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The Supply of Entertainmentwebsites.uwlax.edu/kincman/376 Paperwork/Feb 4 and... · we will sell...

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The Supply of Entertainment
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Page 1: The Supply of Entertainmentwebsites.uwlax.edu/kincman/376 Paperwork/Feb 4 and... · we will sell 6.3% more tickets Price Quantity demanded $10 50 $9 60 $8 70 $7 80 $6 90 $5 100 $4

The Supply of Entertainment

Page 2: The Supply of Entertainmentwebsites.uwlax.edu/kincman/376 Paperwork/Feb 4 and... · we will sell 6.3% more tickets Price Quantity demanded $10 50 $9 60 $8 70 $7 80 $6 90 $5 100 $4

1

The Basic Business Model

Total Revenue

• The amount a firm receives for the sale of its

output

Total Cost

• The market value of the inputs a firm uses in

production

Profit

• Total revenue minus total cost

Page 3: The Supply of Entertainmentwebsites.uwlax.edu/kincman/376 Paperwork/Feb 4 and... · we will sell 6.3% more tickets Price Quantity demanded $10 50 $9 60 $8 70 $7 80 $6 90 $5 100 $4

2

What determines Total Revenue

Total Revenue = Price x Quantity

• There may be multiple prices due to price

discrimination

- Balcony seats v main floor seats

- Matinee tickets v evening show tickets

The law of demand

Elasticity of demand

Page 4: The Supply of Entertainmentwebsites.uwlax.edu/kincman/376 Paperwork/Feb 4 and... · we will sell 6.3% more tickets Price Quantity demanded $10 50 $9 60 $8 70 $7 80 $6 90 $5 100 $4

3

The Law of Demand

• The inverse relationship between price and

quantity

- Substitution effect

- Income effectPrice Quantity

demanded

$10 50

$9 60

$8 70

$7 80

$6 90

$5 100

$4 110

$3 120

$2 130

$1 140

$0

$1

$2

$3

$4

$5

$6

$7

$8

$9

$10

0 10 20 30 40 50 60 70 80 90 100

Ticket Sales

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4

Price Elasticity of Demand

Elasticity of demand

• Elastic: %∆Qd > %∆ P

- a price decrease will actually

increase revenue

• $10 x 50 = $500

• $9 x 60 = $540

• Elasticity = %∆Qd / %∆ P = -6.3

- For each 1% decrease in the price

we will sell 6.3% more tickets

Price Quantity

demanded

$10 50

$9 60

$8 70

$7 80

$6 90

$5 100

$4 110

$3 120

$2 130

$1 140

Page 6: The Supply of Entertainmentwebsites.uwlax.edu/kincman/376 Paperwork/Feb 4 and... · we will sell 6.3% more tickets Price Quantity demanded $10 50 $9 60 $8 70 $7 80 $6 90 $5 100 $4

5

Beware: demand is not always elastic

Inelastic: %∆P > %∆ Qd

• a price decrease will actually

decrease revenue

• $5 x 100 = $500

• $4 x 110 = $440

• Elasticity = %∆Qd / %∆ P = -.7

- For each 1% decrease in the price

we will sell 0.7% more tickets

In this case we would do better to

raise the ticket price

• $6 x 90 = $540

Price Quantity

demanded

$10 50

$9 60

$8 70

$7 80

$6 90

$5 100

$4 110

$3 120

$2 130

$1 140

Page 7: The Supply of Entertainmentwebsites.uwlax.edu/kincman/376 Paperwork/Feb 4 and... · we will sell 6.3% more tickets Price Quantity demanded $10 50 $9 60 $8 70 $7 80 $6 90 $5 100 $4

6

Demand tends to be more inelastic

the fewer the number of close substitutes.

the smaller a percentage of my budget it is.

if the good is a necessity.

the more broadly defined the market.

• food v hotdogs

• entertainment v Broadway

the less time I have to adjust to a price

change.

Page 8: The Supply of Entertainmentwebsites.uwlax.edu/kincman/376 Paperwork/Feb 4 and... · we will sell 6.3% more tickets Price Quantity demanded $10 50 $9 60 $8 70 $7 80 $6 90 $5 100 $4

7

Hamilton: elastic or inelastic?

Shows sold out at $179 -$849

Are there close substitutes?

Is the price a large percentage of my budget?

Is it a necessity or a luxury?

What, exactly, is Hamilton?

• Entertainment?

• Broadway theatre?

• The greatest musical ever?

• A once in a lifetime event?

How long will it play?

Page 9: The Supply of Entertainmentwebsites.uwlax.edu/kincman/376 Paperwork/Feb 4 and... · we will sell 6.3% more tickets Price Quantity demanded $10 50 $9 60 $8 70 $7 80 $6 90 $5 100 $4

8

Why are there rush tickets?

Price discrimination

• Perishable goods

- Decay

- Cannot inventory

• Market control

• Identify customer willingness to pay

• Control resale

The Hamilton Lottery

Scalping

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9

What determines Cost of Production

Total Cost = Average Cost x Quantity

Cost of production depends on quantity and

quality of

• Labor

• Capital

• Natural resources

Two types of costs

• Fixed

• Variable

Total cost = TFC+ (AVC x Quantity)

Page 11: The Supply of Entertainmentwebsites.uwlax.edu/kincman/376 Paperwork/Feb 4 and... · we will sell 6.3% more tickets Price Quantity demanded $10 50 $9 60 $8 70 $7 80 $6 90 $5 100 $4

10

The Law of Supply

Price

Quantity

Supply

D1

D2

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11

The Law of Supply

Price

Quantity

Supply

D

$200

2000

$300

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12

Scalping and the Hamilton Lottery

Price

Quantity

Supply

D

$200

2000

$300potential

scalping

profits

$10 The Hamilton lottery

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13

Profit viewed another way

Marginal Revenue is the additional revenue from

producing an additional unit

• E.g. the revenue from selling one more ticket

Marginal Cost is the additional cost of producing

an additional unit

• MC increases as output increases

• Remember the upward sloping supply curve

Page 15: The Supply of Entertainmentwebsites.uwlax.edu/kincman/376 Paperwork/Feb 4 and... · we will sell 6.3% more tickets Price Quantity demanded $10 50 $9 60 $8 70 $7 80 $6 90 $5 100 $4

14

Profit maximization

MC

MR

Should I extend the run of my show one more week?

Quantity of shows (weeks of production)

Tic

ket price

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15

But what is The Product?

Performance goods are “excess capacity” goods

What does the movie industry produce?

Is the print of the movie the product?

• What happens to output if I add one more star

to the cast?

Or is each ticket sold the product?

• If I add one more star to the cast, how many

more tickets can I expect to sell?

Page 17: The Supply of Entertainmentwebsites.uwlax.edu/kincman/376 Paperwork/Feb 4 and... · we will sell 6.3% more tickets Price Quantity demanded $10 50 $9 60 $8 70 $7 80 $6 90 $5 100 $4

16

Industry structure

Competitive Monopolistic

competition

Oligopoly Monopoly

Buyers and

sellers

Gobs Gobs Few One seller

Relationship

of goods

Homogenous Weak

substitutes

Homogenous

or

heterogeneous

Unique

Ease of

entry

Easy Easy Difficult or

impossible

Impossible

Price setting

power

None Some Strategic

behavior

Complete

examples entertainment Fine arts:

opera

symphony

theater

Movie studios NFL

Page 18: The Supply of Entertainmentwebsites.uwlax.edu/kincman/376 Paperwork/Feb 4 and... · we will sell 6.3% more tickets Price Quantity demanded $10 50 $9 60 $8 70 $7 80 $6 90 $5 100 $4

17

Industry structure

Competitive Monopolistic

competition

Oligopoly Monopoly

Buyers and

sellers

Gobs Gobs Few One seller

Relationship

of goods

Homogenous Weak

substitutes

Homogenous

or

heterogeneous

Unique

Ease of

entry

Easy Easy Difficult or

impossible

Impossible

Price setting

power

None Some Strategic

behavior

Complete

examples entertainment Fine arts:

opera

symphony

theater

Movie studios NFL

Compete for same grants, donations, customer

dollars, but their products are imperfect substitutes

Page 19: The Supply of Entertainmentwebsites.uwlax.edu/kincman/376 Paperwork/Feb 4 and... · we will sell 6.3% more tickets Price Quantity demanded $10 50 $9 60 $8 70 $7 80 $6 90 $5 100 $4

18

Structure of the entertainment industry

opera

symphony

theater

movies

football

art

museum Professional

jello

wrestling

basketball

television

Page 20: The Supply of Entertainmentwebsites.uwlax.edu/kincman/376 Paperwork/Feb 4 and... · we will sell 6.3% more tickets Price Quantity demanded $10 50 $9 60 $8 70 $7 80 $6 90 $5 100 $4

© 2007 Thomson South-Western

Phantom of

the Opera

Star Wars: The

Force Awakens

Global box office $2 billion $2 billion

Average production

and premarketing

costs

$9 million $245 million

Length of run 28 years 24 weeks

Characteristics of major hit musical

vs major hit movie

Page 21: The Supply of Entertainmentwebsites.uwlax.edu/kincman/376 Paperwork/Feb 4 and... · we will sell 6.3% more tickets Price Quantity demanded $10 50 $9 60 $8 70 $7 80 $6 90 $5 100 $4

© 2007 Thomson South-Western

All Time Domestic Box Office Gross (through January 27, 2019)

Broadway Domestic Gross Shows Years

Lion King $1.6 billion 8832 1997

Wicked $1.3 billion 6367 2003

Phantom of the Opera $1.2 billion 12,903 1988

Chicago (revival) $641.6 million 9227 1996

Mamma Mia $624.4 million 5758 2001-15

Hollywood Domestic Gross Weeks in

theaters

Year

Star Wars: The Force Awakens $936,662,225 24 2015

Avatar $760,507,625 34 2009

Black Panther $700,059,566 25 2018

Avengers: Infinity War $678,815,482 20 2018

Titanic (plus 3D re-release) $658,672,302 50 1997

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© 2007 Thomson South-Western

Broadway vs Hollywood Box OfficeWeek ending January 27 (Broadway) January 31 (Hollywood), 2019

Broadway Weekly gross Avg ticket Top ticket % seats sold

Hamilton $3,147,991 $293 $849 102%

Harry Potter $1,957,299 $151 $297 100%

The Lion King $1,850,189 $138 $225 98.7%

Wicked $1,523,751 $107 $240 98.8%

Hollywood Weekly gross Screens Weeks

Glass $24,578,965 3844 2

The Upside $15,835,282 3377 3

Aquaman $9,538,166 3134 6

The Kid Who Would Be King $8,793,676 3521 1

14 movies had a box office gross in excess of Hamilton in this week

Page 23: The Supply of Entertainmentwebsites.uwlax.edu/kincman/376 Paperwork/Feb 4 and... · we will sell 6.3% more tickets Price Quantity demanded $10 50 $9 60 $8 70 $7 80 $6 90 $5 100 $4

© 2007 Thomson South-Western

Fundamental Economic Problem of

Live Entertainment

• Difficult to increase productivity

• Technology hasn’t been able to make

workers more productive in this industry

like it has in most others

– It takes the same amount of time and labor

to perform Beethoven’s 9th

symphony today as it did in 1824

– Of course this varies across entertainment

venues. How has technology affected the

movie industry?

Hey, I

heard

that

Page 24: The Supply of Entertainmentwebsites.uwlax.edu/kincman/376 Paperwork/Feb 4 and... · we will sell 6.3% more tickets Price Quantity demanded $10 50 $9 60 $8 70 $7 80 $6 90 $5 100 $4

© 2007 Thomson South-Western

Anything Goes

Questions ♫


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