Linotype, Linotype Library, Avenir, Compatil and Optima are trademarks of Linotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions. Aldus, Frutiger, Palatino, Sabon, Syntax and Univers are trademarks of Linotype Corp. registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions in the name of Linotype Corp. or its licensee Linotype GmbH. Linotype and Linotype Library are trademarks of Linotype GmbH and may be registered in certain jurisdictions. Avenir, Compatil and Optima nova are trademarks of Linotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions. Aldus, Frutiger, Palatino, Sabon, Syntax and Univers are trademarks of Linotype Corp. registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions in the name of Linotype Corp. or its licensee Linotype GmbH.
Der Schweizer Hans Eduard Meier ist Typograf, Kalligraf, Grafikdesigner und war lange Jahre Dozent an der Kunstgewerbeschule in Zürich.Seine Talente fokussierte er besonders auf die Entwicklung neuer Schriften. Etliche Schriftschöpfungen gehen auf sein Konto, davon eine, die zu besitzen wohl jeder begehrt: Die Schrift auf den Schweizer Banknoten stammt auch von ihm.
Le suisse Hans Eduard Meier, typographe, calligraphe, concepteur graphique, a enseigné pendant de longues années à l’école des arts appliqués de Zurich. Il a notamment consacré son talent au développement de nouvelles polices. De nombreuses nouvelles créations ont rencontré un succès certain, dont une police que chacun souhaiterait posséder, à savoir celle utilisée sur les billets de banque suisses.
The Exclusive Collection
The Platinum Collection is an exclusive series of optimized classic typefaces from Linotype. In close collaboration with world-famous type designers, Linotype has produced reworked, expanded typeface families that are both technologically and aesthetically up to date. These new typeface families have fine, harmonious weights; some have new italic weights and often come complete with Small Caps and Old style figures. All Platinum Collection typeface families have fine-tuned and perfected character fitting and forms.
The Linotype Platinum Collection currently includes the typeface families listed below. Further projects are in preparation.
La collection de luxe
La « Platinum Collection » est la série de luxe de Linotype, offrant une version perfectionnée des classiques de celle-ci. En étroite collaboration avec les créateurs de caractères les plus éminents sont nées des familles de caractères profondément remaniées et complétées qui répondent aux exigences contemporaines, tant pour la technologie que pour l’esthétique. Ces nouvelles familles se caractérisent par des épaisseurs de trait élégantes, harmonieusement accordées entre elles, certaines comportent de nouvelles graisses pour les italiques. Souvent, elles offrent aussi des compléments importants de petites capitales et de chiffres elzéviriens. La forme et la chasse de caractères de toutes ces familles ont été affinées et perfectionnées.
A l’heure actuelle, la « Platinum Collection » de Linotype se compose des familles de caractères ci-dessous. D’autres sont en préparation.
Hans Eduard Meier
Die exklusive Sammlung
Die Platinum Collection bildet die Exklusiv-serie von Linotype, in welcher die Linotype Klassiker perfektioniert wurden. In enger Zusammenarbeit mit den berühmtesten Schriftgestaltern entstanden grundlegend überarbeitete, vollständig ausgebaute Schrift-familien, die technologisch und gestalterisch auf dem neuesten Stand sind. Diese neuen Schriftfamilien haben feine, harmonisch aufeinander abgestimmte Strichstärken, sind teilweise mit neuen Kursivschnitten aus-gestattet und enthalten oft umfangreiche Ergänzungen mit Kapitälchen und Mediäval-ziffern. Alle Familien wurden in Form und Zurichtung verfeinert und perfektioniert.
Zurzeit besteht die Platinum Collection von Linotype aus unten aufgeführten Schrift-familien. Weitere Projekte sind in Vorbereitung.
Hans Eduard Meier is a Swiss typographer, calligrapher and graphic designer and taught for many years at the School of Applied Arts in Zurich. He focused his talents on the creation of new typefaces. Many classics can be accounted to him. Including one that everyone wants in their accounts: the typeface on the Swiss currency notes.
Avenir® NextCompatil®
Frutiger® NextOptima® nova
Palatino® nova + Aldus® novaSabon® Next
Linotype Syntax®
Linotype Univers®
History | Geschichte | Historique
Linotype Syntax Family
Forever young: Die Syntax von Hans Eduard MeierForever young: la Syntax de Hans Eduard Meier
Forever Young: Syntax by Hans Eduard Meier
Linotype Syntax – exclusive by Platinum Collection
Syntax design. The five types of Syntax Antiqua were the last hot metal types produced by the Ger- man type foundry Stempel AG. The cooperation between Hans Eduard Meier and Linotype began in 1995. Syntax was carefully designed according to the original design and with none of the alterations which had been made to the hot-metal and photo-
Almost half a century has passed since Hans Eduard Meier drew the first pencil sketches in 1955 which would provide the basis for the forms and scope of today’s Linotype Syntax typeface family. Considering the technical develop- ments which led from hot metal composition to digitization, the passage of time is a strong affir- mation of the timelessness of the
setting types. New typefaces were added along the way and the type- face family including Linotype Syntax, Linotype Syntax Letter and Linotype Syntax Serif is now as versatile as it is extensive. And it met with international acclaim: in 2000, the Type Directors Club of New York recognized Linotype Syntax as one of the most out- standing typefaces of our time.
D. Stempel AG in Frankfurt am Main mit fünf Schnitten. 1995 begann die Zusammenarbeit von Hans Eduard Meier mit der Linotype. Behutsam wurde die Syntax wieder den alten Originalvorlagen ange- glichen, denn die Einschränkungen des Blei- und Fotosatzes brachten nachteilige Veränderungen mit sich. Später kamen neue Schnitte hinzu;
Von der ersten Bleistiftzeichnung im Jahre 1955 bis hin zu der jetzt vorlie- genden Form und Vielfalt der Syntax ist fast ein halbes Jahrhundert ver- gangen. Angesichts der technischen
„Umbrüche“ von Blei zu Binärzahlen ein gelungener Beweis für ihre gestalterische Potenz. Als Syntax Antiqua erschien sie 1968 als letzte Bleisatzschrift bei der Schriftgießerei
mit der Linotype Syntax, Linotype Syntax Letter und Linotype Syntax Serif ist jetzt eine vielseitig einsetz- bare Schriftfamilie entstanden. Und sie fand internationale Anerkennung – der Type Directors Club of New York zeichnete Anfang des Jahres 2000 die Linotype Syntax als hervor- ragende Schrift unserer Zeit aus.
caractères D. Stempel AG à Francfort sur le Main. C’est en 1995 qu’a com- mencé la collaboration entre Hans Eduard Meier et la Linotype. Avec circonspection, la Syntax a été adaptée aux originaux de l’époque car les restrictions de la photocomposition et de la composition mécanique se sont traduites par des modifications désavantageuses. Par la suite, de
Du premier dessin au crayon en 1955 à la dernière version des variantes de la Syntax, presque 50 ans se sont écoulés. Vu la « révolution » technique, du plomb au binaire, un exemple évident de sa puissance au niveau de la création. La dernière police pour la composition mécanique, à savoir la Syntax humane, est sortie en 1968 avec cinq styles dans la fonderie de
nouveaux styles ont été ajoutés. Avec la Linotype Syntax, la Linotype Syntax Letter et la Linotype Syntax Serif, on dispose ainsi maintenant d’une famille aux applications multiples qui a en outre trouvé la reconnaissance inter- nationale. Le Type Directors Club of New York a ainsi primé, début 2000, la Linotype Syntax comme une des meilleures polices de notre époque.
Initialement, Hans Eduard Meier avait conçu la Syntax comme linéale selon le principe dynamique de la forme d’une humane.La lisibilité et la diversité de cette police ont été améliorées par la révision et le perfectionnement. La légère inclinaison vers la droite, presque imperceptible, des styles verticaux et les terminaisons à angle droit des jambages inclinés sont les particularités de cette police. La chasse des caractères standard et en italique est largement identique. Dans le cas de la combinaison, on obtient maintenant une harmonie, même pour les ouvrages. Dans le cas des capitales seules, comme par ex. pour les gros titres, la composition ne manque pas de convaincre.
La Linotype Syntax comprennent trois variantes de chiffres : chiffres capitales, chiffres elzéviriens, chiffres petites capitales.
Ursprünglich gestaltete Hans Eduard Meier die Syntax als Grotesk-Schrift nach dem dynamischen Formprinzip einer Renaissance-Antiqua. Mit der Überarbeitung und Weiter- entwicklung wurden Lesbarkeit und Vielfalt der Typen perfektioniert. Besonderheiten sind die leichte, fast unmerkliche Neigung der aufrechten Schnitte nach rechts und die recht- winkligen Endungen der schrägen Schenkel. Die Laufweiten der normalen und kursiven Schnitte sind weitgehend identisch. Bei Mischungen entsteht somit ein ausgewogenes Schriftbild – auch im Mengensatz hervorragend les- bar. Selbst bei reinem Versalsatz wie beispielsweise bei Headlines überzeugt das Satzbild.
Die Linotype Syntax beinhalten drei Ziffernvarianten: Tabellenziffern, Mediävalziffern und Kapitälchenziffern.
Hans Eduard Meier originally designed Syntax as a sans serif with the dynamic forms of an Old Face. The reworking and further develop- ment perfected the legibility and versatility of the types. They are all distinguished by a light, almost imperceptible slant to the right and the right angles of the endings of the slanted d strokes. The character spacing of the regular styles is almost identical to that of the italics and the combination of the two produces a balanced appearance even in longer texts. Text set in all caps, for example, headlines, are also even and aesthetic.
The Linotype Syntax include three kinds of numerals: tabular figures, old style figures and small caps figures.
7/9 Pt Syntax ['sintæks]. Function: noun. Etymology: French or Late Latin; French syntaxe, from Late Latin syntaxis, from Greek from syn- + tassein = »to arrange«. – 1. a) ling. the way in which linguistic elements (as words) are put together to form constituents (as sentences, phrases or clauses) b) ling. the part of grammar deal- ing with this, the study of the formation of sentences and the relationship of their component parts. 2.: a connected or orderly system: harmonious arrange- ment of parts or elements. 3.: syntactics especially as dealing with the formal properties of languages or calculi. Syntax ['sintæks]. Function: noun. Etymology:
8,5/11 Pt Syntax ['sintæks]. Function: noun. Etymology: French or Late Latin; French syntaxe, from Late Latin syntaxis, from Greek from syn- + tassein = »to arrange«. – 1. a) ling. the way in which linguistic elements (as words) are put together to form constituents (as sentences, phrases or clauses) b) ling. the part of grammar dealing with this, the study of the formation of sentences and the relationship of their component parts. 2.: a connected or
10/12 Pt Syntax ['sintæks]. Function: noun. Etymology: French or Late Latin; French syntaxe, from Late Latin syn- taxis, from Greek from syn- + tassein = »to arrange«. – 1. a) ling. the way in which linguistic elements (as words) are put together to form constituents (as sentences, phrases or clauses) b) ling. the part of grammar dealing with
7/9 Pt Syntax ['sintæks]. Function: noun. Etymology: French or Late Latin; French syntaxe, from Late Latin syntaxis, from Greek from syn- + tassein = »to arrange«. – 1. a) ling. the way in which linguistic elements (as words) are put together to form constituents (as sentences, phrases or clauses) b) ling. the part of grammar dealing with this, the study of the formation of sentences and the relationship of their component parts. 2.: a connected or orderly system: harmonious arrangement of parts or elements. 3.: syntactics especially as dealing with the formal properties of languages or calculi. Syntax ['sintæks]. Function:
8,5/11 Pt Syntax ['sintæks]. Function: noun. Etymo- logy: French or Late Latin; French syntaxe, from Late Latin syntaxis, from Greek from syn- + tassein = »to arrange«. – 1. a) ling. the way in which linguistic elements (as words) are put together to form constituents (as sentences, phrases or clauses) b) ling. the part of grammar dealing with this, the study of the formation of sentences and the relationship of their component parts.
10/12 Pt Syntax ['sintæks]. Function: noun. Etymology: French or Late Latin; French syntaxe, from Late Latin syntaxis, from Greek from syn- + tassein = »to arrange«. – 1. a) ling. the way in which linguistic elements (as words) are put together to form constituents (as sentences, phrases or clauses) b) ling. the part of grammar
OSF
Small caps
OSF
Small caps
OSF
Small caps
medium
bold
OSF
Small caps
OSF
OSF
7/9 Pt Syntax ['sintæks]. Function: noun. Etymology: French or Late Latin; French syntaxe, from Late Latin syntaxis, from Greek from syn- + tassein = »to arrange«. – 1. a) ling. the way in which linguistic elements (as words) are put together to form con- stituents (as sentences, phrases or clauses) b) ling. the part of grammar dealing with this, the study of the formation of sentences and the relationship of their component parts. 2.: a connected or orderly system: harmonious arrangement of parts or elements. 3.: syntactics especially as dealing with the formal properties of languages or calculi.
8,5/11 Pt Syntax ['sintæks]. Function: noun. Etymol- ogy: French or Late Latin; French syntaxe, from Late Latin syntaxis, from Greek from syn- + tassein = »to arrange«. – 1. a) ling. the way in which linguistic elements (as words) are put together to form consti- tuents (as sentences, phrases or clauses) b) ling. the part of grammar dealing with this, the study of the formation of sentences and the relationship of their
10/12 Pt Syntax ['sintæks]. Function: noun. Etymology: French or Late Latin; French syntaxe, from Late Latin syn- taxis, from Greek from syn- + tassein = »to arrange«. – 1. a) ling. the way in which linguistic elements (as words) are put together to form constituents (as sentences, phrases or clauses) b) ling. the part of
7/9 Pt Syntax ['sintæks]. Function: noun. Etymology: French or Late Latin; French syntaxe, from Late Latin syntaxis, from Greek from syn- + tassein = »to arrange«. – 1. a) ling. the way in which linguistic elements (as words) are put together to form con- stituents (as sentences, phrases or clauses) b) ling. the part of grammar dealing with this, the study of the formation of sentences and the relationship of their component parts. 2.: a connected or orderly system: harmonious arrangement of parts or elements. 3.: syntactics especially as dealing with the formal properties of languages or calculi.
8,5/11 Pt Syntax ['sintæks]. Function: noun. Etymol- ogy: French or Late Latin; French syntaxe, from Late Latin syntaxis, from Greek from syn- + tassein = »to arrange«. – 1. a) ling. the way in which linguistic elements (as words) are put together to form con- stituents (as sentences, phrases or clauses) b) ling. the part of grammar dealing with this, the study of the format- ion of sentences and the relationship of
10/12 Pt Syntax ['sintæks]. Function: noun. Etymology: French or Late Latin; French syntaxe, from Late Latin syn- taxis, from Greek from syn- + tassein = »to arrange«. – 1. a) ling. the way in which linguistic elements (as words) are put together to form constituents (as sentences, phrases or clauses) b) ling. the part of
10/12 Pt Syntax ['sintæks]. Function: noun. Etymology: French or Late Latin; French syntaxe, from Late Latin syntaxis, from Greek from syn- + tassein = »to arrange«. – 1. a) ling. the way in which linguistic elements (as words) are put together to form constituents (as sentences,
8,5/11 Pt Syntax ['sintæks]. Function: noun. Etymology: French or Late Latin; French syntaxe, from Late Latin syntaxis, from Greek from syn- + tassein = »to arrange«. – 1. a) ling. the way in which linguistic elements (as words) are put together to form constituents (as sentences, phrases or clauses) b) ling. the part of grammar dealing with this, the study
7/9 Pt Syntax ['sintæks]. Function: noun. Etymology: French or Late Latin; French syntaxe, from Late Latin syntaxis, from Greek from syn- + tassein = »to arrange«. – 1. a) ling. the way in which linguistic elements (as words) are put together to form constituents (as sentences, phrases or clauses) b) ling. the part of grammar dealing with this, the study of the formation of sentences and the relationship of their component parts. 2.: a connected or orderly system: harmonious arrangement of parts or elements. 3.: syntactics especially as
10/12 Pt Syntax ['sintæks]. Function: noun. Etymology: French or Late Latin; French syntaxe, from Late Latin syntaxis, from Greek from syn- + tassein = »to arrange«. – 1. a) ling. the way in which linguistic ele- ments (as words) are put together to form constituents
8,5/11 Pt Syntax ['sintæks]. Function: noun. Etymology: French or Late Latin; French syntaxe, from Late Latin syntaxis, from Greek from syn- + tassein = »to arrange«. – 1. a) ling. the way in which linguistic ele- ments (as words) are put together to form constituents (as sentences, phrases or clauses) b) ling. the part of grammar dealing with this, the
7/9 Pt Syntax ['sintæks]. Function: noun. Etymology: French or Late Latin; French syntaxe, from Late Latin syntaxis, from Greek from syn- + tassein = »to arrange«. – 1. a) ling. the way in which linguistic elements (as words) are put together to form constituents (as sentences, phrases or clauses) b) ling. the part of grammar dealing with this, the study of the forma- tion of sentences and the relationship of their component parts. 2.: a connected or orderly system: harmonious arrangement
En se basant sur la Linotype Syntax, Hans Eduard Meier a développé la Linotype Syntax Serif en collaboration avec la Linotype. En y ajoutant les mécanes, les caractères correspondent à ceux d’une humane classique répondant mieux à nos habitudes visuelles telles qu’elles se sont développées. La chasse et l’interlettrage sont identiques à celles de la Linotype Syntax.En fonction de l’application, on pourra les échanger entre elles. La combinaison par contre permet d’obtenir une image harmonieuse et pondérée. La décision en faveur de la Linotype Syntax comme antique ou de la Linotype Syntax Serif comme humane classique ou des deux comme duo relèvera du typographe. La diversité et la lisibilité sont dans tous les cas garanties.
Les styles de la Linotype Syntax Serif comprennent les petites capitales et trois variantes de chiffres : chiffres capitales, chiffres elzéviriens, chiffres petites capitales. La Linotype Syntax Serif n’est pas inclus dans la « Platinum Collection ».
Aufbauend auf der Linotype Syntax entwickelte Hans Eduard Meier in Zusammenarbeit mit der Linotype die Linotype Syntax Serif. Durch das An- fügen der Serifen entspricht das Schrift- bild einer klassischen Renaissance Antiqua, die unseren historisch ge- wachsenen Sehgewohnheiten entgegen kommt. Laufweitenanmutung und Fettenabstufung sind mit der Linotype Syntax identisch. Je nach Einsatz lassen sich beide gegeneinander austauschen und ergeben auch zusammen verwen-det immer ein ausgewogenes, harmoni-sches Schriftbild. Es bleibt der Vorliebe des Gestalters überlassen, ob er sich für die Linotype Syntax als Grotesk oder für die Linotype Syntax Serif als Renaissance Antiqua oder für beide im Duett ent- scheidet – Vielseitigkeit und hervor- ragende Lesbarkeit sind in jedem Fall garantiert.
Die Linotype Syntax Serif beinhaltet Kapitälchen und drei Ziffernvarianten: Tabellenziffern, Mediävalziffern und Kapitälchenziffern. Die Linotype Syntax Serif ist nicht Teil der Platinum Collection.
Based on Linotype Syntax, Hans Eduard Meier and Linotype collabo-rated to develop Linotype Syntax Serif. The addition of the serifs resulted in a classic Old Face. Character spacing and stroke thick- ness are identical to those of Linotype Syntax. Serif and sans serif styles can also be used inter- changeable to create a balanced, harmonious text appearance. It is completely up to the designer whether to use Linotype Syntax as a sans serif, Linotype Syntax Serif as an Old Face, or a duet of the two together. Versatility and excellent legibility are always guaranteed.
The Linotype Syntax Serif includes small caps and three kinds of numerals: tabular figures, old style figures and small caps figures. Linotype Syntax Serif is not a part of the Platinum Collection.
Old Face | Antiqua | Elzévirs
Expressive Solo, Harmonious Duet
Linotype Syntax Serif
Als Solist überzeugend, im Duett harmonischConvaincante seule, harmonieuse en duo
light
regular
OSF
Small caps
10/12 Pt Syntax ['sintæks]. Function: noun. Etymology: French or Late Latin; French syntaxe, from Late Latin syntaxis, from Greek from syn- + tassein = »to arrange«. – 1. a) ling. the way in which linguistic elements (as words) are put together to form con- stituents (as sentences, phrases or clauses) b) ling. the part of grammar
8,5/11 Pt Syntax ['sintæks]. Function: noun. Etymo- logy: French or Late Latin; French syntaxe, from Late Latin syntaxis, from Greek from syn- + tassein = »to arrange«. – 1. a) ling. the way in which linguistic elements (as words) are put together to form constituents (as sentences, phrases or clauses) b) ling. the part of grammar dealing with this, the study of the formation of sentences and the relationship of their component parts. 2.: a
7/9 Pt Syntax ['sintæks]. Function: noun. Etymology: French or Late Latin; French syntaxe, from Late Latin syntaxis, from Greek from syn- + tassein = »to arrange«. – 1. a) ling. the way in which linguistic elements (as words) are put together to form constit- uents (as sentences, phrases or clauses) b) ling. the part of grammar dealing with this, the study of the formation of sentences and the relationship of their component parts. 2.: a connected or orderly system: harmonious arrangement of parts or elements. 3.: syntactics especially as dealing with the formal properties of languages or calculi. Syntax ['sintæks].
10/12 Pt Syntax ['sintæks]. Function: noun. Etymology: French or Late Latin; French syntaxe, from Late Latin syn- taxis, from Greek from syn- + tassein = »to arrange«. – 1. a) ling. the way in which linguistic elements (as words) are put together to form constituents (as sentences, phrases or clauses) b) ling. the part of grammar dealing with
8,5/11 Pt Syntax ['sintæks]. Function: noun. Etymol- ogy: French or Late Latin; French syntaxe, from Late Latin syntaxis, from Greek from syn- + tassein = »to arrange«. – 1. a) ling. the way in which linguistic elements (as words) are put together to form constituents (as sentences, phrases or clauses) b) ling. the part of grammar dealing with this, the study of the formation of sentences and the rela- tionship of their component parts. 2.: a
7/9 Pt Syntax ['sintæks]. Function: noun. Etymology: French or Late Latin; French syntaxe, from Late Latin syntaxis, from Greek from syn- + tassein = »to arrange«. – 1. a) ling. the way in which linguistic elements (as words) are put together to form constituents (as sentences, phrases or clauses) b) ling. the part of grammar dealing with this, the study of the formation of sen- tences and the relationship of their component parts. 2.: a connected or orderly system: harmonious arrangement of parts or elements. 3.: syntactics especially as dealing with the formal properties of languages or calculi. Syntax ['sintæks]. Function:
10/12 Pt Syntax ['sintæks]. Function: noun. Etymology: French or Late Latin; French syntaxe, from Late Latin syntaxis, from Greek from syn- + tassein = »to arrange«. – 1. a) ling. the way in which linguistic elements (as words) are put together to form constituents (as sentences, phrases or clauses) b) ling. the part of
8,5/11 Pt Syntax ['sintæks]. Function: noun. Ety- mology: French or Late Latin; French syntaxe, from Late Latin syntaxis, from Greek from syn- + tassein = »to arrange«. – 1. a) ling. the way in which linguistic ele-ments (as words) are put together to form constituents (as sentences, phrases or clauses) b) ling. the part of grammar deal- ing with this, the study of the formation of sentences and the relationship of their
7/9 Pt Syntax ['sintæks]. Function: noun. Etymology: French or Late Latin; French syntaxe, from Late Latin syntaxis, from Greek from syn- + tassein = »to arrange«. – 1. a) ling. the way in which linguistic elements (as words) are put together to form con- stituents (as sentences, phrases or clauses) b) ling. the part of grammar dealing with this, the study of the formation of sentences and the relationship of their component parts. 2.: a connected or orderly system: harmonious arrangement of parts or elements. 3.: syntactics especially as dealing with the formal properties of languages or calculi.
10/12 Pt Syntax ['sintæks]. Function: noun. Etymology: French or Late Latin; French syntaxe, from Late Latin syntaxis, from Greek from syn- + tassein = »to arrange«. – 1. a) ling. the way in which linguistic ele- ments (as words) are put together to form constituents (as sen- tences, phrases or clauses) b) ling.
8,5/11 Pt Syntax ['sintæks]. Function: noun. Ety- mology: French or Late Latin; French syntaxe, from Late Latin syntaxis, from Greek from syn- + tassein = »to arrange«. – 1. a) ling. the way in which linguistic elements (as words) are put together to form constituents (as sentences, phrases or clauses) b) ling. the part of grammar dealing with this, the study of the for- mation of sentences and the relationship
7/9 Pt Syntax ['sintæks]. Function: noun. Etymology: French or Late Latin; French syntaxe, from Late Latin syntaxis, from Greek from syn- + tassein = »to arrange«. – 1. a) ling. the way in which ling- uistic elements (as words) are put together to form constituents (as sentences, phrases or clauses) b) ling. the part of grammar dealing with this, the study of the formation of sentences and the relationship of their component parts. 2.: a connected or orderly system: harmonious arrangement of parts or elements. 3.: syntactics especially as dealing with the formal properties
OSF 10/12 Pt Syntax ['sintæks]. Function: noun. Etymology: French or Late Latin; French syntaxe, from Late Latin syntaxis, from Greek from syn- + tassein = »to arrange«. – 1. a) ling. the way in which linguistic ele- ments (as words) are put to- gether to form constituents
8,5/11 Pt Syntax ['sintæks]. Function: noun. Etymology: French or Late Latin; French syntaxe, from Late Latin syntaxis, from Greek from syn- + tassein = »to arrange«. – 1. a) ling. the way in which linguistic ele- ments (as words) are put together to form constituents (as sentences, phrases or clauses) b) ling. the part of grammar dealing with this,
7/9 Pt Syntax ['sintæks]. Function: noun. Etymol- ogy: French or Late Latin; French syntaxe, from Late Latin syntaxis, from Greek from syn- + tassein = »to arrange«. – 1. a) ling. the way in which linguistic elements (as words) are put together to form constitu- ents (as sentences, phrases or clauses) b) ling. the part of grammar dealing with this, the study of the formation of sen- tences and the relationship of their com- ponent parts. 2.: a connected or orderly system: harmonious arrangement of parts
10/12 Pt Syntax ['sintæks]. Function: noun. Etymology: French or Late Latin; French syntaxe, from Late Latin syntaxis, from Greek from syn- + tassein = »to arrange«. – 1. a) ling. the way in which lin- guistic elements (as words) are put together to form constituents (as sentences, phrases or clauses)
8,5/11 Pt Syntax ['sintæks]. Function: noun. Ety- mology: French or Late Latin; French syntaxe, from Late Latin syntaxis, from Greek from syn- + tassein = »to arrange«. – 1. a) ling. the way in which linguistic elements (as words) are put together to form constituents (as sen- tences, phrases or clauses) b) ling. the part of grammar dealing with this, the study of the formation of sentences
7/9 Pt Syntax ['sintæks]. Function: noun. Etymology: French or Late Latin; French syntaxe, from Late Latin syntaxis, from Greek from syn- + tassein = »to arrange«. – 1. a) ling. the way in which linguistic elements (as words) are put together to form constituents (as sentences, phrases or clauses) b) ling. the part of gram- mar dealing with this, the study of the for- mation of sentences and the relationship of their component parts. 2.: a connected or orderly system: harmonious arrangement of parts or elements. 3.: syntactics especially as
Déjà le nom signale le domaine d’application idéal. La Linotype Syntax Letter offre la grâce de la manuscrite sans imiter pour autant l’écriture. La conception repose sur le principe de base de la Linotype Syntax tout en étant plus étroite. Les italiques sont moins inclinées que celles de la Linotype Syntax italiques. Avec les graisses, on dispose de la flexibilité nécessaire dans la sélection. Mais comme la correspondance ne représente qu’une partie de la communi-cation bureautique, la Linotype Syntax Letter complète de manière idéale les autres polices Linotype Syntax. La combinaison permet d’obtenir un contraste des plus vivants et harmonieux. Même le profane est en mesure de maîtriser le défi typographique.
Les graisses de la Linotype Syntax comprennent deux variantes de chiffres: chiffres capitales, chiffres elzéviriens.La Linotype Syntax Letter n’est pas inclus dans la « Platinum Collection ».
Schon der Name verweist auf das ideale Einsatzgebiet. So hat die Linotype Syntax Letter die Anmutung von Geschriebenem, ohne dabei eine Handschrift zu imitieren. Die Gestaltung baut auf dem Grund- muster der Linotype Syntax auf, ist aber schmaler. Die Kursive hat weniger Neigung als die Linotype Syntax Kursiv. Mit allen Schriftschnitten ist die not-wendige Flexibilität in der Auswahl gegeben. Da Korrespondenz aber nur ein Teil der Bürokommunikation ist, ‚korrespondiert‘ die Linotype Syntax Letter hervorragend mit allen anderen Linotype Syntax Schriften. Die Mischung ergibt einen lebendigen, immer stimmigen Kontrast. Auch der Schriftenlaie meistert so typografische Herausforderungen.
Die Linotype Syntax Letter beinhaltet zwei Ziffernvarianten: Tabellenziffern und Mediävalziffern.Die Linotype Syntax Letter ist nicht Teil der Platinum Collection.
The name discloses its purpose: Linotype Syntax Letter suggests hand- written characters without actually imitating handwriting. The basic design is that of Linotype Syntax but the forms are narrower and the italic has less slant than other Linotype Syntax italics. The many weights give the typeface a high degree of flexibility. And because correspondence is only one part of office communication, Linotype Syntax Letter ‘corresponds’ perfectly with all other Linotype Syntax types. Using them in combination with one another results in a lively contrast. Users who are not as well acquainted with typography can work effectively with these types.
The Linotype Syntax Letter contain tabular figures and old style figures.Linotype Syntax Letter is not a part of the Platinum Collection.
Correspondence | Korrespondenz | Correspondance
Linotype Syntax Letter
Ansprechende Typen für Korrespondenz & Co.Des caractères attrayants pour la correspondance etc.
Just My Type: Correspondence
medium
light
regular
OSF
OSF
OSF
OSF
OSF
OSF
7/9 Pt Syntax ['sintæks]. Function: noun. Etymology: French or Late Latin; French syntaxe, from Late Latin syntaxis, from Greek from syn- + tassein = »to arrange«. – 1. a) ling. the way in which linguistic elements (as words) are put together to form constituents (as sentences, phrases or clauses) b) ling. the part of grammar dealing with this, the study of the formation of sentences and the relationship of their component parts. 2.: a connected or orderly
8,5/11 Pt Syntax ['sintæks]. Function: noun. Etymology: French or Late Latin; French syntaxe, from Late Latin syntaxis, from Greek from syn- + tassein = »to arrange«. – 1. a) ling. the way in which linguistic elements (as words) are put together to form constituents (as sentences, phrases or
10/12 Pt Syntax ['sintæks]. Function: noun. Ety- mology: French or Late Latin; French syntaxe, from Late Latin syntaxis, from Greek from syn- + tassein = »to arrange«. – 1. a) ling. the way in which linguistic elements (as words) are put together to
7/9 Pt Syntax ['sintæks]. Function: noun. Etymology: French or Late Latin; French syntaxe, from Late Latin syntaxis, from Greek from syn- + tassein = »to arrange«. – 1. a) ling. the way in which linguistic elements (as words) are put together to form constituents (as sentences, phrases or clauses) b) ling. the part of grammar dealing with this, the study of the formation of sentences and the relationship of their component parts. 2.: a
8,5/11 Pt Syntax ['sintæks]. Function: noun. Etymology: French or Late Latin; French syntaxe, from Late Latin syntaxis, from Greek from syn- + tassein = »to arrange«. – 1. a) ling. the way in which linguistic elements (as words) are put together to form constituents (as sentences,
10/12 Pt Syntax ['sintæks]. Function: noun. Ety- mology: French or Late Latin; French syntaxe, from Late Latin syntaxis, from Greek from syn- + tassein = »to arrange«. – 1. a) ling. the way in which linguistic elements (as words) are put
7/9 Pt Syntax ['sintæks]. Function: noun. Etymology: French or Late Latin; French syntaxe, from Late Latin syntaxis, from Greek from syn- + tassein = »to arrange«. – 1. a) ling. the way in which linguistic elements (as words) are put together to form constituents (as sentences, phrases or clauses) b) ling. the part of grammar dealing with this, the study of the formation of sentences and the relationship of their component
8,5/11 Pt Syntax ['sintæks]. Function: noun. Etym- ology: French or Late Latin; French syntaxe, from Late Latin syntaxis, from Greek from syn- + tassein = »to arrange«. – 1. a) ling. the way in which linguistic elements (as words) are put together to form constituents
10/12 Pt Syntax ['sintæks]. Function: noun. Ety- mology: French or Late Latin; French syntaxe, from Late Latin syntaxis, from Greek from syn- + tassein = »to arrange«. – 1. a) ling. the way in which linguistic elements (as words)
7/9 Pt Syntax ['sintæks]. Function: noun. Ety- mology: French or Late Latin; French syntaxe, from Late Latin syntaxis, from Greek from syn- + tassein = »to arrange«. – 1. a) ling. the way in which linguistic elements (as words) are put together to form constituents (as sentences, phrases or clauses) b) ling. the part of grammar
8,5/11 Pt Syntax ['sintæks]. Function: noun. Etymology: French or Late Latin; French syntaxe, from Late Latin syntaxis, from Greek from syn- + tassein = »to arrange«. – 1. a) ling. the way in which linguistic
10/12 Pt Syntax ['sintæks]. Function: noun. Etymology: French or Late Latin; French syntaxe, from Late Latin syntaxis, from Greek from syn- + tassein = »to arrange«. – 1. a) ling. the
7/9 Pt Syntax ['sintæks]. Function: noun. Etymology: French or Late Latin; French syntaxe, from Late Latin syntaxis, from Greek from syn- + tassein = »to arrange«. – 1. a) ling. the way in which ling- uistic elements (as words) are put together to form constituents (as sentences, phrases or clauses) b) ling. the part of grammar dealing with this, the study of the formation of sentences and
8,5/11 Pt Syntax ['sintæks]. Function: noun. Ety- mology: French or Late Latin; French syntaxe, from Late Latin syntaxis, from Greek from syn- + tassein = »to arrange«. – 1. a) ling. the way in which linguistic elements (as words) are put
10/12 Pt Syntax ['sintæks]. Function: noun. Etymology: French or Late Latin; French syntaxe, from Late Latin syntaxis, from Greek from syn- + tassein = »to arrange«. – 1. a) ling. the way in which linguistic
7/9 Pt Syntax ['sintæks]. Function: noun. Etymology: French or Late Latin; French syntaxe, from Late Latin syntaxis, from Greek from syn- + tassein = »to arrange«. – 1. a) ling. the way in which linguis- tic elements (as words) are put together to form constituents (as sentences, phrases or clauses) b) ling. the part of grammar dealing with this, the study of the formation of sentences and the
8,5/11 Pt Syntax ['sintæks]. Function: noun. Ety- mology: French or Late Latin; French syntaxe, from Late Latin syntaxis, from Greek from syn- + tassein = »to arrange«. – 1. a) ling. the way in which linguistic elements (as words) are put together to
10/12 Pt Syntax ['sintæks]. Function: noun. Etymology: French or Late Latin; French syntaxe, from Late Latin syntaxis, from Greek from syn- + tassein = »to arrange«. – 1. a) ling. the way in which linguistic elements
La Linotype Syntax Lapidar comprents deux variantes, texte et écran, avec respectivement 5 polices chacune. Sur la base d’une police gravée sur une pierre datant du 2ème siècle av. JC, on a ainsi créé une police dynamique très libre. Parfaitement appropriée pour les publicités.
La Linotype Syntax Letter n’est pas inclus dans la « Platinum Collection ».
Die Linotype Syntax Lapidar gibt es in zwei Ausprägungen, Text und Display mit je 5 Schnitten. Angelehnt an in Stein gemeißelte Schrifttypen aus dem zweiten Jahrhundert vor Christus entstand eine sehr freie, dynamische Schrift. Damit können Sie gut „Reklame” machen, lapidar gesagt.
Die Linotype Syntax Letter ist nicht Teil der Platinum Collection.
Linotype Syntax Lapidar is available in two styles, Text and Display, each with 5 weights. Modelled on writing chiselled in stone around 200 B.C., Linotype Syntax Lapidar Sans is a dynamic, free-spirited typeface.
The Linotype Syntax Letter is not a part of the Platinum Collection.
Linotype Syntax Lapidar
Text ABCDEFGHIJKLMNOPQRSTUVWXYZabcdefghijklmnopqrstuvwxyzÆ挜1234567890!?(“&”«§$»/=ßäüöÄÖçÇ)
Linotype Syntax Lapidar Regular Linotype Syntax Lapidar Medium ABCDEFGHIJKLM
