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Zen Parables

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      OUT

    Zen Parables

    Zen is difficultto describe. It is a

    sect

    of

    Buddhism, but it is less a religion than a form

    of Buddhist meditative practice. It has no holy

    book, no

    ornate

    church or temple, no

    complicated ritual. Zen monks do

    not

    preach

    sermons

    about

    right and wrong behavior.

    Zen focuses on

    the

    inner self,

    rather

    than

    on

    the

    outer self

    that

    acts in the world. Yet

    for eight hundred years, Zen

    has strongly

    appealed

    to

    japanese warriors as well as

    to

    monks, politicians, and artists. Today, it isalso

    practiced by people in

    the

    East and

    the

    West

    from all walks of lifeand different religions

    who wish

    to

    find inner peace, relieve stress,

    and focus on essential priorities.

    The

    Philosophy

    of

    Zen

      heo bj ec t of Zen is

    to

    free the mind from

    everyday, conventional logic through medita

    tion. Followers of Zen believe that meditation

    empties

    the

    mind and suppresses

    the

    ego.

    leading to a clearer understanding of one s

    own nature. According

    to

    one

    legend,

    Bodhldharma, a famous

    Zen

    monk, gazed at

    a blank wall for nine years before achieving

    inner enlightenment.

    Monks and

    Warriors

    Originating in India and spreading to China.

    Zen Buddhism was introduced

    to

    japan in

    I 191. Zen monasteries

    were soon

    founded in

    Kamakura and Kyoto. During the Kamakura

    period I 185-1333).

    the

    samurai, feudal

    warriors who served

    the

    aristocracy,

    were

    attracted

    to

    Zen because of its discipline and

    simplicity. They applied Zen principles to

    martial arts such as archery and fencing.

    Virtually every aspect of Japanese culture

    has been influenced by Zen. Because monks

    Japanese painting of a Zen monk.

    drank bitter green tea in order

    to

    stay awake

    during meditation.

    tea

    drinking grew into an

    intricate and symbol-laden ritual. The arts also

    felt the impact of Zen. as manifested in the

    conciseness of haiku poetry see page 448).

    Nearly every

    ar t

    form of classical

    japan-

    painting, poetry, dance, architecture. drama,

    and even

    gardening has

    been shaped

    to

    some

    degree by Zen. with its emphasis on simplicity,

    self-discipline, and meditation. Even the

    expressions of everyday Japanese speech

    reflect

    Zen

    values.

     en arables  6

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     en arables

    Make

    the

    Connection

    Quickwrite

    As a class, compile a list of familiar stories

    that

    teach a

    lesson--perhaps the

    stories

    are

    from

    the

    Bible

    or another

    religious

    text or

    they

    may be folk tales you have read

    or

    heard from

    members

    of your family.What

    lessons do

    the

    stories

    teach How

    did you

    figure ou t the lessons Do any of the

    stories

    share

    th e same message]

    Literary

     o us

    Parable

     arables are

    brief

    stories that

    teach a

    moral,

    or

    lesson,

    about

    life.They

    are

    often

    allegorical, having

    both

    literal and symbolic

    levels of meaning.

    The most

    famous parables

    in Western literature

    are those

    told by

    Christ

    in

    the New Testament

    (see page 83) .

    Christ presents

    moral lessons in short tales

    about

    everyday events such as a stray

    sheep

    or

    a spendthrift son. Behind

    the

    simple

    story

    is a wise lesson

    about th e

    right way

    to

    live.

    Many

    Zen

    stories

    are

    also deceptively simple

    tales

    that

    contain profound truths.

    A

    parable

    is a

    short

    allegorical story

    that teaches

    a moral

    or

    religious

    lesson

    about

    life.

    For more on Parables see the Handbook

      Literary

     n

    Historical Terms

    Background

    Zen

    parables

    were

    originally used

    to

    teach

    aspiring monks about Buddhism. The

    relationship

    between

    a

    Zen monk

    and his

    teacher is an extraordinary one. Instead of

    imparting knowledge in a clear and logical

    way, the

    Zen master

    at first deliberately

    tries to confuse his students, a tactic

    that

    forces

    them

    to abandon preconceived ideas.

    This technique prepares th e

    students

    to

    understand

    the

    sometimes paradoxical,

    or

    contradictory,

    nature

    of truth.

    For example, to unsettle his students, a

    master

    may assume a fierce expression and

    a cold demeanor. He may ask a pupil a ques-

    tion and

    then interrupt

    him halfway through

    the

    answer. He may

    pose what

    appears to

    be a ridiculous question, such as  What did

    your

    face look like before you were born?

    He may command

    students

    to perform

    seemingly impossible tasks like Pull a bird

    out

    of

    your

    sleeve. He may also

    answer

    a

    serious question with an absurd response.

    Ifa pupil asks,

     What

    is

    the

    nature

    of

    the

    Buddha his

    master

    might reply, Pass me

    that

    fan

    or

     Pork dumpling

    Zen

    masters behave in

    these

    ways in

    part

    to make

    students

    wary of language and con-

    ventional ways of thinking.

    Words

    according

    to

    Zen

    philosophy, can be dangerous, for

    they prevent

    people from experiencing

    the

    world directly as it actually is.

      a Literature of India, China.

    and

    Japan

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    tr nsl ted y

     aul eps

    Carved

    st tue

    of a Luohan.Yuan dynasty

    (c. 1271-1368).

    Victoria

     

    Albert Museum. London  A.29 193 I).

    Z

    P R LES

    Muddy Road

    Tanzan and Ekido were once traveling together

    down a muddy road. A heavy rain was still

    falling.

    Coming

      round

    a bend, they met a lovely girl

    in a silk kimono/ and sash, unable to cross the

    intersection.

    1.

    Tanzan (tan'zari')

      nd

    Ekido (e-ke'do).

    2. kimono n  wide-sleeved robe, fastened with a sash;

    part ofthe traditional costume for men and women

    in Japan.

     Come on, girl, said Tanzan at once. Lifting

    her in his arms, he carried her over the mud.

    Ekido did

    no t

    speak again until that night

    when they reached a lodging temple. Then he no

    longer could restrain himself.  We monks don t

    go near females,  he told Tanzan, especially

    no t

    young   ndlovely ones.   is dangerous. Why did

    you do that? 

    I left the girl there, said Tanzan. Are you

    still carrying her?

    en

     arables

     6

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     ragon  n iger by Chao Kyoshi. Detail of a multi-panel

    screen

    . Edo

    period

    (19th century).

    A Parable

    Buddha told a parable in a sutra'

    Aman traveling across a field encountered a

    tiger. He fled, the tiger after him. Coming to a

    precipice, he caught hold

    of

    the root

    of

    a wild

    vine

    and

    swung himselfdown over the edge. The

    tiger sniffed at

    him

    from above. Trembling, the

    man looked down to where, far below, another

    tiger was waiting to eat him. Only the vine

    sustained him.

    Two mice, one white and one black, little

    by little started to gnaw away the vine. The

    man

    saw a luscious strawberry near him.

    Grasping the vine with one hand, he plucked the

    strawberry with the other. How sweet it tasted

    3.

    sutra

    (soo'tr;) )

     

    one

    of

    a collection

    of

    stories that describe the teachings of the

    Buddha .

    The Thief

    Who

    Became a Disciple

    One evening as Shichiri Kojun   was reciting

    sutras a thiefwith a sharp sword entered,

    demanding either his money or his life.

    Shichiri told him:  Do not disturb me. You

    can find the money in that drawer.

    Then

    he

    resumed his recitation.

    A little while afterwards he stopped and

    called:  Don't take it all. I need some to pay

    taxes with tomorrow.

    The intruder gathered up

    most

    of the money

    and started to leave.  Thank a person when you

    receive a gift, Shichiri added. The man thanked

    him

    and made off.

    A few days afterwards the fellow was caught

    and confessed, among others, the offense against

    Shichiri.

    When Shichiri was called as a witness

    he said:  This

    man

    is no thief, at least as far as I

    am concerned. I gave him the

    money

    and he

    thanked me for it.

    After he

    had

    finished his prison term, the

    man went to Shichiri and became his disciple.

    The Taste of Banzo's Sword

    Matajuro Yagyu'' was the son

    of

    a famous

    swordsman. His father, believing

    that

    his son's

    workwas too mediocre to anticipate mastership,

    disowned him.

    So Matajuro went to Mount Futara? and

    there found the famous swordsman Banzo.?

    But Banza confirmed the father's judgment.

     You wish to learn swordsmanship under my

    guidance? asked Banzo.  You

    cannot

    fulfill

    the requirements.

    But if work hard, how many years will it

    take me to become a master? persisted the youth.

     The rest ofyour life, replied Banza.

     I cannot wait that long, explained Mata

    jura. I am willing to pass through any hardship

    if onlyyou will teach me. If I become

    your

    devoted servant, how long might it be?

    4. Shichiri Kojun (she-die' re ko'jan).

    5. Matajuro Yagyu (ma-ta-jon' ro yag'oo).

    6.

    Mount

    Futara (foo·ta'ra).

    7. Banzo (ban'zo).

      Literature

     

    India China and Japan

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     ombat

    of amurai

    Warriors by Utagawa Hiroshige. Edo period (19th century).

    Musee des Arts Asiatiques-Guimet , Paris.

      Oh, maybe ten years, Banzo relented.

     My father isgetting old, and soon I must take

    care

    of

    him, continued Matajuro.  IfI work far

    more intensively, how long would it take me?

    Oh, maybe thirty years, said Banzo,

     Whyis that?  asked Matajuro. First you say

    ten and now thirty years. I will undergo any

    hardship to master this art in the shortest time

    Well, said Banzo,  in that case you will have

    to remain with me for seventy years. A man in

    such a

    hurry

    as you are to get results seldom

    learns quickly.

    Very well, declared the youth, understand

    ing at last that he was being rebuked for

    impatience, I agree. 

    Matajuro was told never to speak

    of

    fencing

    and never to touch a sword. He cooked for his

    master, washed the dishes, made his bed,

    cleaned the yard, cared for the garden, all

    without a word

    of

    swordsmanship.

    Three years passed. Still Matajuro labored on.

    Thinking

    of

    his future, he was sad. He had not

    even begun to learn the art to which he had

    devoted his life.

    But one day Banzo crept up behind him and

    gavehim a terrific blow with a wooden sword.

    The following day, when Matajuro was

    cooking rice, Banzo again sprang upon him

    unexpectedly.

    After that, day

    and

    night, Matajuro had to

    defend himself from unexpected thrusts.  ota

    moment passed in any day that he did not have

    to think

    of

    the taste

    of

    Banzo's sword.

    He learned so rapidly he brought smiles to

    the face

    of

    his master. Matajuro became the

    greatest swordsman in the land.

      n   r bles

      7

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    CONNECTION to ZEN P R BLES

    Zen Garden s Calming Effect

    Due to

    Subliminal Image?

    Hillary Mayell

    National eographic News September 25, 2002

    [

    INFORM TION L T XT

     

    t s the kind of thing you simply have to

    experience for yourself. Otherwise, the Zen

    rock garden of the Ryoanji Temple in Kyoto,

    Japan, a United Nations World Heritage site,

    simply defies the imagination.

    The garden, after all, has no

    plants no

    flowers, no trees, not even any weeds.

    It s a 30- by 10-meter (roughly 98- by

    32-foot) rectangle surrounded by earthen

    walls on three sides

    and

    a wooden veranda

    1

    on the fourth. Inside the rectangle is a vista

    of white pebbles

    and

    15rocks. And it isworld

    famous for the peace and serenity anyone and

    everyone who visits it feels.

    Visual-imaging scientists in Japan say

    they ve figured

    ou t

    what it is about the garden

    that

    engenders/ this serenity. The secret: The

    more than 500-year-old garden is harboring a

    subliminal. message in the form of a tree.

    Zen Meditation

    and

    Rock Gardens

    The Ryoanji Temple (Temple of the Peaceful

    Dragon) is a Zen place of worship and medita

    tion first built sometime during the 1450s.It

    burned when most of Kyoto was leveled by fire

    during the   ninWars,

    and

    was rebuilt in 1486.

    The rock garden, which fronts the abbot s?

    1. veranda

    (vo-ran da)

      .:

    porch with a roof.

    2.

    engenders

    (en-jeri darz) v causes.

    3. subliminal (sub -lim a-nol)   dj meant to affect

    one s subconscious.

    4.

    abbot

    (ab ot)

    n head of a monastery.

    quarters, was laid out around this time as a

    place for the monks to meditate.

    Thought by many to be the quintessences of

    Zen art , the garden is in the dry landscape style

    called Karesansui ( withered landscape ).

    The garden s 15 rocks are

    of

    various sizes,

    placed in fiveseparate groupings. The white

    gravel that surrounds them is raked every day;

    perfect circles around the rocks, perfectly

    straight lines in the rest of the space. The rocks

    are arranged so that no matter where a visitor

    stands, only 14 can be seen. It is said that only

    when you attain spiritual enlightenment asa

    result of Zen meditation will you see the 15th

    stone.

    Over the centuries, various explanations for

    the garden s layout have been given: That the

    white gravel represents the ocean and the rocks

    the islands of Japan;

    that

    they represent a

    mother

    tiger and

    her

    cubs, swimming in the

    river of the white sand toward a fearful

    dragon; or that the rocks represent the Chinese

    symbol for heart or   mind.

    Unconscious

    Eye

    However, it s the empty space created by the

    placement of the rocks and the void created by

    the white gravel that has long intrigued visitors.

    Now the mystery may have been resolved.

    Gert van Tonder, a postdoctoral fellowof the

    Japanese Society for the Promotion of Science

    5. quintessence (kwin-tes ans) n perfect example

    of

    a thing.

      8 literature of India hina and Japan

  • 8/9/2019 Zen Parables

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    Rock garden at Ryoanji Temple Kyoto

    at Kyoto University,

    and

    Michael

     

    Ly

    on

    s, a

    seni

    or

    scientist at ATR Media

    Information

    Labs

    in Kyoto, applied a shape-analysis technique

    that can reveal hidden

    structural

    features to the

    garden s empty space.

    Earli er studies of how

    humans

    and other

    primates process visual images suggest

    that

    we

    have an

    uncon

    scious sensitivity to the medial

    axis of sha pes,said van Tonder.

      Imagine starting two fires in a field of

    dry

    grass: he said .

     Where

    the fires meet at

    point

    s

    equidist

    an t betw

    een

    the

    two starting locations,

    is the medi al axis.

    His analysis indicates

    th

    at

    the

    same uncon

    scious sensitivity is able to d iscern the image

    of

    a trunk

    and bran

    ches of a

    tr

    ee

    within

    the Zen

    garden s pattern of rocks

    and

    ston es. Viewed

    from th e veranda, the image is apparent to the

    subconscious bu t is invisible to th e eye.

    The author

    s

    conclude

    in a

    report

    published

    in the September 26 issue of the journal   ture

    that the unconscious perception of this pattern

    is

    the

    source of

    the

    gard en s calming effect.

    If

    the

    rocks were to be rearranged , the invis-

    ible tree structure is lost , they say.

    Van Tonder believes the garden s designer

    intended

    to create

    the sublimin

    al feature

    demonstrating an understanding of the

    physics

    of

    the human eye

    and

    subconscious

    hundred

    s

    of

    years ago .

    n

    According

    to the

    article, what might be the

    U   secret behind the calming effect of the

    Zen garden at Ryoanji Temple? How does the

    writer

    of this article use details

    to

    help you

    unde rstand

    the

    layout of

    the

    Zen garden?

      n   r bles

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    Response and nalysis

     NT RN T

    Projects

    and

    Activities

    Keyword

    LE5

    WL

    iterary

     kills

    Analyze

    parables.

      riting kills

    Write a parable.

     istening

     nd

     pe king

     kills

    Act

    out

    a

    parable.

    Reading Check

    I.

      ho

    are

    Tanzan and

    Ekido

    For what

    does Ekido criticize Tanzan in Muddy

    Road ?

    2. Name all the dangers that

    the

    man in A

    Parable faces.

    3. In The Thief

      ho

    Became a Disciple,

    what does Shichiritestify in court?

    4. In The Taste of Banzo s Sword, why

    does Matajuro become sad working with

    the master

    Banzo

    Thinking

    Critically

    5. In Muddy Road, what does Tanzan

    mean when he asks Ekido ifhe isstill

    carrying

    the

    girl

    6. In A Parable, what might the precipice,

    the tigers , and the mice

    symbolize or

    stand for?

      hat

    is

    the

    significance of the

    man eating

    the

    strawberry?

      hat

    lesson

    about lifedo you think this parable

    teaches?

    7. Why do you think

    the

    thief becomes the

    disciple of Shichiri Kojun?  hatvalues

    does this parable teach?

    8. Describe Banzo s unconventional teach-

    ingmethods.

      ha t

    do you think he is

    teaching Matajuro about the ar t of

    swordsmanship?

    Extending

    and Evaluating

    9. Are any

    ofthe

    lessons inthese Zen

    parables similar

    to

    lessons instories that

    you know? Review

    the

    list you made for

    your Quickwrite response.

    WRITING

    Writing

    a

    Parable

    ManyZen parables contain a

    paradox or

    apparent contradiction

    that

    is actually

    true

    .

    Think

    about

    how a seeming contradiction

    can ultimately prove true. Then, write a

    brief parable of

    your

    own about one of

    the

    following paradoxical situations:

    • a competition that iswon through losing

    • a person who becomes rich bygiving

    something away

    • an enemy

    who

    becomes a friend when he

    or she is trusted

    • a difficult task

    that

    becomes easy once a

    person stops trying so hard

    • a scary situation that changes when a

    person stops feeling fear

    LIST NING AND SP KING

    Acting

    Out

    a Parable

    Pair off with

    another

    student, and adapt

    one

    of

    the

    Zen parables you  ve just read

    to

    a

    modern setting and situation without losing

    its moral. For instance, you could adapt The

    Taste of Banzo s Sword by making Banzo

    a basketball coach

    who

    teaches his students

    by throwing balls at

    them

    when they least

    expect it. Then, with

    your

    partner, create a

    script for your dramatization, and act ou t

    your parable for

    the

    class.

     7

    Literature of India. China. and Japan


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