Washburn 2012 Katalog

8/19/2019 Washburn 2012 Katalog

1/31QUALITY CRAFTSMANSHIP }{


2/31

FRETTEDINDUSTRIES, INC.

Fretted Industries, Inc.acquires Washburn bringingthe brand back to theforefront of the MI Industry.

The Festival Series guitars, as played by Bob Dylan,George Harrison and Jimmy Page become the mosttrend setting guitars of the decade.

Washburn beginscreating iconic USA madeinstruments again, such asthe N4 Nuno Bettencourtand Paul Stanley models.

The D10S is named “BestAcoustic Guitar Under $500”by Acoustic Guitar Magazine.

Jam Industries Ltd.Washburn Guitars the company to cathe legacy of innov

1864 Lyon and Healy music store opensfor business in downtown Chicago.

Washburn is one of the firstcompanies to feature artistendorsements in advertising.

Trademark of the Washburnbrand name is granted.

Tonk Bros. acquire Lyon & HealyWholesale Division, becoming thelargest wholesaler in the country.

Washburn becomes the largestmusical instrument manufacturer.

HISTORY OFAs one of the oldest stringed instrument manufacturers in the USA, Washburn

has been at the forefront of American music making for over 125 years. Washb

guitars, mandolins and banjos have all contributed to developing the American

musical landscape as well as providing personal enjoyment to millions around

the world. Today, as it was in 1883 when the frst Washburns were produced,

the same pride in craftsmanship is evident in every instrument we build.


3/31

ashburn Guitar’s legacy of world-renowned excellence in aco

instruments changed the course of contemporary guitar buildin

with the introduction of the Lakeside Jumbo by Lyon and Healy

1912. Essentially the first dreadnought shaped guitar, it was th

instrument of it’s kind until competitor’s followed Washburn’s

19 years later. Featuring steel strings, the Lakeside Jumbo mea

16 ¼” wide by 5 ¼” deep by 20 ½” in length. Public demand f

experimental steel stringed instruments wasn’t very high in 19

after the Lakeside Jumbo caught on it cemented Washburn’s pl

the forerunner in acoustic innovation that we are still known fo

Since our beginning in 1883, Washburn continues to build upo

foundation of high quality craftsmanship down to the v ery last

Our acoustics embody thoughtful details like easy playability, t

sensitive feel, and inspiring tone in every guitar.


4/31

MODEL COLOR FINISH TOP STYLE & ELECTRONICS

F E A T U R E SMODEL

Mahogany

Quarter Sawn ScallopedSitka Spruce Bracing

Satin Mahoganyw/2 way Trussrod

25.5”

43mm

Custom Wood Inlay

Rosewood

Plastic

Chrome Diecast

Cream

Dot

Rosewood20 Frets

SIDES & BACK

BRACING

INLAYS

FRETBOARD

SCALE

NUT WIDTH

ROSETTE

BRIDGE

NUT & SADDLE

TUNERS

BINDING

NECK

RIES

F E A T U R E S

ATB,Natural

Gloss Sol id Spruc e D re adnoug ht / Dreadn ou gh t Cut aw ay w/EQ4-T Electronics

WD7S / WD7SCE

WD7S / WD 7SCE A CSM,ATBM

M at te Sol id Spruc e D re adnoug ht / D re adnoug ht Cut aw ay w /EQ4-T Electronics

D’Addario™

STRINGS

W D 7 S C E A C S M

W D 7 S A T B M

W D 7 S C E A T B M

W D 7 SA

T B

ALL CHERRY SUNBURSTMATTE (ACSM)

ALL TOBACCO BURSTMATTE (ATBM)

ALL TOBACCO BURST(ATB)

D RE AD NO UG HT C UT AW AYDREADNOUGHT

HARVEST“For the price I paid, I didn’t expect it to be a great guitar but when I opened it up I was very surprised bythe quality and nish. Whether you are new to guitaror someone looking for a nice second axe, I don’t knowhow you could be disappointed with this one.”

- FARGAPRIL 2011


5/31

HERITAGE

HERITAGE DELUXE

MODEL COLOR TOP STYLE & ELECTRONICS


RIES

F E A T U R E S

WD10S / WD10SCE Solid Sitka SpruceN at ur al , B , A TB D re ad no ug ht / D re ad no ug ht C ut aw ay w /F is hm an ® I sy s+ T un e

WD11S / WD11SCE Solid Cedar Natural Dreadnought / Dreadnought Cutaway w/Fishman® Isys+ Tune

WF10S / WF10SCE

WF11S / WF11SCE

Solid Sitka Spruce

Solid Cedar

Natural

Natural

Folk / Folk Cutaway w/Fishman® Isys+ Tuner/Preamp

Folk / Folk Cutaway w/Fishman® Isys+ Tuner/Preamp

WD10SLH / WD10SCELH Solid Sitka SpruceNatural Lefty Dreadnought / Lefty Dreadnought Cutaway w/Fishman®Isys+ Tuner/Preamp

WD10S12 / WD10SCE12 Solid Sitka SpruceNatural 12-String Dreadnought / 12-String Dreadnought Cutawayw/Fishman® Isys+ Tuner/Preamp

WG10S / WG10SCE Solid Sitka SpruceNatural Grand Auditorium / Grand Auditorium Cutaway w/FishmIsys+ Tuner/Preamp

WD15S / WD15SCE

WG16S / WG16SCE

Solid Sitka Spruce

Solid Cedar

Natural

Natural

Dreadnought / Dreadnought Cutaway w/Fishman® Isys+ Tune

Grand Auditorium / Grand Auditorium Cutaway w/Fishman® Isys+ Tuner/Preamp

Mahogany

Gloss


Satin Mahogany

w/2 way Trussrod

25.5”

43mm

Custom Wood InlayDeluxe Models:

Abalone

Rosewood

Bone

Chrome Diecast

Cream Multi-LamDeluxe Models:

Maple/Abalone Purfling

Dot

Rosewood20 Frets

SIDES & BACK

FINISH

BRACING

INLAYS

FRETBOARD

SCALE

NUT WIDTH

ROSETTE

BRIDGE

NUT & SADDLE

TUNERS

BINDING

NECK

D’Addario™STRINGS

W D 1 1 S

W D 1 0 S C E A T B

W F 1 0 S

W D 1 5 S C E

W D 1 0 S

C E

ALL TOBACCO BURST(ATB)

BLACK (B)D R EA D NO U GH T C U TA WA YDREADNOUGHT

CUTAWAY LEFTYDREADNOUGHT

F OL K G R AN D A U DI T OR I UM CUTAWAYGRAND AUDITORIUM

HERITAGE"Performing songsmiths who want to plug in,forget about technical matters, and just play willnd the WD10SCE an ideal - and inexpensive- platform for their amplied excursions"

- CHARLES SAUFLEY - NEW GEAR REVIEW ACOUSTIC GUITAR - OCT 2010


6/31

Bringing slide/pedal steel country licks to the acoustic world, theWashburn Acoustic Bender is the first Washburn acoustic guitarbrandishing a bender mechanism, allowing the player to bend theB-string up a full step with a simple push down on the neck.

RIES

F E A T U R E S

TAHOE

TAHOE DELUXE

FOREST LEE JR. ACSOUTIC BENDER

M ODEL TOP STYLE & ELECTRONICS


WD20S / WD20SCE Solid Sitka Spruce Dreadnought / Dreadnought Cutaway w/Fishman® Isys+ Tuner/Preamp

WD21S / WD21SCE Solid Cedar Dreadnought / Dreadnought Cutaway w/Fishman® Isys+ Tuner/Preamp

WD25S / WD25SCE Solid Sitka Spruce Dreadnought / Dreadnought Cutaway w/Fishman® Isys+ Tuner/Preamp

WG26S / WG26SCE

WDFLB26SCE

Solid Cedar

Solid Cedar

Grand Auditorium / Grand Auditorium Cutaway w/Fishman® Isys+ Tuner/Pr

Dreadnought Cutaway w/Bender & Fishman® Isys+ Tuner/Preamp

WG26SE Solid Cedar Grand Auditorium w/Fishman® Isys+ Tuner/Preamp

Rosewood

Natural Gloss


Satin Mahogany

w/2 way Trussrod

25.5”

43mm


Abalone

Rosewood

Bone

Chrome Diecast

Cream Multi-LamDeluxe Models/ Forest Lee Jr. Model:Maple/Abalone Purfling

DotForest Lee Jr. Model:Ornamental Abalone

Rosewood20 Frets

SIDES & BACK

FINISH

BRACING

INLAYS

FRETBOARD

SCALE

NUT WIDTH

ROSETTE

BRIDGE

NUT & SADDLE

TUNERS

BINDING

NECK


W D 2 1 S C E

W D 2 5 S

W G 2 6 S

W

G 2 5 S C E

W D F L B 2 6 S C E

DREADNOUGHT CUTAWAYDREADNOUGHT

GRAND AUDITORIUM CUTAWAYGRAND AUDITORIUM

TAHOE"The WD20SCE acoustic electric model provides avariety of upscale features, like a solid spruce top anda Fishman preamp/pickup system, at a low street pricethat even the most down-and-out guitarist can afford."

- CHRIS GILL- SOUND CHECK: THE GEAR IN REVIEW GUITAR WORLD


7/31

AUGUSTA

AUGUSTA DELUXE

MODEL TOP STYLE & ELECTRONICS


WD30S / WD30SCE Solid Sitka Spruce Dreadnought / Dreadnought Cutaway w/Fishman® Presys+ Tuner/Pr

WD30SLH / WD30SCELH Solid Sitka Spruce Lefty Dreadnought / Lefty Dreadnought Cutawayw/Fishman® Presys+ Tuner/Preamp

WD30S12 / WD30SCE12 Solid Sitka Spruce 12-String Dreadnought / 12-String Dreadnought Cutawayw/Fishman® Presys+ Tuner/Preamp

WD35S / WD35SCE Solid Sitka Spruce Dreadnought / Dreadnought Cutaway w/Fishman® Presys+ Tuner/Pr

RIES

F E A T U R E S

Quilted Tamo Ash

Natural Gloss


Satin Mahogany

w/2 way Trussrod

25.5”

43mm


Abalone

Rosewood

Bone

Gold Diecast


Rosewood/Maple/Abalone

Dot

Rosewood20 Frets

SIDES & BACK

FINISH

BRACING

INLAYS

FRETBOARD

SCALE

NUT WIDTH

ROSETTE

BRIDGE

NUT & SADDLE

TUNERS

BINDING

NECK

D’Addario™

STRINGS

W D 3 0 S C E 1 2

W D 3 5 S C E

W D 3 0 S

CUTAWAY LEFTYDREADNOUGHT

DREADNOUGHT CUTAWAYDREADNOUGHT

AUGUSTA"The WD30SCE played easily and soundedcrisp, full, and very well balanced. Theworkmanship on this guitar is impressive"

- ART THOMPSON - GEAR TEST DRIVE GUITARPLAYER.COM - SEPT 2010


8/31

CUMBERLAND

CUMBERLAND DELUXE

MODE L S TYLE & ELECT RON ICS


RIES

F E A T U R E S

Flame Maple

Solid Sitka Spruce

Natural Gloss



25.5”

43mm


Abalone

Rosewood

Bone

Gold Diecast


Rosewood/Maple/Abalone

Dot

Rosewood20 Frets

SIDES & BACK

TOP

FINISH

BRACING

INLAYS

FRETBOARD

SCALE

NUT WIDTH

ROSETTE

BRIDGE

NUT & SADDLE

TUNERS

BINDING

NECK

WJ40S / WJ40SCE Jumbo / Jumbo Cutaway w/Fishman® Presys+ Tuner/Preamp

WJ45S / WJ45SCE Jumbo / Jumbo Cutaway w/Fishman® Presys+ Tuner/Preamp

WJ45SLH / WJ45SCELH Lefty Jumbo / Lefty Jumbo Cutaway w/Fishman® Presys+ Tuner/Preamp

WJ45S12 / WJ45SCE12 12-String Jumbo / 12-String Jumbo Cutaway w/Fishman® Presys+ Tuner/Preamp


W J 4 5 S C E

W J 4 0 S C E

W J 4 0 S

W J 4 0 S

J UM BO C UT AW AY J UM BO C UT AW AY L EF TYJUMBO

CUMBERLAND“This guitar is superb! Its tone, action, and looks is justsimply amazing. I don’t want to compare this guitar toother guitars at its price range due to the fact that this guitar should really be at least 2 or 3 times its price.Once you pick this one up; it’s really hard to put it down!”

- JLIELAPRIL 2011


9/31

MODEL TOP STYLE & ELECTRONICS BINDINGSIDES & BACK


RIES

F E A T U R E S

Natural Gloss



25.5”

43mm

Abalone

Rosewood

Bone

Chrome Diecast

Offset Dot

Rosewood20 Frets

FINISH

BRACING

INLAYS

FRETBOARD

SCALE

NUT WIDTH

ROSETTE

BRIDGE

NUT & SADDLE

TUNERS

NECK

WD150SW /WD150SWCE

Solid SitkaSpruce

SolidMahogany

Dreadnought / Dreadnought Cutaway w/Fishman®Presys Blend w/Sonicore pickup, anti-feedback control,built-in mic w/level control & endpin jack

WD160SW /WD160SWCE

Solid Cedar SolidMahogany

Dreadnought / Dreadnought Cutaway w/Fishman®Presys Blend w/Sonicore pickup, anti-feedbackcontrol, built-in mic w/level control & endpin jack

WD250SW /WD250SWCE

Solid SitkaSpruce

SolidRosewood

Dreadnought / Dreadnought Cutaway w/Fishman®Presys Blend w/Sonicore pickup, anti-feedback control,built-in mic w/level control & endpin jack

Mahogany

Mahogany

Rosewood


W D 1 5 0 S W C E

W D 1 6 0 S W C E

W D 2 5 0 S W

W D 1 6 0 S W C E

D RE ADN OUGH T C UTAWAYDREADNOUGHT

IMBER RIDGE “The WD160SW has a slightly scooped-mid sound, great for recording or vocal accompaniment, as itkeeps the guitar out of the way of a singer.”

- TOM SPAULDING - WASHBURN GUITAR REVIEW GUITAR.COM - 2011


10/31

M OD EL S TY LE & E L EC TR ON IC S


RIES

F E A T U R E S

Contoured Select Spruce

Contoured Mahogany

Natural Gloss



25.5”

43mm

Abalone

Rosewood

Graphtech Nubone

Chrome Diecast

Cream Multi-Lam

Dot

Rosewood21 Frets

TOP

SIDES & BACK

FINISH

BRACING

INLAYS

FRETBOARD

SCALE

NUT WIDTH

ROSETTE

BRIDGE

NUT & SADDLE

TUNERS

BINDING

NECK

WCD18 / WCD18CE Dreadnought / Dreadnought Cutaway w/Fishman® Isys+ Tuner/Preamp

WCG18CE Grand Auditorium Cutaway w/Fishman® Isys+ Tuner/Preamp


W C D 1 8 C E

W C G 1 8 C

E

W D 1 8 C E

CUTAWAYGRAND AUDITORIUM

D RE AD NO UG HT C UT AW AYDREADNOUGHT

COMFORT“The Venetian cutaway facilitates good access to the upper registers andthe WCD18CE’s treble is clear and bright enough to encourage venturingup the dusty end. Employing the services of the Fishman onboard pickupreveals a capable system providing a punchy amplied tone. The bassand treble controls work well and offer excellent tonal variations.”

- STEVE HARLEY - PRODUCT REVIEW MUSICRADAR.COM - SEPT 2011


11/31

MODEL COLOR TOP SIDES & BACK NECK FRETBOARD SCALESTYLE & ELECTRONICS


RIES

F E A T U R E S

Gloss


25.5”

43mm

Abalone

Rosewood

Graphtech Nubone

Chrome Diecast

Multi-Lam

Dot

FINISH

BRACING

INLAYS

SCALE

NUT WIDTH

ROSETTE

BRIDGE

NUT & SADDLE

TUNERS

BINDING

EA10 BasswoodB, R Basswood Petite Jumbo Cutaway w/EQ4-T Tuner/Preamp

Mahogany w/2way Trussrod

Rosewood19 Frets

24”

EA12 BasswoodB, R Basswood Mini Jumbo Cutaway w/EQ4-T Tuner/Preamp


Rosewood21 Frets

25.5

EA14 SpruceATB Catalpa Mini Jumbo Cutaway w/EQ4-T Tuner/Preamp


Rosewood21 Frets

25.5

EA15 Flame MapleATB Catalpa Mini Jumbo Cutaway w/EQ4-T Tuner/Preamp


Rosewood21 Frets

25.5

EA20 SpruceNatural Flame Maple Florentine Cutaway w/EQ4-T Tuner/Preamp

Maple w/2way Trussrod

Rosewood21 Frets

25.5


E A 2 0

E A 1 2 R

E A 1 0 B

PETITE JUMBO MINI JUMBO FLORENTINE BLACK (B)ALL TOBACCOBURST (ATB)

RED (R)

FESTIVAL“I absolutely adore my Washburn Festival Guitar (EA15ATB).I get the most compliments when I play my Festival Series.It has that true “Western Wear” appeal to it. It embodies oldschool beauty with a modern sound and feel. It’s so lightweightand easy on my ngers. Whether you’re a beginner or aseasoned player, I would recommend this series to anyone.”

- MADONNA NASH


12/31

MODEL COLOR TOP SIDES & BACK INLAYS TUNERSFRETBOARDSTYLE


RIES

F E A T U R E S

Matte


Mahogany V shape

Abalone

Ebony

Bone

Cream Multi-Lam/Rope Purfling

24.75”

48mm

FINISH

BRACING

ROSETTE

BRIDGE

NUT & SADDLE

BINDING

SCALE

NUT WIDTH

NECK

R314K SpruceVintage Trembesi Parlor Ebony 18 Fret s Fan cy Distressed C

R315K SpruceNatural Trembesi Parlor Ebony 18 Fret s Fan cy Classical

WSJ124 SpruceVintage Trembesi SouthernJumbo

Rosewood20 Frets

Snow Flake Grover® Sta-T

R319SWK Solid SpruceVintage Solid Trembesi Parlor Ebony 18 Frets n/a Distressed C

R320SWRK Solid SpruceVintage Solid Rosewood Parlor Ebony 18 Frets Tree of Life Distressed C

R321SWR Solid SpruceNatural Solid Rosewood Parlor Ebony 18 Frets Tree of Life Classical


R 3 1 5 K K

R 3 1 9

S W K K

R 3 2 0 S W R K

W S J 1 2 4 K

R 3 1 5 K K

PARLOR SOUTHERNJUMBO

VINTAGE- STEVIE D BUCKCHERRY

“Washburn Guitars was just around the corner, anda big part of Maxwell Street in the early 1900s...youalready know the rest of the story of Delta Blues in SweetHome Chicago. No matter how far I’ve drifted...I alwaysfeel a little closer home (and what it’s really all about)when I pick up this guitar,” (R319SWK).


13/31

TUNERSSTYLE & ELECTRONICSSIDES & BACKTOPMODEL

RIES

F E A T U R E S

Natural Gloss


25.5”

52mm

Mosaic

Rosewood

Rosewood19 Frets

MahoganyWC Models:Satin Mahoganyw/2 way Trussrod

Black Multi-LamWC Models:Rosewood

FINISH

BRACING

FRETBOARD

NECK

BINDING

SCALE

NUT WIDTH

ROSETTE

BRIDGE

C5 / C5CE Spruce Mahogany Classical / Classical Cutaway w/EVTTuner/Preamp

Classical Chrow/Pearloid Bu

C40 Spruce Mahogany Classical Classical Chro

C44CE Spruce Mahogany Classical Cutaway w/EQ4-T Tuner/Preamp Classical Chro

C80S Solid Cedar Rosewood Classical Classical Gold

C64SCE Solid Spruce Mahogany Classical Cutaway w/B-Band™ A3T Classical Gold

C104SCE Solid Cedar Rosewood Classical Cutaway w/B-Band™ A3T Classical Gold

WC160SW /WC160SWCE

Solid Cedar Solid Mahogany Classical / Classical Cutaway w/Fishman® PresysBlend w/Sonicore pickup, anti-feedback control,built-in mic w/level control & endpin jack

Open Gear GoTuners w/EbonButtons

F E A T U R E S

MODEL

D’Addario™

STRINGS

C 5 C E

C 8 0 S

C 1 0 4 S C E

W C 1 6 0 S W

C E

W C 1 6

0 S W

C E

C LA SS IC AL C UT AW AYCLASSICAL

CLASSICAL“I play a wide mixture of music, ranging from classical to praise music to pop music arranged for classical guitar. TheC64CE delivers for me in this area. The solid spruce top givesan intense projection, & I’m sure this will only get better withtime. The tone & sound quality t my playing style on target.”

- SKAREKROW - CUSTOMER REVIEW HARMONY CENTRAL


14/31

MODEL COLOR STYLE & ELECTRONICS


RIES

F E A T U R E S

Solid Spruce

Mahogany

Matte


Mahogany

23.75”

43mm

ABS

Rosewood

Plastic

Chrome Open Gear

Cream Multi-Lam

Offset Dot

Rosewood19 Frets

TOP

SIDES & BACK

FINISH

BRACING

INLAYS

FRETBOARD

SCALE

NUT WIDTH

ROSETTE

BRIDGE

NUT & SADDLE

TUNERS

BINDING

NECK

RO10 Natural,B, TBL,TR

Rover Travel Size


R O 1 0 B

R O 1 0

R O 1 0 T B L

R O 1 0 T R

R O 1 0

ROVER BLACK (B) TRANS RED(TR)

TRANS BLUE(TBL)

TRAVEL“This is a great little travel companion, it sounds clear androbust for being so small. The full size fretboard is nice andfeels like a really expensive acoustic and the white bindingreally sets off the visual appeal. The quality is outstanding,from select tonewoods to premium machine heads.”

- GARDNER1727MAY 2011


15/31

MODEL COLOR TOP SIDES & BACK FRETBOARD SCALE NUT WIDTH BRIDGE NUT & SADDLESTYLE & ELECTRONICS

F E A T U R E

SMODEL

STU HAMM SIGNATURE

RIES

F E A T U R E S

Gloss


Mahogany

ABS

Cream Multi-Lam

Dot Signature M odels:Ying Yang

FINISH

BRACING

INLAYS

ROSETTE

BINDING

NECK

AB5 SpruceNatural,

B

Mahogany Cutaway w/Round

Soundhole & QPHPreamp

Rosewood

22 Frets

3 2” 4 2mm R osewo od Pl as tic

AB10 SpruceB, TS Mahogany Cutaway w/SlottedSoundhole & CustomPiezo

Rosewood23 Frets

3 4” 4 0mm R osewo od Pl as tic

AB40 ArchedSpruce

VS ArchedMaple

Cutaway w/SlottedSoundhole & CustomPiezo

Rosewood24 Frets

3 4” 4 0m m M on or ai lw/Piezo

Graphite

AB45 ArchedSpruce

VS ArchedMaple

Cutaway w/SlottedSoundhole & CustomPiezo

Rosewood24 Frets

3 4” 4 0m m M on or ai lw/Piezo

Graphite

AB40SH ArchedSpruce

BCB,Natural

ArchedMaple

Arch Top Cutaway w/Custom Piezo

Rosewood24 Frets

3 4” 4 0m m Monorailw/Piezo

Graphite

D’Addario™

STRINGS

A B 5 K

A B 1 0 B K

A B

4 0 S H B C B K

A B 4 0 S H N K

A B 4 0 V S K

A B 4 0 S H N K

CUTAWAY ACOUSTIC BASS

CUTAWAY FLORENTINEACOUSTIC BASS

TOBACCO SUNBURST(TS)

BLACK (B) VINTAGESUNBRST (VS)

BLACK CHERRYBURST (BCB)

ACOUSTIC

STU

- STU HAMM

“I had been playing Washburn acoustic basses for a longtime, and I love the sound and I love the company, butno one made an acoustic bass that had an adjustable,intonatable bridge. So after years, we nally came up withthe Washburn AB40SH that has the intonatable bridge.”


16/31


RICHIE OWEN SIGNATURE

VINTAGE SERIES

RIES

F E A T U R E S

GlossVintage Series:Matte

13.75”

28mm Signature/Vintag e Series:31mm

Adjustable Rosewood Signature/Vintag e Series:Adjustable Ebony

FINISH

SCALE

NUT WIDTH

BRIDGE

MODEL TOPCOLOR SIDES & BACK STYLE & ELECTRONICS NECK FRETBOARD

Ebony 24Jumbo Frets

INLAYS BINDING TUNER

M1S SolidSpruce

TSB Maple “A” Stylew/F-holes

Maple - Joinedat 12th fret

Rosewood20 Frets

Dot Multi Lam Diec

M1SDL Solid SpruceB, TR,TBL

M apl e “A ” S ty le w/Ova lSoundhole


Rosewood20 Frets

Dot Multi Lam GoldPea

M3SW Carved SolidSpruce

SB Solid Maple Florentine Maple - Joinedat 12th fret

Rosewood24 Frets

S no wf la ke M ul ti La m G ol dPea

M3SWE Carved SolidSpruce

TWR Solid Maple Florentine Electricw/MG-2 Preamp


Rosewood24 Frets

S no wf la ke M ul ti La m G ol dPea

M6SW Premium CarvedSolid Spruce

SB Solid AAAFlame Maple

Florentine Flame Maple -Dovetail Joinedat 12th fret

Ebony24 Frets

F lo we r H er ri ng bo ne G olw/P

M120 Carved SolidSpruce

TSB Carved SolidFlame Maple


Ebony 24Frets

Dot Herringbone GoldGea


Vintage SolidMahogany

“A” Style Maple - Joinedat 12th fret

Ebony 20Jumbo Frets

MOP Dot n/a DistOpe


Vintage SolidMahogany

Florentine Maple - Joined at12th fret

MOP Dot n/a DistOpe


Vintage Solid FlameMaple

“A” Style Flame Maple -Dovetail Joinedat 12th fret

Ebony 20Jumbo Frets

M OP D ot I vo ro idHerringbone/Rope Purfling

DistOpe


Vintage Solid FlameMaple


Ebony 24Jumbo Frets

M OP D ot I vo ro idHerringbone/Rope Purfling

DistOpe

D’Addario™

STRINGS

M 1 S

M 1 S D L T R

M 3 S W K

M 1 0 6 S W K

M 1 1 8 S W K

M 1 2

0 K

“F” FLORENTINEMANDOLIN

“A” STYLEMANDOLIN

B LA CK ( B) S UN BU RS T ( SB ) T RA NS B LU E(TBL)

TRANS RED(TR)

TRANS WINE RED (TWR)

TOBACCO SUNBURST(TSB)

MANDOLIN

RICHIE

"Today, more and more guitar players are pickingup the mandolin. They’re often looking for a biggersound and approach the instrument with a moreaggressive style. The M-120 is aimed at giving thema more comfortable, high quality instrument with a“throatier” tone and more volume.”

- RICHIE OWENS


17/31

F E A T U R

E SMODEL

SONNY SMITH SIGNATURE

RIES

F E A T U R E S

Remo® HeadB120K Model:Distressed Remo® Head

Maple w/Ebony Tip

Rosewood 22 FretsB17K Model:Ebony 22 Frets

HEAD

BRIDGE

FRETBOARD

MODEL STYLECOLORFINISH SIDES & BACK NECK INLAYS RIM SCALE NUT WIDTH TONE RING

B7 5 StringOpen Back

NaturalMatte n/a Mahogany Dots Mahogany 27.5” 30mm n/a

B9 5 StringSBGloss Mahogany Mahogany Dots Aluminum 27.5” 30mm n/aB11 5 StringNaturalGloss Mahogany Ma hog any Dots Ma ho ga ny 2 6. 35 ” 3 1m m Ro lled Bra s

B14 5 StringNaturalGloss Mahogany Mahogany Dots Maple 26.35” 31mm Bell Brass

B16 5 StringTSBGloss Flame Maple Maple Fancy 3ply SolidMaple

2 6. 35 ” 3 1m m B el l B ra ss

B120 5-StringVintageMatte Maple Maple Fancy Maple 26.35” 31mm Rolled Bras

B17 5 StringTSBGloss Flame Maple Maple (engravedheel & back ofheadstock)

Fancy 3ply SolidMaple

2 6. 35 ” 3 1m m B el l B ra ss

B160 5 StringBBGloss Flame Maple Flame Maple MOPBlock

3ply SolidMaple

2 6. 35 ” 3 4m m B el l B ra ss

D’Addario™

STRINGS B 7

B 9

B 1 6 K

B 1 2 0 K

B 1 7 K

B 1 6 0 K SUNBURST (SB) TOBACCO SUNBURST

(TSB)BLACK BURST (BB)

BANJO

ONNY

“Back in the day, banjos were mainly played by women. As aresult, the instrument developed with a very narrow fretboard.We’ve given the B160 a wider fretboard to accommodate biggerngers. We’ve also moved the 5th string nut between the 5th and6th fret for improved tone, sustain and intonation.."

- SONNY SMITH


18/31


RIES

F E A T U R E S

Gloss

Aluminum Spider Bridgew/Maple & Ebony Top Saddle

Chrome Die-cast

White Multi-Ply

Offset Dot

FINISH

INLAYS

BRIDGE

TUNERS

BINDING

MODEL

R15S

R15R

R15RCE

R45RCE

TOP

Mahogany

Mahogany

Mahogany

FlameMaple

COLOR

TSB

TSB

TSB

TRH

SIDES & BACK

Mahogany

Mahogany

Mahogany

FlameMaple

STYLE & ELECTRONICS

Spider Resonator

Spider Resonator

Spider ResonatorCutaway w/SingleCoil 1V/1T Pickup

Spider ResonatorCutaway w/SingleCoil 1V/1T Pickup

NECK

Mahogany SquareNeck Joined at12th fret

Mahogany RoundNeck Joi ned at12th fret

Mahogany RoundNeck Joined at12th fret

Hard Maple RoundNeck Joi ned at12th fret

FRETBOARD

Rosewood19 Frets

Rosewood19 Frets

Rosewood20 Frets

Rosewood20 Frets

SCALE

25”

25”

24.75”

24.75”

NUT WIDTH

47.6mm

43mm

43mm

43mm

BRIDGE

AluminBridgeEbony

AluminBridgeEbony

AluminBridgeEbony

AluminBridgeEbony


R 1 5 R

R 1

5 R C E

R 4 5 S C E

R 1 5 R

C E

R ES ON AT OR C UT AW AYRESONATOR

TRANS HONEY (TRH) TOBACCO SUNBURST(TSB)

RESONATOR“Overall I was just blown away with the Washburn R45 and it hasbrought back that stoke and excitement in my guitar playing. I feelthe same exhilaration that I had as a groom when I played my rstchord or caught my rst wave! I get excited to play it and it has nowbecome a permanent part of my quiver.” - PRODUCT REVIEW

GUITAR-FOR-JAZZ.COM


19/31

rom rock and roll, country music, bluegrass and jazz

electric guitars cater to every player’s musical styles an

tastes. Everyone from beginners taking their first step

colorful world of musical expression to seasoned profe

tearing up the stage at sold out concerts around the g

appreciate our lineup. Washburn guitars offer the cha

explore your musical capabilities and to further deepe

musical development, inspired by the sounds of our am

signature artists Nuno Bettencourt, Stuart Hamm, and

iconic Paul Stanley of Kiss. It is with this legacy of tale

artist partners and finely crafted guitars that Washbur

continues to influence today’s greatest music.


20/31

RIES

F E A T U R E S

Single Cutaway Idol

Rosewood

22 Frets

Chrome Die-cast

24.75”

2V/2T - 3 way toggle

D’Addario™

43 mm

Tune-o-matic / Stoptail

Double Adjustable

STYLE

TRUSS ROD

FRETBOARD

TUNERS

SCALE

CONTROLS

STRINGS

NUT WIDTH

BRIDGE & TAILPIECE

F E A T U R E SMODEL MODEL COLOR BODY NECK INLAYS BINDING PICKUPS

WIN14 B, WH, WA Basswood Maple Bolt-on Dot n/a 2 x Humbucker

WIN14 FTR Basswood w/FlameMaple Veneer

Maple Bolt-on Dot n/a 2 x Humbucker

WIN STD B , WH, G, TSB M ah og an y w /Maple Cap

MahoganySet-neck

Pearl Wing CreamSingle Ply

2 x Duncan USMHumbucker

WINDLX FBB, FTSB Mahogany w/Maple Cap & FlameMaple Veneer

MahoganySet-neck

Pearl Wing 5 Ply 2 x Duncan USMAlnico-5 Humbucker

W I N S T D T S B

W

I N D L X F B B

W I N 1 4 F T R

W I N S T D G

BLACK

(B)

WHITE

(WH)

WALNUT STAIN(WA)

FLAME TRANS RED

(FTR)

GOLD

(G)

TOBACCO SUNBURST

(TSB)

FLAME BLACK BURST

(FBB)

FLAME TOBACCOSUNBURST

(FTSB)

DOL“What has kept me at Washburn is their determination to create a great company offering great instruments at all price levels. Theyshare my point of view that an entry level player should have qualityat a realistic price and the professional shouldn’t be gouged forbeing able to afford a premium instrument. They continue to showtheir readiness to do whatever is necessary to reach that goal”.

- PAUL STANLEY


21/31

F E A

T U R E SMODEL MODEL COLOR STYLE BODY NECK TUNERSBRIDGE & TAILPIECE PICKUPS

XM12 DoubleCutaway HH

B, MR Basswood Maple Bolt-on Tune-o-matic /String through

BlackDiecast

2 x Hu

XMSTD2 Carved DoubleCutaway HH

PB, PWH,MBC, TNG

Basswood Maple Bolt-on Tune-o-matic /Stoptail

ChromeDiecast

2 x DunHumbu

XMSTD2FR Carved Double

Cutaway HH

PB, TNG Basswood Maple Bolt-on Floyd Rose® Chrome

Diecast

2 x Dun

HumbuXMDLX2 Carved Double

Cutaway HHPB, TNG Basswood Canadian

Maple Set-neckTune-o-matic /String Through

BlackDiecast

2 x DuAlnico-

XMDLX2 Carved DoubleCutaway HH

FBB Basswood w/Flm.Maple Veneer

CanadianMaple Set-neck

Tune-o-matic /String through

BlackDiecast

2 x DuAlnico-

XMDLX2FR Carved DoubleCutaway HH

FBB Basswood w/Flm.Maple Veneer

Canadian MapleSet-neck

Floyd Rose® BlackDiecast

2 x DuAlnico-

XMPRO2 Carved DoubleCutaway HH

PWH,PRD

Mahogany MahoganySet-neck


Grover®18:1 Black

2 x DuAlnico-

XMPRO2 Carved DoubleCutaway HH

FBB Mahogany w/Flm.Maple Veneer

MahoganySet-neck


Grover®18:1 Black

2 x DuAlnico-

XMPRO2FR Carved DoubleCutaway HH

FBB Mahogany w/Flm.Maple Veneer

MahoganySet-neck

Fl oyd Ro se® G ro ver ®18:1 Black

2 x DuAlnico-

RIES

F E A T U R E S

43 mm

25.5”

Rosewood24 FretsPro Models:Ebony24 Frets

1V/1T - 3 way toggle

D’Addario™

Double Adjustable

Offset Dots

NUT WIDTH

SCALE

FRETBOARD

CONTROLS

STRINGS

TRUSS ROD

INLAYS

X M P R O 2 F R F B B

X M S T D 2 M B C

X M S T D 2 T N G

X M 1 2 M R

X M P R O 2

P R D

FLAME BLACK BURST(FBB)

BLACK(B)

METALLIC RED(MR)

PEARL BLACK(PB)

METALLIC BLACKCHERRY (MBC)

TANGERINE(TNG)

PEARL RED(PRD)

XM“The XMSTD2 is a reliable guitar that will go to hell and back with you, and would want to do it again. It’s a magnicent instrument thatis reliable on stage as it is in studio. It will stand the beating and stillwould not lose its charm and ability to perform. Washburn did makethe instrument that should be considered the most reliable in its class!

- PRODUCT REVIEW CHORDER.COM


22/31


23/31

F E

A T U R E SMODEL MODEL COLOR STYLE BODY NECK BINDING TUNERS PICKUPSBRIDGE & TAILPIECE

HB30 Semi AcousticHollowbody

TS Maple Top,Back & Sides

Hard Maple CreamSingle Ply

Tune-o-matic /Stoptail

Grover® 18:1RotomaticChrome

2 xHumbucker

HB15C Semi AcousticHollowbody -Single cut

TS Mahogany

Top, Back& Sides

Mahogany 7 ply Black/

Cream

Adjustable

Rosewood w/Trapese tailpeice

Grover® 18:1

RotomaticChrome

1 x Vintage

MiniHumbucker

HB17C Semi AcousticHollowbody -Single cut

B Matte MahoganyTop, Back& Sides

Mahogany 6 ply Black/Cream

Tune-o-maticw/ Trapezetailpiece

Grover® 18:1RotomaticBlack

2 x DuncanUSM ActiveHumbucker


DM MahoganyTop, Back& Sides

Mahogany CreamSingle Ply


Grover® 18:1RotomaticDistressed Bronze

2 xHumbucker


B, WH,NaturalTS, WR

Maple Top,Back &Sides

Hard Maple 5 ply Black/Cream


Grover® 18:1Rotomatic Gold

2 xHumbucker


VintageMatte

Spruce Top,Flame MapleBack & Sides

Hard Maple 5 ply Black/Cream


Grover® 18:1RotomaticDistressed Brassw/black buttons

2 x DistresseHumbucker


TS MahoganyTop, Back& Sides

Mahogany 7 ply Black/Cream

AdjustableRosewood w/Trapese tailpiece

Grover® 18:1RotomaticChrome

1 x VintageMiniHumbucker

RIES

F E A T U R E S

43 mm

24.75”

Rosewood22 FretsHB15/17 Models:Rosewood20 Frets

DotHB35/36 Models:MOP SplitBlock/Block

D’Addario™

Double Adjustable

NUT WIDTH

SCALE

FRETBOARD

STRINGS

TRUSS ROD

INLAYS

H B 3 5 W R K H

B 1 5 T S K

H B 1 7 C B K H

B 3 6 K

H B 3 5 W H K

H B 3 5 B K

H B 3 5 T S K

V IN TAGE MAT TE W HI TE(WH)

DISTRESSEDMATTE (DM)

WINE RED(WR)

BLACK(B)

NATURAL(N)


OLLOWBODY“This is a quality guitar, my friends. It’s a hollow-body, 22-frettedmasterpiece, and it plays beautifully. For my blues and jazz playing,this guitar is absolutely perfect. But to that end, when I go back to mymetal/punk/rock roots, it’s also a great match. It can do anything, anddoes it well. A jack-of-all-trades, and a master at all of them.”

- CUSTOMER REVIEW - ZAMBONI ULTIMATEGUITAR.COM


24/31

F E A T U R E

SMODEL MODEL COLOR STYLE BODY BINDINGINLAYS BRIDGE & TAILPIECE TUNERS CPICKUPS

J3 Jazz Box w/

FlorentineCutaway

Natural,

TS

Maple Top,

Back & Sides

Block 7 ply Black/

Cream

Rosewood w/

“W” Tailpeice

Grover® 18:1

RotomaticChrome

2 x

Humbucker

2

w

J5 Jazz Box w/VenetianCutaway

TS Flame MapleTop, Back &Sides

AbaloneSplit Block

7 ply Black/Cream

Rosewood w/“W” Tailpeice

Grover® 18:1RotomaticGold

2 xHumbucker

2w

J600 Jazz Box w/VenetianCutaway

VintageMatte

Spruce Top,Flame MapleBack & Sides

MOPBlock

6 ply Black/Cream

AdjustableEbony Bridge w/Bone saddle /Ebony Tailpeice

Grover® 18:1RotomaticDistressedBrass w/ blackbuttons

1 x MiniFloatingHumbucker

J7V Jazz Boxw/Bigsby

Natural Spruce w/Quilt MapleBack & Sides

AbaloneSplit Block

7 ply Black/Cream

Tune-o-matic w/Rosewood base /Bigsby® Vibrato

Grover®ImperialGold

2 xHumbucker

2w

RIES

F E A T U R E S

43 mm

25.5” J3 Model:24.75”

Rosewood

20 Frets

D’Addario™

Double Adjustable

Hard Maple

NUT WIDTH

SCALE

FRETBOARD

STRINGS

TRUSS ROD

NECK

J 3 T S K

J 5 T S K

J 7 V N K

J 6 0 0 K

J 7 V N K

NATURAL(N)


VINTAGE MATTE

JAZZ- PRODUCT REVIEW GUITAR_FOR_JAZZ.COM

Great feeling, great playing mid price Jazzbox. The playability is excellent, this is oneof the more comfortable necks I’ve played.


25/31

F E A T

U R E SMODEL MODEL COLOR STYLE BODY FRETBOARD PICKUPS

N2 Nuno - Stephen’s CutawayNM, PS Basswood Rosewood22 Frets

Bill Lawrence™ L500 bri& Humbucker neck

N2 Nuno - Stephen’s CutawayVintage Alder Rosewood22 Frets

Bill Lawrence™ L500bridge & Humbucker n

N2TATTOO Nuno - Stephen’s CutawayNatural

Matte

Mahogany Rosewood

22 Frets

Bill Lawrence™ L500

bridge & Humbucker nN24 Nuno - Stephen’s CutawayVint ag e Ald er R osewo od

22 FretsBill Lawrence™ L500bridge & Humbucker n

N4E Nuno - Stephen’s CutawaySANM Swamp Ash Ebony22 Frets

Bill Lawrence™ L500 briSeymour Duncan® ‘59 n

N4E Nuno - Stephen’s CutawayPNM Padauk Ebony22 Frets


N4 Nuno - Stephen’s CutawayVintage Alder Ebony22 Frets


N7 Nuno 7-string - Stephen’s CutawayVintage Alder Ebony22 Frets

Seymour Duncan® Distobridge & ‘59 neck

N7E Nuno 7-string - Stephen’s CutawayPNM Padauk Ebony22 Frets

Seymour Duncan® Distobridge & ‘59 neck

RIES

F E A T U R E S

43 mm7 String Models:48 mm

25.5”

Floyd Rose®

Grover® 18:1 Chrome

1V push/pull - 3 way toggle

DotN2TATTOO Model:Mourning Widow

D’Addario™

Double Adjustable

NUT WIDTH

SCALE

BRIDGE & TAILPIECE

TUNERS

CONTROLS

INLAYS

STRINGS

TRUSS ROD

MADE IN THE USA

N 4 V I N T A G E

N 7 V I N T A G E

N 2 P S K

N 4 E S A N M

N 2 T A T T O O K

N 7 V I N TA

G E

NATURAL MATTE(NM)

PADUAK STAIN(PS)

VINTAGESWAMP ASHNATURAL MATTE

(SANM)

PADAUK NATURALMATTE (PNM)

NUNOETTENCOURT

“1990, sitting on the porch on a smoldering summer nightin Massachusetts. Just me and one of my best friends, myWashburn. For a few glorious minutes, a cool breeze sweepsin on us carrying in the wind a G major, a C, and A minorand a D major, the rest is history...More Than Words.”

- NUNO BETTENCOURT


26/31

F E A T U R E SMODEL MODEL COLOR STYLE BODY FRETBOARD INLAYS BINDING BRIDGE & TAILPIECE PICKUPS

PS7000 Paul StanleyPreacher HB Mahogany w/Flame MapleCap

Rosewood22 Frets MOPTrapezoid CreamSinglePly

Tune-o-matic/ Stoptail 2 xHumbucker

PSV2000 PaulStanley V

B, WH Mahogany Ebony 22Jumbo Frets

Pearl /AbaloneSplit Block

n /a T un e- o- ma ti c/ Stoptail

1 xHumbucker

PSV2200 PaulStanley V

B, WH,CM, RS

M ah og an y E bo ny 22Jumbo Frets


CreamSinglePly

Tone Pros® Tune-O-Matic with TonePros® Stop Tailpeice

1 x SeymourDuncan® JB

PS2012 Paul Stanley2012

B, WH Mahogany Ebony 22Jumbo Frets


n/ a T one Pro s®Locking Tune-O-Matic

2 x SeymourDuncan®SM3 MiniHumbucker

43 mm

24.75”

Grover® 18:1 Chrome

D’Addario™

Double Adjustable

Mahogany Set Neck

NUT WIDTH

SCALE

TUNERS

STRINGS

TRUSS ROD

NECK

RIES

F E A T U R E S

MADE IN THE USA

P S V 2 2 0 0 C M

P S V 2 2 0 0 W H

P S 2

0 1 2 B

P S V 2 2 0 0 R S

P S 7 0 0 0 H B K

P S V 2 0 0

0 B

BLACK(B)

WHITE(WH)

CRACKED MIRROR(CM)

RHINESTONE(RS)

FLAME HONEY BURST(FHB)

PAULTANLEY

“I believe in all my signature models because they are based onthe tried and true elements and combinations that have made the great iconic guitars of the past sixty years remain the benchmark.By injecting that familiarity with an aggressive style and edge, I’vecreated something I call “History With An Attitude”. My guitars feeland sound like the guitars I grew up wanting, playing and collecting.”

- PAUL STANLEY


27/31

F E A T U R E S

MODEL MODEL COLOR NECKBODY INLAYS BRIDGE & TAILPIECE TUNERS PICKUPS CONTR

S HB30 B, S VS Ba ss woo d MapleBolt-on

Dot Hardtail Diecast Black Passive Jstyle pickups

2V/1

S HB 40 R S, T NG M ah og an y MapleBolt-on

YinYang/Bass Clef

Hardtail Diecast Black Active J & MMstyle pickups

1V/1Blen

SHB60 NaturalMatte,TSS

Alder MapleBolt-on

YinYang/Bass Clef

Hardtail w/Piezo saddles

Diecast Black Act ive J & MMstyle pickups +Piezo

1V/1Piez

SHBH3 NaturalMatte,TNG

Alder Maplew/RadialNeck Joint

Dot Black Hipshot®w/Piezo Pickups

Black Hipshot®Lollipop w/D-Tuner

Exclusive EMG® XSeries Stu Hammwith Piezo Preamp

2V/1PiezVolu

RIES

F E A T U R E S

34”

Rosewood24 Frets

GHS

Double Adjustable

42 mm SHBH1/3 Models:41 mm

The Hammer

SCALE

FRETBOARD

STRINGS

TRUSS ROD

NUT WIDTH

STYLE

MADE IN THE USA

S H 6 0 N

M

S H B 3 0

S V S

S H B 4 0 R S

S H B H 3 N

S H B H

3 T N G

RED SPARKLE(RS)

SILVER SPARKLE(SVS)

TOBACCOSUNBURST SPARKLE

(TSS)

TANGERINE(TNG)

BLACK(B)

NATURAL MATTE(NM)

STUAMM

“I’ve been working with Washburn for years now, and after the success of my line of acousticbasses, we are ready to launch my line of signature electric basses, THE HAMMER! I havecombined all of my years of experience with the expertise of Washburns’ master builders tocome up with a line of basses that will enable you to greatly expand your horizons as a bass player. The combinations of tones available on these instruments combined with the sleekbody design, light weight and huge tone has added a new voice to my bass vocabulary.”

- STU HAMM


28/31

F E A T U R E SMODEL MODEL COLOR BODY NECK TUNERSINLAYS CONTROLSPICKUPS

RIES

F E A T U R E S

34”

Hardtail

Rosewood

24 Frets

D’Addario™

Double Adjustable

42 mm

4-String Bass

SCALE

BRIDGE & TAILPIECE

FRETBOARD

STRINGS

TRUSS ROD

NUT WIDTH

STYLE

T14 CG Basswood Maple Bolt-on Dot DiecastChrome

P & J Style 2V/1T

T 14 QT B,QTBL, QTS

Basswoodw/Quilt Top

Maple Bolt-on Dot DiecastChrome

P & J Style 2V/1T

T 24 N at ur alMatte

Mahogany Maple/MahoganyMulti-Lam Neck-Thru

Offset Dot Grover® 18:1Chrome

Passive J Style 2V/2T

T 25 N at ur alMatte

Mahogany Maple/MahoganyMulti-Lam Neck-Thru

Offset Dot Grover® 18:1Chrome

Passive J Style 2V/2T

T12 B, MR Basswood Maple Bolt-on Dot DiecastChrome

P-Style 1V/1T

T 1 4 Q T S

T 1 4 C G

T 1 4 T Q B

T 1 4 T Q T B L

T 2 5

COGNAC(CG)

QUILT TOBACCOSUNBURST (QTS)

QUILT TRANS BLUE(QTBL)

QUILT TRANSBLACK (QTB)

METALLIC RED (MR)

NATURAL MATTE(NM)

TAURUS“I’ve owned the T24 Bass for about three years now. I’m mainly anacoustic or electric guitarist but every now and then I like to slapsome bass and man you can’t beat this quality for the price. The neck just feels good too. Has a nice action. The pickups will give you awide range of tones from super bassy to a punchy treble. Love her.”

- DANIEL LAMANNAOCT 2010


29/31

F E A

T U R E SMODEL

F E A T U R E S

ACK

MODEL

MODEL

STYLE

COLOR

SIZE

STYLE TOP SIDES & BACK

ACOUSTIC AMPLIFIERS

GUITAR STANDS

CASES & GIGBAGS

GB4 / GB6 Electric Guitar / Electric BassDeluxe Gigbag

GB3 / GB40 Electric Bass / Electric Guitar Gigbag

GB70 Acoustic Guitar Gigbag

GC DNDL X / GCG ADL X Dr ea dno ugh t Ac ou sti c Gui ta r / Gr an d Aud ito ri um Ac ous tic Gui tarDeluxe Hard Case

GCMJDLX /GCJDLX / GCPJDLX

Mini Jumbo Acoustic Guitar / Jumbo Acoustic Guitar / PetiteJumbo Acoustic Guitar

Deluxe Hard Case

GCEADLX Florentine Festival Guitar Deluxe Hard Case

BC80 B9 BanjoCase

BC82 BanjoCase

MC90 / MC92 A Style Mandolin / F Style MandolinCase

ROGC Rover Case

GS10 / GS11

WD10PACK

WD10CEPACK

M1K

M3EK

B8K

WA30

WA20

Acoustic Guitar / Electric Guitar

Dreadnought Pack

Cutaway Dreadnought Pack

A Mandolin Pack

F Mandolin Pack

Banjo Pack

n/a

n/a

Stand

Natural

Natural

TSB

TSB

Natural

Spruce

Spruce

Spruce

Spruce

Remo Head

Mahogany

Mahogany

Maple

Maple

Mahogany

Brown / 30 watt

Brown / 20 watt

G

C D N D L X

G C EA D L

X

W A 2 0 G

S 1 0

G B 4

W D 1 0 P A C K

FLORENTINE(‘F’) MANDOLIN

‘A’ STYLEMANDOLIN

AD NO UG HT C UT AW AYDREADNOUGHT

WASHBURN WASHBU


30/31

Photo: Chris Walker

Photo: Chris Walker

RICHIESONNYSTU

NUNOPAUL

John Bell

Jeff Schroeder

Jake Sinclair

Robert Kearns

Madonna Nash

Butch Walker

Matt Skiba

Reeves Gabrels

Mike Ken

Victor Big

Destenee Mck

Ste

Photo: Chris Walker

Photo: Chris Walker

Photo: Ron Koons Photo: Jaime Ruelas

Photo: Andy Buchanan

Photo: Ron Koons

SIGNATURE WASHBU


31/31

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