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University of Richmond UR Scholarship Repository Music Department Concert Programs Music 2-20-2017 Neumann Lecture on Music: Listening to Pain Department of Music, University of Richmond Follow this and additional works at: hp://scholarship.richmond.edu/all-music-programs Part of the Ethnomusicology Commons , and the Musicology Commons is Program is brought to you for free and open access by the Music at UR Scholarship Repository. It has been accepted for inclusion in Music Department Concert Programs by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. Recommended Citation Department of Music, University of Richmond, "Neumann Lecture on Music: Listening to Pain" (2017). Music Department Concert Programs. 125. hp://scholarship.richmond.edu/all-music-programs/125
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University of RichmondUR Scholarship Repository

Music Department Concert Programs Music

2-20-2017

Neumann Lecture on Music: Listening to PainDepartment of Music, University of Richmond

Follow this and additional works at: http://scholarship.richmond.edu/all-music-programs

Part of the Ethnomusicology Commons, and the Musicology Commons

This Program is brought to you for free and open access by the Music at UR Scholarship Repository. It has been accepted for inclusion in MusicDepartment Concert Programs by an authorized administrator of UR Scholarship Repository. For more information, please [email protected].

Recommended CitationDepartment of Music, University of Richmond, "Neumann Lecture on Music: Listening to Pain" (2017). Music Department ConcertPrograms. 125.http://scholarship.richmond.edu/all-music-programs/125

MODLIN

2016-2017 20th Anniversary Season

UNIVERSITY OF RICHMOND MODLIN CENTER FOR THE ARTS

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Welcome to the Modlin Center for the Arts' 20th anniversary season. We wish to thank all our donors for making these events possible, and to all of you for joining us this season, and for all the successful and memorable years we

have shared together.

If you are a returning subscriber to the Modlin Center, welcome back! If you are a first-time subscriber, we are delighted that you are joining us this year and look forward to seeing

you at events.

This year we continue our mission in presenting exceptional and rich arts experiences, diverse cultural understandings, and educational connections with our programs. We look forward to sharing remarkable

experiences with you.

We strongly encourage patrons to explore not only the performances, but also attend the many free and accessible workshops, master classes, lectures, and demonstrations that accompany all of our events.

Thank you again for your support and we look forward to seeing you at

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Best,

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Havana Cuba All-Stars, Cuban Nights Richard Thompson with special guest Sam Amidon Puppet State Theatre Company of Scotland, The Man Who Planted Trees Sphinx Virtuosi with Catalyst Quartet, Latin Voyages: Viajes Latinos Gravity + Other Myths, A Simple Space Bolshoi Ballet Broadcast: Golden Age L.A. Theatre Works, Judgement at Nuremberg NT Live: Frankenstein with Benedict Cumberbatch as the Creature + Jonny Lee Miller as Dr. Frankenstein (Encore) The Milk Carton Kids Paula Poundstone

Contemporary Circus Arts with Yohann Floch Roomful of Teeth with special guest UR Schola Cantorum Inside Science with Radiolab's Robert Krulwich Steep Canyon Rangers

NT Live: Hamlet (Encore) Josh Ritter Bolshoi Ballet Broadcast: Bright Stream (Previously Recorded) NT Live: War Horse (Encore) John Pizzarelli, Jessica Molaskey, +the Swing 7, Holiday Concert NT Live: TBA (Live) NT Live: TBA (Encore)

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Philip Glass 80th Birthday Celebration! The Complete Piano Etudes feat. Philip Glass, Maki Namekawa, Aaron Diehl, Timo Andres, + Lisa Kaplan Cory Henry + the Funk Apostles Shanghai Quartet with Wu Man Clay Mcleod Chapman, The Pumpkin Pie Show: 20-Year Anniversary

Manual Cinema, Mementos Mori Dianne Reeves with Peter Martin, Romero Lubambo, Reginald Veal, + Terreon Gully Russian National Ballet Theatre, Swan Lake Wendy Whelan, Brian Brooks, + Brooklyn Rider, Some of a Thousand Words Kodo, DADAN 2017 The Nile Project Eighth Blackbird with Will Oldham (Bonnie "Prince" Billy)

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2016-2017

MODLIN CENTER FOR THE ARTS The Very Best In Music, Theatre, Dance, + Visual Arts

Neumann Lecture On Music:

Listening to Pain

with Deborah Wong, Ph.D., speaker

Monday, February 20, 2017 at 7:30p.m. North Court Choir Room

Please silence all electronic devices before the lecture begins. Recording of any kind is strictly prohibited.

About The Neumann Lecture Series

What do protest songs, madrigals, Mozart, cognitive neuroscience, and the Civil Rights era have in common? They've all been topics presented at the University of Richmond Neumann Lecture Series. The Department of Music started the series in 2003 to remember former music faculty member Frederick "Fritz" Neumann, who taught violin and started the University Symphony. Neumann held a Ph.D. in music education, as one might expect of a music professor. But his career was hardly a conventional one. Though he had trained as a violinist in childhood, he earned his first Ph.D. (in 1934 at the University of Berlin) in economics and political science, writing a dissertation on the stock market crash of 1929. After spending a few years working as an export-market analyst in Prague, he decided to take up the violin again- this time, more seriously. His studies took him to several major European cities- Berlin, Paris, Basel- and finally to New York, leading him to apply for United States citizenship. During World War II, he served in U.S. Army Intelligence for three years before resuming his music studies at Columbia University, where he earned his second Ph.D.

Starting in his late fifties, Neumann pursued yet another career with great dedication and vigor: the study of performance practices in 17th- and 18th­century music. During the next few decades, he published more than forty articles and three books that challenged performers and scholars to revisit long­held beliefs about how to execute musical ornaments and rhythms. He became a scholar of international renown, receiving grants from the National Endowment for the Humanities, the Guggenheim Foundation, the American Philosophical Society, and the American Council of Learned Societies. In 1987, the American Musicological Society awarded his book, Ornamentation and Improvisation in Mozart, one of its highest honors: the Otto Kinkeldey prize, which is given annually to a book of "exceptional merit." After living for more than five decades in the United States, he had planned a trip to Prague in the spring of 1994, which would have been his first return visit since 1939. But he died that year in March at age 86, after a life overflowing with accomplishment.

The Neumann Lecture Series kicked off in 2003 with Christoph Wolff, a German­educated scholar who teaches at Harvard University and studies the music of Johann Sebastian Bach. Wolff and Neumann were cut from similar cloth: both were educated in Germany and interested in 18-century music, reflecting a branch of music-historical study that centered on Austro-German repertoire from centuries ago. But the scholarly interests of Neumann lecturers rapidly diversified: Susan McClary (2004) applied feminist methods of scholarship in her talk, while Kay Kaufmann Shelemay (2005) spoke about Syrian-Jewish music from an ethnomusicological perspective. Guthrie Ramsey (2007) is the only speaker to date who brought his own band with him to illustrate his lecture on music in the Civil Rights movement. Opera scholar and native Londoner Roger Parker (2008) talked about a 1930 production of Puccini's Manon Lescaut at the famed La Scala opera house. Later that year, Suzanne Cusick introduced research on the use of music as a form of torture in the U.S. "global war on terror," which she discovered through unclassified military documents and interviews with detainees and interrogators. Craig Wright (2013), who started out as a

scholar of medieval music, discussed a new project in which he applied current neuroscientific knowledge of the brain to Mozart's compositional processes. Anthony Seeger (2014), nephew of folk singer Pete Seeger, talked about protest music in the 1960s, singing a few songs and accompanying himself on the banjo. In 2015, Jessie Ann Owens discussed how the Italian Renaissance composer Cipriano de Rore turned a well-known literary lament (that of Dido from Virgil's Aeneid) into a small-scale musical drama. And just last year, J. Peter Burkholder spoke about Charles lves's practices as a church organist and their impact on the compositional process behind works such as his Third Symphony.

About Deborah Wong, Ph.D.

This year's Neumann lecturer is Deborah Wong, an ethnomusicologist and Professor of Music at the University of California, Riverside. She specializes in the musics of Asian America and Thailand and has written two books, Speak It Louder: Asian Americans Making Music and Sounding the Center: History and Aesthetics in Thai Buddhist Ritual. Her book in progress is titled Louder and Faster: Taiko in Southern California and Beyond. She is a past President of the Society for Ethnomusicology, a series editor for Wesleyan University Press's Music/Culture series, and also serves on the Editorial Committee for the University of California Press. She has been a research team member for the International Institute for Critical Studies in Improvisation

(IICSI) since 2008. Very active in public sector work at the national, state, and local levels, she currently serves as the Chair of the Advisory Council for the Smithsonian Institution's Center for Folklife and Cultural Heritage. She served on the Board of Directors for the Alliance for California Traditional Arts for more than a decade, including a term as its President. Her 2015 nomination to the National Humanities Council by President Obama was held up for Senate confirmation by Republication obstructionism, and then withdrawn after Hillary Clinton's defeat. In Riverside, she is active in grassroots work on community­police relations and is the co-chair of the Riverside Coalition for Police Accountability.

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A Celebration of the Mambo 30 UR Symphony Orchestra

4 43'd Annual Festival of Lessons + Carols

5 Richard Becker, piano 12 Mike Davison +The Latin Jazz Messengers 20 Neumann Lecture on Music: Listening to Pain

19 Duo Piano Recital: Richard Becker+ Doris Wylee-Becker 22 Ronald Crutcher, cello + Joanne Kong, piano 27 UR Wind Ensemble

2 Global Family Concert 3 Bruce Stevens, organ 5 UR Symphony Orchestra 6 UR Jazz Ensemble 9 UR Schola Cantorum +Women's Chorale 10 UR Jazz + Contemporary Combos 17 UR Chamber Ensembles

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• PICK 4: Choose four or more events to create your custom season subscription. • SAVE: Modlin Center Subscribers enjoy up to 20% off single ticket prices. • GET PRIORITY ACCESS: Modlin Center Subscribers are able to purchase tickets

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MODLIN.RICHMOND.EDU • 289-8980 I 25

MEMBERSHIP Become a Modlin Center Member today! Your support allows the Modlin Center to continue bringing the very best in the performing arts to Richmond-artists such as Martha Graham Dance Company, Richard Thompson, Jeremy Denk, Philip Glass, Dianne Reeves, Kodo, and many more. In addition, your gift will help the Modlin Center's efforts to develop new cultural outreach programs both on the University of Richmond campus and in the greater Richmond community.

DID YOU KNOW? • The Modlin Center provides paid, hands-on experience in all elements of

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• Ticket revenue covers less than 45% of the cost of each Modlin Center event. • Individual gifts such as yours provide the additional support vital to the

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YOUR GENEROUS GIFT SUPPORTS IMPORTANT PROGRAMS, INCLUDING: • The Modlin Center School Series, which provides yearly programming to

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discussions, Modlin Arts After Words post-show question-and-answer sessions, master classes, workshops, and other free interactive opportunities with artists.

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TO BECOME A MEMBER of the Modlin Center for the Arts, please review the categories and benefits listed in our season brochure or on our website at modlin.richmond.edu. Contributions can be made online at modlin.richmond.edu, or by entering your donation amount on the brochure order form and mailing to: Modlin Center for the Arts, 28 Westhampton Way, University of Richmond, VA 23173.

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THE MODLIN CENTER WOULD LIKE TO THANK OUR SPONSORS+ COMMUNITY PARTNERS

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MODLIN.RICHMOND.EDU • 289-8980 I 27

DRACULA

2016-2017

Season

September 15th -October 8th, 20I6

Libby S. Gottwald Playhouse

ASSASSINS

November 3rd- 26th, 2016

Firehouse Theatre

THE TOP OF BRA VERY

January 12th- February 4th, 20I7

Rich:mond Triangle Players

THE COMPLEAT WRKS OF WLLM SHKSPR (abridged)

January 27th- February 12th, 2017

Glen Allen Cultural Arts Center

THE HEIR APPARENT

April 6th - 30th, 2017

Virginia Museu:m of Fine Arts - Leslie Cheek Theater

LOVE'S LABOUR'S LOST

June rst- 24th, 2017

19th Annual Rich:mond Shakespeare Festival at Agecroft Hall

MACBETH

July 6th - 29th, 20I7

19th Annual Rich:mond Shakespeare Festival at Agecroft Hall

8th ANNUAL BOOTLEG SHAKESPEARE: JULIUS CAESAR October 29th, 2016 Virginia Museum of Fine Arts - Leslie Cheek Theater

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THE SALON October 14, 2016 Depot Annex Studio

NORA CHIPAUM IRE: portrait of myself as my fa-titer October 21l + 29, 2016

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FALL SENIOR PROJECT November 16-19, 2016

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