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Challenge [storecontest]

Ude Guruma Yubi Waza[Armlock with Finger Brace]

This armlock is ideal to use on a larger person or if you have small hands. It's an excellent

alternative to the wrist press armlock & is now used by a number of major law-enforcement

agencies. Once set you have a great deal of control over the person & it can be quite painful - so

use caution!

This technique is shown as a reaction to a right hit. It could be used for a variety of other

techniques as well. Your initial response might have to be different, depending upon the attack

or situation. It can be used from a desensitizing "come with me" hold [law-enforcement: low level

of force] all the way to an overhead knife or club attack or high knife slash.

Thanks to Marc Kolodziejczyk, for being my uke and Sensei Marc Tucker for the photography.

Ready Position

Block his hit to your right with a circular

crossblock as you sidestep to your left &

towards his right side

Grab his wrist with your right hand & pull him

forward slightly to off-balance him. Your left

hand comes up under his elbow, with his

elbow resting in the palm of your hand. Your

thumb is next to your fingers [don't grab his

elbow] & your fingers are pointing up.

Ude Gurama Yubi Waza http://www.budoshin.com/tech1.htm

1 of 4 11/06/2009 10:19

Lift & rotate his elbow forward in a clockwise

direction as you bring his wrist down & back

in the same clockwise movement.

Start to change the grip on the attacker's

wrist as you bring his elbow forward & start

to bring his arm up behind his back.

Close-up of changing grip mentioned above.

Close-up of changing grip presented from a

rear view.


2 of 4 11/06/2009 10:19

Bring his arm up behind his back. Start to

bring his elbow into the crook of your arm

[between your upper arm and your body].

Slide your right hand up the back of his hand,

pressing it toward his elbow, to force his

hand open.

Slide your hand up so you're setting a wrist

press. Note that his hand is at a right angle to

his forearm and that your your right

hand/fingers are at a right angle to his hand.

You can stop at this point and you have a

"proper hold." The pressure you apply to the

attacker's wrist will control him as long as his

elbow is in the crook of your arm.

Slide your hand up & grab 2-3 of the

attacker's fingers.


3 of 4 11/06/2009 10:19

Pull the fingers back towards you to secure

compliance.

Full shot photo of completed technique.

For additional security you can grab his left

shoulder with your left hand and pull back

slightly.

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4 of 4 11/06/2009 10:19

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Initial Responses for Knife at ThroatAttacker Behind You

A knife at your throat from behind is a serious threat to your life [understatement]. If the person

wants your possessions [money, jewelry, car, etc ...] give it to the assailant. They can all be

replaced. YOU CAN'T! However, here are some initial responses that can be used to get the knife

away from your throat if you have to defend yourself. You must immediately continue on with a

follow-through technique to remove yourself from imminent danger.

Four responses are shown below. There are others. The responses are graded from "OK" to

"BEST". In reality, however, what works best for you is dependent upon your knowledge, skill,

experience and yes, strength.

Thanks to Roy Gutierrez for being my uke and Marc Kolodziejczyk for the photography.

#1: Pull-down: Grab his knife hand and wrist.

Pull it down from your neck & against your

chest. Do NOT pull it away from you. [OK]

Weakness: If the attacker is significantly

stronger than you this won't work.

#2 Push: Hit or push his arm [at elbow] in

direction of the knife.

Knife at Throat http://www.budoshin.com/tech2.htm

1 of 4 11/06/2009 10:19

Be sure to turn your head away from the knife

& hold his arm in place as you continue.

[Better] Weakness: You're not effectively

controlling the weapon at this point.

#3: Push-Pull: Grab his right wrist with your

left hand & push his right elbow as in #2

above.

Turn your head away from the knife as you

pull down with your left hand. Hold his arm

and knife hand tight against your body to

restrict movement. [Much better than #2]

Weakness: Not much except as you execute

any type of technique you still have to be very

much aware of the knife. Good follow

throughs include drop throws [otoshi].


2 of 4 11/06/2009 10:19

#4 Push-Slide: Bring your right hand up to

strike his right upper arm at the elbow.

As you push his arm across, turning your

head away from the knife, your left hand

starts to slide up under his forearm, palm

facing you.

Continue upward slide of your left hand as

you finish pushing his arm. Keep your hand

against your face as you do this counter.

[BEST] Weakness: The back of your left hand

or forearm could be cut if he can slide back,

but your face & neck are relatively

well-protected. It's easy to go into a

shoulderlock rear takedown [ude guruma

ushiro] from this point.



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Te Nage [Hand Throw]or

Mae Heji Maki [Forward Elbow Roll Takedown]

For a rear forearm choke attack and a knife coming up at your throat. Who thought of this

attack? Charles Choi wanted my input on what to do for such an attack.

Just a bit of theory: Even though the knife poses the greatest threat, the rear forearm choke will

prevent you from effectively defending yourself against the knife. Therefore you have ot get out

of the choke. To make it a bit more realistic have your "attacker" arch you back a bit -- it

changes your balance. I showed this combination attack from a standing position. [No, my feet

weren't in any particular position & I wasn't concerned about his foot position either.]

Thanks to Roy Gutierrez for being my uke and Robert Farmer for taking the pictures.

Attacker sets right forearm choke. Your right arm

automatically comes up & rests on his elbow.

Attacker brings knife up to you with his left hand.

Your left hand immediately comes up to block. You

don't know if it's to stab you or threaten you.

However, it's life-threatening & must be dealt with.

Block his knife hand at the base of his arm with your

left forearm, with your hand open.

Te Nage or Mae Heji Nage http://www.budoshin.com/tech3.htm

1 of 7 11/06/2009 10:20

Trap his knife hand with your left hand & keep the

knife away from you. You must keep hold of his arm,

at the wrist & keep it bent, so he can't straighten it

out & develop more power for secondary thrusts.

Keep hold of his wrist at ALL costs [to avoid being

stabbed].

Push his knife hand away as you pivot your right foot

back so you can move your body to his right side.

Raise his right elbow up as you turn your head to

your left to get out of the headlock. Even though the

knife poses a more serious threat, the headlock is

preventing you from effectively defending against the

knife. You could use a foot stomp or other distracting

technique prior to this move.

Notice how head slips out of rear forearm choke.

Normally a person cannot concentrate on two things

at once. Getting out of the rear forearm choke is

possible because the attacker is concentrating on his

left hand.

Step your left foot back as you get out of the rear

forearm choke. Keep hold of his left wrist, bringing

his knife hand across his body.


2 of 7 11/06/2009 10:20

Your right hand grabs hold of his wrist, with your left

thumb on the back of his hand, to set him up for a Te

Nage [Hand Throw]. Keep hold of his wrist with your

left hand at this point.

Switch your left hand to apply additional pressure to

the back of attacker's left hand, so that you can bend

his wrist, locking his wrist for a hand throw.

This picture shows the above grip from another

angle. Note thumb placement.

From this point you will execute a standard Te Nage

[Hand Throw] by pivoting your right foot to your right

and back in a circle as you continue to apply pressure

to the back of his hand with both of your thumbs. Do

not turn his hand. Hold your arms in the same

position relative to your body as you turn your body

to your right to execute the throw.


3 of 7 11/06/2009 10:20

Execution of throw as attacker is about to flip over.

Note that his left arm is tight across the front of his

body. Be careful in executing the Te Nage. If done

properly it may break the attacker's wrist if not

executed slowly enough so that you can roll out of it

in practice.

Once the attacker is down you may want to execute a

heel strike to his face as a distraction. If his wrist is

broken at this point no further steps are necessary.

I'm moving on because ju-jitsu people never "assume"

anything will work.

Once the attacker is down drop down & execute a

wrist press at this point to force the attacker to

release the knife. If the wrist press is executed

quickly the wrist will break. If his wrist is already

broken from the Te Nage you won't be able to do this.

There are also several other submissions that could

be done from this point.


4 of 7 11/06/2009 10:20

My original plan was to follow the above defense to

the point shown in this picture and then deal

exclusively with the attacker's right elbow, using a

Mae Heji Maki [Forward Elbow-roll Takedown], as

shown below. However, the technique shown above,

using the Te Nage, was my initial response when

actually confronted with the attack & I still feel it's a

better response because the knife hand is under

greater control. On the other hand, the technique that

follows could also be one of many other effective

techniques, especially if a distraction strike, nerve

attack, etc., is used somewhere in the initial moves

following blocking the knife, so that you can move

quickly into the rear forearm choke release.

Once you are behind the attacker your left hand

grabs his right wrist. Continue to apply pressure to

the underside of his elbow so he can't turn towards

you & attack with his knife hand.

Close up showing grip on his right wrist and

placement of your right hand on his elbow. It's in a

Sara [cupped position] so it can rotate and apply

continuous pressure to the attacker's elbow from the

underside or back of the elbow. Keep the sara on the

underside of his elbow for most effective leverage.


5 of 7 11/06/2009 10:20

Roll his elbow forward, keeping his arm slightly bent,

to bring the attacker forward . . .

. . to the ground.

Once the attacker is down, squat down & set your left

knee on his back, moving his right arm into an

armlock position against your left hip, resting on

your left thigh. Command attacker to turn his head

away from you. You may shid=ft your wieght onto his

right shoulder to encourage this action at this point. It

will actually be more comfortable for the attacker/uke

if he turns his head away as his right shoulder will be

flat on the ground. On the other hand, if he attempts

to resist from this position, it will be far more painful

as you have significantly more leverage.

Remove the knife from the attacker's left hand if he

still has it. Once his right arm is locked in this

position, you don't need to hold onto it. It's very

important that you stay on your right foot & not go


6 of 7 11/06/2009 10:20

down onto your right knee. If you do, most of your

weight will be on your right knee and not on the

attacker. By staying on your right foot you can shift

as much of your weight as necessary to secure

compliance by the attacker. If you execute this

submission quickly you can easily cause quite severe

injury to the uke's/attacker's shoulder, so be careful.




7 of 7 11/06/2009 10:20

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Ude Guruma MakikomiFigure-4 Armbar Winding Throw Setup

Setting up an attacker for a Figure-4 armbar can be achieved 100% of the time if you follow these

simple setup steps - even against a taller attacker. It took me about a year in Prof. Seki's class

to figure out how to set up a figure-4 armbar properly with a 100% success rate. Seki usually let

us figure out the "fine points" of the art ourselves. If I figured something out Seki would say,

"Ah, Joji [Japanese for George]. You finally figured it out. Good!" He did that to all of his

students. Yes, he always called me "Joji."

Thanks to Frank Blaney for being my uke and Marc Kolodziejczyk for the photography.

Block the attacker's arm to your left as you

step in.

Wrap your left arm over his arm, connecting

your forearm to the outer [up] side of his

elbow. This is the first key part in

successfully setting up the armbar.

This is the same move as above, shown from

the rear view. His elbow can be at a right

angle to the ground, or slightly higher and

you can still successfully set up the figure-4

armbar if you make your connection with your

forearm to the outer side of his elbow.

Ude Guruma Makikomi http://www.budoshin.com/tech4.htm

1 of 4 11/06/2009 10:20

Once you have connected with the outer edge

of his elbow bring his arm tight against your

side as you rotate his elbow with your left

forearm [your forearm moves to your right

and becomes horizontal to the ground as you

rotate his arm] so that his elbow is eventually

is pointing to the ground. Rotating his elbow

is the second key element is setting up the

figure-4 armbar.

Rest your right hand on the attacker's

shoulder as you complete the rotation of his

arm. Notice that his arm is now resting closer

to my elbow. Do not let your arm slip as you

rotate his elbow. Also notice that all of my

fingers and thumb are resting on his

shoulder.

Setting up the figure-4 armbar is completed

by resting your left hand, including your

thumb, on your right upper forearm. Your

rotation of his elbow will also have

off-balanced the attacker and set him up for

the throw, which should be a snap. Pardon

the pun.] To execute the throw simply apply a

little upward pressure with you left forearm &

downward pressure with your right hand. As

the attacker goes up onto his toes just pivot

your right foot back counterclockwise to

complete the throw.

CAUTION: Setting a figure-4 armbar as

instructed in this sequence will result in an

extremely tight armbar at his elbow. Be sure

to let up on the pressure on your uke's elbow

as you execute the throw. Otherwise a

dislocated elbow may be unavoidable.


2 of 4 11/06/2009 10:20

Having trouble with a taller attacker. Just

deliver a quick snap kick with the ball of your

foot to the outside front of his right thigh.

That should cause him to drop down

momentarily so you can set up the armbar.

Then, if he stands back up [unless you've

already thrown him] he'll set his own figure-4

armbar & will really cooperating with you.



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Ude Guruma OtoshiShoulder-lock Drop Throw

03/03

This is a defense for a knife in your back, with your back arched. Practice this defense slowly to

achieve smoothness. It is an extremely fast technique once proficiency is achieved because your

constantly working in a circle. Be careful though. You can't complete this technique without

posing the risk of serious injury to your workout partner. Be sure to check my footwork as you

learn this technique. Footwork is always critical.

Thanks to Sean Gallimore for being my uke and Marc Kolodziejczyk for the photography.

Attacker has you in a secure rear forearm choke, with a knife

in your back at kidneys & your back arched.

This is a very difficult attack to defend against. Please be

aware that there is a reasonable chance that you might get

cut in the process of defending yourself from this attack.

Swing your left arm back, deflecting his knife arm to his left

as you turn in [to your right] tightly to him. You cannot turn

away from the forearm choke as the attacker will be able to

maintain it and keep you from turning either way.

Raise your right arm straight out & up against the inside

bottom of his upper arm just above his elbow. Note that my

right foot has stepped back to in between his feet.

Ude Guruma Otoshi http://www.budoshin.com/tech5.htm

1 of 4 11/06/2009 10:20

As your bringing your right arm up push his right forearm

down against your chest with an open hand. This will help

take the pressure off the choke.

Continue to hold his arm against your chest as you raise his

left arm. Once you get your arm up [notice straight line

between my left shoulder to right elbow which is keeping in

line with the attacker's right shoulder -- I've actually lowered

my center of gravity slightly] bend it towards the attacker to

trap his arm & keep it from sliding away or off.

Bring your right forearm down [see next pix for front view] as

you turn your body to your left. Make sure you keep your

body straight & head up so you can trap his forearm.

Front view. Notice how my right arm and head have trapped

his knife arm.


2 of 4 11/06/2009 10:20

Detail of trap from another angle.

Clamp onto your right hand with your left hand.

Execute an ude guruma otoshi [shoulderlock drop throw] by

kicking your right leg up & drop down onto your rear. Keep

your body straight to maintain lock. CAUTION: Do not

complete this technique in practice. It puts an incredible

strain on the shoulder of your training partner & could cause

a fracture, dislocation &/or separation of the shoulder on

impact -- even on a mat!


3 of 4 11/06/2009 10:20




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Tekubi MakiWristlock Takedown & Press

[3/03]

This is a defense for a knife in your back & a forearm choke with your back straight. This is a

more difficult situation than having your back arched as you don't have any "wiggle room." Be

sure to check my footwork as you learn this technique. Footwork is always critical.

Thanks to Sean Gallimore for being my uke and Marc Kolodziejczyk for the photography.

Attacker has a knife in my back & has a secure rear

forearm choke.

This is a very difficult attack to defend against. Please

be aware that there is a reasonable chance that you

might get cut in the process of defending yourself

from this attack.

Slightly swing your hips to your right & immediately

strike back against his left forearm at the same time.

Both actions will cause the knife to flatten between

your back & his front. This will only save you

temporarily.

Tekubi Maki http://www.budoshin.com/tech6.htm

1 of 6 11/06/2009 10:21

Attacker's natural reaction is to probably pull his knife

hand [& knife] out & away from you so he can stab

you. Don't forget to look at where my feet are going.

As he brings his knife attack in to you, block it with

your left. forearm.

Grab his wrist from behind with your right hand as

shown to stabilize location of his knife hand.


2 of 6 11/06/2009 10:21

Deflect his arm upward as you drop down slightly,

stepping out with your left foot. Grab his wrist from

behind with your right hand as shown.

Pivot under the attacker's arm as you shift more to

your left. Turn his hand/wrist slightly clockwise [so

his palm is up] to create sufficient pain/distraction to

slip out of the headlock & bring attacker up onto his

toes.

Once you've pivoted under his arm you will have a

wristlock. Pull it out & down slightly to set and bring

attacker further off balance.


3 of 6 11/06/2009 10:21

Apply forward & downward pressure against the back

of his wrist to get him to bend forward. Notice that's

I've stepped back with my right foot.

Note closeup of grip on his left hand from the other

side. It is important to have your index finger straight,

pointing downward, to direct your "ki" properly.

Continue to apply pressure to the back his his hand

as you drop down onto your right knee, bringing your

attacker down.

Your left hand grabs attacker's left shoulder.


4 of 6 11/06/2009 10:21

Pull his shoulder around to your left as you start to

bring his right arm up into a simple armlock.

Close-up view from the top. Note that I keep his wrist

bent & that I'm maintaining my original grip on his

wrist/hand.

Once attacker's shoulder is on the ground you can

execute a wrist-press submission to get attacker to

release the knife if he's still holding it. Be aware that if

you press down quickly on his wrist, in this position,

you bill probably fracture it.

Click here to return to Selected Technique


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Carotid Artery Press Fix[Figure-4 Neck Nerve Press]

The Carotid Artery Press can be an extremely effective means

of putting your opponent out -- quickly. Unfortunately it also

poses a high risk of serious injury or death if not applied

properly throughout execution of the hold.

The problem occurs in a street situation where the assailant

may be trying to get away from you or you're not properly

balanced as you bring him down while he's still resisting OR

already unconscious. Note the space between the opponent's

back and the defender's front. This space creates injury

potential to the assailant's neck or upper back vertebre

[below neck] as they are not being properly supported.

To properly execute the brace you must maintain close body

contact with as much of his back as possible. This can easily

be accomplished by taking a step towards the attacker as the

hold is set. With one leg [thigh] against the back of one of his

legs or against his buttocks, you can remain balanced & in

control while at the same time protecting your assailant from

serious injury. This will reduce the chance of serious injury or

death. This is very difficult to do in a street situation. As a

result many law enforcement agencies limit the use of this

"choke" to "life & death" situations. Be sure to release

pressure on your opponent if he is cooperative, becomes

unconscious, or any other medical trauma [e.g., convulsions]

Carotid Artery Press Fix http://www.budoshin.com/tech10.htm

1 of 2 11/06/2009 10:21

occur. You MUST be very careful with this hold!



Carotid Artery Press Fix http://www.budoshin.com/tech10.htm

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Cross-Cheek Press Takedown[3/07]

=

This technique may be used as a safer alternative to the figure-4 carotid restraint hold. However,

you must still use caution with this technique.

This is the figure-4 carotid restraint hold. While it is an

extremely effective submission hold, there are numerous

risks of injury to the restrained person due to the nature of

the technique. These risks must be weighed in deciding

whether or not to use this restraint.

The Cross-Cheek Press Takedown is an effective means of

removing, subduing or controlling an attacker from behind.

Step up behind the attacker, bringing your right forearm up

across his right cheekbone and starting to turn his head to

your left and against you.

At the same time your left palm pushes down on the top of

his left rear "cheek", placing him off balance. [See balance

points in my book Jujitsu Nerve Techniques]. Sometimes

this type of action is called the "concept of opposites".

Change your open hand to a closed fist as your turn his head

Cross-Cheek Press Takedown http://www.budoshin.com/tech7.htm

1 of 4 11/06/2009 10:21

against your chest.

Your left hand grabs onto your right fist, pulling it towards

you. This should place pressure on the infraorbital nerve

[facial buccal branch] , meridan point ST-2, which can be

very painful.

Bring the attacker down to the ground, holding his head

against your chest. You should go down onto your right knee

so you can provide proper support against the attacker's

back.

Your left hand reaches down and grabs his left forearm

[your palm down] to bring attacker's left arm into an armlock

as you . . .

. . . turn the attacker to your left bringing him down onto the

ground.


2 of 4 11/06/2009 10:21

This pinning portion/movement of the technique is very

difficult to do slowly & may seem very awkward if done so.

However, for safety reasons go as slowly as possible. As the

attacker goes down to the ground your will be able to use his

downward momentum to assist in maintaining the hold as

you move your right leg over his body to his right side.

Moving your right leg over his body allows you to remain on

top of him as he goes down onto his stomach. At this point

you can release the Cross-Cheek Press and retain control

with the armlock. Releasing the Cross-Cheek Press will also

allow you to establish a much safer and more comfortable

position for yourself and the opponent.



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Nose-Bridge Takedown[3/07]

This takedown is another safe alternative to the figure-4 carotid neck restraint. In addition to

pressing down on the bridge of the nose, it also eliminates the person's vision until they are

down; a fairly disorienting asset.

This is the figure-4 carotid restraint hold. While it is an

extremely effective submission hold, there are numerous

risks of injury to the restrained person due to the nature of

the technique. These risks must be weighed in deciding

whether or not to use this restraint.

Come up behind opponent, crossing your right forearm over

left [or left over right] sliding down over his eyes.

Continue to bring your hands/forearms down so that wrist

that's underneath is resting on the bridge of his nose.

Bring your hands/forearms down a bit more as you pull

opponent's head towards your chest.

Nose Bridge Takedown http://www.budoshin.com/tech11.htm

1 of 3 11/06/2009 10:21

Keep the back of his head against your chest as you step

back and kneel down on one knee

. . . as you bring the opponent down to the ground.



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Nidan Kata

The kata presented below are the additional forms a shodan candidate needs to learn for the

kata portion of the nidan test in Budoshin Ju-Jitsu. The pictures, taken by Jared Wynn, are

meant to provide assistance in understanding the form, not specific step-by-step photos of how

to do each kata. To the right of the pictures is the name of the technique, its "number" in the

Big Book, and my notes on how to execute the technique. Thanks to Jeff Wynn for putting all of

this together. They were originally presented at the Budoshin Ju-Jitsu 2007 Summer Camp in

Santa Clarita, CA.

1 - NAWA NO UDE MAKIKOMI (56)

Winding Arm Throw with Rope BInd

[Dealing with a knife-thrust to the stomach]

EXPLANATION: Uke attempts to gut you with a knife-

thrust. This is a life-threatening attack and must be

dealt with aggressively. You first pivot out of the way of

the knife thrust by rotating your right foot back. Grab

his knife hand with your right hand at his wrist from on

top. Use a knife-edge [karate] strike to his left shoulder

with your left hand, knocking him down. Your left knee

goes down on his arm above his elbow. Your right foot

goes under his forearm. Lean against his back. Take the

rope, which is already looped & the loop is loosely

around your wrist. Grab the fingers of his left hand thus

pulling his arm back. The rope will slip down onto his

wrist. Pull the loop tight. Bring the rope around the front

of his neck & then around his right wrist, twice

clockwise. Take your foot away & your left knee moves

to rest on his kidneys.

Nidan Kata http://www.budoshin.com/nidankata.htm

1 of 7 11/06/2009 10:22

2 - KUBI SHIOKU YOKO NAGE ATAMA

SHIOKU WAZA (180)

Nerve attack side throw and head-scissor submission

[Dealing with a strike or lapel-grab]

EXPLANATION: Block Uke's hit out to your left. Your

right hand comes up and presses the nerve in the left

side of his neck. Maintain nerve pressure as you pull his

arm to your left andpivot your left foot back to execute

the throw. Once he is down submit by having your right

knee down. Your left hand clasps onto your right

forearm [while your right hand is maintaining the nerve

press on his neck]. Your left forearm presses down

across the bridge of his cheekbone at the same time.

Submission is [Atama Shioku Waza].

3 - ATEMI WAZA (220/265)

Striking Technique and Chin-Stretch Submision

[Dealing with a shoulder-grab from behind]

EXPLANATION: Your right hand strikes the side base of

his ribs, or his stomach, with a "knife-edge" or

backhand strike, as you go down onto your right knee,

pivoting to face your attacker at the same time. You

may then either strike the back of his neck with a

"knife-edge" strike [if he bends over] or a gingitzu to his

ear with your left hand as you switch to your left knee

and turn into your opponent. Chin stretch submission

(Ago Shimi Waza; attacker is on the ground, face up):

Grab his foot that is nearest to your right hand [grab his

instep]. hook his foot back to get his body to turn away

from you. Grab his chin with your left hand. Place your

right foot in his back & push with it as you pull his foot

& chin to you.


2 of 7 11/06/2009 10:22

4 - HIJI TATAKE KUBI NAGE (388)

Elbow strike neck throw

[Dealing with an attempted lapel grab]

EXPLANATION: Move in as for a hip throw [koshi nage]

except that your right elbow strikes his heart first with a

glancing blow to your left. Your right hand then goes up

the right side of the attacker's neck and grabs around

to the left side of his neck [or you can grab the hair on

his head]. Drop onto your right knee, pull attacker's

head with your right arm, and turn to your left at the

same time to execute the throw. You may execute a

neck snap for a submission. To choke your attacker

your right hand slips to the back of his collar. Your left

hand grabs his left lapel. Pull your right hand up.

5 - UDE MAKI (491)

Arm Wind

[Dealing with a lapel-grab]

EXPLANATION: Your right foot is forward. Your right

hand attacks the nerve in his elbow to force him to

release his grip. Keep hold of the nerve. Your left outer

wrist comes up against his right outer wrist from

underneath [opposite side of thumb]. Your left hand

[including your thumb] hooks around his wrist in a

counterclockwise arc to throw. For submission your left

hand keeps hold of his right wrist. Your right leg comes

in under his armpit. Turn and push his arm to your left,

resting his elbow against your shin.


3 of 7 11/06/2009 10:22

6 - HIKI GURUMA - KARADA TATAKE

(475/584)

Pulling wheel throw followed by sternum crush

[Dealing with double-lapel grab]

EXPLANATION: Grab both of his lapels loosely.

Quick-pull [hiki] the attacker to you. Turn the "wheel" to

your left as you go down onto your right knee and turn

to your left. Choke for a submission.

Alternative submission (584): [attacker is on the

ground, face up] Grab both of his lapels, your right

hand to his left lapel and your left hand to his right

lapel. Place your right kneecap on his sternum. Pull up

on his lapels with a quick jerk as you put all of your

weight onto your kneecap, thus cracking his sternum.

[Caution!!! It is very easy to lose your balance and

accidentally injure your partner during practice as you

will be off balance in setting the submit up in order to

protect your partner. If he moves or resists you, you

would lose your balance and injure him.]

(No Photos - Photographer

was Uke)

7 - KARADA TATAKE USHIRO NAGE

(636)

Body strikes with rear throw

[Dealing with an attempted strike or club attack

EXPLANATION: Deflect his right arm to your right with

your left forearm. Your right fist strikes to the base of

his right ribs as you step in next to him with your right

foot. Your right elbow then strikes his right kidney as

you take a step behind him with your left foot. Your

right arm then comes up, and turn your hand so your

palm is facing you. Make a fist. Your right elbow then

strikes opponent at the base of his skull. Your left hand

then grabs his left shoulder and pulls down as your

right foot blocks his right leg at a joint. Once the

attacker is down your right fist strikes to a vital area.

[you may pull him down with your right hand instead of

your left if you prefer.]


4 of 7 11/06/2009 10:22

8 - USHIRO NAGE (747/748)

Leg-block rear throw (747) and Leg-lift rear throw (748)

[Dealing with a garrote or rear rope choke - a knee in

your back]

EXPLANATION: The following alternatives depend on

which direction you choose to turn into your Uke, and

whether his left or right knee is in your back:

(747) Turn into the attacker so that you can block his

left inner thigh with your right forearm. Your right arm

then hooks under his leg. Your left hand grabs under

his left lapel [your palm up] and holds onto his lapel.

Your left foot steps forward and blocks behind his right

foot. Bend your left foot, going down onto your left

knee to bring the attacker down. [your left kneecap

should just miss his groin unless this is a street

situation.] strike to the groin with your left fist to

submit.

(748) Turn to your right to face the attacker, blocking

his right knee with your right forearm [pointed down].

Hook your right arm around his thigh from underneath.

Your left hand grabs his right shoulder. Lift his leg up &

pull your left hand to your left as you swing your left

foot back & go down onto your right knee to maintain

your balance.

9 - KUBI SHIMI NAGE/SHIMI WAZA (758)

Neck-choke throw/blood-choke submission

[Dealing with a strike or hit]

EXPLANATION: Block the hit to your left with your left

forearm. Your right hand grabs his right lapel fairly high.

Your left forearm then moves to against the front of his

neck [your left forearm is above the right-handed lapel

hold]. [this may be done with a forearm strike on the

street.] your left hand doesn't grab his left shoulder or

gi. Push against his neck with your left forearm and pull

his lapel with your right hand, thus setting a choke and

forcing his head back, as you pivot your left foot back

and go down onto your right knee. Once the attacker is

down your left hand hooks onto his left shoulder. Pull

with your right hand to execute the choke submission

[shimi waza].


5 of 7 11/06/2009 10:22

10 - KUBI SHIOKU WAZA (799)

Neck attack rear throw

[Dealing with a double hit]

EXPLANATION: Block both of his arms out. Cup both of

your hands and strike to both sides of attacker's neck

at the same time. Index fingers of both hands then

press nerves in both sides of his neck as you push back

to execute a rear throw. Step forward with your right

foot as you push him back.

Click here to return to Black Belt Requirements




6 of 7 11/06/2009 10:22


7 of 7 11/06/2009 10:22

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Sandan Kata

The kata presented below are the additional forms a shodan candidate needs to learn for the

kata portion of the sandan test in Budoshin Ju-Jitsu. The pictures, taken by Jared Wynn, are

meant to provide assistance in understanding the form, not specific step-by-step photos of how

to do each kata. To the right of the pictures is the name of the technique, its "number" in the

Big Book, and my notes on how to execute the technique. Thanks to Jeff Wynn for putting all of

this together. They were originally presented at the Budoshin Ju-Jitsu 2007 Summer Camp in

Santa Clarita, CA.

1 - Hidari Nage (622)

Wrist-press over-the-shoulder hair-pull throw

[Dealing with an aggressive hand-shake]

EXPLANATION: Your right middle finger presses

against the inside of his wrist to relieve the pressure

of the handshake. Bend his wrist and move it to your

left as you pivot into your attacker so that your back is

against his chest. Your left elbow strikes to his heart

or solar plexus. Bring his right arm over to your left

shoulder [if his elbow is down so that he can't bend

his arm, use caution so you won't break it]. Your left

hand comes up and grabs his hair, ears, etc., as you

go into a hip throw over your left side.

Sandan Kata http://www.budoshin.com/sandankata.htm

1 of 9 11/06/2009 10:22

2 - Tekube Nage (631)

Wrist-lock spiral throw

[Dealing with a wrist-grab to both hands - hands held

up, palm out]

EXPLANATION: Step your left foot out to your right

and turn under his and your own arms, pivoting to

your right. Continue the circular motion of your arms

[counterclockwise once you've pivoted] to throw the

attacker in the direction you're facing [to the left of

your original position].

(No Photos - Photographer

was Uke)

3 - Karada Tatake Ushiro Nage (636)

Body strikes with rear throw

[Dealing with attempted lapel grab, hit, or club attack]

EXPLANATION: Deflect Uke's right arm to your right

with your left forearm. Your right fist strikes to the

base of his right ribs as you step in next to him with

your right foot/ Your right elbow then strikes his right

kidney as you take a step behinds him wit5h your left

foot. Your right arm then comes


2 of 9 11/06/2009 10:22

4 - Mae Ube Nage (685)

Forward Thumb-Lock Throw

[Dealing with an aggressive handshake]

EXPLANATION: Your left hand rests on the attacker's

wrist, with your last two fingers on the outside of his

wrist and your first two fingers on the inside of his

wrist. Your thumb should be resting on his thumb tip.

Release his hold by pressing down on the tip of his

thumb, causing it to bend. To throw, keep hold of his

right hand with your right hand and slip his thumb and

your thumb into the space between his hand and the

area between your right thumb and index finger. Lift

this up with your right hand, still holding his hand,

until he's on his toes. Complete the throw by bringing

this outward, down and back. Step forward with your

right foot if desired. [Caution; make sure students let

the thumb out of its locked position when practicing!!]

5 - Kao Tatake Ushiro Nage (706)

Face Attack Rear Choking Throw

[Dealing with a hit]

EXPLANATION: Block Uke's hit to your left with your

left forearm. Your left hand then goes into a fist. Step

towards the attacker with your left foot and strike his

face with the side of your forearm [your forearm is

perpendicular to the ground]. your left arm continues

to move across his face and your left hand then grabs

his left shoulder. Your right foot steps as far to your


3 of 9 11/06/2009 10:22

right as possible, blocking his left leg with your left

leg. Turn your body to the attacker as your right hand

strikes the left side of his face on his jaw. Your right

hand then reaches across to his right lapel, under his

chin, going over your left forearm. Pull both of your

hands, thus setting a choke & forcing the attacker to

lean back.

6 - Ushiro Nage (714)

Leg-Lift Rear Throw

[Dealing with extended arm-grab]

EXPLANATION: Turn your left hand clockwise or

counterclockwise to release his hold. Grab his upper

sleeve with your left hand as you step in so that your

left foot is behind his right foot. Your right hand grabs

behind his right kneecap or presses the nerve there.

Lift his leg up with your right hand as you push to

your left with your left arm in a circular direction to

throw him. Pivot your left foot back at the same time

to keep your balance.


4 of 9 11/06/2009 10:22


5 of 9 11/06/2009 10:22

7 - Ude Garuma Ushiro (720)

Rear Armlock takedown

[Dealing with a rear forearm choke]

EXPLANATION: Strike to attacker's solar plexus with

your left elbow. Your right hand grabs his right arm at

his shoulder or as high as possible. Your left hand

comes up and brings his right hand away from your

throat. Your left hand then slides between your body

and his arm. Keep tight next to the attacker as you

turn to his right side. As you turn you will be

automatically turning his right arm up into a rear

armlock. Your right hand clamps onto your left

forearm as you continue the close turn, thus setting

the armlock. Pivot your right foot back to bring your

attacker down.

8 - Tekubi Shimi Waza (721)

Wristlock/Armlock Come-Along

[Dealing with an aggressive handshake]

EXPLANATION: Your left hand strikes his right elbow

with a "knife edge" strike. Step in with your right foot

and bring his arm into and up behind him with your

right hand still holding onto the handshake grasp.

Your left hand grabs his wrist [thumb out & up] and


6 of 9 11/06/2009 10:22

sets a wristlock.

9 - Hiza Makikomi (723)

Kneecap Winding throw

[Dealing with a front kick]

EXPLANATION: Block his kick to your left with your

left forearm. Strike his solar plexus with your right fist.

Your right forearm [near elbow] then moves to rest

against the inside of his kneecap as you step in

towards him with your right foot. Roll your right

forearm [and his kneecap] to your left to execute the

throw. Go down with the attacker [on your right side]

keeping your elbow in place on the side of his thigh

above his kneecap. Go down so that you're sitting

between his legs. Your left hand clamps onto your

right forearm to set the hold on hsi foot as your right

elbow presses down onto his knee for the submission.


7 of 9 11/06/2009 10:22

10 - Ushiro Nage (726)

Leg-Block rear Throw

[Dealing with a double punch]

EXPLANATION: Block both of his arms out. Your right

arm moves in a clockwise circle, bringing his left arm

down and up across his chest, under his right arm

which is still extended. [do not grab his left hand with

your right hand.] your right foot steps in behind him

so that your right thigh is behind his left leg and your

body is next to him. Your right arm, which has guided

his left arm, should be across the attacker's chest and

against his left arm by this time too. Move your right

hand and arm back to the right as you turn your body

to your right, causing the attacker to fall backwards

over your right leg.

Click here to return to Black Belt Requirements



8 of 9 11/06/2009 10:22



9 of 9 11/06/2009 10:22

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Nozo no Ushiro NageThroat Attack

Before showing the correct way to push against the larynx with this technique there are four things that need to be

stressed whenever you practice ju-jitsu:

Ju-Jitsu techniques, when properly executed at full speed are designed to cause the assailant serious injuries

at the very least.

1.

Students need to learn self-control in executing techniques, only using as much force/ki as necessary to

effective control their attacker to prevent additional attacks.

2.

Any strike, kick or blow to the larynx, regardless of how “lightly” struck can cause serious injury or death.3.

Students who resist techniques in practice are usually the ones who sustain injuries.4.

I do NOT allow my students to strike the larynx in any form or

manner. PERIOD. The demonstration of the Nozo no Ushiro Nage in

the video was choreographed to demonstrate how the technique

would work in a life/death situation. The video also shows simulated

strikes along side the neck so the student can practice the

technique without actually striking his opponent. Make sure you

step forward with the same foot on the same side of your body as

your extended arm, thus maximizing your ki flow/momentum

/balance and destroying the balance of the opponent without

exerting any more effort.

When students are initially taught this technique they are taught to

PLACE their middle finger on the jugular notch. The other fingers

support the middle finger. If the defender wants the person to go

backwards, the tip [not print side] of the finger gently pushes back

towards the back of the opponent’s head.

Nozo No Ushiro Nage http://www.budoshin.com/tech14.htm

1 of 2 11/06/2009 10:22

If you want the person to go straight down, reach behind the jugular

notch and push down gently until the person goes down.

On the street this “push” can be done quite quickly and effectively,

but it should never be used as a strike unless you “fear for your

life”. A simple push can be very effective and produces a good

“gag” reflex at the same time.



Nozo No Ushiro Nage http://www.budoshin.com/tech14.htm

2 of 2 11/06/2009 10:22

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Uki-OtoshiQuick-Learn Sequence

The standard Uki Otoshi [in Budoshin Ju-Jitsu] is a really beautiful throw once you learn it.

However, getting there can be a very frustrating process. I learned the throw after many hours of

frustration and trying to believe that I could do the throw - get both of my feet off the ground

straight out to the right side of my uke, snap turn to my left, and execute the throw. Much easier

said than done.

In the mid 1970's three of my junior high brown belt students showed me an easier way to learn

the technique. We tried it with a few other students and discovered that the brown belts

creativity had made a major breakthrough in helping student easily learn a "difficult" throw.

Learning the throw requires three people -- tori, uke, and tori holder.

Please keep in mind that this uki-otoshi has a physical limitation. It works best when used

against people who are bigger [taller & heavier] than you are unless you can execute this throw

exceptionally well [which some people can]. Conversely if you try to do this on a person smaller

[lighter or shorter] than you are you are liable to force them backwards onto the ground with you

on top of them.

Thanks to Glenda Perl for being the tori, Byron Davis for being the uke, and Michael Langewisch

for the photography.

This uki otoshi can be found on page 72 of Jujitsu: Basic Techniques of the Gentle Art, or

Technique #8 on DVD #3 of the Budoshin Ju-Jitsu Black Belt Home Study Course.

Glenda [tori] grabs hold of Byron's [uke] sleeves. [It

would have been better if Glenda had grabbed around

Byron's neck from his left side or over & around his

right shoulder/arm[ as for a karada makikomi - body

winding throw]. It would have put her back against

Byron's chest when she jumped up. However, that is

not of critical importance in this series of pix.

Uki Otoshi http://www.budoshin.com/tech15.htm

1 of 4 11/06/2009 10:23

George [tori holder] has reached in & grabbed tori's

belt in her right front.

Glenda then kicks her right leg up [which George

grabs & holds] as she comes in closer to Byron to set

up the uki otoshi. George is also still holding her belt.

Glenda kicks her left leg up as George holds both legs

with his right arm and her body by holding onto her

obi/belt. George is holding her in this position off of

the ground.


2 of 4 11/06/2009 10:23

As Glenda pulls Byron's sleeve and turns to her left

George slowly lowers her to the ground, holding onto

her obi until she gets close to the ground.

Once Glenda gets the throw going, George lets go

completely and Byron takes the fall.

This process is repeated at least 2-3 more times as the

student gains confidence. Once the tori holder [or

sensei] decides that the student is jumping up &

executing the throw properly he will hold onto the belt

& legs for less and less time. Usually around the

3rd-5th time the tori holder can just reach for & hold

the belt very lightly & as the tori comes in to execute

the throw, let go completely. Do NOT tell the uke you

are not going to hold onto the belt until after the throw

during which you did not hold onto the belt. Let tori

know ONLY after the tori has executed the throw

completely on their own.

Wow! Tori is now doing uki otoshi completely on

his/her own.

Note: If this throw just boggles your mind, you physically cannot do it, or you can't find a bigger

uke to practice on, there are some optional uki otoshi you can do. In other words, you're not

just limited to this particular uki otoshi for testing purposes.

Other uki otoshi listed below are also acceptable:

Uke Otoshi - Floating Drop Throw - reverse for hip throw or drop throw

Jujitsu: Intermediate Techniques of the Gentle Art, p. 176

Senaka Hiki Nage - Shoulder Pull Throw - reverse for hip throw

Jujitsu: Intermediate Techniques of the Gentle Art, p. 178

There may be other floating throws that are not listed here which are also acceptable.



3 of 4 11/06/2009 10:23



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