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Page 1: The Who, Why, When, What,  and How of Composites

The Who, Why, When, What, and How of Composites

BAPC Program NightApril 2009

Peter Janecke

Page 2: The Who, Why, When, What,  and How of Composites

Who

• Best known artist is Jerry Uelsmann– He does it the hard way, in the darkroom– Ordinary mortals need digital!

• Maggie Taylor typically does digital fairy tales• John Paul Caponigro has done some images• Others out there too

Page 3: The Who, Why, When, What,  and How of Composites

Some Jerry Uelsmann Images

Page 4: The Who, Why, When, What,  and How of Composites

More of Jerry Uelsmann …

Page 5: The Who, Why, When, What,  and How of Composites

Maggie Taylor

Page 6: The Who, Why, When, What,  and How of Composites

John Paul Caponigro

Page 7: The Who, Why, When, What,  and How of Composites

Why

• To tell a story• To depict a dream• Social commentary• Humor

Page 8: The Who, Why, When, What,  and How of Composites

When

• When you feel creative… and don’t have enough to do… and need to look busy

• But don’t be surprised if few people “get it”

Page 9: The Who, Why, When, What,  and How of Composites

What

• Your mother was right– Two wrongs don’t make a right

(putting together two bad images doesn’t result in a good one)

• Composite elements must be:– In correct focus – Well exposed– Nicely lit

• I collect skies, misc objects for use later …

Page 10: The Who, Why, When, What,  and How of Composites

What else

• Lighting must match– Direction– Hard vs soft– Shadow

• Color temperature must match – warm vs. cool light• Depth of field must match• Angle of view must match

Tip: Try a black and white with flat lighting and everything in focus first

Page 11: The Who, Why, When, What,  and How of Composites

How

• Decide what the background image will be• Use layers for each of the elements• Use selections and masks• Use blend modes and opacity adjustments

Page 12: The Who, Why, When, What,  and How of Composites

Cut and paste Selections vs. Masks

• If you cut out a selection and paste it in– Its permanent– If you cut too deep have to start from scratch– But minimizes file size

• A layer with a mask– Can go back and change it– Can adjust it independently using a clipping mask– Use a smart layer if you expect to resize a lot

Page 13: The Who, Why, When, What,  and How of Composites

Blend Modes for layers

• Opacity slider can/should be used with all modes• Most useful Blend Modes:– “Normal” is the default– “Overlay” to increase contrast– “Multiply” to darken– “Screen” to lighten– “Color” to change colors

• Try one by one, sliding the opacity, to find the best

Page 14: The Who, Why, When, What,  and How of Composites

Demo


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