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The Who, Why, When, What, and How of Composites

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The Who, Why, When, What, and How of Composites. BAPC Program Night April 2009 Peter Janecke. Who. Best known artist is Jerry Uelsmann He does it the hard way, in the darkroom Ordinary mortals need digital! Maggie Taylor typically does digital fairy tales - PowerPoint PPT Presentation
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The Who, Why, When, What, and How of Composites BAPC Program Night April 2009 Peter Janecke
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Page 1: The Who, Why, When, What,  and How of Composites

The Who, Why, When, What, and How of Composites

BAPC Program NightApril 2009

Peter Janecke

Page 2: The Who, Why, When, What,  and How of Composites

Who

• Best known artist is Jerry Uelsmann– He does it the hard way, in the darkroom– Ordinary mortals need digital!

• Maggie Taylor typically does digital fairy tales• John Paul Caponigro has done some images• Others out there too

Page 3: The Who, Why, When, What,  and How of Composites

Some Jerry Uelsmann Images

Page 4: The Who, Why, When, What,  and How of Composites

More of Jerry Uelsmann …

Page 5: The Who, Why, When, What,  and How of Composites

Maggie Taylor

Page 6: The Who, Why, When, What,  and How of Composites

John Paul Caponigro

Page 7: The Who, Why, When, What,  and How of Composites

Why

• To tell a story• To depict a dream• Social commentary• Humor

Page 8: The Who, Why, When, What,  and How of Composites

When

• When you feel creative… and don’t have enough to do… and need to look busy

• But don’t be surprised if few people “get it”

Page 9: The Who, Why, When, What,  and How of Composites

What

• Your mother was right– Two wrongs don’t make a right

(putting together two bad images doesn’t result in a good one)

• Composite elements must be:– In correct focus – Well exposed– Nicely lit

• I collect skies, misc objects for use later …

Page 10: The Who, Why, When, What,  and How of Composites

What else

• Lighting must match– Direction– Hard vs soft– Shadow

• Color temperature must match – warm vs. cool light• Depth of field must match• Angle of view must match

Tip: Try a black and white with flat lighting and everything in focus first

Page 11: The Who, Why, When, What,  and How of Composites

How

• Decide what the background image will be• Use layers for each of the elements• Use selections and masks• Use blend modes and opacity adjustments

Page 12: The Who, Why, When, What,  and How of Composites

Cut and paste Selections vs. Masks

• If you cut out a selection and paste it in– Its permanent– If you cut too deep have to start from scratch– But minimizes file size

• A layer with a mask– Can go back and change it– Can adjust it independently using a clipping mask– Use a smart layer if you expect to resize a lot

Page 13: The Who, Why, When, What,  and How of Composites

Blend Modes for layers

• Opacity slider can/should be used with all modes• Most useful Blend Modes:– “Normal” is the default– “Overlay” to increase contrast– “Multiply” to darken– “Screen” to lighten– “Color” to change colors

• Try one by one, sliding the opacity, to find the best

Page 14: The Who, Why, When, What,  and How of Composites

Demo


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