AuditionSessions
PrincipalAuditionsMon,Dec7(3:30–5:30pm)Tues,Dec8(6:00–8:00pm)Wed,Dec9(3:30–5:30pm)CallbacksThurs,Dec10(3:30–5:30pm)Fri,Dec11–WeatherBackup
AuditionSessionsEnsembleOnlyMon,Dec7(3:30–4:30pm)Tues,Dec8(6:00–7:00pm)Wed,Dec9(3:30–4:30pm)
PerformancesThursday,March17(7:30pm)Friday,March18(7:30pm)Saturday,March19(7:30pm)Sunday,March20(2:30pm)
AuditionInformationEveryoneauditioningfortheTippecanoeTheatreProgramproductionofUrinetown–TheMusicalwillbeexpectedtoattendoneauditionsession.Pleasereadinformationbelowandprepareforyourauditionaccordingly.Signupforauditionsatthetheatreboxoffice,duringtheweekpriortoauditions.PrincipalAuditions–Pleasereadthecharacterbreakdownsothatyouarefamiliarwiththecharacters.YouwillbeexpectedtosingoneoftheidentifiedsongsfromUrinetown–TheMusicalfortheinitialaudition.Additionalsongshavebeenidentifiedforcallbacksaswell.Memorizationoflyricsisstronglyrecommended,asitwillmakeforabetteraudition.Wewillbelisteningforcorrectpitch,rhythm,andtonequalityofyourvoiceaswellashowwellyoucommunicatethelyrics.Principalcallbacksshouldbeexpectedasweworktocoordinateroles.Pleasemakesureyouareavailableforthescheduledcallbacksessionifrequested.EnsembleAuditions–Rolesnotidentifiedonthecharacterbreakdownareensemblerolesandonlyrequirethatastudentsingthemelodyto“ISeeaRiver”(measures1–18)individuallyforvocalplacement.Thosestudentsoptingforanensembleauditionwillnotbeeligibleforanyprincipalcastingorsolosduringtheproduction.Auditioningfortheensembledoesnotguaranteecasting.GeneralNotes–Thetentativerehearsalscheduleisincludedinthispacket.Pleasereviewit,asallrehearsalsaremandatory.Noconflictswillbepermittedinthefinalthreeweeksoftheproduction.Actorsarenotcalledtoeveryrehearsal–onlywhenrequired.Theensemble,forexample,islimitedtoTues/Thurswhenpossible.Giventhenatureofatheatricalproduction,anyconflictswithrehearsals,evenwithotherschoolactivitiescanbedetrimentaltotheparticipantandtheentirecast.Conflictsmaydetercastingsopleasereviewthisschedulecloselybeforecommittingtotheproductionthroughauditions.WhattoBringtoAuditions–PleasebringadetailedscheduleofallconflictsbetweenJan3–March20,acompletedauditionform(submittinganincompleteformmaypreventyoufrombeingcastintheproduction),andasignedtheatrepoliciesandexpectationsform.Wearclothesyoucandancein.WhattoExpectatAuditions–Singanexcerptpreparedfromtheshowortheselectedensembleoption.Ensembleauditionswillbedoneasagroup.Ifyouareauditioningforaprincipalrole,yourvocalsolowillbedonealoneinaroom,andyouwillalsobeaskedtocompletecoldreadingsfromthescriptinagroup.IfYouHaveBeenCastinaRole–ThecastlistwillbepostedonTippDrama.comby9pmonSunday,December13thandthetheatrecallboardonMonday,December14th.Thursday,December17th,theprincipalcharacterswillattendaread-throughofthefullmusical.TherewillbeamandatorycastmeetingforhighschoolcastmembersonMonday,January4thwhenscriptswillbedistributedandthedirectionoftheproductiondiscussed.ParticipationFees–Allmembersofthecastofthemusicalwillneedtopaythedistrict’s$35participationfeeforthemusical.AllfeesmustbepaidtothehighschoolofficebyFriday,February5th.
PlaySynopsis
ACTONEWebeginatthepoorest,filthiesturinalintown.OfficerLockstock,apoliceman,entersandsurveysthescene.Hegreetstheaudience.PenelopePennywiseandBobbyStrongenter,theydiscusstheOldSo-and-sowhowasrecentlycartedofftoUrinetown.LockstocktellstheaudiencethatUrinetown-theplace-isamythicalplacetheywon'tseeuntilActII,butUrinetown-themusical-isstartingnow.LittleSallyentersandsheandLockstockdiscussthedangersoftoomuchexpositioninashow.Theythenproceedtoexplainthatthereisawatershortageandpublicbathroomshavebeenreplacedbyprivatetoilets.Thefeetousethesepublicbathroomsiscontrolledbyaprivatecompany,theUrineGoodCompany,thatkeepspriceshigh.Sinceusingthebushesisillegal,LittleSallycountsherpenniesinhopesofusingtheurinal("Urinetown").AningenuetypenamedHopeenters;sheislookingfortheUrineGoodCompany.Bobbydirectshertowardsthegleamingtoweronadistanthill.Theyhaveamoment.Bobby'spa,OldManStrong,doesn'thaveenoughmoneyforthefee.HebegsBobbytolethimgoforfree.Penny,however,willhavenoneofit.Aftertwentyyearsofdrought,everyonehastomakesacrifices("It'sAPrivilegeToPee").OldManStrongcan'ttakeitanymore,andintendstouseawalltorelievehimself.Lockstockandhispartner,Barrel,remindhimthatbreakingthePublicHealthActisanexilingoffenseandOldManStrongisdraggedofftoUrinetown("It'sAPrivilegetoPee-Lockstock'sReprise").ThescenemovestoexecutiveofficesoftheUrineGoodCompany.CaldwellB.Cladwell,thepresidentoftheUGCandresidentvillain,isinameeting.Cladwellisconvincedthatnewfeehikeswillbreezethroughthelegislature,whileSenatorFippthinkstherewillbeunrestifitdoes.Hopeenters.ItturnsoutsheisCladwell'sdaughterbackfromUniversity.Sheisalsoherfather'snewfax/copygirl.Cladwellinsistsshesayafewwords,soshemakesaspeechpraisingthecompany.Cladwellinterjectsandhisfellowexecspraisehim("Mr.Cladwell").Laterthatevening,OfficersLockstockandBarrelrunintoLittleSallycountingherpennies.Lockstockgivesheracoinandushersherhome.Whensheleaves,theofficersdiscussingbeingexiledtoUrinetownandreminisceaboutotherUrinetownvictims("CopSong").HopeentersafteralongdayoffaxingandcopyingandrunsintoBobby,whoisstillsmartingfromtheremovalofhisfather.Bobbyisfeelingcoldandempty,becausehedidn'thelphisfather,andHopesuggestthathelistentohisheart.Hedoesn'trealizehehasaheart,nordoesheknowhowtolistentoit.Sheteacheshim("FollowYourHeart").Theysaygoodnightandkiss.
LockstockandLittleSallyappearseeminglyoutofnowhere;sheasksLockstockifHopelovesBobby,andLockstockconfirmsthatshedoes-he'sthehero...shehastolovehim.LittleSallythenasksaboutUrinetown.Lockstockstillcan'ttellherbutdoesslipandrevealsthereisactuallyno'Urinetown.'Theyjustkillpeople.Thetwodepartasthenextscenebegins.Thenextmorning,newfeehikesareannouncedmuchtotheanguishofthepoorcitizens.Bobbyarrivesatworkafteralongnightofthinkingaboutwhathappenedtohisfather.Hewondersifthelawiswrong.PennytellsBobbytogethisheadoutoftheclouds.Bobby,however,dreamsofabeautifulworldwhereeveryoneisfree.DespitePenny'sprotests,Bobbylet'severyone,includinghismother,intotheurinalforfree("LookToTheSky").IntheofficesofUGC,CladwellcongratulatesFipponthepassageofthenewlegislation.PennyentersandtellsCladwellthatthereisriotingatheramenity,andthatBobbyStrongislettingpeoplepeeforfree.Cladwellwantstocrushtherebellion,butHopesuggestsherfatherlistentoBobby'sheart.Shethinkslifeshouldbebeautiful,butCladwellexplainsthatlifeisabeating-youeitherbeat,orgetbeaten("Don'tBeTheBunny").Backatthepoorest,filthiesturinalintown,LittleSallyasksLockstockwhatishappeningwhileBobbyletsthemassesintotheurinal.Lockstockinformsher,andtheaudience,thatitistheActOnefinalewhereCladwellarrivestosnuffouttheuprising!Duringthehubbub,BobbyandHopehaveamomentwheretheyconfronttheliesandmisconceptions.CladwellthenwarnsthatBobby'srushforfreedomwillhavedangerousconsequences,butBobbydoesn'tcare.Inordertoensuretheirescape,therebelskidnapHopeandrunoff("Act1Finale").
ACTTWOThesecondactbeginswiththerebelsholedupinasecrethideout--identifiedbyanindiscreetsign--wheretheyhaveHopetiedup.AstheyanxiouslyawaitBobby'sreturn,theytheorizeaboutwhereUrinetownactuallyis.Simultaneously,Cladwellandhishenchman,Bobby,andLittleSallyeachdiscusstheorizewhatUrinetowniswiththeaudience.Theverdict:Urinetownisyourtownifyou'rehopeless,downandout("WhatIsUrinetown?").Insidethehideout,therebelswonderwhattodowiththeirhostage,Hope.Theywanttotakeoutalltheirangerandfrustrationonherandkillher("SnuffThatGirl").Bobbyappearsandremindsthemthatthepurposeoftheirrevolutionwastoensurethatnomanorwomanbedeniedtheiressentialhumanityduetotheconditionoftheirpocketbook("Run,Freedom,Run").Pennythenarrives.ShetellsBobbythatCladwellwantshisamenitiesupandworkingandiswillingtodiscussasolution.Heagrees,muchtothe
gang'sskepticism.HopeisleftwiththerebelsascollateralandBobbyandPennyleaveforthemeeting.Beforehegoes,hetellsHopetolookfortheanswertotheirproblemsinherheart.Shetries("FollowYourHeart-Reprise").Later,attheofficesofUrineGoodCompany,CladwellmeetswithBobby.HeproposesanoffertoBobby:aloadofcashandfullamnestytoallofthoseinvolvedinexchangeforanendtohisrebellionandagreementofreturningtotheimprovedfeeschedule.BobbyrefusesthecashandtellsCladwellthatallhewantsisfreeaccesstotheamenitiesforall.Bobby'swishwillnotbegrantedandCladwellhashimsenttoUrinetown,evenifithasdireconsequencesforHope.RealizinghowruthlessCladwellactuallyis,PennyandFippwonderifheisworthyofthetrusttheyputinhim("WhyDidIListenToThatMan?").LockstockandBarelltakeBobbytothetopoftheUGCbuildingroof-itturnsoutUrinetownreallyisjustdeath.Withouthesitation,theyhurlBobbyoffthebuilding...tohisuntimelydeath.Nowbackatthesecrethideout,LittleSallyinformstherebelsthatshesawBobbybeingthrownoffabuildingandthathislastwordswerethathelovedHope.WithhelpfromBobby'sghost,LittleSallytellsHopeandtherebelsthattheymustfightforwhattheyknowisright("TellHerILoveHer").Inafit
ofrage,therebelsdecidetheymustkillHopeasrevengeforBobby'sdeath,butPenny--whoturnsouttobeHope'smother--offersherlifeinstead.Hope,inseeingPenny'sreform,realizesthatifshecanchange,maybeUrinetowncanchange.Shetellstherebelsthatiftheykillher,theykilltherebellion.However,iftheyletHopelead,theywillwin.TheyrebelsagreetofollowherandmarchtowardsCladwell'sheadquarters.Hopeconfrontsherfatherandhetellsherthatloveisnotasimportantasfood,water,andshelter,aswellaspilesandpilesofcash.HeispromptlytakenawaytoUrinetown("We'reNotSorry").Hopeproceedstodeclarethatdayabrand-newday;adayofhope.Lockstockreappears,actinasanarrator,toinformtheaudiencethatHopeopenedupthetoiletsforall.TheyevenrenamedtheUGCtotheBobbyStrongMemorialToiletAuthorityandoperatedforthebenefitofthepublic.But,asoriginallypredicted,itwasn'tlongbeforethewaterdisappearedalltogether;manydied.Itturnsoutthatdespitebeingatyrant,Cladwell'smethodsdideffectivelyregulatewaterconsumption.Hope'sdesireforthepeople'slovecausedhertoloseabandonregulationand,intheend,thepeoplerecognizedtheirtownforwhatitwas:Urinetown("ISeeARiver").
PREPARINGTHECHARACTERSUrinetownisaboveallaparodyandacomedy.Inessencecharactersareseriouslysillyormoreaccurately,earnestly,seriouslysilly!!Notwithstandingthisdescription,theartofactingistomakethecharacterasbelievableaspossible.Indeed,thisisthecomedyoftheshow.Gesture,movement,facialexpressionareimportanttoolstodothisalongwithimpeccabletiming.Urinetownwillstandorfallonthisabilitytobe‘seriouslyfunny’–toproducetheatreoftheabsurdratherthanabsurdtheatre.Thisabilitytopresenteachofthecharactersinthiswayisthekeytothesinging,choreography,andgeneralmovementonstage.PRINCIPALROLESRequireCompletingaPrincipalRoleAudition
OfficerLockstockNarratoroftheshowandleaderofthePolice.Afigureofauthority.Akeyrole.Heisasymbolofpolicebrutalityandsuppressionbymeansofforce.Strongactingabilityandexcellentcomictimingarerequired.Somedanceskillsrequired.VocalRange:BaritoneAuditionSong:“CopSong”m.1-36&“Urinetown”m.75-97
LittleSallyApoorstreeturchinwhoisalsoco-narratoroftheshow.Needstobesmallishinstaturebecausesheisthe‘child’ofthecast.Needstolookyounginstageage.Sheisinnocentinitially,butitbecomesclearsheiseasilypersuadedbymobcoercion.Akeyrole.Strongacting-singingabilityandcomictiming.Mediumdanceskillsrequired.VocalRange:MezzoSopranoAuditionSong:“TellHerILoveHer”m.1-21(bothparts)
BobbyStrongThe“Hero”oftheshowandtheassistant-custodianatthepooresturinalintown–Amenity#9.Bobbyistheleaderofthepoorthroughtherebellionandisnotafraidtostandupforwhathebelievesin.FallsinlovewithHope.Heisacollegedrop-outandpseudo-anarchist.Akeyrole.Strongacting-singingabilityandgoodcomictiming.Mediumdanceskillsrequired.VocalRange:TenorAuditionSong:“Run,Freedom,Run”m.1-44CallbackSong:“LookattheSky”m.5-25
HopeCladwellCladwell’sgoodhearteddaughter.FreshoutoftheMostExpensiveUniversityoftheWorldandabouttoworkatherfather’scompany.Anaïvegirlwhobelievesthereisgoodineveryone.FallsinlovewithBobby.Shelivesinignorantbliss,buthasastrongheart.Keyrole.Strongacting-singingabilityandgoodcomictiming.Mediumdanceskillsrequired.VocalRange:SopranoAuditionSong:“FollowYourHeart”m.109-143
CaldwellBCladwellCEOofUrineGoodCompany(UGC).Heisanunscrupulouscapitalistandthemainantagonist.Heuseshisemployeesandpoliceforceforhispersonalbidding.Keyrole.Strongacting-singingabilityandgoodcomictiming.Minimaldancerequired.VocalRange:BaritoneAuditionSong:“Mr.Cladwell”m.5-36CallbackSong:“Don’tBetheBunny”m.59-82
PenelopePennywiseTheproprietorofPublicAmenityNumber#9,thepooresturinalintown.ABlacksheep,shebettersherpublicstandingbyleachingontoCladwell.Sheisanintenserealistandisruthlessinherattackwhenitcomestoearningherliving.Shepossessesaplot-twistingsecret.Agutsyfemalecharacter.Strongacting-singingabilityandcomictiming.Mediumdanceskillspreferable.VocalRange:AltoAuditionSong:“PrivilegetoPee”m.25-79
SUPPORTINGROLESRequireCompletingaPrincipalRoleAudition
SenatorFippAcorruptsenatorwhotakesbribesandlacksmoralvalues.Acreepycharacterwhoseemstolurkinallthewrongplaces.Strongacting,minimalsingingskillsandgoodcomictiming.Minimaldancerequired.VocalRange:BassAuditionSong:“Mr.Cladwell”m.5-36
MrMcQueenCladwell’sheadlackeyandcorporate“yes”-man–aflamboyantcharacter!HeisalwaysfollowinginCladwell’sfootsteps.Tooweaktostepoutoftheshadow.Strongacting,minimalsingingskillsandgoodcomictiming.Minimaldancerequired.VocalRange:TenorAuditionSong:“Mr.Cladwell”m.5-36
HotBladesHarryAdangerousandunpredictableman-asadist!Heiswillingtoinciteviolencetogetwhathewants.Adisgruntledblue-collarworker.Strongacting-singingabilityandcomictiming.Mediumdanceskillspreferable.VocalRange:TenorAuditionSong:“SnuffThatGirl”m.21-35
LittleBeckyTwo-ShoesAdisturbedgirlwhohasbeenledastraybythebadinfluencesofcity-life.Essentially,anangstyteen.FollowsHot-BladesHarry.Strongacting-singingabilityandcomictiming.Mediumdanceskillspreferable.VocalRange:SopranoAuditionSong:“SnuffThatGirl”m.44-59
OfficerBarrelOfficerLockstock’srighthandman.Heishispartnerinallthingscriminal.Blindlyfollowsordersanddoeslittlethinkingforhimself.Strongacting-singingabilityandcomictiming.Minimaldanceskillsrequired.VocalRange:BassAuditionSong:“CopSong”m.1-36
Joseph‘OldMan’StrongBobby’srebelliousfather.Bobbygetsallhisstrengthfromhisfatherandtheyhaveacloserelationship.Strongacting,mediumsingingskillsandcomictiming.Minimaldancerequired.VocalRange:TenorAuditionSong:“SnuffThatGirl”m.21-35
Josephine‘OldMa’StrongBobby’sstrong-willedmother.SheisapoorwomanwhofrequentsPublicAmenityNumber#9.Strongacting-singingabilityandcomictiming.Mediumdanceskillspreferable.VocalRange:MezzoSopranoAuditionSong:“SnuffThatGirl”m.44-59
FEATUREDROLESPrincipalRoleAuditionNotRequired
SoupySueAmiddle-agedwomanwhohasgrowntiredofdesperation.Sheisabitofanenvironmentalist.Angry,yetaffectionate.–singingabilityandcomictiming.Mediumdanceskills.AuditionSong:“SnuffThatGirl”m.44-59
TinyTomHebelieveshimselftobeyoungerthanheactuallyisandappearseccentricduetohischild-likenature.Strongacting-singingabilityandcomictiming.Mediumdanceskills.AuditionSong:“SnuffThatGirl”m.21-35
RobbyTheStockfishSomewhatofagoof.Heisrecentlyunemployedfromamenialdeskjob.Strongacting-singingabilityandcomictiming.Mediumdanceskills.AuditionSong:“SnuffThatGirl”m.21-35
BillyBoyBillAlazyfree-loaderwhojustwantstheeasywayout.ApoorrebelwhofrequentsPublicAmenityNumber#9.Strongacting-singingabilityandcomictiming.Mediumdanceskills.AuditionSong:“SnuffThatGirl”m.21-35
ENSEMBLES
RebelPoorThisfeaturedgroupofpatronsfromamenitynumber9participateintherevolutionandcanlaterbefoundinthe“secrethideout”fromActTwo.Thisisahighenergy,strong-acting,mediumdancingskillsgroupwithassortedvocalparts.
PoliceFeaturedintheCopSong,thisensemblemadeupofstiffpoliceofficerswhopridethemselvesondoingtheirjobwellhaslimiteddancingandassortedvocalparts.
UGCExecutives(Cladwell’sSecretary,Mrs.Millenium,Dr.Billeaux)FeaturedinMr.Cladwellscenes,thisensemblemadeupofcorporateyuppieshaslimiteddancingandassortedvocalpart.
THS Theatre Program Tentative Rehearsal Calendar
Theatre Program: (937) 669-6384 Printed 11/24/15 at 5:09 PM
JANUARY 2016Sunday Monday Tuesday Wednesday Thursday Friday Saturday
JAN 3 4 5 6 7 8 9Winter Break 3:00-4:00 3:30-6:00 3:30-6:00 3:30-6:00
Cast Meeting Vocals Vocal Solos Vocals4:00-6:00 All Called All Called
VocalsEnd of First Semester
10 11 12 13 14 15 163:30-6:00 3:30-6:00 3:30-6:00 3:30-6:00Blocking Vocals Blocking Vocals
Vocal Solos All Called Vocal Solos All Called
17 18 19 20 21 22 23Martin Luther 3:30-6:00 3:30-6:00 3:30-6:00King Jr. Day Choreography Blocking Choreography
Vocal Solos Vocal Solos Vocal SolosAll Called All Called
No School
24 25 26 27 28 29 303:30-6:00 3:30-6:00 3:30-6:00 3:30-6:00Blocking Choreography Blocking Blocking
Vocal Solos Vocal Solos Vocal Solos All CalledAll Called
SW Area Thespian Conf.
THS Theatre Program Tentative Rehearsal Calendar
Theatre Program: (937) 669-6384 Printed 11/24/15 at 5:09 PM
FEBRUARY 2016Sunday Monday Tuesday Wednesday Thursday Friday Saturday
31 FEB 1 2 3 4 5 63:30-6:00 3:30-6:00 3:30-6:00 3:30-6:00Blocking Choreography Blocking Choreography
Vocal Solos Vocal Solos Vocal Solos Vocal SolosAll Called All Called
Solo and Ensemble
7 8 9 10 11 12 133:30-6:00 3:30-6:00 3:30-6:00 3:30-6:00Blocking Choreography Blocking Choreography
Vocal Solos Vocal Solos Vocal Solos Vocal SolosAll Called All Called
Science Fair No School
14 15 16 17 18 19 2010:00 - 3:00 3:30-6:00 3:30-6:00 3:30-6:00 3:30-6:00
Choreography To Be Determined To Be Determined To Be Determined To Be DeterminedAll Called All Called All Called
OFF BOOK DEAD.No School P/T Conf. & CC+ Mtg
21 22 23 24 25 26 273:30-6:00 3:30-6:00 3:30-6:00 3:30-6:00 3:30-6:00
Act I Act I Act II Act II To Be DeterminedAll Called All Called
THS Theatre Program Tentative Rehearsal Calendar
Theatre Program: (937) 669-6384 Printed 11/24/15 at 5:09 PM
MARCH 2016Sunday Monday Tuesday Wednesday Thursday Friday Saturday
28 29 MAR 1 2 3 4 53:30-6:00 3:30-6:00 3:30-6:00 3:30-6:00 3:30-6:00
Act I: Runthrough Act II: Runthrough Act I: Runthrough Act II: Runthrough To Be DeterminedALL CALLED ALL CALLED ALL CALLED ALL CALLED
NO MORE CONFLICTS Band Concert
6 7 8 9 10 11 123:00 - 6:00 3:00 - 6:00 3:00 - 6:00 3:00 - 6:00
Act I Act II Run Show Run ShowALL CALLED ALL CALLED ALL CALLED ALL CALLED
Add Full Orchestra Choir Concert Early Dismissal Band Lrg Grp Contest Choir Lrg Grp Contest
13 14 15 16 17 18 19CALL TIME 5:30 CALL TIME 5:30 CALL TIME 5:30 CALL TIME 6:00 CALL TIME 6:00 CALL TIME 6:00Dress Rehearsal Dress Rehearsal Dress Rehearsal Preview Performance Performance Performance
7:00 7:00 7:00 7:30 7:30 7:30
Winter Sports Awards Spring Sports Orien. End of Quarter 3
20 21 22 23 24 25 26CALL TIME 1:00 Good Friday
Performance2:30
Strike After ShowALL CALLED School Board Mtg ASVAB Testing
URINETOWN – THE MUSICAL Audition Form
ALL INFORMATION MUST BE COMPLETED IN ORDER TO BE CONSIDERED FOR CASTING
Name: ___________________________ Grade: _______ Cell Phone: __________________________
Student Email Address: _______________________________ Alt. Phone: __________________________
Pants Size: _______ Shirt Size: _______ Dress Size: _______ Shoe Size: ________ (Women Only)
Voice Type (circle if known): S A T B Audition Song: ________________________________________
Specific role for which you would like to be considered: ________________________________________
PREVIOUS EXPERIENCE Previous acting lessons/classes: ________________________________________________________________
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Music lessons/classes (vocal, choral, and instrumental): _____________________________________________
__________________________________________________________________________________________
Previous Roles Played: ______________________________________________________________________
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Dance Experience / Other Talents: _____________________________________________________________
REHEARSAL CONFLICTS IMPORTANT NOTICE: Just because it is listed below does not make it excused. Only conflicts that are in accordance with the Attendance Policy and are unavoidable will be excused. Specific schedules for other school activities are required at the audition session! Absolutely no conflicts will be excused for rehearsals beginning February 29. Please note that all schedule conflicts will affect casting decisions and may work against your participation in this production. Make your priorities clear below with what you choose to list. If it is not a priority over the production if cast, don’t list it.
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Policies and Expectations Agreement
Required for Consideration as a Member of the Cast or Crew
I understand that, if offered a role or crew assignment in URINETOWN - THE MUSICAL, I will be expected to follow the policies and expectations outlined in the Theatre Program Student Handbook, to accept any role for which I am cast, and to maintain academic eligibility. I also understand that failure to comply with the policies and expectations can result in my dismissal from the production. _________________________________ __________________________________ Student’s Name Student’s Signature Parents, please read the policies and expectations so that you may understand what commitment your student is making and what expectations will be held of them. Failure to abide by the policies and expectations may result in dismissal from the production. By signing below, I give my child permission to commit to the production should they be assigned as a member of the cast or crew. I understand not all students who audition will be accepted for roles in the cast. _________________________________ __________________________________ Parent / Guardian’s Name Parent / Guardian’s Signature _________________________________ Date If you do not have a physical copy of the handbook, it may be found on the high school theatre program page of the district website at www.tippcityschools.com/theatre. Parent Contact Information: Please complete information so that we may contact you with volunteer opportunities to help give our students’ the best possible experience. _________________________________ Cell Phone ___________________________________________________ Email Address
