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Transfiguraciones para Guitarra

Date post: 28-Mar-2016
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Piece for solo guitar.
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Page 1: Transfiguraciones para Guitarra

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Page 2: Transfiguraciones para Guitarra

The Score is notated in C following the Guitar's traditional Scordatura.

Actual Scordatura:

Notes About Notation

The score is divided into seven (7) sections, each with an approximate duration:

A: 2'40" approx

B: 1'50" approx

c 2'15" approx

D: 2'50" approx

F: 3'10" approx

G: 3'10" approx

Total duration: 15'SO"approx

Some of the gestures have their own approximate duration, which is indicated as:

125" I= The approximate duration of the gesture is 25 seconds.

Since there is no meter, and therefore no barlines ( with the exception of double barlines toindicate the ending of each section ), the entire piece is measured in regular time ( minutesand seconds). Despite of this, some rhythmic figures and gestures have a specific tempo oftheir own which is indicated at the beginning of each of these gestures ( keep in mind thatit only applies to one, specific figure ).

In other parts notation is proportional to the spacing of each rhythm. Such spacing shouldlast at least 1" and should not exceed 5" depending on the note's rhythmic value.

Rhythms that are beamed and without a tempo marking are to be spaced equally withspeed left to the performer' schoice ( without drastically affecting the duration of an overallsection).

Page 3: Transfiguraciones para Guitarra

Symbols

RHLl-\===-2

/7

XSPORD5TX5TOBlili1lLuJ/I /I It AT\ 7 r A T\

~\ A r\ '1~l~1rl C tr r \lvn f J \T V

Right hand

Left hand

Scratch the sixth ( 6th) string to produce a high pseudo-pitch

Very fast

Progressively slowing down

Short pause, medium pause, long pause

• Above the staff: progressively change from one method of playing toanother

Inside the staff: repeat without interruption

Extreme SuI Ponticello: as close as possible to the fingers of the lefthand

Regular position

SuI Tasto

Extreme SuI Tasto: as close as possible to the bridge

On top of the bridge

Rapid, random arpeggio ( using notes provided)

Loco: very aggressive rasgueado; almost unpolished

ii

Page 4: Transfiguraciones para Guitarra

-----------.--.-----------------------------------------

1r 1[1l

N

i

Harmonics

Continuous tremolo between G and C#

Rasgueado glissando

Two different rasgueado patterns ( to be chosen by the performer)Change the pattern when the symbol changes

Arpeggiate in indicated direction

Quick strumming in indicated direction

Left hand mute

Percussive sounds obtained by hitting the strings with the face ofthe nail

Mute with palm on fingerboard

Mute with palm in ord. position

All harmonics are notated with diamond-shaped note heads and their placement isindicated by a circle containing information about fret ( in roman numerals) and string ( anumber within a smaller circle ):

iii

Page 5: Transfiguraciones para Guitarra

Allharmonics are notated an octave below their sounding "pitch" (they are actuallyovertones/ partials ).

Onthe last section (G), a new partial is introduced, and it is achieved via a "touch four."The player must fret a e# (IX) on the first string and then pluck the harmonic at the F#(XIV)a fourth higher:

iv

Page 6: Transfiguraciones para Guitarra

---------~--------- ..-.--.----.--------

Transfiguraciones].IT para Guitarra sola .Marcelo F. LazcanoX5T· . . pORD

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© Marcelo E Lazcano, March 2012

Page 7: Transfiguraciones para Guitarra

---------

Transfiguraciones

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Page 8: Transfiguraciones para Guitarra

Transfiguraciones

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Page 9: Transfiguraciones para Guitarra

Transfiguraciones

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Page 10: Transfiguraciones para Guitarra

Transfiguraciones

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Page 11: Transfiguraciones para Guitarra

Transfiguraciones

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Page 12: Transfiguraciones para Guitarra

Transfiguraciones

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PLAY AN'i coH6i i';ATicN OF A B o>t C A..,cRNtiTi MGB<::TWc;e.rJ COM&N.ATioN6 C':f1Ci-liiHt:..):>~ CrZE.::5 _ _ _ _ _ -- - - - -

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Page 13: Transfiguraciones para Guitarra

Transfiguraciones

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