University of RichmondUR Scholarship Repository
Music Department Concert Programs Music
2-20-2017
Neumann Lecture on Music: Listening to PainDepartment of Music, University of Richmond
Follow this and additional works at: http://scholarship.richmond.edu/all-music-programs
Part of the Ethnomusicology Commons, and the Musicology Commons
This Program is brought to you for free and open access by the Music at UR Scholarship Repository. It has been accepted for inclusion in MusicDepartment Concert Programs by an authorized administrator of UR Scholarship Repository. For more information, please [email protected].
Recommended CitationDepartment of Music, University of Richmond, "Neumann Lecture on Music: Listening to Pain" (2017). Music Department ConcertPrograms. 125.http://scholarship.richmond.edu/all-music-programs/125
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Welcome to the Modlin Center for the Arts' 20th anniversary season. We wish to thank all our donors for making these events possible, and to all of you for joining us this season, and for all the successful and memorable years we
have shared together.
If you are a returning subscriber to the Modlin Center, welcome back! If you are a first-time subscriber, we are delighted that you are joining us this year and look forward to seeing
you at events.
This year we continue our mission in presenting exceptional and rich arts experiences, diverse cultural understandings, and educational connections with our programs. We look forward to sharing remarkable
experiences with you.
We strongly encourage patrons to explore not only the performances, but also attend the many free and accessible workshops, master classes, lectures, and demonstrations that accompany all of our events.
Thank you again for your support and we look forward to seeing you at
the Modlin Center!
Best,
Deborah S. Sommers Executive Director
TABLE OF
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DISCOVER
FIND MODLIN ON
Martha Graham Dance Company
new events added throughout the year at modlin.richmond.edu
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2016-2017
9 16-17 21-22 22 25 25
5 13 16
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20-21 21 23 27
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I presents ...
The SteeiDrivers The Ricochet Project, Smoke and Mirrors Martha Graham Dance Company NT Live: The Threepenny Opera (Live) NT Live: The Threepenny Opera (Encore)
El{
The Second City, Free Speech (While Sup/lies Last)
Havana Cuba All-Stars, Cuban Nights Richard Thompson with special guest Sam Amidon Puppet State Theatre Company of Scotland, The Man Who Planted Trees Sphinx Virtuosi with Catalyst Quartet, Latin Voyages: Viajes Latinos Gravity + Other Myths, A Simple Space Bolshoi Ballet Broadcast: Golden Age L.A. Theatre Works, Judgement at Nuremberg NT Live: Frankenstein with Benedict Cumberbatch as the Creature + Jonny Lee Miller as Dr. Frankenstein (Encore) The Milk Carton Kids Paula Poundstone
Contemporary Circus Arts with Yohann Floch Roomful of Teeth with special guest UR Schola Cantorum Inside Science with Radiolab's Robert Krulwich Steep Canyon Rangers
NT Live: Hamlet (Encore) Josh Ritter Bolshoi Ballet Broadcast: Bright Stream (Previously Recorded) NT Live: War Horse (Encore) John Pizzarelli, Jessica Molaskey, +the Swing 7, Holiday Concert NT Live: TBA (Live) NT Live: TBA (Encore)
6 I MODLIN.RICHMOND.EDU • 289-8980
19 21 22 25-26 28
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17 19 23-24
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17 24 29
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20 23 30 30
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Bale Folcl6rico da Bahia, Bahia of All Colours Jeremy Denk, piano Bolshoi Ballet Broadcast: The Sleeping Beauty Lucinda Childs Dance Company, DANCE Yosvany Terry +the Afro-Cuban Sextet
Philip Glass 80th Birthday Celebration! The Complete Piano Etudes feat. Philip Glass, Maki Namekawa, Aaron Diehl, Timo Andres, + Lisa Kaplan Cory Henry + the Funk Apostles Shanghai Quartet with Wu Man Clay Mcleod Chapman, The Pumpkin Pie Show: 20-Year Anniversary
Manual Cinema, Mementos Mori Dianne Reeves with Peter Martin, Romero Lubambo, Reginald Veal, + Terreon Gully Russian National Ballet Theatre, Swan Lake Wendy Whelan, Brian Brooks, + Brooklyn Rider, Some of a Thousand Words Kodo, DADAN 2017 The Nile Project Eighth Blackbird with Will Oldham (Bonnie "Prince" Billy)
Noam Pikelny, banjo Les 7 Doigts de Ia Main (The 7 Fingers), Cuisine & Confessions Gerald Clayton + the Assembly, Piedmont Blues feat. Lizz Wright, Logan Richardson, Tivon Pennicott, Dayna Stephens, Alan Hampton, Joe Sanders, Kendrick Scott, + Joseph Wiggan Takacs Quartet The Gloaming Bolshoi Ballet Broadcast: Contemporary Evening Enchantment Theatre Company, Peter Rabbit™ Tales
Bolshoi Ballet Broadcast: A Hero of Our Time
MODLIN.RICHMOND.EDU • 289-8980 I 7
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the difference is
2016-2017
MODLIN CENTER FOR THE ARTS The Very Best In Music, Theatre, Dance, + Visual Arts
Neumann Lecture On Music:
Listening to Pain
with Deborah Wong, Ph.D., speaker
Monday, February 20, 2017 at 7:30p.m. North Court Choir Room
Please silence all electronic devices before the lecture begins. Recording of any kind is strictly prohibited.
About The Neumann Lecture Series
What do protest songs, madrigals, Mozart, cognitive neuroscience, and the Civil Rights era have in common? They've all been topics presented at the University of Richmond Neumann Lecture Series. The Department of Music started the series in 2003 to remember former music faculty member Frederick "Fritz" Neumann, who taught violin and started the University Symphony. Neumann held a Ph.D. in music education, as one might expect of a music professor. But his career was hardly a conventional one. Though he had trained as a violinist in childhood, he earned his first Ph.D. (in 1934 at the University of Berlin) in economics and political science, writing a dissertation on the stock market crash of 1929. After spending a few years working as an export-market analyst in Prague, he decided to take up the violin again- this time, more seriously. His studies took him to several major European cities- Berlin, Paris, Basel- and finally to New York, leading him to apply for United States citizenship. During World War II, he served in U.S. Army Intelligence for three years before resuming his music studies at Columbia University, where he earned his second Ph.D.
Starting in his late fifties, Neumann pursued yet another career with great dedication and vigor: the study of performance practices in 17th- and 18thcentury music. During the next few decades, he published more than forty articles and three books that challenged performers and scholars to revisit longheld beliefs about how to execute musical ornaments and rhythms. He became a scholar of international renown, receiving grants from the National Endowment for the Humanities, the Guggenheim Foundation, the American Philosophical Society, and the American Council of Learned Societies. In 1987, the American Musicological Society awarded his book, Ornamentation and Improvisation in Mozart, one of its highest honors: the Otto Kinkeldey prize, which is given annually to a book of "exceptional merit." After living for more than five decades in the United States, he had planned a trip to Prague in the spring of 1994, which would have been his first return visit since 1939. But he died that year in March at age 86, after a life overflowing with accomplishment.
The Neumann Lecture Series kicked off in 2003 with Christoph Wolff, a Germaneducated scholar who teaches at Harvard University and studies the music of Johann Sebastian Bach. Wolff and Neumann were cut from similar cloth: both were educated in Germany and interested in 18-century music, reflecting a branch of music-historical study that centered on Austro-German repertoire from centuries ago. But the scholarly interests of Neumann lecturers rapidly diversified: Susan McClary (2004) applied feminist methods of scholarship in her talk, while Kay Kaufmann Shelemay (2005) spoke about Syrian-Jewish music from an ethnomusicological perspective. Guthrie Ramsey (2007) is the only speaker to date who brought his own band with him to illustrate his lecture on music in the Civil Rights movement. Opera scholar and native Londoner Roger Parker (2008) talked about a 1930 production of Puccini's Manon Lescaut at the famed La Scala opera house. Later that year, Suzanne Cusick introduced research on the use of music as a form of torture in the U.S. "global war on terror," which she discovered through unclassified military documents and interviews with detainees and interrogators. Craig Wright (2013), who started out as a
scholar of medieval music, discussed a new project in which he applied current neuroscientific knowledge of the brain to Mozart's compositional processes. Anthony Seeger (2014), nephew of folk singer Pete Seeger, talked about protest music in the 1960s, singing a few songs and accompanying himself on the banjo. In 2015, Jessie Ann Owens discussed how the Italian Renaissance composer Cipriano de Rore turned a well-known literary lament (that of Dido from Virgil's Aeneid) into a small-scale musical drama. And just last year, J. Peter Burkholder spoke about Charles lves's practices as a church organist and their impact on the compositional process behind works such as his Third Symphony.
About Deborah Wong, Ph.D.
This year's Neumann lecturer is Deborah Wong, an ethnomusicologist and Professor of Music at the University of California, Riverside. She specializes in the musics of Asian America and Thailand and has written two books, Speak It Louder: Asian Americans Making Music and Sounding the Center: History and Aesthetics in Thai Buddhist Ritual. Her book in progress is titled Louder and Faster: Taiko in Southern California and Beyond. She is a past President of the Society for Ethnomusicology, a series editor for Wesleyan University Press's Music/Culture series, and also serves on the Editorial Committee for the University of California Press. She has been a research team member for the International Institute for Critical Studies in Improvisation
(IICSI) since 2008. Very active in public sector work at the national, state, and local levels, she currently serves as the Chair of the Advisory Council for the Smithsonian Institution's Center for Folklife and Cultural Heritage. She served on the Board of Directors for the Alliance for California Traditional Arts for more than a decade, including a term as its President. Her 2015 nomination to the National Humanities Council by President Obama was held up for Senate confirmation by Republication obstructionism, and then withdrawn after Hillary Clinton's defeat. In Riverside, she is active in grassroots work on communitypolice relations and is the co-chair of the Riverside Coalition for Police Accountability.
MODLIN ADMINISTRATION
Executive Director Deborah S. Sommers
Assistant Director Shannon Hooker
Administrative Coordinator Beverly Bradshaw
Contracts Administrator Oliver Parker
PRODUCTION
Production Manager Sean Farrell
Assistant Production Managers:
Patrick Kraehenbuehl Robert Richards
Piano Tuner Ray Breakall
Student Stage Managers: Olivia Barnum Emeline Blevins Gracie Carleton Alec D'Aiessandro Jack Goodin Colby Heald Jonathan Knabe Jeff Noble
Student Stagehands: Zack Cain Bailey Daigle Nathan Dinh Katerina Gkagkou Kevin Johnson Eugene Lin Grace Lynch
ARTS STAFF Veronika Nesterenko Pixie Zhang
MARKETING & TICKET SALES
Marketing Director Jonathan Gunter
Marketing Associate/Editor Marissa Moomaw
Box Office Manager Jessie Haut Buford
Box Office Associates: Chantel Baker Pedro Balaban Kiera Berman Peyton Carter Emily Churchill Chris Guarino Josh Hammond Alec Justice Cameron Larwood Ariel Vogel
Student Marketing Manager
Karissa Lim
Student Publicity Assistants:
William Hansen Margaret Johnson Uyen Lee
ARTIST SERVICES
Artist Services & Concessions Manager Jo Bachman
Artist Services Coordinator Katherine DeLoyht
OPERATIONS & AUDIENCE SERVICES
Operations and Front of House Business Manager Christopher O'Neil
Student House Managers: Rachel Lantz Tessa Rinnen
Assistant Operations Managers:
Dagny Barone Emily Bradford
Front of House Coordinator Kim Chiarchiaro
House Managers: Katherine Deloyht Tony Harris Daniel Hilliard Jeff Karow Joey Luck Lauren Prisco Mitchell Sampson
Student Head Ushers: Claire Gates Brier Clough Isaiah Duplessis Hilary Acuna Yixuan Chen Daniel Simon Emily Parker
Merchandise Associate: Michael Robinson
Concessions Associates: Tony Harris Stephen Hennessey Krystle Spencer
2016-20 7
UNIVERSITY of RICHMOND
ERF MING
29-30 Well, by Lisa Kron
III!I!!i.i!E]!IJ, El 1 We//, by Lisa Kron 2 Well, by Lisa Kron
17-19 Race, by David Mamet 20 Race, by David Mamet
TS C L E
+
9-11 Production Studies II Showcase 12 Production Studies II Showcase
El{
24-25 University Dancers: Annual Spring Concert: Nexus 26 University Dancers: Annual Spring Concert: Nexus
by John Michael Teblak + Stephen Schwartz Godspe/1, by John Michael Teblak +Stephen Schwartz
FIND MODLIN ON You -
20 I MODLIN.RICHMOND.EDU • 289-8980
F
7 David Esleck Trio 14 Richmond Piano Trio 23 Family Weekend Concert
26 Paul Hanson, piano 30 UR Schola Cantorum +Women's Chorale
4-5 Third Practice Electroacoustic Music Festival 13 UR Wind Ensemble with special guest Julie Giroux 17 UR Jazz + Contemporary Combo 20 Global Sounds 28 UR Chamber Ensembles 29 Cuban Spectacular, From the Big Easy to the Big Apple:
A Celebration of the Mambo 30 UR Symphony Orchestra
4 43'd Annual Festival of Lessons + Carols
5 Richard Becker, piano 12 Mike Davison +The Latin Jazz Messengers 20 Neumann Lecture on Music: Listening to Pain
19 Duo Piano Recital: Richard Becker+ Doris Wylee-Becker 22 Ronald Crutcher, cello + Joanne Kong, piano 27 UR Wind Ensemble
2 Global Family Concert 3 Bruce Stevens, organ 5 UR Symphony Orchestra 6 UR Jazz Ensemble 9 UR Schola Cantorum +Women's Chorale 10 UR Jazz + Contemporary Combos 17 UR Chamber Ensembles
MODLIN.RICHMOND.EDU • 289-8980 I 21
I EXHIBITIONS university museums
Massive: Large Rocks and Minerals from the Collection Through December 4, 2016 I Lora Robins Gallery of Design from Nature
Night and Day the River Flows: Waterscapes from the Harnett Print Study Center August 17, 2016 to July 2, 2017 Modlin Center for the Arts Atrium and Booker Hall Lobby
Rodin: The Human Experience: Selections from the Iris and B. Gerald Cantor Collections August 17 to December 4, 2016 I Harnett Museum of Art
The Beauties: Print Series by Willie Cole August 17 to December 4, 2016 I Harnett Museum of Art
Annual Student Exhibition August 17 to September 18, 2016 I Harnett Museum of Art
Unseen Pompeii: The Photographs of William Wylie September 16 to November 18, 2016 I Lora Robins Gallery of Design from Nature
HPSC @ 15: A Celebration of the Harnett Print Study Center September 22, 2016 to April 14, 2017 I Harnett Print Study Center
Visions from the Other Side: Works by Nicholas Roerich October 5 to November 18, 2016 I Harnett Museum of Art
Sonata: Print Series by Nam June Paik January 9 to July 2, 2017 I Harnett Museum of Art
Crooked Data: (Mis)lnformation in Contemporary Art February 8 to May 5, 2017 I Harnett Museum of Art
Turtles in Time: From Fossils to the Present February 2 to November 17, 2017 I Lora Robins Gallery of Design from Nature
Senior Thesis Exhibition April 14 to May 4, 2017 I Harnett Museum of Art
University of Richmond Museums comprises the Joel and Lila Harnett Museum of Art, the Joel and Lila Harnett Print Study Center, and the Lora Robins Gallery of Design from Nature.
Museum hours: Sunday through Friday, 1 to 5 p.m. (8/17 /2016- 4/24/2017), Summer hours: Wednesday through Friday, 1 to 5 p.m. (4/25 - 5/5/2016). Closed Labor Day Weekend (913- 5/2016), Fall Break (1 0/7 - 11 /2016), Thanksgiving Week (11 /19 -27 /2016), Semester Break (12/5/2016- 1/11 /2017), Martin Luther King, Jr. Day (1 /16/2017), Spring Break (3/4- 12/2017), Easter Weekend (4/15- 16/2017), and Summer Break (5/6- 8/22/2017).
For group visits and tours, call Martha Wright at (804) 287-1258, or email [email protected]
(804) 289-8276 I Admission is free to University Museums I museums.richmond.edu
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GENERAL INFORMATION
• PICK 4: Choose four or more events to create your custom season subscription. • SAVE: Modlin Center Subscribers enjoy up to 20% off single ticket prices. • GET PRIORITY ACCESS: Modlin Center Subscribers are able to purchase tickets
before single-event ticket buyers. • ENJOY FLEXIBILITY: Only Modlin Center Subscribers and Members at the Partner
level or above are permitted to exchange their tickets.
TICKETS MAY BE PURCHASED online at modlin.richmond.edu, in person at the Modlin Center box office, or by phone at (804) 289-8980. August through April, the Modlin Center box office is open from 1 OAM- SPM, Monday- Friday, and beginning 90 minutes prior to most performances. Visit modlin.richmond.edu or phone (804) 289-8980 for a list of summer hours. All patrons must have a ticket to gain entry into the performance hall.
DISCOUNTED TICKETS are available for members; subscribers; senior citizens age 62 and older; children age 12 and younger; groups of 20 or more; University of Richmond (UR) employees and students; Osher Lifelong Learning Institute members; and non-UR students with a valid student I D. Multiple discounts do not apply.
SAFETY AND DISRUPTIONS: Please contact the Modlin Center box office to find out if a performance is suitable for young audiences. Each patron, including infants and children, must have a tickets to gain entry into the performance hall. Please be considerate of other audience members. Disruptive patrons will be asked to exit the performance hall. Use of portable electronic devices during performances is strictly prohibited. Use of such devices may result in confiscation of the device or removal from the venue.
ACCESSIBILITY: When purchasing tickets, please inform the box office of any required accommodations. If tickets are purchased in accessible sections by patrons that do not require accessible seating, those patrons can be moved at the discretion of house management. Large-print programs, assistive-listening devices, and earplugs are available at the Concierge Desk for most performances. All performance halls are accessible to persons with wheelchairs and/or limited mobility. Accessible parking also is available. Please contact the Modlin Center box office or visit modlin.richmond.edu for parking information.
When attending an event, please allow time for parking and ticket retrieval. Late seating will be at the discretion of house management.
CANCELLATION: Performances will only be cancelled in cases of extreme weather conditions. If the artists have arrived in Richmond, the show will likely proceed. For information regarding the status of an event, visit modlin.richmond.edu or call the box office at (804) 289-8980. PLEASE NOTE THAT REFUNDS WILL NOT BE GIVEN unless a performance is cancelled.
PROGRAMS: All programs are subject to change.
PLEASE NOTE THAT ALL SALES ARE FINAL REFUNDS WILL NOT BE GIVEN. Subscribers and Members at the Partner level or higher may exchange tickets for a future event up to 24 hours prior to a performance.
MODLIN.RICHMOND.EDU • 289-8980 I 25
MEMBERSHIP Become a Modlin Center Member today! Your support allows the Modlin Center to continue bringing the very best in the performing arts to Richmond-artists such as Martha Graham Dance Company, Richard Thompson, Jeremy Denk, Philip Glass, Dianne Reeves, Kodo, and many more. In addition, your gift will help the Modlin Center's efforts to develop new cultural outreach programs both on the University of Richmond campus and in the greater Richmond community.
DID YOU KNOW? • The Modlin Center provides paid, hands-on experience in all elements of
performing arts management and production to more than 45 University of Richmond students.
• Ticket revenue covers less than 45% of the cost of each Modlin Center event. • Individual gifts such as yours provide the additional support vital to the
continued programming of world-renowned artists at the Modlin Center. • You can donate online at modlin.richmond.edu or with your ticket order.
YOUR GENEROUS GIFT SUPPORTS IMPORTANT PROGRAMS, INCLUDING: • The Modlin Center School Series, which provides yearly programming to
school children at a minimal cost to schools. • Opportunities to learn from artists through pre-concert Artistic Viewpoints
discussions, Modlin Arts After Words post-show question-and-answer sessions, master classes, workshops, and other free interactive opportunities with artists.
• Opportunities for community gathering and networking during periodic pre- and post-show receptions.
TO BECOME A MEMBER of the Modlin Center for the Arts, please review the categories and benefits listed in our season brochure or on our website at modlin.richmond.edu. Contributions can be made online at modlin.richmond.edu, or by entering your donation amount on the brochure order form and mailing to: Modlin Center for the Arts, 28 Westhampton Way, University of Richmond, VA 23173.
- $10,000+ E. Rhodes & Leona B. Carpenter Foundation Booth Fund The Cultural Affairs Committee Dewitt Fund Dale Mayo Arts Fund Virginia Modlin Endowment Mid Atlantic Arts Foundation H.G. Quigg Endowment Clinton Webb Fund
-$5,000-$9,999
26 I MODLIN.RICHMOND.EDU • 289-8980
-$1,000-$2,499 UR Department of Music
-$500-$999 Anonymous Edward Villanueva
-$250-$499 Anonymous Anonymous Virginia Arnold Pamela K. Bomboy Nicholas and Ellen Cooke Andy and Laura Ferguson Mrs. Barbara Hasley Latin American, Latino, and
Iberian Studies Dr. and Mrs. W.A. Zuelzer
-$100-$249 Anonymous Anonymous Mrs. Rosa Bosher Bill and Lisa Brand Martin and Judi Caplan Dr. and Mrs. Barbu Demian Mr. and Mrs. David Hartz Mr. Scott Hite and
Ms. Laura A. Krajewski Amy Hostetler and Paul Kyber Mr. Jeremy R. Jacobs and
Mrs. Kate T. Buzicky Nicholas and Susan Kappel Drs. Nelson and Sherron Marquina MSgt. Michael Morehouse Kelly and Cristy O'Keefe Tom Owens Mr. and Mrs. Samuel R. Slack Alice Southworth Archie and Elaine Yeatts Don Ziegler
*Priority ticket processing applies to Modlin Center events only and does not apply to University of Richmond or outside rental client events that take place at the center.
Your gift may also qualify you for other recognition through the University of Richmond. Donations of $100 or more will be listed in the playbill.
For more information or questions related to tax deductibility, please contact the Office of Annual Giving at (804) 289-8052 or at annualgiving@ richmond.edu.
Thank you to all our other donors in various
levels of support.
THE MODLIN CENTER WOULD LIKE TO THANK OUR SPONSORS+ COMMUNITY PARTNERS
E. Rhodes and Leona B. Carpenter Foundation
MID ATLANTIC ARTS FOUNDATION
.AZZ TOURING
• ETWORK
The Cultural Affairs Committee
-
88 9 Richmond Public Radio
8 Since 1988
WCVE I mliKI .
Q H.G. Quigg Endowment Mayo Arts Fund
MODLIN.RICHMOND.EDU • 289-8980 I 27
DRACULA
2016-2017
Season
September 15th -October 8th, 20I6
Libby S. Gottwald Playhouse
ASSASSINS
November 3rd- 26th, 2016
Firehouse Theatre
THE TOP OF BRA VERY
January 12th- February 4th, 20I7
Rich:mond Triangle Players
THE COMPLEAT WRKS OF WLLM SHKSPR (abridged)
January 27th- February 12th, 2017
Glen Allen Cultural Arts Center
THE HEIR APPARENT
April 6th - 30th, 2017
Virginia Museu:m of Fine Arts - Leslie Cheek Theater
LOVE'S LABOUR'S LOST
June rst- 24th, 2017
19th Annual Rich:mond Shakespeare Festival at Agecroft Hall
MACBETH
July 6th - 29th, 20I7
19th Annual Rich:mond Shakespeare Festival at Agecroft Hall
8th ANNUAL BOOTLEG SHAKESPEARE: JULIUS CAESAR October 29th, 2016 Virginia Museum of Fine Arts - Leslie Cheek Theater
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Richmond Ballet
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VCU DANCE DANCE ON CAMERA September 26, 2016
THE SALON October 14, 2016 Depot Annex Studio
NORA CHIPAUM IRE: portrait of myself as my fa-titer October 21l + 29, 2016
@VCUDance.
Dogtown Dance Theatre
FALL SENIOR PROJECT November 16-19, 2016
PATH FINDERS: Student Concert January 27 + 21l, 2017
Featuring Liz Lerman's Still Crossing February 16-1/l, 2017
SPRING SENIOR PROJECT April19-22, 2017
All performances at Grace Street Theater
unless otherwise noted.
TICKETS .ll04-ll21l-2020 www.showclix.com
INFO arts.vcu.edu/dance
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