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Ö¯ÖúÖê ¯Ö¸üßÖÖ ÃÖ´ÖÖ¯Ö ÆüÖê-Öê ¯Ö¸ü ¯ÖÏ¿-Ö-¯ÖãÛÃÖúÖ ¾ÖÓ OMR ¢Ö¸ü-¯Ö¡Öú ×-Ö¸üßÖú ´ÖÆüÖê¤üµÖ úÖê »ÖÖîüÖ-ÖÖ Ö¾Ö¿µÖú Æîü Öî¸ü ¯Ö¸üßÖÖ ÃÖ´ÖÖÛ¯Ö êú ²ÖÖ¤ü ÃÖê ¯Ö-Öê ÃÖÖ£Ö ¯Ö¸üßÖÖ ³Ö¾Ö-Ö ÃÖê ²ÖÖÆü¸ü -Ö »Öêú¸ü ÖÖµÖë 10. ê ú¾Ö»Ö -Öß»Öê /úÖ»Öê ²ÖÖ»Ö ¯¾ÖÖÕ ü ¯Öî -Ö úÖ Æüß ÃÖê ´ÖÖ»Ö ú¸ë ü 11. ×úÃÖß ³Öß ¯ÖÏúÖ¸ü úÖ ÃÖÓ ÖÖú (î ú»Öã ú»Öê ü¸ü) µÖÖ »ÖÖÖ ê ü²Ö»Ö Öפü úÖ ¯ÖϵÖÖê Ö ¾ÖÙÖÖ Æî ü 12. -Öê Öê ×ü¾Ö Ó ú ¯ÖÏÖÖ»Öß : ¯ÖϵÖê ú Ö»ÖÖ ¢Ö¸ü ê ú ×»Ö 0.5 Ó ú úÖê ü ÖÖÑ Öê 1. Write your roll number in the space provided on the top of this page. 2. This paper consists of fifty multiple-choice type of questions. 3. At the commencement of examination, the question booklet will be given to you. In the first 5 minutes, you are requested to open the booklet and compulsorily examine it as below : (i) To have access to the Question Booklet, tear off the paper seal on the edge of this cover page. Do not accept a booklet without sticker-seal and do not accept an open booklet. (ii) Tally the number of pages and number of questions in the booklet with the information printed on the cover page. Faulty booklets due to pages/questions missing or duplicate or not in serial order or any other discrepancy should be got replaced immediately by a correct booklet from the invigilator within the period of 5 minutes. Afterwards, neither the Question Booklet will be replaced nor any extra time will be given. (iii) After this verification is over, the Test Booklet Number should be entered in the OMR Sheet and the OMR Sheet Number should be entered on this Test Booklet. 4. Each item has four alternative responses marked (A), (B), (C) and (D). You have to darken the oval as indicated below on the correct response against each item. Example : where (C) is the correct response. 5. Your responses to the items are to be indicated in the Answer Sheet given inside the Paper I Booklet only. If you mark at any place other than in the ovals in the Answer Sheet, it will not be evaluated. 6. Read instructions given inside carefully. 7. Rough Work is to be done in the end of this booklet. 8. If you write your name or put any mark on any part of the test booklet, except for the space allotted for the relevant entries, which may disclose your identity, you will render yourself liable to disqualification. 9. You have to return the test question booklet and OMR Answer sheet to the invigilators at the end of the examination compulsorily and must not carry it with you outside the Examination Hall. 10. Use only Blue/Black Ball point pen. 11. Use of any calculator or log table etc., is prohibited. 12. Negative Marking :- For each incorrect answer, 0.5 marks shall be deducted. D-0109 P.T.O. Signature and Name of Invigilator OMR Sheet No. : ......................................... (To be filled by the Candidate) Roll No. (In words) 1. (Signature) __________________________ (Name) ____________________________ 2. (Signature) __________________________ (Name) ____________________________ Roll No.____________________________ D-6509 PAPER-II Test Booklet No. [Maximum Marks : 100 Time : 1 1 / 4 hours] Number of Pages in this Booklet : 24 Number of Questions in this Booklet : 50 Instructions for the Candidates ¯Ö¸üßÖÖÙ£ÖµÖÖë ê ú ×»Ö ×-Ö¤ì ü¿Ö (In figures as per admission card) A B C D A B C D PERFORMING ART D-6509 1 P.T.O.
1. Write your roll number in the space provided on the top ofthis page.
2. This paper consists of fifty multiple-choice type of questions.
3. At the commencement of examination, the question bookletwill be given to you. In the first 5 minutes, you are requestedto open the booklet and compulsorily examine it as below :
(i) To have access to the Question Booklet, tear off the paperseal on the edge of this cover page. Do not accept a bookletwithout sticker-seal and do not accept an open booklet.
(ii) Tally the number of pages and number of questionsin the booklet with the information printed on thecover page. Faulty booklets due to pages/questionsmissing or duplicate or not in serial order or anyother discrepancy should be got replaced immediatelyby a correct booklet from the invigilator within theperiod of 5 minutes. Afterwards, neither the QuestionBooklet will be replaced nor any extra time will begiven.
(iii) After this verification is over, the Test Booklet Numbershould be entered in the OMR Sheet and the OMR SheetNumber should be entered on this Test Booklet.
4. Each item has four alternative responses marked (A), (B), (C)and (D). You have to darken the oval as indicated below on thecorrect response against each item.
Example :
where (C) is the correct response.
5. Your responses to the items are to be indicated in the AnswerSheet given inside the Paper I Booklet only. If you mark atany place other than in the ovals in the Answer Sheet, it willnot be evaluated.
6. Read instructions given inside carefully.
7. Rough Work is to be done in the end of this booklet.
8. If you write your name or put any mark on any part of the testbooklet, except for the space allotted for the relevant entries,which may disclose your identity, you will render yourselfliable to disqualification.
9. You have to return the test question booklet and OMR Answersheet to the invigilators at the end of the examinationcompulsorily and must not carry it with you outside theExamination Hall.
10. Use only Blue/Black Ball point pen.
11. Use of any calculator or log table etc., is prohibited.
12. Negative Marking :- For each incorrect answer, 0.5 marksshall be deducted.
D-0109 P.T.O.
Signature and Name of Invigilator OMR Sheet No. : .........................................(To be filled by the Candidate)
List-I List-II (a) Raja Chakradhar Singh (i) Bangalore (b) Kalā Kshetra (ii) Assam (c) Bihū (iii) Chennai (d) National School of Drama’s Regional
Resource Centre (NSD-RRC) (iv) Rajgarh
Codes : (a) (b) (c) (d) (A) (iii) (ii) (i) (iv) (B) (iv) (iii) (ii) (i) (C) (ii) (i) (iii) (iv) (D) (i) (ii) (iv) (iii) 8. Only oil lamp is used as lighting source in (A) Bharatnātyam (B) Kudiyattam
(A) úÖ×»ÖúÖ ×²Ö−¤üÖ¤üß−Ö ´ÖÆüÖ¸üÖ•Ö †Öî ü ¤êü¾Ö ¯Ö¸üß úß •ÖÖê›Íüß (B) ³Ö¼ü »ÖÖê»»Ö™ü †Öî ü ŸÖ¦Ëºþ¯ÖÖ−ÖãÃÖÓ¬ÖÖ−Ö (C) ´Öã�¬ÖÖ †Öî ü †Â™ü−ÖÖ×µÖúÖ (D) †×³Ö−Ö¾Ö�Öã¯ŸÖ †Öî ü †×³Ö−ÖµÖ¤ü¯ÖÔ9Ö
Paper-II 6 D-6509
13. Assertion (A) : Mālvika took the training of Dance under Ga.nadās as depicted in
‘Mālvikāgnimitram’. Reason (R) : Because he was her father. Codes : (A) (A) is true but (R) is false. (B) Both (A) and (R) are true. (C) Both (A) and (R) are false. (D) (R) is true but (A) is false.
14. Match items in List-I with those in List-II :
List-I List-II (a) Gombeyatta (i) Orissa
(b) Pāvaikuthu (ii) Andhra Pradesh
(c) Rāvan Chhāyā (iii) Karnataka
(d) Tollu Bommalu (iv) Kerala Codes : (a) (b) (c) (d) (A) (iii) (iv) (i) (ii) (B) (iv) (iii) (ii) (i) (C) (iii) (i) (iv) (ii) (D) (iv) (ii) (i) (iii)
15. The imaginary zones created on the stage for playing scenes in Sanskrit Theatre are
known as
(A) Tiraskari .ni (B) Kak.syā
(C) Patākā (D) Yavnikā
16. Assertion (A) : Mattāvara .ni in Sanskrit Theatre was an extended acting area.
Reason (R) : Because Mattāvara .ni was situated on the either sides of rangpith.
Codes :
(A) Both (A) and (R) are false.
(B) (A) is true but (R) is false.
(C) (R) is true but (A) is false.
(D) Both (A) and (R) are true.
17. Find the correct sequence :
(A) Āngika, Vāchika, Āhārya, Sātvika
(B) Sātvika, Āngika, Āhārya, Vāchika
(C) Vāchika, Āhārya, Āngika, Sātvika
(D) Āngika, Vāchika, Sātvika, Āhārya
18. Short scene in Sanskrit drama which occurs at the beginning of the act is known as
25. ¿ÖÖáÖßµÖ −ÖÖ™üú ×úÃÖ ¯Ö¸ü ×−Ö³ÖÔ ü ÆüÖêŸÖê Æïü ?
(A) ÃÖê™ü ×›ü•ÖÖ‡−Ö (B) ÃÖÓ�ÖßŸÖ ŸÖ£ÖÖ ¾ÖÖŸÖÖÔ
(C) †ÖÓ×�Öú †×³Ö−ÖµÖ (D) †ÖÆüÖµÖÔ †×³Ö−ÖµÖ
Paper-II 10 D-6509
PART – II
DANCE
26. In which Parva Arjuna trained to Uttara in Dance ? (A) Vanparva (B) Adiparva (C) Harivanshaparva (D) Basantparva
27. A famous style of Kathak Dance is (A) Agra (B) Jaipur (C) Delhi (D) Gwalior
28. Which one of the following is in correct sequence ? (A) Adhomukh, Sama, Alolit, Dhut (B) Dhut, Sama, Alolit, Adhomukh (C) Alolit, Dhut, Adhomukh, Sama (D) Sama, Adhomukh, Alolit, Dhut
29. Match List-I with List-II : List-I List-II
(a) Karun (i) Sthayi bhava (b) Vismaya (ii) Rasa (c) Vepathu (iii) Sanchari bhava (d) Nirveda (iv) Satvika bhava
Codes : (a) (b) (c) (d) (A) (ii) (i) (iv) (iii) (B) (iii) (iv) (ii) (i) (C) (i) (ii) (iii) (iv) (D) (iv) (iii) (i) (ii)
30. Assertion (A) : It is easier to perform Kathak than Odissi and Bharatnatyam. Reason (R) : Sampad is the basic standing posture in Kathak Dance. Codes : (A) (A) and (R) both are false. (B) (A) is false and (R) is true. (C) (A) and (R) both are true. (D) (A) is true and (R) is false.
31. Indicate the odd one out : (A) Alokit (B) Pralokit (C) Ullokit (D) Alolit
32. A famous classical dance of Sri Lanka is (A) Kyandian (B) Kolam (C) Lakhon (D) Kotai
35. Assertion (A) : It is said “Nrityam Bhavashrayam”. Reason (R) : There is no tāl and laya in Nrityam. Codes : (A) (A) and (R) both are true. (B) (A) is true and (R) is false. (C) (A) is false and (R) is true. (D) (A) and (R) both are false.
36. Which one is not correctly matched ?
(A) Sharadatanaya and Bhavaprakashan
(B) Abhinaya darpana and Ramchandra Gunchandra
(C) Dhananjaya and Dasharoopak
(D) Sahitya darpana and Vishvanath Kaviraj
37. How many Rechakas are there according to Natyashashtra ?
(A) Eight (B) Four (C) Two (D) Five
38. Match List-I with List-II :
List-I List-II
(a) Karana (i) Madhya
(b) Angahar (ii) Kataksha
(c) Nayika (iii) Bhramar
(d) Thā.t (iv) Krantaka
Codes :
(a) (b) (c) (d)
(A) (i) (ii) (iii) (iv)
(B) (ii) (iii) (iv) (i)
(C) (iii) (iv) (ii) (i)
(D) (iv) (iii) (i) (ii)
39. Which one of the following is in correct sequence ?
(A) Dadara, Roopak, Jhaptal, Kaharawa
(B) Dadara, Roopak, Kaharawa, Jhaptal
(C) Kaharawa, Roopak, Dadara, Jhaptal
(D) Roopak, Jhaptal, Kaharawa, Dadara
40. Assertion (A) : All classical dances relate to Indian religion.
Reason (R) : The origin of Kathak Dance is from the temple.
Codes :
(A) (A) and (R) both are false. (B) (R) and (A) both are true.
(C) (A) is true and (R) is false. (D) (A) is false and (R) is true.
43. Which one of the following is in correct sequence ? (A) Marga, Kāla, Kriya, Anga (B) Kāla, Mārga, Kriya, Anga (C) Kriya, Anga, Mārga, Kāla (D) Anga, Marga, Kriya, Kāla
Codes : (a) (b) (c) (d) (A) (iii) (iv) (ii) (i) (B) (iv) (iii) (ii) (i) (C) (ii) (iii) (iv) (i) (D) (i) (ii) (iii) (iv)
45. Assertion (A) : Natyashashtra is a reference text of all classical dances. Reason (R) : Natyashashtra has been written mainly for Natya. Codes : (A) (A) is true and (R) is false. (B) (A) and (R) both are true. (C) (A) is false and (R) is true. (D) (A) and (R) both are false.
46. In which State Indira Kala Sangeet University is ? (A) Madhya Pradesh (B) Uttar Pradesh (C) Uttaranchal (D) Chhattisgarh
47. How many Adhikaras are in ‘Bhavaprakashan’ of Shardatanaya ? (A) Five (B) Seven (C) Nine (D) Ten
48. Match List-I with List-II : List-I List-II
(a) Marga (i) Khanda (b) Yati (ii) Sashabda (c) Jati (iii) Sama (d) Kriya (iv) Simhanand tal
Codes : (a) (b) (c) (d) (A) (iv) (iii) (i) (ii) (B) (iii) (iv) (ii) (i) (C) (i) (ii) (iii) (iv) (D) (ii) (iii) (iv) (i)
49. Which one of the following is in correct sequence ? (A) Koormavatar, Varahavatar, Narsimhavatar, Matsyavatar (B) Matsyavatar, Varahavatar, Koormavatar, Narsimhavatar (C) Matsyavatar, Koormavatar, Varahavatar, Narsimhavatar (D) Narsimhavatar, Varahavatar, Koormavatar, Matsyavatar
50. Assertion (A) : Mughal costume is also worn in Kathak Dance. Reason (R) : All classical dances have evolved from Darbars. Codes : (A) (A) and (R) both are true (B) (A) is true and (R) is false. (C) (R) is true and (A) is false. (D) (A) and (R) both are false.
32. Match the items in List-I with those in List-II : List-I List-II
(a) Invisible Theatre (i) Badal Sircar
(b) Environmental Theatre (ii) Grotowski
(c) Poor Theatre (iii) Richard Schechner
(d) Third Theatre (iv) Augusto Boal
Codes :
(a) (b) (c) (d)
(A) (ii) (iii) (i) (iv)
(B) (iv) (ii) (iii) (i)
(C) (iv) (iii) (ii) (i)
(D) (iii) (ii) (i) (iv)
33. The model of Epic Theatre was first introduced by (A) Erwin Piscator (B) Bertolt Brecht (C) Luigi Pirandello (D) Joan Littlewood 34. Which is not correctly matched ? (A) Wings and Borders (B) Tormentor and Teazer (C) Cyclorama and Flood (D) Act Curtain and Borders 35. Find the correct sequence of following Sandhis : (A) Nirvahana, Vimar
.sa, Garbha, Pratimukh, Mukh
(B) Vimar.sa, Garbha, Nirvahana, Mukh, Pratimukh
(C) Mukh, Pratimukh, Garbha, Vimar.sa, Nirvahana
(D) Garbha, Vimar.sa, Nirvahana, Pratimukh, Mukh
36. Assertion (A) : The Tragic Hero is required to evoke the feelings of Pity and
Anger in the spectator. Reason (R) : Catharsis is the function of the tragedy. Codes : (A) Both (A) and (R) are true. (B) (A) is true but (R) is false. (C) (A) is false but (R) is true. (D) Both (A) and (R) are true. 37. Match the items in List-I with those in List-II :
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