National Art Education Association Back Matter Source: Art Education, Vol. 47, No. 1, Art International (Jan., 1994), pp. 29-74 Published by: National Art Education Association Stable URL: http://www.jstor.org/stable/3193444 . Accessed: 11/06/2014 00:04 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. . National Art Education Association is collaborating with JSTOR to digitize, preserve and extend access to Art Education. http://www.jstor.org This content downloaded from 91.229.248.81 on Wed, 11 Jun 2014 00:04:50 AM All use subject to JSTOR Terms and Conditions
Transcript
National Art Education Association
Back MatterSource: Art Education, Vol. 47, No. 1, Art International (Jan., 1994), pp. 29-74Published by: National Art Education AssociationStable URL: http://www.jstor.org/stable/3193444 .
Accessed: 11/06/2014 00:04
Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at .http://www.jstor.org/page/info/about/policies/terms.jsp
.JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range ofcontent in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new formsof scholarship. For more information about JSTOR, please contact [email protected].
.
National Art Education Association is collaborating with JSTOR to digitize, preserve and extend access to ArtEducation.
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Pre-registration forms received in the Reston office after February 28, 1994 will be returned to the sender.
A $40.00 processing fee will be charged for all pre-registration cancellations postmarked before February 28, 1994. After that date, no refunds will be made.
All events and numbers of tickets desired for each event must be indicated on the form at the right and payment in full must be enclosed. Registration forms received without payment will be returned. Purchase orders will not be accepted after February 28, 1994. Registration packets, including tickets to events, can be picked up at the registration desk on the second level of the Hyatt Hotel, between 6:00 - 9:00 pm., Friday, April 8, 1994. If you are unable to pre-register, you may register when you arrive; there is an additional fee for on-site registration of $30.00 for both members and non-members, and $20.00 for students.
Note for persons with disabilities: For special assistance, please inform the NAEA headquarters as far in advance of the convention as possible. Services available include escorts/readers, interpreters, TDDs, and wheelchairs. Please attach your require- ments to the pre-registration ticket order form.
Workshop locations and times: Off-site workshops will be held in a variety of locations around the city. The times indicated for all events listed herein show the departure time of buses from the hotel as well as the time for the workshop itself. Participants should be at the Charles Street entrance of the Hyatt Hotel at least 10 minutes prior to bus departure so that they will not miss the buses, which will leave at the scheduled time. The buses will not stop for participant pickup at the Stouffer Hotel. Please plan your time accordingly. As a reminder, specific information concerning departure location and time will be printed on the workshop ticket and in the convention program catalogue which will be distributed at the time of registration in Baltimore.
Convention registration requirements: Convention registration is available to non-members, but at an increased fee. NAEA encourages all convention attendees to join the association and take advantage of the many member benefits which are available; cost of membership and registration combined are equal to the non-member convention registration fee, so it is advantageous for non-members to join. A membership application form can be found elsewhere in this brochure.
Tax deduction: To qualify for a tax deduction, a person must be registered for the convention program. Treasury regulation #1.162-5 permits an income tax deduction for educational expenses (registration fees and cost of travel, meals, and lodging) undertaken to: (1) maintain or improve skills required in one's employment or othertrade or business, or (2) meet express requirements of an employer or a law imposed as a condition to retention of employment, job status or rate of compensation. (IRS Publication #508, U.S. Government Printing Office)
AIRLINE RESERVATIONS
Call NAEA's designated travel agent for your airline ticket.
Each traveler purchasing a ticket through this agency will be provided, at no cost, $100,000 in automatic flight insurance.
Call Professional Travel, Inc. toll-free at 1-800-234-4477 from anywhere in the United States, its territories, and possessions. For those outside the United States, the number is (703) 318-4800. You may pay by credit card or ask to be invoiced. Be sure to identify yourself as an NAEA convention delegate.
CALL TODAY AND SAVE Monday - Friday, 9:00 am. - 5:00 pm., EST
NAEA NATIONAL CONVENTION, BALTIMORE, 1994
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STRAIGHT FROM THE ART The 1994 convention program focuses on the idea that art education has its source in the art that children and adults make, look at, respond to, and appreciate. There are many ways we encounter the art which fills our lives and as art educators, whether we work at the K-12 level, in colleges or universities, or in museums, our task is to understand how to help children and young people explore and lear about art in all of its diverse forms. The program of this convention reflects our concern with that task and it is our hope you will participate and lear from your colleagues ways you can enhance your skills as an art educator. This brochure contains the pre- registration form and lists general and super sessions, as well as other special sessions for your information. It also contains information on all tours, luncheons, special events, and workshops for which tickets must be purchased. Please read it carefully but also refer to the convention special edition of NAEA News to find the heart of the convention program with some 650 sessions from which to choose.
Registration will be 8:00 am - 5:00 pm 8:00;11:00 am; Hyatt and Stouffer Hyatt and Stouffer an ouffer 8:00 am - 5:00 pm a2:00 - 8:00 Hotels Hotels Hote touffer
on Fnday, Saturday, Employers only 8:00;11:00 am; 8:00;11:00 am; 8:00 am-12:00 n Sunday, and 8:0- 9: am 2:00 - 8:00 pm 2:00 - 8:00 pm Monday. On
9 Tuesday it will be am 8:00 - 10:00 am General Session I General Session II General Session III Super Session X
Mark Hansen Marcia Eaton Jacob Lawrence 9:00 - 11:00 am
10 Tours Exhibitor Exhibitor Exhibitor Hours Hours Hours am 10:00 am - 6:00 pm 10:00 am - :00 pm 10:00 am - 3:00 p 10:00 am - 3:00.pm Placement Service Placement Service Placement Service 10:00 am - 6:00 pm 10:00 am - 6:00 pm 10:00 am - 6:00 pm
11 Maryland Artists' Series Maryland Artists' Series am Joyce Scott Helen Frederick
12 Division Luncheons Regional Luncheons Affiliate Luncheons nra on n 12:00 n - 2:00 pm 12:00 n - 2:00 pm 12:00 n - 2:00 pm Jim Dine
1 Maryland Artists' Series Tours pm Tom Miller 1:00 pm 1:00 - 4:00 pm
2 Super Session II Super Session V Super Session VII pm 2:00 - 3:50 pm Grace Hartigan 2:00 - 3:50
2:00 - 3:30 pm 3
pm
4 Super Session I Super Session III Super Session VI Super Session VIII pm 4:00 - 5:50 pm 4:00 - 5:50 pm 4:00 - 5:50 pm 4:00 - 5:50
NAEA 1994 Stouffer Harborplace Hotel Convention Reservation Form April 8- 12,1994
Please check requested accommodations and circle rate requested:
STOUFFER HARBORPLACE HOTEL
Rooms
D Single F-Double
lTriple ElQuad
Suites
-11 Bedroom Suite 1D2 Bedroom Suite
Please type or print
Namef
Sharing with (Name(s)) Confirm to (address)
City
Daytime Telephone Number
Arrival Date
Zip
Hour (a.m./p.m.)
Departure Date
Check Out Time is 12:00 noon; Rooms may not be available for check-in until 3:00 p.m.
Please include first night's deposit to guarantee your reservation by check, money order, or credit card. Your reservation wi be confirmed upon receipt of your deposit. Advance deposit is refundable only if reservation is cancelled 48 hours in advance (be sure to ask our reservationistfor a cancellation number).
Credit Card Holder's Name
Card Number Exp. Date
Signature
Credit card will be used for -I Guarantee Only FI Payment of charges
Room reservations must be received no later than March 14, 1994. Please mail this form to: Stouffer Harborplace Hotel, 202 East Pratt Street, Baltimore, MD 21202 Or you may call the hotel directly at: (410) 547-1200 (Please indicate you are an NAEA Delegate)
Standard
$125.00 $145.00 $165.00 $185.00
$300.00 $450.00
Harborview
$155.00 $175.00 $195.00 $215.00
$400.00 $550.00
Club
$175.00 $195.00 $215.00 $235.00
$500.00 $650.00
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NAEA 1994 Hyatt Regency Hotel Convention Reservation Form -April 8 - 12, 1994 Please check requested accommodations and circle rate requested:
HYATT REGENCY BALTIMORE ON THE INNER HARBOR
Early Bird Special Rates - the following rates are available only if reservations are made before Jan. 31, 1994
O Single ODouble EiTriple ElQuad
$114.00 $124.00 $134.00 $144.00
Regular Rates - for reservations made after January 31,1994
E Single iDouble
E Triple OQuad
$119.00 $129.00 $139.00 $149.00
Suites
Il Bedroom Suite E12 Bedroom Suite
$300.00- $450.00 $400.00- $600.00
Please type or print Name
Sharing with (Name(s)}
Confirm to (address)
City
Daytime Telephone Number
Arrival Date
State
Hour (a.m./p.m.
Departure Date
Check In Time is 3:00 - 5:00 p.m.; Check Out Time is 12:00 noon
The Hyatt Regency Baltimore will not hold your reservation after 3:00 p.m. on the day of arrival without guaranteeing the reservation with one of thefollowing: (a) an enclosed check or money order covering the first night's stay to include 12% state and local taxes; or (b) major credit card with an expiration date and an authorized signature.
lAmerican Express EiMasterCard OVISA [I Discover -1 Carte Blanche I Diners Club
ECheck or Money Order Enclosed
Credit Card Holder's Name
Card Number Exr. Date
Signature
Special Request
Room reservations must be received by March 18, 1994. Please mail this form to: Hyatt Regency Baltimore, 300 Light Street, Baltimore, MD 21202-9990 Or you may call the hotel directly at: (410) 528-1234 (Please indicate you are an NAEA Delegate) FAX: (410) 685-3362
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GENERAL SESSION I, SATURDAY, April 9 MARK HANSEN is president of the National Art Education Association. He is art supervisor in Forest Lake, Minnesota, and former vice president of NAEA for the Western Region. In his call for commitment to art education achievement for the 21st century, Recognizing Excellence, Mr. Hansen challenged art educators to find ways to restore confidence in what they do in the education of children and to respond to the challenge of meeting the needs of all Americans in the 21 st century. In his address, Mr. Hansen will speak about the status of art education in America today and the role of NAEA in this call to excellence in art education.
GENERAL SESSION II, SUNDAY, April 10 DR. MARCIA EATON is president-elect of the American Society of Aesthetics, and Professor of Philosophy at the University of Minnesota. She haswritten for many publications and has spoken often at conferences and institutes on aesthetics and how aesthetics relates to the work art educators do in the classroom. In her presentation, Dr. Eaton will discuss aspects of the role of aesthetics in the art classroom and how art educators can use it as an effective and important tool for children and young people to look at, study, respond to, and understand the meaning that an art work conveys to the viewer.
GENERAL SESSION III, MONDAY, April 11 JACOB LAWRENCE is an African-American artist with a long and significant exhibition record. He taught for many years at the University of Washington where he is currently professor emeritus. Winner of the National Medal of the Arts in 1990, he has won numerous other awards and holds honorary degrees from such institutions as the Pratt Institute, Carnegie-Mellon, Yale University, Spellman College, and Howard University. He has said, "As an artist I hope to contribute something of value to life in general and to my fellowman in particular. I hope that when my life ends... I would have added a little beauty, perception, and quality for those who follow." Mr. Lawrence will show and discuss his work and its contributions to American art.
GENERAL SESSION IV, TUESDAY, April 12 A native of Cincinnati, Ohio, and a graduate of Ohio University in Athens, JIM DINE is a painter, author, and illustrator whose work is found in the permanent collections of the Museum of Moder Art, the Guggenheim Museum, the Whitney Museum, and the Tate Gallery in London. Beginning in the late 1950s, he has exhibited widely and has had one-person shows in Milan, Brussels, Paris, Washington, D.C., and Chicago, in addition to New York City. He received the Norman Harris Silver Medal from the Art Institute of Chicago, and numerous other awards, and has taught at Yale and Cornell Universities and the Royal College of Art in London. Mr. Dine's discussion of his work will be presented during the final session of the 1994 NAEA National Convention.
MARYLAND ARTISTS' SERIES Each year NAEA encourages the host state convention planning committee to identify significant artists working in the convention city or state. These artists are then presented in a series of sessions as a way of giving convention participants insight into the art of the area, an opportunity to gain new information about the work of contemporary artists, and to learn new ways of talking about art to students.
GRACE HARTIGAN: A Baltimore artist whose artistic roots go deep into American modernism, Grace Hartigan's art involves questions of the relationship of the past and the avant-garde. Throughout her career, her work has moved between abstraction and figuration and this has been a mark of her search and her unwillingness to see these approaches to art as mutually exclusive. "I have found my 'subject'," she said in 1956, "it concerns that which is vulgar and vital in American modem life, and the possibilities of its transcendence into the beautiful." She will speak at Super Session V on the subject, "The Vulgar and the Vital."
JOYCE SCOTT: A gifted and prolific Afro-American artist who works successfully in a variety of media, Joyce Scott is a visual and performing artist who seeks to capture the essence of herself and her cultural roots by finding connections with her family's history of creating quilts, transforming that heritage into a concern with issues important to all beings, and making it her responsibility to pass on to others that knowledge in word and deed. Her talk is entitled, "The Spirit of the Artist and Her Work."
HELEN FREDERICK: The founding director of Pyramid Atlantic, an internationally acclaimed center for printmaking, hand paper making, and the art of the book, Helen Frederick is a widely exhibited Maryland artist whose work in paper making is recognized world- wide. Of her work in paper she says it is "a material manifestation of the spiritual. I think artists become very involved in their material, and for me, paper brings insight; it revitalizes and charges me." She will talk on "Artist to Artist: My Views and International Collaboration."
TOM MILLER: This native of Baltimore comes to his work through traditions of home and the values of art which infuse his work. He uses discarded furniture as the foundation for his decoration and painting and the motifs he employs seem to make the pieces take on an emotional quality. The patterns and textures on Miller's furiture finishes can easily be traced to cultural weaving and he fulfills the functions of an artist by recording, giving tangible form to the unknown, embodying forms with feeling, and offering a new way to see. Tom Miller will talk about his art in his presentation, "Tom Miller and the Art He Calls Afro-Deco."
NAEA NATIONAL CONVENTION, BALTIMORE, 1994
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NAEA 1994 Marriott Hotel Convention Reservation Form April 8- 12, 1994
Please check requested accommodations and circle rate requested:
BALTIMORE MARRIOTT INNER HARBOR
Rooms
E Single Fl Double
] Triple I Quad
F- Concierge Single
Suites
FI] Prices range from
$105.00 $115.00 $125.00 $135.00
$125.00
Please type or print Name
Sharing with (Name(s))
Confirm to (address)
State Zip
Daytime Telephone Number
Hour (a.m./p.m.)
Departure Date
Check In Time is after 4:00 p.m.; Check Out Time is before 12:00 noon Please enclose a check or money order covering the first night's stay. Deposits will be refunded only if cancellation notification is given at least 24 hours prior to arrival (please ask for your cancellation number). The above room rates are non-commissionable and subject to state and local taxes, currently 12%.
Oi]American Express [ MasterCard I VISA Fi Discover ICarte Blanche L Diners Club
-lCheck or Money Order Enclosed
Credit Card Holder's Name
Card Number
Amount
Exp. Date
Signature
Requests: [ Smoking I Non-Smoking
Room Type: F- King/Queen Bed
-] No Preference
0 2 Double Beds
Room reservations must be received by March 8, 1994. Please mail this form to: Baltimore Marriott Inner Harbor, 110 South Eutaw Street, Baltimore, MD 21201 Or you may call the hotel directly at: (410) 962-0202 (Please indicate you are an NAEA Delegate)
NOTE: The Baltimore Marriott Inner Harbor Hotel is located approximately 3 blocks from the Hyatt Regency and Stouffer Harborplace hotels.
$200.00- $450.00
City
Arrival Date
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Special Sessions are extended-length presentations which, this year, have been selected for emphasis because they deal with topics important to the wide variety of interests of the membership. While all SuperSessions are open to all persons attending the convention, participants are encouraged to seek those which deal with the issues about which they have special concern and interest.
Super Session I, Friday, April 8 Karen Lee Carroll with Paul Sproll and Janis Norman. This session examines why and how in-depth preparation in studio is important to art teachers and how studio expertise improves the quality of art instruction.
Super Session II, Saturday, April 9 Ralph A. Smith with Mark R. Hansen and Nancy MacGregor. A new edition of the original Excellence in Art Education (NAEA, 1986) will be discussed and its newcontentdealing with standards and elementary art education, as well as questions about the original edition, will be presented and explored.
Super Session III, Saturday, April 9 Beth Olshansky. Image-making within the writing process is important in literary development and in this session the work on a US Department of Education supported program involving the integration of art and children's writing will be presented.
Super Session IV, Saturday, April 9 Ann Bassi with Vicki Rosenberg. The Getty Center for Educa- tion in the Arts has established a national communications and dissemination program for comprehensive visual arts education. This session will describe how the network meets the needs of teachers, policy makers, and arts education advocates through programs and technology.
Super Session V, Sunday, April 10 Grace Hartigan. This session keynotes the Maryland Artists' Series. The artist, whose views are presented under the Maryland Artists' Series descriptions on the previous page, has entitled this presentation, "The Vulgar and the Vital."
NAEA Distinguished Fellows Forum, Monday, April 11 Jean Rush with David Baker, Irving Kaufman, and Kenneth Marantz. Panelists will play devil's advocates toward commonly held assumptions about the need for elementary art specialists, multicultural awareness, European traditions in art, and the need for art itself.
Super Session VI, Sunday, April 10 Vicki Rosetbeig with Blanche Rubin and Brent Wilson. DBAE research and development projects will be explored and panelists will trace the experiences that have led to new models of DBAE, show how DBAE has adapted to changing contexts, and thus has become a more valuable means of achieving art education goals.
Super Session VII, Monday, April 11 Charles Qualley with Mark R. Hansen, Donna Kay Beattie, Marianna Adams, Jeanne Rollins, Mac Arthur Goodwin, and Barbara Laws. Each of the panelists in this session has been involved in the developing of teacher performance and student learning standards, or the national assessment program in art, and they will explore the role of NAEA in promulgating, as well as clarifying, these efforts to art educators.
Super Session VIII, Monday April 11 Barbara Suplee. Concepts of art and aesthetic theories will be used to guide attendees at this session through the Bares Foundation approach to appreciating art and to consider tradi- tional and contemporary alternative ways to appreciation. The Great French Paintings from the Bares Foundation exhibit at the National Gallery of Art will be used to show these ideas.
Super Session IX, Monday, April 11 Beth Schneider with Leslie Wellman and Vas Prabhu. Muse- ums must face political, societal, and financial issues in re- examining their relationship to the communities they serve. Rep- resentatives from several museums will explore the ways in which their institutions meet these challenges and seek to diversify and broaden their audiences.
Super Session X, Tuesday, April 12 Ramsay Selden. The National Assessment of Educational Progress project, which is developing instruments and procedures for assessing student learning in art, will have a profound impact on how art teachers teach. The NAEP project director will provide an update on the project and explain the plans for implementation of the assessment program.
ATTENTION PRE-REGISTRANTS
Your tickets to the Binney and Smith Opening Night Gala will be mailed with your confirmation materials prior to convention. Please be sure to bring both tickets for the bus and the admission to
the event with you.
NAEA NATIONAL CONVENTION, BALTIMORE, 1994 1%. .01,
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code Walters Art Gallery and Baltimore Museum of Art 101 10:00 am - 2:00 pm
Limit: 47 Price: $25.00 The recently restored Walters Art Gallery, with its superb
collection of Ancient, Classical, Medieval, and Asian art, is the repository of Henry Walters' eclectic treasure-trove of a life time of collecting artifacts and will be visited during the morning. The Pavilion at the Hackerman House will be the site for the lunch that is included with the tourand the afternoon portion of the tourwill be spent at the Baltimore Museum of Art with its extraordinary collec- tions. Docentswill be available to point out unique aspects of both collections, or participants may tour the collections on their own.
code Three Centuries of Baltimore Mansion Architecture 102 12:30 - 4:30 pm
Limit: 94 Price: $25.00 Homewood House was built by Charles Carroll, a signer
of the Declaration of Independence, and this elegant Federal-style home is an exquisite example of 18th century American architec- ture which will be visited on this tour. Evergreen House, also to be visited, is an example of Classical Revival architecture and con- tains wonderfully eclectic collections of Tiffany glass, Chinese porcelains, contemporary painting, and books. This tour will provide a fascinating step back into American architecture of the last three centuries.
code Two Hundred Years of Baltimore Buildings: The 103 Charles Street Walking Tour
1:00 - 4:00 pm Limit: 40 Price: $15.00 Within walking distance of the convention hotels are
extraordinary examples of Baltimore buildings designed by some of the most distinguished architects to work in America. Mies van der Rohe, Stanford White, Latrobe, Godefroy, Richard Upjohn, and others are responsible for many of the buildings to be seen and explored on this tour. Not only are these fine examples available for photographing, but the tour will highlight the Charles Center, site of the city's early revitalization efforts of 20 years ago. One site will be the Basilica of the Assumption which Nicholas Pevsner has called "North America's most beautiful church."
code Museums on the Mall: Washington, D.C. 104 10:00 am - 5:00 pm
Limit: 300 (lunch will be on your own) Price: $15.00 Participants will leave the bus at the National Gallery of
Art and will be on their own to tour some of the finest museums in the United States that are within walking distance of the National Gallery, including the Hirshhorn, the National Museum of African Art, the Sakler, the Freer, the National Museum of American Art, the National Portrait Gallery, the Renwick, the Holocaust Museum, the Corcoran, and the Phillips Collection. Lunch is on your own. Buses will depart the National Gallery at 5:00 PM for the return trip to Baltimore.
See and learn about your 1994 convention city the easy way - take a tour.
code Highlights of Baltimore Architecture from Colonial 105 Times to the Present
1:30 - 4:30 pm Limit: 92 Price: $25.00 By venturing beyond the glitter of Baltimore's harbor area,
participants will explore the city's spirited and innovative past as well as its cultural and revitalized neighborhoods. Included on this tour are the Charles Center, the Victorian neighborhoods of Mt. Vernon Place, the Mt. Royal Cultural district, the colonial neighbor- hoods of Fell's Point, Federal Hill, Canton, and Otterbein, as well as the highly acclaimed Oriole Park at Camden Yards.
code The Monuments of Baltimore: 185 Years of Public 106 Sculpture
2:00 - 5:00 pm Limit: 92 Price: $25.00 Monuments and public sculpture in Baltimore span nearly
two centuries and celebrate historical individuals and events. This tour will not only focus on historical monuments dating from the War of 1812 and the Civil War, but will also highlight contemporary pieces of sculpture such as Sugarman's playful piece at the Federal Courthouse and the Sculpture Garden at the Baltimore Museum of Art.
code Historic Annapolis Architecture: A Chesapeake 107 Bay Adventure Into Colonial America
9:30 am - 6:00 pm Limit: 80 (price will not include lunch) Price: $40.00 Thrill to the views of Chesapeake Bay as the boat carries
you into the past and to some of the oldest and finest of American architecture. Annapolis, nestled on Chesapeake Bay, contains some of the best examples of Georgian and Federal architecture on the Eastern Seaboard. This walking tour will highlight the State House, the Hammond-Harwood House, the Chase-Lloyd House, St. John's College, and the U.S. Naval Academy. Explore the waterfront for lunch on your own. Light snacks and drinks are available for purchase on the Chesapeake Flyer and the trip by water will take approximately two hours in each direction.
code The Maryland Institute, College of Art 108 10:00 am - 2:30 pm
Limit: 47 Price: $6.00 (transportation only) Student guides will lead small groups of participants as
they explore the campus which includes a renovated train station housing the Institute library and sculpture facilities, the redesigned shoe factory that provides independent studios for undergraduate and graduate students, and the beautifully renovated marble Italianate building which was a gift of Andrew Caregie to the State of Maryland and the Institute. Special exhibits to be viewed include the Rinehart School of Sculpture show, the juried undergraduate exhibition, and an exhibit of work from the participants in the Institute's special MFA program for art educators. High school teachers are especially invited to make this visit and be guests of the Institute for lunch.
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The 22-sided Roundhouse at the B&O Railroad Museum, which features one of the finest historically restored collections of steam and diesel locomotives in the Westem hemisphere, will be the centerpiece for the annual convention opening event, and the exhibits and artifacts of American railroading, along with one of the largest HO model train layouts in the country, will provide an exciting and unusual setting for this NAEA member get-together.
Complimentary tickets for the reception will be mailed with pre- registration confirmation materials and will be required for admis- sion (Pre-registrants: be sure to bring your tickets. Replacement tickets will not be available onsite). Bus transportation will be available (and is recommended) and tickets can be ordered at the time of pre-registration for $4.00. Only registered convention attendees will be admitted.
SATURDAY, April 9
Visit the Commercial Exhibits
code Maryland Art Place 202 7:30 - 9:30 pm
Limit: 200 Price: $6.00 (transportation only) You are invited to visit this exciting Baltimore art center,
enjoy the company of your colleagues, and view an innovative exhibition created by regional African-American artists, art teach- ers, and students. Based on the new Afro-centric curriculum of the Baltimore City Public Schools, this exhibition tells the viewer "What we need to know about art." Be guests of the gallery for this exceptional opportunity to see artists, art teachers, and students use the arts as an opportunity for community cooperation.
SUNDAY, April 10
code Wine-tasting at The Maryland Institute, 203 College of Art
5:00 - 8:00 pm Limit: 250 Price: $6.00 (transportation only) Join in a progressive wine-tasting event featuring the
best from Maryland vineyards and the beauty of the Institute campus. Beginning at the renovated station building with its sculpture exhibitions and studios, attendees will be also be able to tour the Fox building with its juried undergraduate and art teacher MFA exhibitions, and finally the beautifully restored marble Italianate Carnegie building, a gift from Andrew Carnegie to the State of Maryland and the Institute. On the return to the convention hotels, participants may wish to take advantage of a restaurant drop-off on Charles Street, home of some of Baltimore's finest restaurants, for dinner on your own.
These special events are offered to provide those who attend a memorable Baltimore experience. The Binney
& Smith reception is open to all; the other events are limited in number. Please register as early as possible.
Alarion Press American Art Clay Co. Armada Art Art Image Publications The Art Institutes Int'l. Art Visuals Arts & Activities Atlanta College of Art Badger Air Brush Company Bemiss-Jason Corporation Binney & Smith Brooks Inst. of Photography California College of Arts &
Crafts Chaselle Chroma Acrylics Color Craft Craft World International Crafty's Featherworks Creative Paperclay Co. Crystal Productions Dale Seymour Publications Davis Publications Dick Blick Company Ed Hoy's International Farquhar International Ltd. Fine Art Distributors Fiskars Fletcher-Terry company Getty Glencoe/Macmillan/McGraw-
Hill GPN Grumbacher Heinemann Hunt Manufacturing Co. Imaginus J.L. Hammett Company
Koh-I-Noor Laguna Clay Company Logan Graphic Products Lyra Marsel Brush Company Maryland Institute, College of
Art Modern Learning Press Nasco Arts and Crafts National Gallery of Art Orton Ceramic Foundation Otis College of Art & Design Parent Child Press Pearl in the Oyster Boutique Philadelphia Art Colleges Polaroid Pro Chemical & Dye R.B. Walter Rabinowitz Design Wkshp. Reading & O'Reilly Riverside Paper Co. Sandak Savannah College of Art and
Design Sax Arts & Crafts School of the Art Institute of
Chicago Scratch-Art Company Sheldon Laboratory Systems Shorewood Silkpaint Skutt Ceramic Products Tandy Leather Company Triarco Arts & Crafts Tru Vue/Miller Artboard Co. United Art & Education Supply Welsh Products
Mixed green salad with alfalfa, carrots, radishes and sunflower seeds; sliced top round of beef with wild mushrooms, sauce Bordelaise; rice; New York style cheesecake with raspberry coulis. Price: $20.00 code 301 Elementary Division, Ann Cappetta, National Director, Presiding 302 Secondary Division, Dan DeFoor, National Director, Presiding 303 Higher Education, Meryl Fletcher De Jong, National Director, Presiding 304 Museum Education, Kathy Walsh-Piper, National Director, Presiding 305 Supervision and Administration, Mac Arthur Goodwin, National Director, Presiding
REGIONAL LUNCHEONS, Sunday, April 10
Spinach salad with bleu cheese, honey mustard dressing; peppered roast New York sirloin with Zinfandel sauce; potato; apple streudel with rum vanilla sauce. Price: $23.00 code 306 Eastern Region, Millicent Bassett, Vice President, Presiding 307 Southeastern Region, Dean Johns, Vice President, Presiding 308 Western Region, Terry Hudson, Vice President, Presiding 309 Pacific Region, Edith Curtice Johnson, Vice President, Presiding
AFFILIATE LUNCHEONS, Monday, April 11
Medley of fresh fruit; chicken piccata with lemon basil sauce, rolls and butter; chocolate torte. Price: $20.00 code 310 Multiethnic Interest Group, Esther Page Hill, Presiding 311 International Interest Group, Lois Petrovich-Mwaniki, Presiding 312 Middle School Interest Group, Dan DeFoor, Presiding 313 National Association of State Directors of Art Education, Jeanne Rollins, Presiding
Luncheon tickets are seldom available for purchase on-site except from individuals who find they cannot attend. This is because by providing the hotel firm numbers 30 days in advance, NAEA can get the lowest price possible for the luncheons. Order your luncheon tickets when you pre-register to avoid missing these special occasions.
REMEMBER TO VISIT THE COMMERCIAL
EXHIBITORS IN THE CONSTELLATION
BALLROOM AND THE MARYLAND SUITE
IN THE HYATT
SATURDAY, 10:00-3:00
SUNDAY, 10:00-3:00
MONDAY, 10:00-3:00
NAEA NATIONAL CONVENTION, BALTIMORE, 1994
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code Mining Contemporary Art for Multidisciplinary Art 401 Education
12:30 - 3:30 pm Limit: 47 Price: $15.00 Participants will explore the concept and experiences of
a museum which operates in temporary spaces and will use installations such as Mining the Museum and Catfish Dreamin' to discover how the museum worked with art teachers and commu- nity members in developing programs that connected these art- works to everyday life. Participants will have an opportunity, in a hands-on-activity, to put theory into practice and learn why this approach to art education has won national recognition. Lisa Corrin with George Ciscle, The Contemporary.
code Talking About Art, Past to Present 402 12:30 - 3:30 pm
Limit: 47 Price: $15.00 An art college and an art museum collaborated in a
program that engages pre-service teachers in developing and implementing interpretive programming for families and the gen- eral public. Participants will see how such a program can be set up, learn what is needed, and how logistical problems can be solved in working with authentic objects and interdisciplinary learning approaches and will have a opportunity to be involved in working through this process in ways applicable to their own situations. Schroeder Cherry, The Baltimore Museum of Art, with Renee Sandell, The Maryland Institute, College of Art.
code Adventures in Asian Art 403 12:30 - 5:00 pm
Limit: 25 Price: $15.00 The Walters Art Gallery is housed in the spectacular 19th
century Hackerman House and its collection of Chinese, Japa- nese, and Korean art is outstanding. Participants will have an opportunity to tour the installation of these works and then to take part in a studio activity which is a part of the gallery's education program. Each participantwill also receive printed materials which will be suitable for them to use in their own classrooms. Julia Forbes, The Walters Art Gallery.
code Mining Contemporary Art for Multidisciplinary Art 404 Education
3:00 - 6:00 pm Limit: 47 Price: $15.00 Participants will explore the concept and experiences of
a museum which operates in temporary spaces and will use installations such as Mining the Museum and Catfish Dreamin'to discover how the museum worked with art teachers and commu- nity members in developing programs that connected these art- works to everyday life. Participants will have an opportunity, in a hands-on-activity, to put theory into practice and learn why this approach to art education has won national recognition. Lisa Corrin with George Ciscle, The Contemporary. (Note: This is a repeat offering of Workshop 401)
code Painting from the Masters Using Water-based Oil 405 Paints
1:00 - 4:00 pm Limit: 20 Price: $20.00 This workshop will model a course using a holistic ap-
proach to painting that combines developing creative behavior with a focus on making art from art, which the artist developed for use with students, grades 4-8. It will provide participants the opportunity to work with water-based oil paints and create a small painting in response to a master work of art. Examples of students' work done in this way will be shown. Ruth Aukerman, The Maryland Institute, College of Art.
Limit: 18 Price: $20.00 Working with a professional printmaker who has con-
ducted many workshops for teachers and children, participantswill create a one-of-a-kind, non-toxic monoprint, using a Mylar matrix, watercolor crayons, and water-based inks. Information will be provided on ways to introduce children to a variety of non-toxic printmaking methods. Sam Peters, The Maryland Institute, Col- lege of Art.
code Collage and Stitchery on Fabric 407 1:00 - 4:30 pm
Limit: 25 Price: $20.00 Participants will explore a free approach to stitchery,
using it as form, line, and movement and will incorporate fabric collage, stitchery, beading, dyes, and other embellishments to a small work of their own. The artist is internationally known for her fiber work and will share experiences from a quilt project she has just completed with homeless women and children in Arlington, Virginia. Participants are encouraged to bring fabrics or objects of value to them in order to personalize their pieces. Maria-Theresa Fernandez, The Maryland Institute, College of Art.
code The Painted Object 408 1:00 - 4:30 pm
Limit: 20 Price: $20.00 Tom Miller is nationally known for his painted furniture
that takes its imagery from Black culture. Participants, who are to bring - if possible - a small, pre-gessoed wooden object (box, candle stick, tray, etc.), will see examples of this artist's work, and then will develop their own designs for their object which they will paintwith acrylic. Mr. Miller has been teaching for 20 years in the Baltimore city schools and has gotten some of his best ideas for his work from elementary level children, so this is an activity with broad applicability to children of all levels. Tom Miller, The Maryland Institute, College of Art.
Register early; spaces in workshops are limited and early registration improves the chances of getting a ticket.
and individual hands-on activities which explore concepts of time, space, and the abstraction of the human body. The presentation will include examples of work completed by 3rd through 8th graders and curriculum materials will be provided to show partici- pants how these activities can be done in their own classrooms. Lori Rubeling, The Maryland Institute, College of Art.
code Visual Analysis and Interpretation Through 410 Movement and Sound
1:00 - 4:30 pm Limit: 20 Price: $20.00 Works of art contain within their frozen frames an inner
dynamism and energy that students can translate into kinesthetic impressions, movement, and sound. This workshop models a non-verbal approach to visual discovery, analysis, and interpreta- tion which can enrich and deepen art appreciation and participants will be introduced to and experience a series of strategies and activities that can be used with students. The presenter of this workshop is an enrichment consultant and professional storyteller. Gall Herman, The Maryland Institute, College of Art.
code Another Look: A Multi-sensory Approach to 411 Teaching Visual Concepts in Grades K-2
1:00 - 4:30 pm Limit: 15 Price: $20.00 Two art teachers from Howard County, Maryland, will
present and model an approach to exploring visual concepts with children using movement, word play, and media experimentation. The program is based on Mary Ross Townley's series, Another Look, and is regularly offered through the Maryland Institute's Young People's Studio. Participants will experience and explore these methods through hands-on activities during the workshop. Margie Eisenstein and Barry Hoskins, The Maryland Institute, College of Art.
code Non-discursive Forms of Pictorial Analysis Using 412 Art Media
1:00 - 4:30 pm Limit: 20 Price: $20.00 Analysis is part of the critical process. This workshop
deals specifically with description and visual analysis through drawing activities. Group and individual activities will be explored which can be used in the schools to help students become more aware of the structure and composition of artworks. The presenter is co-author of Children and Their Art, Programs of Promise, and author of Collaboration in Art Education, as well as many articles in art education. Al Hurwitz, The Maryland Institute, College of Art.
SUNDAY, April 10
code Installation Art as a Teaching Tool: Mining the 413 Museum
12:30 - 3:30 pm Limit: 40 Price: $15.00 Participants will explore ways educators have worked
with Fred Wilson's installation, Mining the Museum, and will gain insight into the development of interdisciplinary resource packets, workshops, outreach programs, special events, and artist-docent tours of such a work. There will be hands-on activities based on the objects and methods used in Wilson's work, in which partici- pants will develop a lesson plan that can be used in their own art program. Judy Van Dyke, The Maryland Historical Society.
code Once is Not Enough: A Visual Uteracy Program for 414 Children
12:30 - 3:30 pm Limit: 47 Price: $15.00 Close Encounters is a program designed to teach visual
literacy, especially to 4th grade students, but adaptable to other levels as well. Participants will see how the program focuses on the elementsof artto helpstudents decode objects inthe museum's collection and in their home environments. There will be gallery sessions and participants will work with activity sheets designed for the program and there will be a discussion of the development of a teacher resource center and interdisciplinary materials that have been developed. Schroeder Cherry, The Baltimore Mu- seum of Art.
code Focus on the Middle Ages 415 12:30 - 5:00 pm
Limit: 25 Price: $15.00 The Walters Art Gallery has an extensive collection of
painting, sculpture, and decorative arts which spans 5000 years and four continents, and participants will have the opportunity to tour and learn about these collections. Following this introduction to the collection, participants will take part in a studio activity that focuses on the Middle Ages and in which the techniques used to make stained glass windows will be introduced. Lesson plans for a writing/drawing activity dealing with stained glass windows will also be provided. Julia Forbes, The Walters Art Gallery.
code Drawing a Fine Une 416 12:15 - 5:15 pm
Limit: 25 Price: $20.00 This workshopwill be improvisational, with emphasis on
personal expression and the joy of drawing, not on the finished drawings themselves. The work which participants do will empha- size creative thinking as it is linked with the activity, and much of the presentation will be by demonstration with changing subject matter throughout the working time. Carmen Robb, Towson State University.
Register as early as possible; workshop spaces are very limited and spaces fill quickly. '~~~I ~Do not expect spaces in workshops to be available for on-site registration.
\. NAEA NATIONAL CONVENTION, BALTIMORE, 1994 )
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code Learning About Georgia O'Keeffe Through a 417 Sequence of Studio Processes
12:15 - 5:15 pm Limit: 20 Price: $20.00 Participants will be introduced to a teaching model,
applicable to K-12 levels, for structuring a studio experience using Georgia O'Keeffe as the cultural exemplar. Studio processes will include contour drawing, creative problem solving, exploration with mixed media, and the creation of abstract painting. Jane Bates, Towson State University.
code Exploring Collage 418 12:15 - 5:15 pm
Limit: 20 Price: $20.00 This workshop will provide participants the opportunity to
explore hands-on techniques in creating collage and assemblage, using a variety of scrap materials. Subject matter will include working with the human figure and materials required for the activity will be provided. Jim Flood, Towson State University.
code Installation Art as a Teaching Tool: Mining the 419 Museum
3:00 - 6:00 pm Limit: 40 Price: $15.00 Participants will explore ways educators have worked
with Fred Wilson's installation, Mining the Museum, and will gain insight into the development of interdisciplinary resource packets, workshops, outreach programs, special events, and artist-docent tours of such a work. There will be hands-on activities based on the objects and methods used in Wilson's work, in which partici- pants will develop a lesson plan that can be used in their own art program. Judy Van Dyke, The Maryland Historical Society. (Note: This is a repeat offering of Workshop 413)
MONDAY, April 11
code Enameling: Creating More Than an Ashtray 420 1:00 - 5:00 pm
Limit: 12 Price: $25.00 Throughout history, enameling has been both a misun-
derstood and misrepresented medium. From the Byzantine era to the present, enameling has been utilized as a means of visual communication. Participants in this workshopwill be introduced to the sgraffito technique of enameling and given the opportunity to complete a small scale work. Emphasis will be on utilizing design and images from western cultures, but most importantly, partici- pants will leave with sufficient information to be able to introduce this medium into their curricula. Angela Franklin, Morgan State University.
code Traditional Jamaican Handbuilt Pottery 421 1:00 - 5:00 pm
Limit: 15 Price: $25.00 The presenter of this workshop will emphasize the impor-
tance of seeing a clearconnection between art and nature and how thiscan be enhanced and understood through the use of very basic handbuilt pottery techniques. Participants will work through this process and will also have the opportunity to view the very powerful collection of African art in the Morgan State collection. Samuel Wallace, Morgan State University.
VYS V *. ~ ~~~ I~~IYV ,1@V
Registration, Publication Sales, Placement Services, and the Commercial Exhibitors will be at the Hyatt Regency
General Sessions, Delegates Assembly, and the Luncheons will be at the Stouffer Harborplace
All other meetings will be divided evenly between the two hotels
NAEA NATIONAL CONVENTION, BALTIMORE, 1994
&I I...
-0
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and individual hands-on activities which explore concepts of time, space, and the abstraction of the human body. The presentation will include examples of work completed by 3rd through 8th graders and curriculum materials will be provided to show partici- pants how these activities can be done in their own classrooms. Lori Rubeling, The Maryland Institute, College of Art.
code Visual Analysis and Interpretation Through 410 Movement and Sound
1:00 - 4:30 pm Limit: 20 Price: $20.00 Works of art contain within their frozen frames an inner
dynamism and energy that students can translate into kinesthetic impressions, movement, and sound. This workshop models a non-verbal approach to visual discovery, analysis, and interpreta- tion which can enrich and deepen art appreciation and participants will be introduced to and experience a series of strategies and activities that can be used with students. The presenter of this workshop is an enrichment consultantand professional storyteller. Gall Herman, The Maryland Institute, College of Art.
code Another Look: A Multi-sensory Approach to 411 Teaching Visual Concepts In Grades K-2
1:00 - 4:30 pm Limit: 15 Price: $20.00 Two art teachers from Howard County, Maryland, will
present and model an approach to exploring visual concepts with children using movement, word play, and media experimentation. The program is based on Mary Ross Townley's series, Another Look, and is regularly offered through the Maryland Institute's Young People's Studio. Participants will experience and explore these methods through hands-on activities during the workshop. Margie Eisenstein and Barry Hoskins, The Maryland Institute, College of Art.
code Non-discursive Forms of Pictorial Analysis Using 412 Art Media
1:00 - 4:30 pm Limit: 20 Price: $20.00 Analysis is part of the critical process. This workshop
deals specifically with description and visual analysis through drawing activities. Group and individual activities will be explored which can be used in the schools to help students become more aware of the structure and composition of artworks. The presenter is co-author of Children and Their Art, Programs of Promise, and author of Collaboration in Art Education, as well as many articles in art education. Al Hurwitz, The Maryland Institute, College of Art.
SUNDAY, April 10
code Installation Art as a Teaching Tool: Mining the 413 Museum
12:30 - 3:30 pm Limit: 40 Price: $15.00 Participants will explore ways educators have worked
with Fred Wilson's installation, Mining the Museum, and will gain insight into the development of interdisciplinary resource packets, workshops, outreach programs, special events, and artist-docent tours of such a work. There will be hands-on activities based on the objects and methods used in Wilson's work, in which partici- pants will develop a lesson plan that can be used in their own art program. Judy Van Dyke, The Maryland Historical Society.
code Once is Not Enough: A Visual Uteracy Program for 414 Children
12:30 - 3:30 pm Limit: 47 Price: $15.00 Close Encounters is a program designed to teach visual
literacy, especially to 4th grade students, but adaptable to other levels as well. Participants will see how the program focuses on the elementsof artto helpstudents decode objects inthe museum's collection and in their home environments. There will be gallery sessions and participants will work with activity sheets designed for the program and there will be a discussion of the development of a teacher resource center and interdisciplinary materials that have been developed. Schroeder Cherry, The Baltimore Mu- seum of Art.
code Focus on the Middle Ages 415 12:30 - 5:00 pm
Limit: 25 Price: $15.00 The Walters Art Gallery has an extensive collection of
painting, sculpture, and decorative arts which spans 5000 years and four continents, and participants will have the opportunity to tour and learn about these collections. Following this introduction to the collection, participants will take part in a studio activity that focuses on the Middle Ages and in which the techniques used to make stained glass windows will be introduced. Lesson plans for a writing/drawing activity dealing with stained glass windows will also be provided. Julia Forbes, The Walters Art Gallery.
code Drawing a Fine Une 416 12:15 - 5:15 pm
Limit: 25 Price: $20.00 This workshop will be improvisational, with emphasis on
personal expression and the joy of drawing, not on the finished drawings themselves. The work which participants do will empha- size creative thinking as it is linked with the activity, and much of the presentation will be by demonstration with changing subject matter throughout the working time. Carmen Robb, Towson State University.
Register as early as possible; workshop spaces are very limited and spaces fill quickly. '~~~I ~Do not expect spaces in workshops to be available for on-site registration.
\1k^ ~NAEA NATIONAL CONVENTION, BALTIMORE, 1994
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code Using new Crayola? Products Across the 513 Curriculum (Binney & Smith}
6:30 - 8:30 pm Limit: 30 Price: $5.00 Use new Crayola? products to explore how art can build
bridges across the curriculum and become crucial in making all the curriculum parts relate to one another. Diann Berry
code Understanding the Developmental Stages of 514 Scissor-cutting: Providing the "Creative Edge"
{Fiskars, Inc.} 6:30 - 8:30 pm Limit: 30 Price: $5.00 Participants will gain a better understanding of the devel-
opmental stages of the cutting process. The understanding will eliminate frustration and make room for success and creativity in the classroom through discussion and an opportunity to try out and explore cutting activities. Sandra Ca:hmihan
Limit: 30 Price: $5.00 This workshop will provide a demonstration of imaging a
screen using ThermoFax, mounting it on a plastic frame, and printing on paper or fabric with water based inks. Participants will have the opportunity to squeegee a print and there will be sugges- tions for integrating screen printing into the art program. Ann Welsh
code Combining Color Washes With Pen and Ink 516 {Koh-l-Noor/Grumbacher}
6:30 - 8:30 pm Limit: 30 Price: $5.00 In this workshop, participants will leam how to enhance
the strong, rich texture and contrast that is found in pen and ink work with the power of color. Oil, acrylic, and watercolor washes and techniques used to apply them will be discussed and there will be an opportunity for all to try these out. Participants will be provided with a pen which they can keep. Claudia Nice
code Color Mixing With a Limited Palette 517 {Koh-l-Noor/Grumbacher}
6:30 - 8:30 pm Limit: 25 Price: $5.00 This workshop will provide a demonstration of color
mixing using a limited palette that is based on Munsell color mixing. This system allows making better and more colors than the primary system of color mixing and participants will learn how to work with it. Ed S. Brickler
code Techniques for Hand Painting on Fabric 518 {PRO Chemical & Dye, Inc.}
6:30 - 8:30 pm Limit: 25 Price: $5.00 Using household products to achieve special effects in
hand painting on fabric will be the topic of this workshop. Partici- pantswill leam safety procedures, color theory, different coloration products which can be used, and ways to cure the fabrics. Elin Noble and Don Wiener
code Using new Crayola? Products Across the 519 Curriculum {Binney & Smith)
9:00- 11:00 pm Limit: 30 Price: $5.00 Use new Crayola? products to explore how art can build
bridges across the curriculum and become crucial in making all the curriculum parts relate to one another. Diann Berry (This is a repeat of Workshop 513)
code Teaching Airbrush in the Art Classroom 520 {Badger Air-Brush Company}
9:00- 11:00 pm Limit: 30 Price: $5.00 In this workshop, participants will learn how to teach the
airbrush which is one of the most popular media in art. There will be an introduction to the airbrush as a tool and everyone will have the opportunity to use the airbrush as will as lear about frisket cutting techniques. Robert Paschal
code Frame Your Own Art in the Classroom 521 {The Fletcher-Terry Company}
9:00- 11:00pm Limit: 30 Price: $5.00 Participants will leam how matting and framing in the
classroom can enhance student art work and will have a chance to create their own beveled mats and the basic steps of picture framing. Matthew French
code Basic Pen and Ink Texturing Techniques 522 {Koh-l-Noor/Grumbacher}
9:00- 11:00pm Limit: 30 Price: $5.00 Participants will learn to create various textures using
one or more of the basic strokes of the Rapidiograph? pen. Emphasis will be on textures of glass, wood, water, fur, foliage, metal, clouds, and the faded look of distant subjects. Participants will be provided with a pen which they can keep. Claudia Nice
code Teaching Oil Painting Without Toxic Solvents 523 {Koh-l-Noor/Grumbacher}
9:00- 11:00pm Limit: 25 Price: $5.00 Water mixable oil colors will be demonstrated in this
workshop. These are oils that can mix and clean with water, eliminating the use of toxic solvents in the classroom. Participants will learn how they can return to teaching traditional oil painting techniqueswithoutendangering themselves or their students. Ed S. Brickler
code Marbling on Fabric {PRO Chemical & Dye, Inc.} 524 9:00 - 11:00 pm
Limit: 25 Price: $5.00 Marbling requires no special skills except a willingness to
experiment. Participants will create both unique and traditional patters and will learn how this ancient patterning technique can safely be brought into the classroom through this all water-based system. Elin Noble and Don Wiener
Exhibitor night workshops offer a special opportunity for NAEA members to explore newly available materials and processes
presented by manufacturers' representatives. The fee is charged by NAEA only to cover the administrative and ticketing costs of
presenting the workshops.
NAEA NATIONAL CONVENTION, BALTIMORE, 1994
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code Cast Emotion to Perception With Color 525 6:30 - 8:30 pm
Limit: 30 Price: $20.00 Participants will have an opportunity to create their emo-
tions, dreams, nightmares, fantasies, or aesthetic impressions on a pre-cast plaster face using liquid color and scrap materials for added enhancement. Constance Fuller Peterson
code Photography Techniques and Procedures in 526 the Middle School
6:30 - 8:30 pm Limit: 25 Price: $20.00 Thisworkshopwill introduce participants to several photo
techniques that can be implemented at the middle school level without the aid of expensive technical equipment and procedures. Non-camera and pinhole techniques will be reviewed and there will be hands-on activities. Instructions for setting up a photo class- room, handouts, writing grant proposals, and classroom manage- ment will be reviewed. Nancy V. Elliott
code Visual Learning Workshop: The Polaroid Education 527 Program
6:30 - 8:30 pm Limit: 40 Price: $20.00 This workshop introduces teachers to the Polaroid Edu-
cation program. Each participant will receive a Polaroid instant camera, film, and curriculum support materials and will learn about camera operation, visual learning applications in the classroom, and fundamental visual communication principles. Tom Crockett
code Chinese Calligraphy 528 6:30 - 8:30 pm
Limit: 30 Price: $20.00 Participants will learn the art of Chinese calligraphy in this
workshop. An introduction and demonstration will be followed by hands-on experience and practice with this fascinating process. David Chang
code The Personalized Sketchbook - Motivating High 529 School Students
6:30 - 8:30 pm Limit: 25 Price: $20.00 This workshop will focus on creating an exciting and
unique sketchbook that will motivate students to use their own sketchbooks. The resultwill be an unusual and creative record of the students' artistic growth and a work of art in itself. Participants will create such a personalized sketchbook with a collaged or painted cover and using different sizes and shapes of papers. Ellen McMillan and Ann Ayers
code The Barehands Capture of Students 530 6:30 - 8:30 pm
Limit: 40 Price: $20.00 The casting process, using safe and economical materi-
als, will be presented in this workshop. Participants will make a cast sculpture of their hands and these can be painted with watercolors by those who are interested and will be mounted on bases. Lesson plan materials will be available which will give information on presenting this activity at K-12 levels. Shirley Keiman
code Assessing Written Statements About Works of 531 Art
6:30 - 8:30 pm Limit: 25 Price: $20.00 This workshop will provide participants the opportunity to
practice using the Diagnostic Profile to assess students' higher order understandings about art. There will be experience in coding and analyzing sample responses and a complete assessment package with instruments, examples of supporting responses, protocols, and literature on the system, will be provided. Carol Stavropoulos
Limit: 25 Price: $20.00 This workshop will provide participants with the experi-
ence of designing free-form clay shapes on which they will apply underglaze slips by brush or stencil methods. Sgraffito will be used to add to the designs. Handouts will be available at the end of the workshop. Leslie L. Tyree
code Structural and Decorative Fabric Traditions in 533 Contemporary Art
9:00 - 11:00 pm Limit: 25 Price: $20.00 Participants in this workshop will be introduced to culture-
specific fabric treatments (e.g., Cuna Indian molas, African kente cloth, Indian, Pakistani, and Afghan embroidery and applique, and Japanese shibori) and shown how to address the historical, aesthetic, and critical concerns of a content-based art education. Handouts for classroom use will be provided. Mary Ruth Smith
code Manipulated Image Workshop: The Polaroid 534 Education Program
9:00 - 11:00 pm Limit: 30 Price: $20.00 Participants in this workshop session on manipulated
images will work with emulsion drawing, surface manipulations and Pola-collage techniques, as well as image transfers to artists' papers and fabric. Participants in this workshop should bring some favorite 35mm slides to use in the image transfer process. Tom Crockett
code Exploring World Cultures Through Jewelry 535 9:00- 11:00 pm
Limit: 25 Price: $20.00 This workshop will introduce participants to a program
that enhances students' appreciation and understanding of world cultures through jewelry making and will provide them with a hands on experience with the program through seeing many resource materials and by making an Egyptian bracelet. LouiseGreenberg
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1%~. ~NAEA NATIONAL CONVENTION, BALTIMORE, 1994
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code Miro Meets MTV: Creating Art Using Video 536 Technology
9:00- 11:00 pm Limit: 25 Price: $20.00 Participants in thisworkshopwill learn about video equip-
ment and computer usage to produce painted artistic images, stroboscopic motion, wipes and dissolves, as well as digitally generated graphic text. There will be an opportunity to create a two-three minute music video by combining works of art with these techniques and will be provided information about instructional units using video equipment with sixth grade students. Bryan Berg
code Fun with Color Transfer 538 9:00 - 11:00 pm
Limit: 30 Price: $20.00 This workshop will introduce an approach to mixed media
which employs color transfer techniques. Participants will create a work of mixed media which emphasizes color composition and texture. David Chang
All workshops and tours sell out very eary. If you want to enhance your chances of getting into the workshop of yourchoice,besuretopre-registerearly.
TUESDAY, April 12
code Walters Art Gallery and the Baltimore Museum of Art 601 1:00 - 4:00 PM
Limit: 47 Price: $20.00 The recently restored Walters Art Gallery, with its superb
collection of Ancient, Classical, Medieval, and Asian art, is the repository of Henry Walters' eclectic treasure-trove of a life time of collecting artifacts and will be visited followed by a tour of the collections of the Baltimore Museum of Art . Docents will be available to point out unique aspects of both collections, or participants may tour the collections on their own. (Same as Tour 101, except lunch is not included.)
code Three Centuries of Baltimore Mansion Architecture 602 1:00 - 4:00 PM
Limit: 47 Price: $25.00 Homewood House was built by Charles Carroll, as signer
of the Declaration of Independence and this elegant Federal-style home is an exquisite example of 18th Century American architec- ture which will be visited on this tour. Evergreen House, also to be visited, is an example of Classical Revival architecture and con- tains wonderfully eclectic collections of Tiffany glass, Chinese porcelains, contemporary painting, and books. This tour will provide a fascinating step back into American architecture of the last three centuries. (Same as Tour 102)
code Two Hundred Years of Baltimore Buildings: The 603 Charles Street Walking Tour
1:00 -4:00 PM Limit: 20 Price: $15.00 Within walking distance of the convention hotels are
extraordinary examples of Baltimore building designed by some of the most distinguished architects to work in America. Mies van der Rohe, Stanford White, Latrobe, Godefroy, Richard Upjohn, and others are responsible for many of the buildings to be seen and explored on this tour. Not only are these fine examples available for photographing, but the tour will highlight the Charles Center, site of the city's early revitalization efforts of 20 years ago. One site will be the Basilica of the Assumption which Nicholas Pevsner has called "North America's most beautiful church." (Same as Tour 103)
Please register early to
avoid disappointment!
The registration desk will be open on Thursday, April 7th for Delegates As-
sembly and early arrivals. II n I I I I I II II ii iii i~ ~ ~~ ~ ~~~~ ~ ~~ ~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
K<^ ~NAEA NATIONAL CONVENTION, BALTIMORE, 1994
TOURS
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Pre-registration and ticket order form For office use only: Use a separate form for each person (please type)
Your Name:
Street address:
City: State: Zip+4:
Telephone: Photocopy extra forms if needed
Membership Status Price from cataloaue
If you are an NAEA member, enter your membership number here I If you are not now an NAEA member, enterthe amount of your membership fee from the membership form elsewhere in this brochure and enter the amount here *
Pre-registration Fee (All convention attendees must pay a convention registration fee)
description)
Check a registration category below and enter the figure here
i Active: $70.00 L Student: $25.00 [ Retired: $40.00
D Non-Member: $140.00 -I Spouse: $40.00
L Institutional Member: There is no charge for the institution's one official representative
Ticketed Events (Order only one ticket per event for each registrant) * Baltimore tours, Friday, April 8
Enter 3 digit code from description: 1st choice 2nd choice 3rd choice * Baltimore tours, Tuesday, April 12
Enter 3 digit code from description: 1st choice 2nd choice - 3rd choice * Special Events
Binney and Smith Reception (transportation only), April 8 Maryland Art Place (transportation only), April 9 Maryland Art Institute, College of Art (transportation only), April 10
* Luncheons Enter 3 digit code from description of Division luncheons, April 9: Enter 3 digit code from description of Regional luncheons, April 10: Enter 3 digit code from description of Affiliate luncheons, April 11:
* Off-site workshops, Friday, April 8 Enter 3 digit code from description: 1st choice - 2nd choice 3rd choice
* Off-site workshops, Saturday, April, 9 Enter 3 digit code from description: 1st choice 2nd choice_ 3rd choice
* Off-site workshops, Sunday, April 10 Enter 3 digit code from description: 1st choice 2nd choice 3rd choice
* Off-site workshops, Monday, April 11 Enter 3 digit code from description: 1 st choice- 2nd choice 3rd choice
* On-site workshops, Saturday, April 9 Enter 3 digit code from description: 1st choice _ 2nd choice 3rd choice
* On-site exhibitor workshops, Sunday, April 10 Enter 3 digit code from description: 1st choice 2nd choice__ 3rd choice
* On-site workshops, Monday, April 11 Enter 3 digit code from description: 1st choice__ 2nd choice 3rd choice
Total amount due: $
My check is enclosed -I Please charge to my VISA C- MasterCard I Credit Card Number // Expiration Date: If you are not now an NAEA member,
be sure to enclose a membership form. Signature:
Please remember, registration form and payment must be received in the Reston office by February 28, 1994, in order to be processed at the pre-registration rates. Checks should be made payable to NAEA. Send this form to: NAEA Convention Registration Desk
1916 Association Drive Reston, VA 22091-1590 (for credit card orders only)
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NAEA MEMBERSHIP APPLICATION Please print or type all information requested below:
ONew C Renewal I.D. Number
Name
City State Zip +4
Telephone Number Telephone Number
STUDENT MEMBERSHIP DUES: S20.00 in IA; $23.75 in AR, MO, OK, TX; $24.00 in AZ, DE; $25.00 in AK, AL, CO, DC, GA, IN, KS, KY, LA, MA, MD, MI, MS, MT, NC, NE, NM, OR, SC, SD, TN, UT, VA, WA, WI, WV; $25.50 in PA; $30.00 in HI. The above dues include state/national dues.
$20.00 in CA, CT, FL, ID, IL, ME, MN, ND, NH, NJ, NV, NY, OH, RI, VT, WY, U.S. Possessions, Canadian/Foreign.
The above dues include national dues only.
REiGULAR MEMBERSHIP DUES: $75.00 in KY, MI, NC; $72.50 in TX; $70.00 in IA; $68.00 in PA; $65.00 AK, AL, AZ, CO, DC, GA, HI, IN, KS, LA, MA, MD, MS, MT, NE, NM, OR, SC, TN, UT, VA, WA, WI, WV, and all APO's; $63.00 in DE; $62.50 in AR, MO, OK; $60.00 in SD. The above dues include state/national dues.
$50.00 in CA, CT, FL, ID, IL, ME, MN, ND, NH, NJ, NV, NY, OH, RI, VT, WY, U.S. Possessions, Canadian/Foreign. The above dues include national dues only.
Dues
Canadian/Foreign add $10.00 postage to membership fees.
Total (US Funds only)
Please check ONE professional level below where you spend over 50% of your professional time:
Q Secondary O Museum Q College/University O Superv/Admin.
My check is enclosed Please charge to my
Credit Card Number / / / Expiration Date
Signature M rdwmrip dues include $25for a member sbscripyion to Art Education and S15for a mber subscriptio to NAEA News. Aseparate rate is esablishedfor non-member subscriptio.
Mail to: National Art Education Association, 1916 Association Drive, Reston, VA 22091-1590. (703)860-8000; FAX (703)860-2960.
O Elementary
VISA MasterCard
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Definitive Portraits and Surveys Film/Video Catalogue
251 W. 57th St., New York, NY 10019 (212) 247-4710 fax (212) 247-4713
University
Prints A VISUAL ARCHIVE of 7500 basic art history subjects, ancient to modern, available as 5jx8" prints, 7? each Black & White, 15g each for Color. Complete' Catalogue, 246-pages, $3.00. 21 EAST ST., WINCHESTER, MASS. 01890
ART TEACHERS
Consider the Interdisciplinary Ph.D. in Fine Arts Program at Texas Tech University to study art
education.
Also available: emphases in art history/criticism, muse- um science, or arts administration combined with art
education. Fellowships and assistantships up to $10,000 plus out-of-state tuition waivers.
Write to: Dr. John A. Stinespring, Coordinator MAE/PhD, Department of Art, Texas Tech University,
Box 42081, Lubbock, TX 79409-2081, (806) 742-3287
Andover/Pratt Visual Studies Institute June 26 to July 3, 1994
Join our continuing exploration of the uses of visual imagery in teaching and learning. This summer we will highlight the role of narrative in three related work- shops: sequential imaging, architectural stories and curriculum scenarios. Format: Seminars/studios in an informal atmosphere combining individual and collaborative efforts. Setting: The 215-year-old campus of Phillips Academy, Andover, north of Boston. Participants: Teachers and administrators in public and private institutions, representing a variety of disciplines. Credits: 2 graduate credits in Art & Design Education from Pratt Institute optional Application Due: April 30, 1994 Information: write Robert Lloyd, Phillips Academy, Andover, MA 01810 or call (508) 474-0824.
For more information on our creative products I call or fax us at: 717-454-3596 or Fax: 717-459-1752 1A s Ja,, s"z ^
S-Model
Bluebird Manufacturing, Inc. P.O. Box 2307 Fort Collins, CO 80522-2307 USA TEL 303/484-3243 FAX 303/493 -1408
I
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The Power of Education I They will remember the difference and turn you made. You have the education into opportunity to discover enlightenment. At the the students that Art Institutes International shine! .. our team of professional instructors gives
students: * Personalized attention * Creative
a^ . ......nglearning environments * Specially designed curriculums
You have the POWER to direct your students' energy & talent. Call 800-245-0660.
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THE ART INSTITUTES A I
Mail to The Art Institutes International 526 Penn Avenue, Pittsburgh, PA 15222 (All programs are not available at all schools.)
Check your areas of interest: n Visual Communications
Commercial Art O Photogrphy [Fashion Design O Fashion Illustration C Fashion Marketing O Interior Design O Music & Video Business
Please send me information on: L FinancinglScholarships
lTeacher Workshops D Summer Teen Workshops O Speaker's Bureau
Please send me: O Catalog O Student Applications
NAME
SCHOOL
ADDRESS
ADDRESS
CITY STATE ZIP (
)HONE PHONE
Parsons School of Design I Bank Street College of Education
Three-Summer Master's Program conducted in NEW YORK CITY, the art capital of the world A collaborative degree program for art teachers and those in related fields. In 3 summers and 2 intervening years, you can earn: * A Master's in Education from Bank Street College of Education * Certification in Supervision and Administration from New York State * A certificate from Parsons School of Design * Permanent Certification in Art Education from New York State if you have Provisional Certification
Career Opportunities in Administration and re I Other Leadership Rolesease contact Graduates have positions as public and private school principals, regional art Streets Leaders supervisors and administrators, teachers in higher education, museums Lea education directors, arts council administrators, outreach directors of artist weekend Master
guild, gallery directors, owner/directors of small art businesses, as well as full- I Name time painters, illustrators, and craftspeople.
In New York Address
Study art in studio courses at Parsons and study supervision and administra- City/State/Zip tion at Bank Street College of Education. Studies include trips to artists' [ studios, galleries, museums, and exemplary youth programs. You may live at Phone Barard College dormitories, just four blocks from Bank Street College. Return to:
At Your Home Site E
During the intervening semesters, you will develop projects that lead toY 10025. Or
acquiring and deepening leadership skills under local and Bank Street advisors. Imm You receive continued support through the year.
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te about the Bank Street/Parsons program or Bank kip in Museum Education Program, a 2-year 's program for working museum professionals.
s, Bank Street College, 610 W. I112 St., NY, call 212/875-4530.
1? IIM ? ? ? ? ?JmmII
Check the location you're interested in: O Atlanta O Colorado (Denver) O Dallas O Ft. Lauderdale O Houston O Philadelphia C Pittsburgh O Seattle
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This beautifully illustrated, comprehensive elementary art program
encourages exploration, fosters creativity, and promotes mastery of
basic art concepts and skills.
A complete art teaching curriculum for 1-6: * Colorful student textbooks. * Teacher's Wraparound Edition at each level. * Each book thematically organized into four units. * Big Books for grades 1 and 2. * Large color reproductions and overhead
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Dynamic color illustrations from around the world build an awareness of styles, periods and cultures.
Adventures In Art is the 1-6 art program
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Call us today to order this most extraordinary art program! Davis Publications, Inc. 1-800-533-2847 8:30 A.M.- 5:30 P.M. EASTERN TIME
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![[Back matter] (pdf,400.54 KB)](https://static.documents.pub/doc/80x56/58a1aa0a1a28abeb428b9c1e/back-matter-pdf40054-kb.jpg)
