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Analyze the evolution of art in Europe in the 1600s and 1700s

Date post: 08-Feb-2016
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Day 42 Objectives. Analyze the evolution of art in Europe in the 1600s and 1700s Evaluate how the PERSIAGM characteristics of the times in Europe are reflected through art. Evolution of Art in Europe. Artistic Styles Mannerism in 1500s Baroque from 1575-1700 - PowerPoint PPT Presentation
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• Analyze the evolution of art in Europe in the 1600s and 1700s • Evaluate how the PERSIAGM characteristi cs of the times in Europe are
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• Analyze the evolution of art in Europe in the 1600s and 1700s

• Evaluate how the PERSIAGM characteristics of the times in Europe are reflected through art

• Artistic Styles– Mannerism in 1500s– Baroque from 1575-1700

French Classicism in late 1600s

Dutch Realism in 1600s– Rococo in 1700s

• Forms of art– Paintings– Sculpture– Architecture– Music

Medieval (ends 1300s)

Renaissance(1350-1500)

Northern Ren(1450-1600)

RegionalDifferences

• Historic events/figures will impact art

• Part of Late Renaissance period (1530-1580)– Think about these ↑ years…what

is going on?• How does the art look? • Characteristics– Rejection of Classicism of

Renaissance– More light, color + spacing

distortion– Figures/bodies are elongated and

exaggerated (manner of Mike)• Period before Baroque

El Greco1541-1614

• Began in Italy too• Late 1500s to early

1700s….– During what Era?

• Combined 2 elements– Classical ideals of…– Religious themes…

• Characteristics– Dramatic– Emotional– no distortion– snapshot in motion

• Catholic courts embraced it… (what family?)

• Resisted in France, England, Netherlands (but still adopted)

• Baroque– Peter Paul Rubens – Bernini (Architect)– Artemesia

Gentileschi– Caravaggio– Diego Velasquez

• French Classicism– Nicholas Poussin

• Dutch Realism– Rembrandt– Judith Leyster

“Lion Hunt” by Rubens

“Ecstasy ofSt. Theresaby Bernini

“Throne ofSt. Peter”

Vatican City

• Dutch Realism is similar to Northern Renaissance Art…(?)

The Embarkation of the Queenof Sheba by Claude Lorraine

• How might 18th Century artists react to Baroque?


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