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The Normal and the Pathological in Bergson
Author(s): David LapoujadeSource: MLN, Vol. 120, No. 5, Comparative Literature Issue (Dec., 2005), pp. 1146-1155Published by: The Johns Hopkins University PressStable URL: http://www.jstor.org/stable/3840703 .
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M L
N
This
is, however,
not
precisely
the notion
I
want to
talk
about,
but
rather a
similar
notion,
and one
that,
at
first
sight,
some
commentar-
ies have considered to be synonymous with attention to life. It is a
concept
that
appears only
in The
Two Sources
of Morality
and
Religion:
the
concept
of attachment
to
life. One
can
even
suppose
that
attachment to
life
plays
as central a
role in
The
Two Sourcesas
attention to life does
in
Matter and
Memory.
One
might
even
go
so
far as
to
say
that the main
problem
of The
Two
Sources,
he
very
core of
the
book,
is the
question
of attachment
to life.
Why
and
how
are we
attached
to life?
Why
can
we
not
find
any specific
analysis
of this
notion?
I think
that
this is
primarily
due
to the fact
that one
only
considers it as an extension, or a variation, of the concept of
attention
to
life.
Yet is it not
describing
a
new
type
of
equilibrium,
a
new kind
of
vitality,
and,
therefore,
a
new
type
of
pathology?
What
I
would like to
understand,
then,
is
precisely
how the
passage
from
attention to
attachment
is
the
sign
of
a
major
shift
in
Bergson's
thought,
because
it is
obvious
that such
a
shift
implies
that the
boundary
between the
normal and
the
pathological
(but
also be-
tween the
real and the
unreal)
has
been
displaced.
What
I
will
try
to
understand
is
the
reason for this transformation.
So,
if I
consider the
relation between the normal and the pathological, it is only from the
perspective
of this
passage
from attention
to attachment.
How
does
Bergson
define attention
to life ?
It is
not
a
psychological
attention,
but a
biological
attention,
which
belongs
to the human
species. Generally speaking,
one
can
define
it as an
encroachment
of
the
present
onto the
future,
essentially
as an
adaptive
capacity
of
anticipation.
Attention to life
defines the situation of
a balanced
life
[vie
equilibree].
t is from the
body-from
the brain-that
the intelli-
gence receives the weight or ballast of its equilibrium and its capacity
to
adjust
to the
requirements
of
the
material
(or social)
world. It is
through
the brain
that
the
solidarity
between our
psychological
life
and our motor
activity
is established
and maintained.
More
specifi-
cally,
attention
to life
requires
a
double movement
of call and
response:
D'un
c6ot,
l'etat sensori-moteur
. .
. oriente
la
memoire,
dont
il
n'est au
fond,
que
l'extr6mit6
actuelle
et
active;
d'autre
part
cette
memoire
elle-meme,
avec
la
totalite
de notre
passe,
exerce une
pouss6e
en
avant
pour
inserer
dans
l'action
presente
la
plus
grande
partie
d'elle-meme. 2 The call comes from the
present,
from the
present
of our
body.
And
this
present
calls
out
to
a definite
past,
which is
able to illuminate this
very
present.
The
response
comes
1147
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DAVID
LAPOUJADE
from our
memory,
which,
on its
side,
is
always
expecting
the
present
to
insert
in
it the
biggest
part
of itself.
What
defines the
encroach-
ment mentioned earlier, or the intellectual equilibrium, is the accu-
racy
of the
adjustment
between the call and the
response.
There is a
constant
tension in
us
that
provokes
our interest in the outer
world,
and
that
forces us
to
answer its
unceasing
orders. It is as if
the outer
world
(social,
material)
were
constantly asking
us: what is to
be done
now?
Our intellectual
equilibrium
is
entirely
based on the structure
of
those sensori-motor
apparati
in
so far as
they
fix
our mind
and force
it
to take interest in
external life.
This
is
why Bergson
defines
attention to life in terms of a sense of reality. Inversely, any
reduction
of
this tension
will lose contact
with
reality,
taking
no
further interest
in
life:
Relachez cette tension ou
rompez
cet
6quilibre:
tout se
passera
comme si
l'attention se d6tachait de
la vie. 3
It is
from this
point
of
view
that
Bergson
describes the
activity
of
dreaming.
Moreover,
Bergson
sees in
the
loosening
(or
reduced
tension)
of
dreaming
an
imitation
of all
mental
pathologies:
.
..
le
reve
imite de tout
point
l'alienation
.
. .
tous les
sympt6mes
psychologiques
de la
folie se
retrouvent dans le
reve. 4
Mental
pathologies are defined, as in Janet, by a loss of the sense of reality,
as is
the case
in
psychosis
(I
will
not
go
into further
analysis
here
concerning
the
distinction
between mechanical and
dynamic
dis-
eases).
On this
level,
the
pathological
standard is
psychosis,
consid-
ered
as
a
loss of contact
with
reality.
And
what is
opposed
to
psychosis
is common
sense
[bon
sens]-normality
or the intellectual
equilib-
rium
of
common sense.
With
this
explanation, Bergson
offers
a
general
framework that
allows
us to think
relations between
the
normal
and the
pathological.
The normal
is the set of
pathologies
prevented, warded off, or counterbalanced by the bodily sensori-
motor
adaptation
to the
world. So it is to a
large
extent the
body-as
a
system
of habits-that
prevents
the
danger
of the mind
going
into a
psychotic
delirium. On
this
level,
the normal is
only
the
prevention
of
the
pathological.
What
happens
when
Bergson
introduces attachment
to
life ?
In
order
to
live,
adaptation
is
not
enough;
one needs to be attached
o
one's
own
life. Life has to
give
us a means to
be attached to it.
This
means that
the
possibility
does exist that man
can be detached
from
life and not be interested in it
anymore.
One can understand how
different the situation is
now,
especially
if
we
remember
that
the
notion of
attachment
is
actually inseparable
from what
Bergson
1148
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DAVID
LAPOUJADE
occupy:
the
inevitability
of
death,
the
unexpected,
which undoes our
projects.
From this
point
of
view,
the
highest
form of
intelligence
would be the conception of determinism: a world in which no
particular place
could be said to
belong
to us. This is
the first
part
of
the neurosis. In other
words,
what becomes
pathological
now
is the
representation
of
reality
as such
(that
very
representation
that
was
preventing
pathologies
in
the intellectual
equilibrium).
Bergson's
general question
can be
posed
in the
following way:
what
attaches
individuals
to their own
life,
since
intelligence
and
memory
or common
sense
cannot do it?
One knows
the
solution for this
depression,
for this neurosis inherent to mankind. Under
pressure
of
a virtual instinct, man starts to invent stories [fabuler];but he doesn't
make
up
stories
just
for fun-he
invents
stories
in
order to
believe
them. And
to believe means to take them as real.
In
other
words,
one
invents stories inasmuch as the stories can be
regarded
as
perfectly
real.
They
must
have
the same
sensori-motor
efficacy
as
the
represen-
tations of
reality provided
by
our
knowledge;
otherwise,
we remain
on
the level of mere conviction
or
opinion.
It is
only
if
man
injects
elements of
personality
into the
real
world,
virtual
presences
on
the
basis of
which
he
acts,
that man
can be attached
to
life. One can
believe anything (and actually we do believe anything when we
consider the absurdities of
religions
in
History, says Bergson)
as
long
as
we
go
on
believing. According
to this
general description,
the first
form of
equilibrium
is not
in the
least threatened.
Religion
or,
if one
prefers,
the
act of
believing,
is
what
helps
man
face
reality,
and withstand
the
excess of
reality
that
pure
intelligence
would
otherwise
impose
on us.
Belief-the
act of
belief,
of
holding
fictions as real-is a
vital
act.
Besides attachment
to
life,
what
is its
vital
function?
Nous
devons
oujours
nous dire
que
le
domainede la vie est
essentiellement
celui de
l'instinct,
que
sur une
certaine
igne
d'evolution,
'instinct
a
c6ed
une
partie
de sa
place
a
l'intelligence,qu'une perturbation
de la vie
peut
s'ensuivre
et
que
la nature n'a
d'autre ressource
alors
que d'opposer
l'intelligence
a
l'intelligence.
La
representation
ntellectuelle
qui
retablit
l'equilibre
est d'ordre
religieux.8
Bergson goes
on: Nous
posons
une certaine activit6
instinctive;
faisant
surgir
alors
l'intelligence,
nous cherchons si
une
perturbation
dangereuse s'ensuit; dans ce cas, l'6quilibre sera vraisemblablement
retabli
par
des
representations
que
l'instinct suscitera
au
sein de
l'intelligence perturbatrice:
si de
telles
representations
existent,
ce
1150
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M
L N
sont
des idees
religieuses
6elmentaires. 9 What is
properly
vital
in
belief
(that
is
to
say:
the
interpolation
of an
imaginary representation
in a chain of real representations), is the restoration of an equilib-
rium that is not
intellectual,
but natural.
In
other
words,
the
general
structure
is
totally
different from the
structure
of attention to life.
On
the
one
hand,
intellectual
equilibrium
is
produced
by preventing
deliria
[delires];
on the
other,
natural
equilibrium
is
produced by
introducing
deliria inside the
intellectual
plane
to
prevent
a
vital
deficiency
(or
its
threat).
On
one
hand,
it is
the
vital
deficiency
that
threatens
intelligence;
on the other
hand,
it is
the
excess of intelli-
gence
that threatens the vital
impulse.
How, then, can we define this attachment to life? Bergson writes:
La
religion
est ce
qui
doit combler chez les
etres
dou6s de
r6flexion,
un d6ficit
eventuel
de
l'attachement
a la
vie.... La
religion
statique
attache l'homme
a
la
vie,
et
par cons6quent
l'individu
a la
socite6,
en
lui
racontant des histoires
comparables
a
celles dont on berce les
enfants. '0 The
question
then becomes:
how do
those fictions
[fabulations]
attach
us
to life? We
cannot
be
satisfied
with an
answer
that
would
say:
they give
us
hope,
release
our
pain,
etc.,
because such
answers
beg
the
question.
Bergson first shows that fictions are projections. We project, behind
the
natural
phenomena, meaningful
intentions or
purposes.
In
other
words,
we
constitute a
universe
of
human
significations. Intelligence,
Bergson says,
under the
pressure
of
instinct,
gives
a
unity
or
an
individuality
to events that makes them human.1 One
goes
as
far
as
one
can with
knowledge
or
with
technics,
but this
knowledge
is
supplemented by
our
projections
which
give
us
confidence:
l'archer
tend
son arc et
vise;
mais sa
pensee
va
plut6t
a
la
cause
extra-
mecanique
qui
doit conduire la fliche
ou
il
faut,
parce
que
sa
croyance en elle lui donnera ... la confiance en soi qui permet de
mieux
viser. '2As
this
myth-making
function
develops,
the elements
of
personality
unfold
proportionally,
and form
an
entity
(for
ex-
ample,
the
spirits )
that
goes
on to achieve
divinity.
There is
only
a
difference
in
degree
between
the
player
who believes
in
his luck
and
the
priest
who lives
according
to
the
holy
texts.
This
is a classical
feature
of
religion:
the
myth-making
function is
anthropomorphic,
but
this statement
is
not made from a
critical
point
of
view since
it
is
about
grounding
the
religious
in the
vital
(and
considering
the loss of
religion as a depression of the vital
impulse).
There
is, however,
another
aspect,
one less
visible
perhaps,
but
also
quite important. Bergson says
that
religion gives
confidence,
confidence
1151
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DAVID
LAPOUJADE
in
oneself,
confidence
in
the external
world. We
do
believe
in order
to be confident. And confidence is
synonymous
with attachment to
life. Lack of confidence comes from intelligent knowledge, knowl-
edge
of a
possible
order that threatens
my
existence. I
know
myself
as
a lack of
power.
And,
as
Bergson says,
adefaut
de
puissance,
nous
avons
besoin de confiance. 13
How does
man
regain
(or recreate)
this
confidence
by projecting
entities or
personalities
into the external
world? It
is
because those
projections give
him
a
place:
he is now
observed,
helped,
involved;
in
short,
he is
acknowledged
s
occupying
a
place
in the
world.
Why
a
place?
This is because
pure
intelligence
involves
thinking
the world with
an
order that excludes us. We
just
occupy a neutral, insignificant place among other places inside a
world with
necessary
laws,
blind to our
destiny.
What
our beliefs
give
us is a
privileged place.
And
what
is a
privileged place?
It
is the
central
one,
the
very
center. Belief
puts
us in the
very
center
of the
world
because
the forces of the
universe
organize
themselves
for
us. One
passes
from
anthropomorphism
o
anthropocentrism.
ere is the
Bergson's
description:
Considerons,
en
effet,
un animal
autre
que
1'homme.
l
use de tout ce
qui
peut
le servir.Croit-il
precis6mentque
le monde soit fait
pour
lui?
Non,
sans
doute,
car
il
ne se
repr6sentepas
le
monde,
et n'a d'ailleursaucune
envie de
sp6culer.
Mais ..
il
se
comporte
evidemment
comme si tout
etait
combine dans la
natureen vue de
son
bien et dans
l'interet
de son
esp&ce.
Telle est
sa conviction
v6cue;
elle le
soutient,
elle se confond avec son
effort
pour
vivre. Faites maintenant
surgir
la
reflexion:
cette
conviction
vecue;
elle le
soutient,
elle
se confond avec son
effort
pour
vivre.Faites
maintenant
urgir
a r6flexion:cette conviction
'evanouira;
'homme
va
se
percevoir
et se
penser
comme un
point
dans
l'immensite
de
l'univers. 1
se
sentirait
perdu,
si
l'effort
pour
vivre ne
projetait
aussit6t dans son
intelligence,a la placememe que cetteperceptionet cettepensee allaient
prendre, 'imageantagoniste
'une
conversion
des
choseset des evenements
vers
'homme
:
bienveillante u
malveillante,
une intention de
l'entourage
le suit
partout,
comme la lune
parait
courir avec
lui
quand
il
court.'4
In
other
words,
confidence here is the intellectual
feeling through
which
the
world reflects
for
man
a
central
place, through
which,
says
Bergson,
he is taken
into consideration. This is
a
kind of childish or
neurotic
confidence.
So we
can
see here what defines the
humanity
of man. Man does
not escape from his intelligence, does not leap beyond himself to
reach an
overhumanity.
He
does not leave his
intelligence
behind,
it
is
rather that his vital instinct inserts itself into
intelligence
and
1152
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M
L
N
interpolates
its fictions into
it. On
the
contrary, humanity
expands,
since it
is
projected
all around man and reflected
by
him in his
religions. It is like a sphere or a bubble of humanity. These are the
closed societies.
Bergson says
that we cannot
escape
such
enclosure,
man's
turning
in on
himself,
in
the same
way
that
we
escape
from
the
depressive power
of
pure
intelligence.
With
static
religion,
one
does
not
escape
from the
sickness
of
mankind-one
only
makes it
livable.
This is because the
means to
get
rid of the
sickness
still
belong
to the
sphere
of
sickness.
And,
for
Bergson
as for
Nietzsche,
the
real sickness
is not to be
sick,
it is when the means of
getting
out
of
it still
belong
to it. This is the
case
for
religion.
It
protects
us from the
representa-
tions of pure intelligence but remains inside the closed society or
neurosis. To be
really
free,
one
should
escape
from
intelligence,
that
is to
say, leap
over our neurotic and childish
humanity,
to
reach
a kind
of
overhumanity.
This means
introducing
a new kind of
confidence,
a
new
kind of
attachment to
life,
in
short:
a
new
kind of health. This is what
happens
with
mysticism,
when
Bergson says
that
mysticism
aims
at a
more than human man. This
is
what
Bergson says:
...
pourquoi,
des
lors,
l'homme
ne
retrouverait-il
pas
la
confiance
qui
lui
manque
[because
he looks for
it
outside of
himself]
ou
que
la
reflexion a
pu
ebranler,
en
remontant,
pour reprendre
de
l'elan,
dans la
direction
oiu
l'lan
etait
venu?
Ce n'est
pas
par l'intelligence,
ou
en
tous cas
avec
l'intelligence
seule,
qu'il pourrait
le
faire ....
Son attachement a
la vie
serait d6sormais ...
joie
dans
lajoie,
amour
de ce
qui
n'est
qu'amour....
La
confiance
que
la
religion
statique apportait
a l'homme s'en trouverait
transfiguree....
C'est
maintenant d'un
detachement
de
chaque
chose
que
serait
fait
l'attachement a
la
vie.l5
In
other
words,
attachment
to
life
(confidence)
has
changed
its
nature
with
the
leap
out of
intelligence.
This
leap
is
actually
a
conversion. But this remains
very
abstract
if
one doesn't describe
the
actual
process by
which
the
leap
is
performed.
What
is this
leap?
What
is this new kind of confidence
or
attachment
to life that
Bergson
calls
a
transfigured
confidence?
Bergson
insists
again
on the
question
of
the normal and the
pathological
(discussing
at the same time with
Janet)
in connection with the
mystic ecstasy.
He
says
that there
is
something
abnormal
(but
not
pathological)
in
this
process.
I
will
quote
the entire
passage
here,
for
it
is
essential:
La
verite
est
que
ces
etats
anormaux,
leur
ressemblance et
parfois
sans
doute aussi leur
participation
a
des 6tats
morbides,
se
comprendront
sans
1153
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DAVID
LAPOUJADE
peine
si l'on
pense
au bouleversement
qu'est
le
passage
du
statique
au
dynamique,
du clos
a
l'ouvert,
de la vie habituelle
a
la vie
mystique.
Quand
les profondeurs obscures de l'ame sont remuees, ce qui monte t la surface
et arrive a la
conscience
y
prend,
si l'intensit6 est
suffisante,
la
forme d'une
image
ou d'une
emotion
... L'une et
l'autre
peuvent exprimer
que
le
bouleversement
est
un
rearrangement systematique
en vue d'un
equilibre
superieur....
Ebranlee dans ses
profondeurs
par
le
courant
qui
l'entrainera,
l'ame ne cesse
de
tourner sur elle-meme .
.
.,
elle
s'arrete,
comme si elle
6coutait une voix
qui l'appelle.
Puis,
elle se laisse
porter,
droit
en
avant.16
Bergson
is rather
allusive here.
He refers to a new
kind
of
equilib-
rium.
The
balance is not intellectual
(as
in
attention
to
life);
it is
neither natural (as in the case of attachment to life in its first form),
it
is vital.
Only
the
mystical
plane
of
life reaches the vital
equilibrium.
What
is
going
to
define this
new
kind of
equilibrium?
It is
as
if
there
were a moment
when,
as
Bergson puts
it,
the relations
between
the
conscious and the unconscious are disturbed.
It is
because
we
are
passing
from the
superficial
self to the
profound
self,
a
distinction
made
in
Time and
Free Will.
It is about
giving
up
the first
self,
giving up
the social
self,
the
mastery
of
intelligence (adaptation),
to
religious
projections
that
used to
help
us
to live. We
have to
give
up
the
mastery
of this self (still playing and dreaming of omnipotence). This is
because,
as
Bergson
puts
it,
the
system
is
changing
(there
is a
systematic rearrangement).
We cast
off the self that relied on the
calls
or
appeals
of the
body
(or
of
social,
the material
situations)
to which
memory
answered.
We
remember that was the
system
of
action
that
described
attention
to life. What's
going
on then?
A
reversal of this
entire
system:
it is
now the
memory
(or
the
spirit)
that calls
from
the
depth
of itself
(and
becomes active when
the
sensibility
allows).
This
is
creative
emotion, generatrice
de
pensee, says Bergson.
Now,
it
is
the
depth of our past that operates in the manner of a vocation, passing
completely
into
action,
as a function of its own
requirements
and no
longer
because of
material or social
requirements;
it is
the
moment
when one
can
say:
I
was made for
this,
this
very
future.
The
present
becomes
a
bridge
between our
deepest past
and our
most
personal
future. Life has
totally changed:
we
do not construct ourselves
according
to the
calls of the
present;
it is rather the
present
that
answers the calls
of
our
past
(what
Bergson
calls the
voice ).
The
system
is
totally
reorganized.
So we see what confidence is made of. The leaps indicate it. It
consists
precisely
in
not
controlling anymore,
not
mastering any-
more,
but
abandoning
oneself to the
necessity
to create
one's own
1154
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