”, “(i”, etc. &orry if I created

any confusion by what I wrote before.

I found your blog because I recently ordered a set of nine &acred &olfeggio Tuning for3s and I

wanted to learn a little more about them. It’s wonderful that you have collected these sound

samples all in one placeS

0eiah wrote"

YquoteZI presently wor3 with the whole G ivine 1requencies and their corresponding

“mirrors”. $e then have a system which consists of /7 frequencies only 9 no octaves.YquoteZ

0eiah, what do you mean by the “corresponding ‘mirrors’”D

.KV marainWs last blog ..*ioenergy !ealing 9 Xden3o omancic VK.

:eply

where can I purchase a disc or discs'..this is so tranquil and worth it '.

:eply

Than3 you so much for your response. I am Eust so happy that others are interested in these

frequencies. &ometimes I Eust presume that everyone has a complete understanding of this

frequencies 9 but I am learning that this is not so. I guess being a musician for the first part of

my life and now a healer and therapist gives me added information that others not musically

inclined may not have.

=ur present scale consists of /6 semitones. There is no pattern to them frequency wise. They

were created by the 5atholic 5hurch to disempower people. The original &olfeggio consisted of

L tones supposedly, although I am sure at some point in history they were aware of the

complete circle of sound which consists of G divine frequencies. (athematics and (usic have

always gone hand in hand 9 so a correct musical system much obey mathematics. &olfeggio

does Eust this.

=ur present musical scale does not 9 it’s pure madness. &olfeggio follows a pure pattern which

create a circle. $hen you reach the last note 9 numerlogically it progresses once again to the

first note. &o there are no other notes accept the G. =ne system claims there are mirror

frequencies 9 which I believe to be true. This also fits in with the whole system and wor3s well

9 so then there would be /7 notes. *ut this system doesn’t have octaves li3e our present system

9 Eust pure notes 9 and only /7 of them. If we are to create a divine music here on earth we

must come out of the bo+ and develop a new system 9 as these notes are not compatable with a/6 note system. I will try to upload a diagram which shows this 9 so bear with me. If not you

can find the information on my site. $e would love to have you as a member.

#lease chec3 out my site &olfeggio &ound &ource

http"solfeggioKsoundKsource.ning.com

(uch 0ove to you all

0eiah 5hantei

:eply


17 4/5/2013 1



gnomad#6#' sas1&eptember 8, 6@/6 at F"F@ pm

4ranco sas11ebruary /@, 6@/@ at G"HH am

*ill 5iggall sas1&eptember 66, 6@/@ at 6"F7 pm

2imber)olf sas1&eptember 68, 6@/@ at G"H/ pm

This is not entirely accurate. There is quite a bit of pattern to music. The diatonic 5 scale

was originally derived from the 5ircle of Hths, each interval a 86 ratio, then dropped or

raised an octave to arrive at the 5 scale. There are some mathematical problems when

changing 3eys, though, so the “$ellKtempered” scales and ultimately the modern “evenK

tempered” scale were developed to ease the transpositions to other 3eys. (usicians did this because they wanted variety, not the 5atholic church.

:eply

I am the developer of 5osmic :hythm %ttunements, a process to bring forth =ptimum

$ellness by attuning to the planetary rhythm in a persons astrology birthchart. Theattunements are induced with planetary and solfeggio body tuners O tuning for3s P at an

astrologically auspicious time.

The trinity of planetary tuners, solfeggio tuners, and astrological timing induces a deeper

attunement than using any one of these powerful modalities alone. %strology provides a means

of determining the e+act moment when the cosmos best supports the induction of a specific

%ttunement. It clearly reveals when a particular cosmic gateway is open. Inducing the

%ttunement during that cosmic opening gives more ‘oomph’ to the process, that my sensitive

clients are able to discern.

The sacred solfeggio frequencies are a genuine godsend for softening the harsh energies of

&aturn, (ars, R #luto for e+ample and for strengthening any delilitated planet O a debilitated

planet is a planet positioned ina sign that wea3ens it P. The solfeggio frequencies have added a

whole new dimension to my 5omic :hythm %ttunement process.

:eply

!ello Timberwolf

I appreciated the article on &olfeggio frequencies very much and would li3e to 3now if there is

one 5 I can purchase that has all the solfeggio sounds on it that you have presented in your on

line article “&olfeggio 1requencies and 4%”. I would be grateful for further information.

:eply

4amaste )ill

There appear to be a number of 5s that use the &olfeggio 1requencies. I found a number

of them on %maon. They are"


17 4/5/2013 1



57-7 sas1ecember 6, 6@/@ at 2"@H pm

2imber)olf sas1)anuary /6, 6@// at G"@G pm

!oly !armony

1requencies &ounds of !ealing

These are by )onathan -oldman.

&ome others are"

*(B &eries 6F &acred !ealing 1requencies 5" &olfeggio !ealing Tones O*rainwave

(editationP

G %ncient &olfeggio !ealing 1requencies 9 ;ndings R *eginnings

These are by other artists.

I hope this helps with your efforts to locate some of the &olfeggio frequencies on 5 )ill.

#lease come bac3 and let my readers and I 3now how you went and what the music is li3e.

Timberwolf

:eply

wnat to buy the cd

:eply

4amaste :ohini

There appear to be a number of 5s that use the &olfeggio 1requencies. I found a number

of them on %maon. They are"

!oly !armony

1requencies &ounds of !ealing

These are by )onathan -oldman.

&ome others are"

*(B &eries 6F &acred !ealing 1requencies 5" &olfeggio !ealing Tones O*rainwave

(editationP

G %ncient &olfeggio !ealing 1requencies 9 ;ndings R *eginnings

These are by other artists.

I hope this helps with your efforts to locate some of the &olfeggio frequencies on 5 :ohini.

#lease come bac3 and let my readers and I 3now how you went and what the music is li3e.


17 4/5/2013 1



8en (one)olf sas1(arch 8/, 6@// at /6"HF pm

*eff sas1)uly 6, 6@// at /6"68 pm

Dan sas1)uly /, 6@/6 at /@"8L pm

Debbi sas1)uly /7, 6@/6 at /"/8 am

Timberwolf

:eply

I have always wor3ed with sound throughout my life. I used to tune sound systems for optimal

performance, done live recordings, and I am a general music lover. &o I have a good

understanding of sound and our present music system. The musical scale we have is a linear

scale with middle 5 OH68.6HhP as a reference point. oubling or halving any fundamental

frequency will create the octaves, 6nd 8rd Fth and so on. These octaves are important because

they are responsible for how a particular instrument sounds or how you hear music from

various points in a sound field or stage which gives us localiation, ambiance, and presence. %s

far as being a mathematical system the only common denominator is 6 or multiples of 6. The

&olfeggio frequencies loo3s li3e a purely mathematical system with only pure fundamental

frequencies. $hat interests me is the fact that it forms a complete circle instead of a flat line

that our present music scale has. I believe that these pure frequencies represent resonant

frequencies in our bodies, various organs and stimulate brain activity which is why I thin3 they

have such a profound effect on our bodies. This subEect definitely deserves more research, this

may be the future of medicineS

Qen 0onewolf

:eply

I have a bamboo flute that is tuned to an ancient oriential scale of si+ notes. !mm.

:eply

The &olfeggio frequencies are truly wonderful. Try out the effect of listening to a selected one or

the si+ pure frequencies simultaneously. <ou can do it here"

http"www.wonderfulsoul.com&olfeggio.asp+

:eply

!i to fellow sound people

I have been wor3ing with the &olfeggio set of G tuning for3s for over /7 months now. I have

shared them, and especially the H67 h tuning for3, doing wor3shops, courses, fayres and

festivals with many many people now. I couple the H67 with the =( tuning for3 and the results


17 4/5/2013 1



Debbi sas1)uly /7, 6@/6 at /"6F am

5osemarie sas1&eptember 8, 6@/6 at //"68 pm

roberto sas1=ctober G, 6@/6 at 8"H@ am

are fran3ly amaing.

I use the &olfeggio G especially within my course where people spend a day using the tuning

for3s and are able to release at a deep cellular level all that prevents their body from moving

forward. $e then spend the following day releasing past lives, Qarmic bloc3s and ancestral

memory patterns. The effects are deep and life changing for some 9 but remains very gentle.

I would love to 3now who else is doing what out there with them. There are some amaing

testimonials on my website from someone who is deaf and !;%: the tones and someone else

had pain relieved after one mini wor3shop session of 8@ minsSS &he did it for herself.

Than3 you so much for this site and ta3ing the time to share so much.

$ith love

ebbi

:eply

!i again'

*T$ I have made a 5 in a sound studio, using the tuning for3s, chime pipes and bars of the

&olfeggio G, cosmic frequencies, planetary tones, ;gyptian vibrations Owhich were ‘downloaded’

to me to have made into tuning for3s last year 9 since then have wor3ed in ;gypt with them..

$=$P, some flute and voice. I have called it &olfeggio ream.

The first L trac3s are all the sacred sounds and most people get to about trac3 6 or 8 and are in

alpha to theta state really quic3ly. -ood for insomnia too. I love it because it is pure waves of

sounds and not generated by a machine. H of us who have benefited hugely from the sounds,

playing with love. I had (;, another has terminal cancer Odiagnosed 6 and half years agoP,

someone else fibromyalgia free, someone off some medication for *# and diabetes normal and

all have Eoy in sharing.

$ith love

ebbi

:eply

!ello Timberwolf,

Is this wonderful music on a 5D how muchD $ould definitely li3e a copy.

Than3s :osemarie

:eply

I believe 4i3ola Tesla and %lbert ;instein eventually came to understood the power of

resonance both the constructive and destructive powers. &ound can cure disease and sound

can inflict pain.


17 4/5/2013 1



PMM sas11ebruary /6, 6@/8 at 7"6H am

/olfeggio 4requencies and :ibrational ealing sas1(arch L, 6@/6 at 2"@F pm

To no ones surprise the military has devised weapons to inflict the pain see

http"en.wi3ipedia.orgwi3i&onicJweapon.

If yin and yang truly coe+ist then sound is a means of healing as well.

&po3en bac3 in the /G8@[s was this quote. “&ound is the medicine of the future.” ;dgar 5ayce.

:evolutionary ideas are always met with initial and many times total resistance by s3eptics

Oa.3.a. usually scientistsP however that does not mean the ideas are not valid and the ideas are

not sound no pun intended.

%t points in history many said there was no scientific proof the earth was round or rotated

around the sun. *ut yet there was scientific proof, it Eust hadn’t been uncovered yet.

:eply

!i &ound warriorsS

-reat to discover this site TimberwolfK and read the comments too.Than3 you for all the

3nowledge and guidance'.

I wanted to share my e+perience '

I’ve had (.; for 6H years and in a wheel chair,partly due also to my capacity to”have”

accidents.

I came across the &=01;--I= 1requencies on <outube a year and a half ago and listened to

them regularly,on a intuitive basis.I then suffered a deeply traumatic, total immune system

brea3downSSS hell, but I’d also started to stand up to people, so “old” me was going through

quite a shoc3S

I now firmly believe that I really had to go through this for my greater healing'

It too3 me a long time to start listening again,but having had a persistent

ear infection for some months I researched and started listening to the 4% repair and 0ove

1requency tones. I also found one for earache. $ithin two days , am glad to note intermittent

return of hearing to my left ear'

If anyone has any other advice, would be really grateful.ebbi,I’d love to be in touch with you'.D your wor3 sounds greatS

I’m a musician and songwriter two,of Indian origin and intend to e+plore the Tones within the

Indian :aga system too '.

In appreciation and love,

#ammy

:eply

Trac./ac.sY...Z &olfeggio 1requencies and

4% at Timberwolf !N for

more inKdepth information. There is also a fantastic selection of &olfeggio Y...Z

:eply


17 4/5/2013 1



/ound 4requencies 2hat eal D-; < 455D =/0 = sas1)uly 2, 6@/6 at F"FL am

hi+er+r!estr!e;1 co s!umi ) glo)ie, ##.#>.&>#& ? 5adio -a 4ali sas1(arch /7, 6@/8 at /@"HH am

Y...Z 0I4Q 9 with

embedded youtube

e+amples of the si+ frequencies. Y...Z

:eply

Y...Z reonans

&chumanna

cDstotliwoDci pracy m\gu proEects necomimi fale gamma binaural beats monaural beats

cestotliwosci solfeggio Y...Z:eply

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Solfeggio Frequencies and DNA.pdf

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