Digital film academy Catalog 2011

2010-2011

C A T A L O G

Contents

Digital Film Academy Administrators:Patrick J. DiRenna, President and Director of Admissions and OperationsElena Primost, Vice President and Director of Academic Affairs

Scheduling & Processing:Polina Bittau

Technical Manager (Production, Equipment):Jason Hoffman

Technical Manager (Post-Production, Computer):Alisher Mirzoev

630 Ninth Ave., Suite 901New York, NY 10036Phone: 212-333-4013 or 1(800) 608-6717 Fax: 212-333-2238 Email: [email protected] Web: www.digitalfilmacademy.com

Catalog schedule: The catalog is updated and printed at least once at the start of each new academic year in January.

About DFA 3

Mission Statement 4

Letter from President 5

Digital Filmmaking Programs 8 - 10

Digital Filmmaking Courses and Workshops 11 - 14

Post-Production/Editing Training 18 - 19

Animation and Motion Graphics Courses 20 - 21

Why Study at DFA? 22 - 24

What Students Say 25

Class Schedule and Tuition 26 - 27

Admissions Policy 28 - 31

Information for International Students 32

Digital Film Academy Facility 33

Financial Services 34 - 35

Refund Policy 36

Quarter Credits 37

Academic Policy 38 - 43

Meet the Faculty 44- 47

Board of Managers 48

Student Conduct 49

Holidays 50

Location, Directions and Map 51

Digital Film Academy, also known in the industry as DFA, provides the training and skills that are vital for the independent filmmaker. By offering hands-on digital filmmaking instruction taught by experienced industry professionals in a progressive, challenging, and supportive small class environment, with unlimited lab time, DFA uniquely provides the student with the creative learning environment needed to become a truly independent filmmaker.

Upon acceptance into DFA’s Digital Filmmaking courses, you will shoot and finish your own short narrative or documentary, from concept to script to screen. The crafts of screenwriting, producing, camera work, sound engineering, and lighting techniques are covered in-depth, in addition to communicating your vision by directing the actor and directing the camera. You will learn the art of digital editing by completing full post-production on your project through visual and sound editing and dvd authoring. When you complete the course of your choice, you will receive not only a certificate, but also a real calling card for the industry: a DVD of your own film.

The ongoing digital evolution in the entertainment industry has dramatically changed the course of filmmaking by reducing the cost of production. The independent filmmaker can now write, shoot, and edit a film digitally without relinquishing hands-on control. This welcome development in the filmmaking process absolutely necessitates that the student master the craft of visual storytelling and the many technical skills required to fully realize his or her creative vision and become an essential member of any production. In short: the technology has arrived - the skilled people have. Until now...

FADE IN: YOUR DIGITAL FILMMAKING FUTURE

DFA’s mission is to provide state-of-the-industry digital film and media education and training.

To achieve this mission, DFA operates by following these objectives:

• Provide quality higher education and advanced training to prepare students for

career entry or advancement in their chosen occupations.

• Offer professional certificate programs to U.S. citizens and international students

within the context of a well-designed framework of digital media arts and design.

• Offer programs including both theoretical and practical components, as

appropriate, to prepare graduates to advance in their chosen careers.

• Prepare students with the educational foundation for advanced study.

• Provide an educational environment that imparts the attitudes and skills that

enable students to continue learning throughout their lives and career.

• Continue to update and improve curricula of existing programs and courses to

reflect changes and improvements in technology and the industry to properly

prepare students for careers in the digital media industry.

• Provide post-graduate support of students’ professional projects and career

efforts.

Digital Film Academy Page 5

Digital Film Academy Page 4 LETTER FROM PRESIDENTMISSION STATEMENT

While shooting my first film TRAIN OF ILLUSION in 1991 I became painfully aware of the fact that I was at the mercy of others who did not share a love for or care about my film. I realized immediately that I was kidding myself with the title INDEPENDENT Filmmaker.

Something had to change… and it did. As technology advanced and reliance on film lessened for the independent, Digital Film Academy started to take shape. And on Sept. 10, 2001, in the historic Film Center building in New York City, the idea was born - Digital Film Academy!

By March 2004, Digital Film Academy became the first and only State-Licensed Vocational Digital Film School with unlimited lab time and a one-year continued production membership for graduates. This access allows DFA grads to immediately start working in this growing industry without having to invest thousands of dollars in equipment that will be obsolete before it's paid off. All DFA hardware is state of the industry and software is always current, another great advantage for our Grads and Members. 90

Ask yourself this - will you impress your potential client by scheduling a meeting in Starbuck's or a park bench? Or by creating a first impression at our 3000 S.F. Times Square facility with separate Edit Suite as well as fifteen station edit lab, shooting studio and meeting facilities? Every other film school in creation denies graduate students access to equipment and facilities. Just when you need it the most, when you have the ability to do something, you have no way to make it happen. That has always bothered me and it does not happen here.

Great quotes

“Nothing is more powerful than an idea whose time has come.” – Victor Hugo

“The harder I work the luckier I get.” – Samuel Goldwyn

“Nothing happens until something moves” – Albert Einstein

“Art is the lie that tells us the truth” – Pablo Picasso

"Forgiveness is the fragrance that the violet sheds on the heel that has crushed it." – Mark Twain

Patrick DiRenna

President and Director of Admissions and Operations

DIGITAL FILMMAKING PROGRAMS, COURSES, AND WORKSHOPS

Advanced Digital Filmmaking

– Two Week Digital Filmmaking

Music Video Production

Script Supervisor

Acting for Film and Television

– Twelve Week Digital Filmmaking

WORKSHOPS

– Four Week Digital Filmmaking

ADDITIONAL COURSES

Editing (Final Cut Pro)

Introduction to 3D Animation (Maya)

Sound Editing I (Pro Tools)

PROGRAMSOne Year Digital Filmmaking

Motion Graphics and Visual Effects (Adobe After Effects)

Advanced Editing (Final Cut Pro)

Sound Editing II (Pro Tools)

Program: a series of courses that when completed successfully will lead to a professional certificate. Workshop: a course or class held over a shorter length of time, in an intensive study.Course: a series of lessons or lectures dealing with a subject; may include multiple subjects that are closely related.

DV Camera & Lighting

Advanced Digital Cinematography

Introduction to Digital Filmmaking



DIGITAL FILMMAKING PROGRAMS

• Students receive a Professional Certificate in Advanced Digital Filmmaking.

• 20 - 25 hours per week (instruction + hands-on labs). Mon - Thurs: 10:30 a.m. - 4:30/5:00 p.m.

• Prerequisite: Twelve Week Digital Filmmaking, or equivalent experience.

One Year Digital Filmmaking

DIGITAL FILMMAKING PROGRAMSDigital Film Academy

Page 9Digital Film Academy Page 8

Now that you have mastered the foundation elements of

digital filmmaking, it is time to take your skills to the next

level - a professional, production level. Students learn

the latest advanced techniques and industry software

including cine-style shooting with a DSLR and 35mm

adapter and film lenses. Who knew hi-definition digital

video can look so good? Students who want to perfect

their directing techniques will enjoy working with actors

in class and practicing rehearsal echniques, directing the

actor and directing the camera. Filmmakers complete

their own film projects from conception to screening.


• Students receive a One Year Professional Certificate in Digital Filmmaking.

• 20 - 24 hours per week (instruction + labs). Mon - Thurs: 10:30 a.m. - 4:30/5:00 p.m

Quarter I• Film History• Edit Theory (Art of Editing)• Screenwriting• DV Cinemotography• Directing• Sound Recording• Film Continuity

Quarter II• Producing • Video Editing • Documentary Theory & Practice• New Media Technologies• Applied Project I (Short Film)

Quarter III• Video Editing II• Sound Editing and Design• Elective • Applied Post Production• Portfolio Review• Career Development

The One Year Digital Filmmaking Program combines practical, hands-on training with the critical theory and foundation that enables beginning level film students to develop into professional filmmakers. Students learn the technical and artistic elements of film and media production, with an emphasis on storytelling. This pro-gram is for students who are serious about pursuing a career in the digital film and media industry. It offers the most opportunities to write, direct, produce, shoot, and edit. Students learn to produce standard and high-definition digital work and complete quality film projects in addition to camera and directing exercises through-out the program.

Tuition (academic year): $17,420Registration $100Books and Materials Fee: $365Total: $17,885

SAMPLE PROGRAM OUTLINE

Quarter I• DV Cinemotography II• Sound Recording II• Screenwriting II• Visual Storytelling & Shot Design• Business of Filmmaking

Quarter II• Directing II• Production Management• Elective• Applied Project II• New Media Technologies II

Quarter III• Video Editing Master Class• Applied Project Post II• Sound Design or Elective• Career Development• Portfolio Presentation

SAMPLE PROGRAM OUTLINE

Tuition (academic year): $16,750Registration $100Books and Materials Fee: $600Total: $17,450

DIGITAL FILMMAKING WORKSHOPS

Interested in film production but unable to enroll in a full-time program? Learn the technical

and artistic elements of filmmaking on a part-time schedule with the Sixteen Week or Twelve

Week Digital Filmmaking workshops. Each student writes, produces, directs, shoots and

edits his or her own 5 to 10 minute DV film.

The Twelve Week Digital Filmmaking course is a hands-on, introductory course on digital film

production. This course provides each student with the skills necessary to write, produce,

direct, edit and web-publish their own DV film. Students will learn the foundation elements

of digital filmmaking in a practical, hands-on environment and test their skills by producing

and directing their own short film, documentary, or music video project. Students work as a

film crew on their classmates’ projects, gaining additional training and understanding of the

key crew positions. Other DFA students and alumni are also available for crew assistance.

Introduction to Digital Filmmaking - 12 Week Part-Time

DIGITAL FILMMAKING WORKSHOPSDigital Film Academy

Page 11Digital Film Academy Page 10

Developed especially for students who have a limited time to study filmmaking in New

York City, but are looking for a comprehensive, hands-on course, the Four-Week Digital

Filmmaking course teaches each student the fundamentals of digital filmmaking. This

course is an intensive version of our popular 12-Week Digital Filmmaking workshop.

Learn the art of visual storytelling along with the technical aspects of digital filmmaking

by DFA’S best instructors, who are working professionals in the industry. Students write,

produce, direct, shoot and edit a short digital film with their classmates using state-of-

the-industry equipment and software.

Subjects include: Screenwriting, Producing, Directing, DV Camera and Lighting, Sound

Recording, Video Editing, and DVD authoring.

Students go through each phase of pre-production, production and post-production and

rotate crew positions on their classmates’ projects. This is an excellent program to test

out your short or feature-length screenplay or build your skills and portfolio.

Introduction to Digital Filmmaking - 4 Week Intensive

Tuition: $2,795Registration $100Books and Materials Fee: $165Total: $3,060


• Students receive a Certificate in Four Week

Digital Filmmaking.

• Full Time: Mon - Fri 10:30 a.m. - 4:30 p.m.

• Unlimited Lab Time!

• Class size is limited to 10 students

• Students receive a Professional Certificate in Digital Filmmaking.

• One Quarter (12 weeks): 9 hours instruction per week (plus lab time for Digital Film Project)

• Extra two weeks of unlimited lab time!

• Mon, Wed, Fri 6:00 p.m. - 9:00 p.m. +

unlimited lab time.


This intense, hands-on five-day workshop teaches students how to create a music video from concept to completion by immersing students into the aesthetic and technical aspects of music video production.

The workshop covers essential elements of music video production including: an overview of the music video industry, finding and working with musical artists and executives, creating a vision and style for a music video, producing (planning and executing), directing the artist,

basic digital camera operation and lighting, post-production (editing and visual effects).

Under the guidance of an experienced music video Director/Producer, students will conceive, produce, direct, and shoot a music video as a group for an up and coming musical artist or band. Students will then learn the post-production process and edit their own version of the music video. The class culminates with a class screening of students’ work.

Typical Schedule:

Day 1: Producing, Directing, Camera & Lighting

Day 2: Producing, Directing, Camera & Lighting

Day 3: Music Video Shoot

Day 4: Post-Production (Editing)

Day 5: Post-Production (Editing & Visual Effects), Class Screening

This workshop is designed for people with little or no experience in music video production, however it is recommended that students have some prior digital camera, lighting and editing experience to gain the most out of the workshop. If you have no prior experience and are interested in taking additional classes prior to the workshop, please contact an Admissions Representative or Director at 212-333-4013 to find out more about available classes and opportunities.

Digital Film Academy Page 12 DIGITAL FILMMAKING WORKSHOPSDIGITAL FILMMAKING WORKSHOPS

Music Video Production

Learn the basics of digital film and video production in this intense, hands-on two-week

workshop!

The 2-week Digital Filmmaking workshop is the first two weeks of the 4-week workshop and

includes training in screenwriting, directing, DV Camera and lighting, producing and sound

recording. Students practice their skills through hands on lab projects and assignments.

Instructors are always available for consultation, and as always all DFA students get the full

support of all DFA staff and facilities.

Week 1: Screenwriting, Directing, DV Camera and Lighting

Week 2: Producing, Camera and Lighting, Sound Recording, Directing, Film Project Shoot

PLUS 1 extra week of facility lab time for practicing new skills.

This is a beginner level workshop

Introduction to Digital Filmmaking - 2 Week Crash Course

• Students receive a Certificate in Two Week Digital Film Production.

• Full Time -Mon - Fri 10:30 a.m. - 4:30 p.m

• Class Size is Limited to 10 students

Tuition: $1,895Registration $100Books and Materials Fee: $115Total: $2,110 • Students receive a Certificate in Music Video

Production

• 5 days: Fri, Sat, Fri, Sat, Sun: 10:00 a.m. – 5:00 p.m.

Tuition: $950Registration $50Books and Materials Fee: $50Total: $1,050

DIGITAL FILMMAKING COURSESDIGITAL FILMMAKING WORKSHOPS & COURSESDigital Film Academy Page 14


Learn the fundamentals of shooting digital video while learning effective lighting techniques. Become familiar with SD and HD video formats along with camera functions and formats using the Panasonic DVX-100 and HVX- 200 cameras. Through lectures, demonstrations, and hands-on exercises, students discover how exposure, light, and composition affect the quality of an image. Students test their skills by functioning as a film camera crew in a simulated production.

Topics covered include: cinematographer’s role, composition, aesthetics, digital cinematography techniques, formats, interpreting the script and creating a shot list, continuity, lighting, camera operation, working with a crew, interview and location lighting.

This is a beginner level course designed for aspiring directors of photography, camera operators,videographers, and filmmakers.


Advanced Digital CinematographyDigital video is rapidly becoming the preferred format for commercial, film, television, and music video productions. Through lectures, demonstrations, and hands-on exercises, students learn how to shoot “cine-style” in HD using an HD DSLR and a 35mm adapter and lenses, blending traditional filmmaking techniques with digital cinematography.

Students will learn about visual perception, optics, depth-of-field, exposure meters, dynamic range and the zone system, formats, frame rates, shutter speeds and angles, camera menus, HD workflow, camera assistant, waveform monitors, color temperature, green screen shooting, and location lighting. Also discussed is the role of the cinematographer, proper set eitquette, script interpretation, scene coverage, and camera movement.

This class is for filmmakers with digital cinematography experience who want to improve, refine and strengthen their techniques in digital cinematography.

• 6 Sessions: Mon, Wed, Fri 6:00 p.m. - 9:00 p.m.

• 14 Sessions: 10:30 a.m. - 1:00 p.m

2:00 p.m. - 4:30 p.m.

Contact us at 12-333-4013 for dates.

Script Supervisor Workshop

These 10 week courses are designed to train the actor to identify emotional moments and create physical/emotional action for film and television.

Beginning

This first acting class teaches the actor how to break down a script or side and create the emotional moments that are there. Then the actor learns how to give physical action to these moments to create a powerful performance.

Intermediate

The second course takes this concept further by teaching the actor how to create character history to raise the stakes. This course will also include techniques specifically for the camera. Includes advance work on emotionally based physical action.

Advanced

Now that you can break down the script and character clearly as well as turn on physical action, you will now learn advanced camera techniques and how to work with directors. This course will include auditioning, casting and shooting a short film with a director.


This intense, professionally-based two-day workshop is designed to teach the necessary skills for a career as a script supervisor.

Through lecture, in-class exercises, assignments and visuals, students learn the proper techniques from a veteran Script Supervisor, including what to watch for, how and why to make continuity notes, how to handle the paperwork and how to work effectively with the Director and crew.

Topics covered: Preparing and breaking down scripts, calculating page-count, blocking & screen direction, maintaining continuity

of actors’ actions, wardrobe, make-up and props, cueing dialogue for actors, script lining for coverage, script notes for the editor, timing scenes, production reports, shot descriptions and eye lines, assigning scene and take number, finding work as a script supervisor, set etiquette.

• Students receive a Certificate in Script Supervisor Workshop

• 2 Days: Sat, Sun 10:00 a.m. - 5:00 p.m.

Tuition: $350Registration $25Books and Materials Fee: $25Total: $400

Tuition: $900Registration $50Books and Materials Fee: $75Total: $1,025

• 10 Sessions: Tues 6:00 p.m. - 9:00 p.m.

Contact us at 212-333-4013 for dates!



•



Sound Editing I (Pro Tools)

DVD Authoring & Compressing


Sound Editing II (Pro Tools)

Motion Graphics and Visual Effects(After Effects)

Digital Film Academy Page 17DIGITAL FILMMAKING COURSES

POST-PRODUCTION COURSES

Digital Film Academy Page 16 DIGITAL FILMMAKING COURSES

POST-PRODUCTION COURSES

Editing (Final Cut Pro)Learn how to edit with Final Cut Pro 7 in this hands-on evening part-time course. Topics include basic setup, adjusting and customiz-ing preferences and settings, capturing video and audio, various editing and trimming tech-niques, ripple, roll, slip and slide tools, color correction, audio editing and audio creation, finishing and final output.

This course is designed for those who want to learn to edit professional quality video us-ing Final Cut Pro HD. Students receive an additional 2 weeks of editing lab time after course completion to practice skills and de-velop a reel.

Little to no Final Cut Pro training is required for this course.

• 6 Sessions in the evening (Mon., Wed, Fri.) from 6:00 p.m. - 9:00 p.m.


Advanced Editing (Final Cut Pro)Take your editing skills to the next level with this advanced editing course that focuses on advanced techniques and theory. Learn about editing HD video, setting up and cali-brating a monitor, color correction, where to make a cut, custimization, workflow and set-up, compositing, travel mattes, nesting, titles, adjusting sound and sound mixing, compressing and DVD authoring.

Students are encouraged to bring in a short digital project or a scene from a longerpro-ject for evaluation and critique.

• 8 Sessions during the day (3 hours each session) + 2 weeks unlimited lab time

Digital Film Academy Page 19POST-PRODUCTION COURSES

Audio Editing with Pro Tools Pro Tools software is the industry leader in digital audio, providing audio editing tools, and other innovative features that allow you to view, organize, and execute edits quickly and easily. From soundtrack and music production to multimedia and post-production applications, Pro Tools offers audio engineers the complete digital package. The industry leader in digital audio, Pro Tools features 24-bit integrated digital recording, editing, processing, and mixing tools for high-end audio applications.

Use Pro Tools software for recording Foley, sound effects, voice overs, and dialog replacement. Choose from a wide range of instrument and effects plug-ins for sound design and creative music composition. Take advantage of a host of single-key edit commands to execute, organize, hear, and view your edits easily and non destructively. Pro Tools’ tight integration of digital video lets your perform all your recording, editing, and sound design tasks with near sample accuracy against picture.

Sound Editing I (Pro Tools)In this introductory course, students will learn the basics of audio post production using Pro Tools. Topics include: how to prepare a file for post production, the Pro Tools interface, basic audio editing and sound manipulation, and basic mixing.

• 6 Sessions during the day (3 hours each)

• 2 weeks editing lab time

Sound Editing II (Pro Tools)In this intermediate Pro Tools course, students get more in-depth in post-production sound and will learn how to edit sound for film, video and television. Students will develop their skills and receive practical, hands-on training by working on a short digital film project. Topics include: customizing Pro Tools, session management, editing techniques,using automation. mixing - In-depth, plug-in usage, completing a session and creating a final mixdown.

• 8 Sessions during the day (3 hours each)

• 2 weeks editing lab time

DVD Authoring and Streaming: This workshop will cover the basics of DVD authoring and preparing media for streaming, using Apple DVD Studio Pro. Topics will include: MPEG-2 encoding, differences in media, compatibility issues, creating menus, burning DVDs, compressing media for streaming, and creative approaches. Prerequisite: A working knowledge of Apple Final Cut Pro and Mac OS. 1 session (3 hours):


• Several starting dates available. Contact us at 212-333-4013 for dates!


Tuition: $125 Registration: $25 Total: $150



ANIMATION AND MOTION GRAPHICS COURSES

Introduction to 3D Animation (Maya)Used in practically every feature film in the last 5 years, MAYA has pulled away from

other 3D packages to become the definitive 3D software. Its interface, flexibility and raw

power have made it the number one choice among large as well as small productions.

Students will learn how to model a digital character, rig it for 3d animation, create an

animation and render a final product. The class is designed to foster an environment of

creativity as well as learning techincal skill. The lessons taught in this course will create a

solid basis for which students will be able to use in any 3D project they choose to take on.

Entry Requirements: Students should be familiar with basic graphics applications like

Windows, Mac OS, Photoshop and Illustrator. Experience in any 2D or 3D animation

programs a plus.


Motion Graphics and Visual Effects (After Effects)

Since Bill Cosby first used Adobe After Effects Cinelook to give the Cosby show a more

filmic feel, Adobe After Effects has become a standard fixture of the entertainment

industry.

Considered the “photoshop” of video, Adobe After Effects is employed in everything from

commercials to music videos to feature films, Adobe’s continued interest in upgrading

its products to fit current needs ensures Adobe After Effects continued stability and

longevity.

In addition to learning the standard transform tools and import/export procedures,

students will be shown new techniques like parenting, overlay modes, 3-d animation,

matting and bluescreening - creating an environment of artistic creativity as well as

technical training.

Entry Requirements: Students should be familiar with basic computer applications like

Windows, Mac OS. Experience in Photoshop, Illustrator, or Final Cut Pro a plus.

Digital Film Academy Page 21ANIMATION AND MOTION GRAPHICS COURSES

• Students receive a Certificate in

Introduction to 3D Animation.

• 12 Sessions once a week (3 hours

each) or 9 Sessions once a week (4

hours each)

• 2 weeks unlimited lab time.


• Students receive a Certificate in

Motion Graphics and Effects

• 12 Sessions once a week (3 hours

each) or 9 Sessions once a week

(4 hours each)

• 2 weeks unlimited lab time.


WHY STUDY AT DFA?

What will you do with

your unlimited access?

Only DFA Students have a full

service production company

at their fingertips!

Only DFA has unlimited use of equipment and

edit lab time during courses

Only DFA students receive a One-Year

Production Membership after course completion!

DFA gives you the tools to become

skilled!

DFA does not charge extra fees for

equipment!

Get the best digital filmmaking training at DFA!

WHY STUDY AT DFA?Digital Film Academy Page 22

Why Study at DFA?Specializing in Digital Media - 21st Century Technology

DFA is the only film school in New York that specializes in 100% digital media education. Why is that important? Because unlike other film schools, DFA puts all of its resources and focus into digital film and media programs. If you are interested in digital film or media training, Digital Film Academy is the place to be.

Unlimited Lab Time

Only DFA has unlimited use of equipment and edit/computer labs during courses. How else can a person become proficient at a technical skill? This is the key to your success and it’s in your hands... so use it!

Additional Edit Lab Time after Course Completion

When you enroll in a Digital Film Academy Filmmaking Program or Digital Media Course, you will receive two to four weeks of additional edit lab time after course completion to finish working on any class projects and to develop your reel. The additional edit lab time during and after your course equals more practice, better proficiency and skill development.

One-Year Production Membership for Graduates

DFA graduates receive a One-Year Production Membership after completing a digital filmmaking program. What does this mean? Continued access to DFA equipment and the facility at discount student prices. The Membership has been used by alumni to continue their training, shoot their next projects, and begin earning money as independent filmmakers! With the Membership, DFA graduates have a full production company at their fingertips! For more information on the Membership, visit DFA online at www.digitalfilmacademy.com and click on “Membership.”

Instructors are Professionals

DFA instructors are educators and working professionals in the film, television, video and media industry. Instructors provide valuable feedback about the industry and getting employed!



Why Study at DFA? Hands-On Programs and Courses to Achieve Your Goals

Whether you are interested in taking a short digital media course to find out if film or digital media is the career choice for you, or a full-time program to gain the necessary skills to begin working in the industry, or whether you need to create a portfolio to apply for a Master’s program at university, DFA has a program to fit your goals, schedule and budget. What’s more, DFA’s programs are immersive and hands-on. Students have ample opportunities to work with equipment and to advance their skills by completing digital film projects.

DFA is Serious About Your Training

As a DFA graduate of a Digital Filmmaking program or workshop, you have the option of re-taking one class or subject. This is one of the many ways DFA supports your training if you experience difficulty grasping a subject or missed a class. DFA can schedule you to audit a class or subject at no extra fee within a future course date.

Continued Support for Graduate’s Career Goals

In addition to the One Year Production Membership, DFA supports students’ career goals by providing students with more opportunities for growth after course completion. DFA graduates receive opportunities to enhance their skills on other DFA student films and projects after graduation! In this creative and technical industry, hands-on training is key.

Small Class Sizes

DFA limits class sizes to between 10 and 15 students. Most classes average between 6 to 12 students. This means you will have more hands-on time with equipment and more one-on-one time with your instructor.

Location, Location, Location

DFA is conveniently located just one block from the world famous Times Square entertain-ment district in New York City. It is the crossroad of the entertainment industry and the best place to learn digital filmmaking and media!


What Students Say!“Best money I ever spent. Since taking the course I’ve shot my first feature and the second is on the way!” - Cleve Lamison“DFA stands out from other film schools due to its intimacy and the attitude of those who work there. There is always someone willing to help you which helps build a close and ever growing community. DFA also helped me gain a number of work experience positions both during and after my studies, helping to build a stronger resume and ultimately a path into the industry.” - Richard Lovering“At DFA I found great teachers, unlimited lab time and a very friendly and cozy environment... And all in the heart of NYC! Strongly suggested!” - Anastasia Cipolla“I took the course, now I have my own company” - Marsha Thomas Jones“Unlimited lab time makes all the difference! My project won best dramatic short in the Houston Festival!” - Frederic Colier“The best training instructors and atmosphere…” - Erkan Kusku“Very, very good. Everything was explained to the fullest” - Michael Ellenbogen“It was very good, I could get the feeling what is it to be a director.” - Marcio Santos”The most professional training facility in the city, and believe me I looked!” - Linda Burdick“Very hands on. We learned everything” - Fei Chan“Great instructors, they took the time to help me block my toughest scene” - Jason Tagg“DFA keeps it promise!” - Ozlem Sahan“I had a chance to work with a filmmaker from Bogotá (Colombia) on a short. He studied filmmaking in his home country Colombia for 5 years. He then studied at the Digital Film Academy. I learned film from him in one day what I thought would take me a lifetime to do. He made me appreciate how good DFA really is. He said - what he thought he knew wouldn’t be enough for him to become a filmmaker if he didn’t come to DFA.” - Jean Miche“I took the sixteen week digital filmmaking course, we met three times a week (mon,wed and fri from 6 to 9) and the course tuition was $4,000 - there is no better value for money than this course. You will get out of the DFA as much as you put into it. If you want to learn, you will learn. I must say, I went into this program with relatively low expectations...” - Ryan Cushing

DIGITAL FILM ACADEMY FACILITY WHAT STUDENTS SAY

*Please contact DFA Admissions at 212-333-4013 or [email protected] for dates and availability for these courses, which are ongoing and held throughout the calendar year.*Please contact DFA Admissions at 212-333-4013 or [email protected] for dates and availability for these courses, which are ongoing and held throughout the calendar year.

Digital F i lm Academy Course Schedule 2010-2011

* Please contact DFA Admissions at 212-333-4013 or visit the “Tuition/Dates” page on www.digitalfilmacademy.com for start date.



PROGRAMS Sept Oct Nov Dec Jan Feb Mar April May June July Aug Sept OctTuition

4th 11th$17,420 10th 4th 10th


Twelve Week Digital Filmmaking

Four Week Filmmaking


Motion Graphics and Visual Effects


Music Video Workshop

Script Supervisor


Audio Editing I (Pro Tools)



Advanced Cinematography

WORKSHOPS

ADDITIONAL COURSES

AudioEditing II (Pro Tools)

One Year Digital Filmmaking

DVD Authoring and Streaming

2010 2011

4th 11th$16,750 10th 10th

13th 18th$2,895 24th 21st 19th15th 23rd

X$2,795 15th X

X$950 X XX

23rd X$350

X X$900 X

$675

$1,275 14th 8th

23rd$1,200 22nd 29th30thX

21st$1,200 20th 27th21stX

$675 27th 10th

$750 26th23rd$900 1st 29th18th

$750 29th 23rd21st

14th$150 22nd 27th

Admissions StandardsDigital Film Academy Programs and Workshop (not advanced)

• High School diploma or GED

• Proficiency in the English Language

• Basic Computer Skills

For enrollment into short-term workshops that are four weeks or shorter:

• Proficiency in the English language

• Basic Computer Skills

Digital Film Academy Advanced Program• High School diploma or GED

• Proficiency in the English Langugae

• Basic Computer skills

• Director Approval

• Portfolio Review

• Profiency in the following subjects: Screenwriting, Producing, Directing, Digital Cin-ematography, Sound Recording, and Final Cut Pro Editing.

The following can satisfy proficiency requirements:

• Prior Film education AND/OR expereince• Film Education

• Bachelor’s or Master’s or Associates degree in Film, digital media, TV, or Video Production

• Professional certificates in film, digital media, TV, or video prodcu-tion

ADMISSIONS POLICY ADMISSIONS POLICYDigital Film Academy

Page 29

Admissions Standards (cont’d)• Film Experience

• Student has written, produced, directed, and edited a short digital film or documentary project three minutes or greater in length (to be reviewed by Directors of Admission)

• Prior work experience in digital film and media. Letters of recom-mendation/references to be provided listing areas of experience.

Students who do not meet the proficiency requirements in all specified areas may enroll in a course in the necessary subject area to satisfy the proficiency requirement prior to starting an advanced program or course.

Digital Film Academy Advanced Courses• Basic Proficiency in the subject matterDirector Approval The following can satisfy basic proficiency requirements:

• Prior Film education AND/OR expereince• Film Education

• Bachelor’s or Master’s or Associates degree in Film, digital media, TV, or Video Production

• Professional certificates in film, digital media, TV, or video prodcu-tion

• Film Experience• Student has written, produced, directed, and edited a short digital

film or documentary project three minutes or greater in length (to be reviewed by Directors of Admission)

• Prior work experience in digital film and media. Letters of recom-mendation/references to be provided listing areas of experience.

Acceptable documentation for programs requiring high school diploma or GED as an entrance requirement:Copy of high school diploma official high school transcript showing graduation date copy of General Education Diploma (GED), copy of associate’s, bachelor’s, master’s, or doctor-ate degree from a regionally accredited college or university or official transcript indicat-ing the same. or students completing high school in a foreign country, who are unable to produce a copy of their diploma, form BPSS-111 (Sworn Statement of Student’s Gradua-tion from a Foreign High School) completed in English and the student’s native language. A copy of a fully completed Department of Defense form DD-214 indicating that the appli-cant completed high school prior to or during his/her armed forces service. Official col-lege transcript indicating the basis of the applicant’s admission into the college program as being high school graduation.


ADMISSIONS POLICY ADMISSIONS POLICYDigital Film Academy Page 30


Class Size

Classes are limited to 10 to 15 students.

DisclosureProspective students must review this catalog prior to enrollment for accurate information. The catalog is subject to change.

Transfer Credits

Students who would like to transfer credits from a college, university or post-secondary institution and apply credits towards studies within a Digital Film Academy program can request for a transfer of credit.

Requests must be submitted to the office of Academic Affairs and include for consideration:

• A satisfactory transcript from a collegiate institution accredited by an agency or association recognized by the U.S. Secretary of Education

OR

• A satisfactory transcript from a non-degree granting institution that is licensed by the State Education Department.

Transfer credit may be granted for courses taken at another institution only when the course work involved and the level of the transfer applicant’s achievement in it permit the student to complete the remaining course work in the program successfully.

All credit transfer requests will be evaluated by the office of Academic Affairs. An interview and portfolio review with a Director may be required to assure the transferring student possesses the necessary educational experience and skills to successfully move forward in his or her studies and Digital Film Academy and that the overall educational experience will be at minimum equal in quality to that of the student taking all of his or her course work at the member.

Application and Enrollment

An enrollment agreement must be completed and signed by the applicant (and parent or guardian if applicable) for all programs, workshops, and courses.

For the Advanced Digital Filmmaking program, an application must be submitted with a $50 application fee at the time the application is submitted. International students applying for a student visa must also submit a $100 international application fee.

A registration fee is due upon signing of the enrollment agreement. Prospective students are strongly encouraged to visit Digital Film Academy in person or by video conference, which can be set-up through Admissions. A visit is not a requirement for submitting the application or enrollment agreement.

Please contact the Director of Admissions or the Admissions department to arrange for an interview and tour of the academy.

OrientationAn orientation program is held for all new students. Students will be advised of the date and time. Attendance is mandatory for all new students.

Student Visa

DFA is fully authorized by the U.S. Federal Government to process and enroll non immigrant foreign students.

Admissions Process

An individual who seeks admission to Digital Film Academy will be interviewed either in per-son, via telephone, video conference, or e-mail by a member of the Admissions department. The purpose of the interview is to discover and discuss the prospective student’s back-ground, interests, and goals as they relate to programs, workshops, and courses offered at the academy.

Additionally, the interview can help identify the most appropriate program, workshop, or course that is consistent with the student’s background, interests and goals. Prospective students may also receive information concerning curriculum offerings and support ser-vices available to students and graduates.

Finally, the preadmission interview can help assess whether a prospective student has a reasonable chance of successfully completing the appropriate program of study.

Prospective students who are interested in additional information and further discussion on Digital Film Academy curriculum and programs may make an appointment to speak with the Director of Academic Affairs.

“The best film school in New York.” Village Voice



Available Facility: • 3000 square feet facility in Film Center Building near Times Square!• Reception area • Edit labs Classrooms • Shooting studio • Administrative offices• Equipment room • Handicapped accessible

Computer Lab:• 15 State-of-the industry

dual-core iMACs • Final Cut Studio 3• Adobe CS4 Suite• Autodesk Maya• Digidesign Pro Tools• M-AUDIO Box• Final Draft screenwriting• EP Scheduling & Budgeting• Microsoft Office 2008

Available Equipment: • Panasonic DVX100• Panasonic HVX200• Canon HDSLR 7D• 35mm Adapter & lenses• Arri Light Kit• Lowell Light Kit• Dolly, Jib and Shoulder Mount• Sound Mixer• Digital Sound Recorder• Boom Mic and Lavalier• And more!

INTERNATIONAL STUDENTS

New York City is the one of the most excit-ing cities on earth. It is the perfect location to study filmmaking and meet people from all over the world. We welcome students worldwide into our courses and programs. This rich mixture of creative visions ben-efits our students and enriches their learn-ing experience.

DFA offers the I-20M student visa for students enrolled in full-time programs. Please note that all tuition must be paid in full before we can is-sue you your I-20M form. Once received, you will then need to be take the I-20M to the US consul-ate in your home country to receive your student visa. The DFA staff will help guide you through the steps necessary to receive your student visa.

Student Visas

Housing

DFA offers housing assistance to students. Our Admissions staff is expert at finding the best ac-commodations possible within your budget. If English is not your first language, DFA staff is here to help you get settled in your new surroundings.

WELCOME TO NEW YORK CITY!

DIGITAL FILM ACADEMY FACILITY

FINANCIAL SERVICESFINANCIAL SERVICES

Financial Services

For students who show financial hardship or need assistance to pay for their digital media training, DFA offers several options, outlined in the following pages. DFA does not currently offer Federal Financial Aid.

Students LoansDFA students now automatically qualify for education loans as well as many other great ben-efits from Education Affiliates Credit Union. These loans have lower interest rates than other student loans (just 3.99%!). This is a great alternative to traditional student financial aid. Get the training you need without incurring the big debt.

Please contact the Admissions Department and we will get you started on this program. This financial aid program is for US CITIZENS and RESIDENTS only.

Direct Payment Plan

The direct payment plan is an interest free, short-term plan that allows students to break up the cost of tuition and fees into manageable monthly payments.

How does it work? Place a 25% deposit and make interest free monthly payments. Period that’s it! No gimmicks. No catches.

Please contact the Admissions Department to get started on this program. This financial aid program is for US CITIZENS, RESIDENTS and INTERNATIONAL STUDENTS.

Private Loan

Affordable loans for educational career training can be obtained for those who qualify through a financial banking/lending institution. The loan can be used to cover tuition, fees and other expenses and genearlly be amortized for up to 10 or 15 years, creating very low monthly pay-ments. Check whether extended repayment terms and a deferment option is available.

Requirements may include: verifiable income, high credit rating (680 or higher), possibly a co-signer with same standards, pay stubs.

Veterans BenefitsDFA’s programs are approved for the training of veterans by the New York State Education Department. Under the Montgomery GI Bill Educational Assistance (MGIB) Program, a vet-eran may receive funding from one of the following chapters:

Active Duty Educational Assistance Program (Chapter 30)

VEAP (Chapter 32)

Survivors and Dependents Educational Assistance (Chapter 3z5)

Select Reserve Educational Assistance Program (Chapter 1606)

All veterans eligible for educational benefits can use these benefits at DFA. Those who entered the military on or after January 1, 1977 are eligible to participate in the Contributory Educa-tion Assistance Program.


Financial Services ContinuedNew York State Vocational Educational Services for Individuals with Disabilities (VESID)

DFA participates in the training of eligible students through the VESID Program. This pro-gram is designed to serve persons with disabilities that constitute or result in a substantial handicap to obtaining and maintaining a gainful occupation. VESID counselors refer qualified persons to DFA and sponsor them through direct payments to the Academy that cover part or all of their institutional charges.

Grants

DFA will process any grants or scholarships found by a student or awarded to a student. For information about educational grants, visit www.fastweb.com. Information can also be found in publications and books including Peterson’s Scholarships, Grants and Prizes, and The Scholarship Book.

Educational ExpensesThe following fees may apply while studying at Digital Film Academy:

Mandatory:

Tuition Varies; See catalog pp. 8 - 21

Registration Fee $25 - $100

Student Materials Fee (per Quarter or Term) $25 - $100

Course Specific:

Advanced Digital Filmmaking Application Fee $50

Required Books $35 - $300

External Hard Drive (editing & media storage) $100 - $250

Thesis Film Project Expenses (estimate) $50 - $500

Other/General:Online Application Fee $25

International Student Application Fee $100

ID Replacement fee $10

Stop Payment fee $25

Returned Payment fee $25

Late Payment Plan fee $25

Duplicate Certificates $15


Refund Policy

Under New York law, tuition liability is divided by the number of quarters or terms in the program, workshop, or course. Total tuition liability is limited to the quarter or term during which the student withdrew or was terminated and any previous terms or quarters completed. In accordance with school policy, the academy will earn tuition and fees as follows, based on the week in which the student withdraws or is termi-nated:

For full-time programs, workshops, or courses that are divided into Quarters:

If termination occurs, DFA may retain:

Prior to or during 1st week: 0%

During 2nd week : 25%

During 3rd week: 50%

During 4th week: 75%

After 4th week: 100%

First Quarter


Prior to/during 1st week: 25%



After week 3: 100%

Second and Subsequent Quarters

Workshops that are divided into terms of 15 to 18 weeks.

Workshops and short-term courses that are six weeks or less:


Prior to/during 1st week: 0%





After 5th week: 100%


0-15% of course complete: 0%

16-30% complete: 25%



After 60% of the course: 100%

Digital Film Academy Page 36 REFUND POLICY

Credit Hours

Quarters

For Digital Film Academy programs, the Academy follows a system in which the academic year is divided into instructional quarters, with each quarter having between 10 to 11 weeks of instruction. An academic year is equal to three quarters.

Credit Hours

Course work at Digital Film Academy is measured in quarter credits. For all programs, one credit hour is defined as 50 minutes of instruction in a 60-minute period.

One-quarter credit is awarded for each 10 classroom clock hours of lecture, 20 class-room clock hours of laboratory or studio work, or 30 clock hours for externship. In addi-tion to these guidelines, students are expected to put appropriate time to preparation and study outside the classroom.

Courses which include both lecture and laboratory type meetings will utilize the appropri-ate combination of the above guidelines; as will all courses taken for credit, regardless of length. Studio classes that are led by an instructor are generally 15 clock hours per credit granted, but may be up to 20 clock hours.

Additional instructional periods for workshops and courses are also offered. Workshops or courses that have periods of instruction longer than 14 weeks are divided into Terms that are 15 to 18 weeks in length.

For some workshops and courses, one classroom clock hour is defined as 60 minutes instead 50 minutes of instruction.

Credit and Clock Hours Conversion Summary

One quarter credit hour = 10 clock hours

Two quarter credit hours = 20 clock hours

Three quarter credit hours = 30 clock hours

CREDIT HOURSDigital Film Academy

Page 37

Academic PoliciesGRADING

Student progress is evaluated through the mentoring process and by a system of faculty reviews.

In most digital filmmaking courses and workshops, the grade will largely be determined by each student’s attendance, participation, and successful completion of all class exercises, particularly the final digital film project.

Critique and grading on the final project is based on students’ performance in story, camera direction, actor direction, composition and lighting, sound, editing technique, editing rhythm and pacing, overall impact, and adherence to shooting and editing schedule.

The grading system is based on a “Complete” or “Incomplete.”

In order to receive a Certificate, students must receive a “Complete.” Interruptions are only available with a Leave of Absence (“LOA”).

Leave of Absence

Leave of Absence (“LOA”) may be granted with a minimum 2-week written notice when possible for family emergency, illness or work within the industry.

Certificates:

For all courses, a certificate of completion will be awarded to each student who successfully completes a program, workshop, or course.

New Grading System for full-time Programs

Digital Film Academy has implemented a new grading system for fulll-time Digital Filmmaking programs, effective September 2009.

Students must maintain a cumulative 2.0 GPA to graduate and receive a Certificate.

ACADEMIC POLICY ACADEMIC POLICY

For all DFA full-time programs, the following outlines the new grading system that is in effect September 2009.

New Grading System

Grade Grade Percent Description Points

A 95-100 Outstanding 4.0

A- 90-94 Excellent 3.7

B+ 87-89 Very Good 3.3

B 83-86 Good 3.0

B- 80-82 Above Average 2.7

C+ 77-79 Satisfactory 2.3

C 73-76 Adequate 2.0

C- 70-72 Below Average 1.7

D 65-67 Poor 1.0

F below 65 Failure 0.0

I Incomplete (temporary grade)

W Withdrawn

X Audit

TR Transfer credit accepted from other

PC Proficiency credit by exam or portfolio



Grade Point Averages

In the new grading system, cumulative grade point averages are determined by the “grade point system”; they are computed by dividing the total number of grade points earned by the total number of credits attempted.

A student’s cumulative grade point average for a program is computed by dividing the total cumulative grade points by the total graded credits attempted for courses taken. Grade points are calculated by multiplying the number of credits by the numeric value of the grade for each course. The sum of the grade points is then divided by the total graded credits attempted.

Courses elected on a Pass/Fail basis are counted as follows: Pass grades are printed on the permanent record as a P and do not count in the quarterly or cumulative GPA, but they do count as credits earned toward program completion. Fail grades, F, do not count in the quarterly and cumulative GPA and do not count as credits earned toward program completion.

Digital Film Academy uses a 4.0 scale in assigning grade points. The cumulative grade point average is calculated by rounding up to the nearest tenth if the last digit is five or greater. It is rounded down to the nearest tenth of the last digit if less than five. For in-stance, a grade of “B” in a three-credit course is worth nine points.

Grades of “W” and “I” are calculated in the GPA as a failure. Grades of “TR” and “X” are not included in GPA calculation.

Academic Probation

Students who receive a “Fail” grade in one course will be placed on academic probation.

In order to remain in a particular workshop or program, students who have been placed on Academic Probation must earn a grade of 2.0 or better in all subsequent courses.

Students may complete additional coursework assigned by the instructor who gave the “Fail” grade in order to improve the grade to 1.0 or better and earn credit for the course.

Any student who receives a “Fail” grade for three or more courses will be expelled from the program.

APPEALS PROCESS

A student who believes he or she has been improperly graded must first discuss the mat-ter with the instructor. If the student is not satisfied with the instructor’s explanation, the student, no later than ten days after his or her discussion with the instructor, may submit a written appeal to the Director of Academic Affairs, with a copy of the appeal also sent to the instructor.

Within ten calendar days, the Director consults with the instructor to ensure that the evaluation of the student’s performance has not been arbitrary or capricious. Should the Director believe the instructor’s conduct to be arbitrary or capricious and the instructor declines to revise the grade, the Director, may appoint an appropriate member, or mem-bers, of the faculty of that subject to evaluate the performance of the student and assign a grade.

Once a student submits a written appeal, this document and all subsequent actions on this appeal are recorded in written form for deposit in a department or college file.

COMPLAINT PROCEDURE

Complaints are to be submitted in writing to the Director. All complaints will be addressed within one week of receipt.

The failure of a student to notify the Director in writing of withdrawal may delay refund of tuition due pursuant to Section 5002 of the Education Law.

PLACEMENT

Although placement assistance is provided, DFA cannot guarantee a job to any student or graduate.


Digital Film Academy Page 41ACADEMIC POLICY ACADEMIC POLICY

REQUESTING TRANSCRIPTS

Transcript Policies:

• In accordance with the Family Education Rights and Privacy Act of 1974 (FERPA), records may not be released to a third party without the prior written authorization of the student.

• You can submit your written request in-person, by mail or fax. You may only email your request if you have the ability to scan your signature. Send to [email protected].

• Transcript will not be sent until all holds or financial obligations to Digital Film Academy are paid, including fines or fees.

• Only coursework taken at Digital Film Academy is included on the transcript. Copies of transcripts from other colleges will not be provided.

• Transcripts include Work in Progress for students enrolled in the current semester.

• Transcript requests will be processed in 3-5 days.

All requests must include:

• Your complete name (name you attended school under and any maiden name).

• Your dates of attendance.

• Your Date of Birth.

• The name and address of the official transcript destination.

• Your address and a phone number where you can be reached.

• Number of official copies of transcript being requested.

• Your signature.

Transcript Fees

Official transcripts sent by Digital Film Academy directly to other colleges and universities or sent directly to potential employers or other education related entities are free of charge. Official transcripts issued directly to the student are available for a $5.00 fee.

Make requests to: Digital Film Academy, Office of Registration, 630 9th Avenue, Suite 901, New York, NY 10036.

ATTENDANCE POLICY

Because of the intensive nature of the programs at Digital Film Academy, absenteeism jeopardizes a student’s ability to successfully complete his or her studies. It is the student’s responsibility to notify a Digital Film Academy Director and/or instructor and make up all work missed if a student finds it necessary to be absent, late, or leave early.

Accumulated absenteeism in any one course will affect performance and grades. Absenteeism can result from absence, being tardy, or leaving class early. Instructors record tardiness and people leaving early in increments of 10 minutes.

Any student who is absent more than 15 percent of the total number of instructional hours offered during each marking period of the student’s program, excluding approved leaves of absence, and who has not maintained satisfactory academic progress, shall be dismissed or placed on academic probation pending a Disciplinary Review Hearing.

After the Disciplinary Review Hearing, the appropriate course of action will be determined based on the student’s explanation for his or her absences and the Academy’s records of student’s overall attendance and participation.

Excessive absenteeism may result in the student having to repeat the course at his or her own cost. If a student is suspended from a workshop or program, he or she cannot continue to study with that current class. The student may return for a future program. A Disciplinary Review Hearing in a future workshop or program can result in expulsion.

Students who are expelled or choose to not continue their studies after a suspension, will receive refunds in accordance with the policy outlined by the New York State Education Department, Bureau of Proprietary School Supervision.



ACADEMIC POLICY ACADEMIC POLICY

DFA INSTRUCTORSDigital Film Academy Page 44 DFA INSTRUCTORS


DFA Instructors are Educators and Working Professionals in the Field!

Gary CooperBA, Television Production, Brooklyn CollegeMember of the WGA-East and BMIFormer member of IATSE Local 842 (Animation & Opticals) & IATSE Local 771 (Motion Picture Film Editors)

James DuffMFA, Film Directing/Production, University of Southern CaliforniaBA, TV Production, Indiana University

Brian EdgarMFA in Film, Columbia University

Eric EiserBFA Illustration, School of Visual Arts

Michael FurthBFA in Film/Video Production, School of Visual Arts

Patrick GleasonBA, Fordham UniversityJD, Setan Hall Law SchoolMember of the Screen Actors Guild

Erin GreenwellMFA, CUNYBFA, New York University, Tisch School of the Arts

Ken KotowskiMFA, Media Production/Cinematography, CUNY BA, Communications/Film Production, William Patterson University

DFA Instructors

Ira BlanchardMFA, Media Arts Production, City College of New YorkBA, Cinema, San Francisco State University

Sara BoothBS, University of MichiganMFA, Writing and Directing, CUNY

Valentina CanigliaPadre Pio (Istituto Tecnico Diploma)Zero’ de Conduite , Naples, Italy. Associated Degree in Cinematography.New York University Film Production, New York. 1997.

Don CatoMA, Orson Wells Film School, CambridgeDirector, “Be My Oswald” feature film, winner of numerous film festival awards

Kenny MannM.Sc. in Education K-12 Science, Bank Street College of Education, New YorkPostgraduate Diploma in Film and Theater History and Technology, University of Bristol. UK

Darren MethlieMFA Film, City College, CUNYBA Literature, Purchase College, SUNY

Guy Mor

BMU, Brooklyn College

Tom RazzanoBachelors, St. Joseph’s University, PAMember, Director’s Guild of America

Certified Teacher, NJEA (New Jersey Education Association)

Cleber RedondoBA, Computer Science, Academy of Fine Arts (Sao Paolo)Fine Arts Degree, Academy of Fine Arts (Sao Paolo)MA, Cinema and Film Production, New York University

Manfred ReiffMember of IATSE #600 (Motion Picture Photographer’s Union)

Al SantanaMFA, Digital Cinema, National University, CaliforniaBS Degree in Sociology and Filmmaking, CUNYFrederick Douglass Creative Arts Center, NY Black Documentary Collective MemberIndependent Feature Project, MemberIATSE Local 600, Motion Picture Photographer’s Union 1981-1999

Nicholas SigmanMFA, Film/Television, New York University, Tisch School of the ArtsBS, Summa Cum Laude, Broadcasting/Film, Boston University, School of Communications

Jeanne TalbotMFA, New York University, Tisch School of the Arts.Previous Member of I.A.T.S.E.

Joe TripicianMFA, Columbia University

DFA INSTRUCTORSDFA INSTRUCTORS

•

•



Board of Managers

The Board of Managers provide executive and operational leadership in accordance to the Digital Film Academy’s mission and objectives.

Patrick DiRennaPresident and Director of Admissions and Operations, Digital Film AcademyPresident, Digital Film Center, LLC.

Elena PrimostVice President and Director of Academic AffairsVice President, Digital Film Center, LLC

Robert J. SannCo-Founder, Exemplar, LLCFormer Executive Director of We Can, CEO Columbia Communications and Founding Board Members of Vanguard Communications, Inc.

Patrick F. Gleason, Esq.Director, Mindcrest Inc. Former Managing Director, Kelly Law Registry, New York, New Jersey and Pennsylvania

Evan AntoniniPresident, EHM Group, LLCDirector, Mindcrest Inc.

Licenses and Certifications:

Digital Film Academy is licensed by the New York State Education Department, Bureau of Proprietary

School Supervision (BPSS) as a non-degree granting proprietary institution. Digital Film Academy is the

trade name (D/B/A) of Digital Film Center, LLC. Digital Film Center, LLC is a member-managed for-profit New

York Limited Liability Company (LLC).

DFA is an approved training provider for the following agencies: Federation Employment and Guidance

Service, Inc. (FEGS); Consortium for Workers Education (CWE); Individual Training Accounts (ITA, U.S.

Dept. of Labor); Workforce 1 (City of NY, Dept. of Small Business Services); Bergen County One Stop Ca-

reer Center (New Jersey); State of New Jersey Division of Vocational Services; Yonkers Private Industry

Council; Ocean County PIC and the City of New York Dept. of Labor, Division of Employment Services.

BOARD OF MANAGERS STUDENT CONDUCTBasic Rules of Student Conduct

Students are expected to conduct themselves as mature and law-abiding members of both the academy community and the general community, and to comply with requests of the administrative authorities of the academy for maintenance of order on academy premises.

Behavior which jeopardizes the health or safety of the academy community, or disrupts the educational activities and supporting services of the academy, is subject to review and possible penalty in accordance with the procedures and practices of the academy.

The students should be advised that the following general rules of conduct are beneficial to everyone, especially the students themselves:

• Show respect for other students, instructors and all other people you come into contact with at or through Digital Film Academy.

• Speak quietly to friends and associates when in school. When other classes are going on or if students are doing work, loud noise makes it difficult for fellow students to concentrate on what they are doing.

• Avoid profanity.

• Pay attention to your instructor in the classroom. If you have a question while the instructor is lecturing, ask your instructor by raising your hand.

• Don’t ask a fellow student because side conversations distract other students.

• Show respect for the facility. Students should clean up after themselves. Please don’t leave bottles, food in classrooms.

• Faculty, administration and staff fraternization with students is not permitted. Any violations may be reported to Director.

The following is a list of behaviors that violate the Student Conduct Policy:

• Dishonesty, including but not limited to cheating, plagiarism, or knowingly supplying false information or deceiving the academy administrators, staff, or instructors.

• Unauthorized entry into, or use of, school facilities.

• Forgery, falsification, alteration, or misuse of school documents, records, or identifica-tion.

• Interference with the normal operations of the academy (disruption of teaching and administrative functions).



17

Heckscher

Playground

StrawberryFields

Tavern on the G

reen

SheepM

eadowThe

Ramble

The M

all

CentralParkZoo

ChildrensZoo

The Pond

ConservatoryW

ater

NatureSanctuary

Belvedere Castle

TheReservoir

Tennis Courts

NorthM

eadow

East M

eadow

ThePool

The Great

Hill

LaskerPool &Rink

Block H

ouse

Harlem

Mere

ConservetoryG

arden

The Lake

Central ParkTheRavine

East D rive

97th St Tra nsver

s

86th St Transverse Rd

79th Transverse Rd

65th Transverse Rd

Ramsey

Playfeild

Metropolitan

Museum of Art

EastDriveBoathouse

Wollm

anM

emorial

Rink

Dana D

iscoveryCenter

The G

reat Lawn

RossPinetum

Cleopatra'sNeedleD

elacorteTheater

Belvedere Lake

The Loch

Foot Bridge

93

8483

81

78

76

73

72

67

64

62

5354

5556

57

58

59

61

60

40

42

45

46

48

4951

52

88

34

32

26

25

99

98

9796

95

94

92

86

90

Pier 13

Pier 14

Pier 9

Pier 11

N

S

E

W

Water TaxiLiberty State Park

Jersey City(Warren St)

Ferry

HELL'S

KITCH

EN

DiamondCenter

UPPER W

ESTSIDE

CHELSEA

WEST

GREEN

WICH

VILLAGE G

REENW

ICHVILLAG

E

GARM

ENT

DISTRICT

MU

RRAY H

ILL

TRIBECA

CIVICCEN

TER

BATTERYPARK

CITY

CHIN

ATOW

N

SOH

O

LITTLEITALY

LOWER

EASTSIDE

STUYVESANTTOW

N

EAST G

REENW

ICHVILLAG

E

SOUTH

STREET

SEAPORT

HISTORICAL

DISTRICT

WORLD

FINANCIALCENTER

FINANCIALDISTRICT

WORLD

TRADECENTER

UPPER EASTSIDE

DeW

ittC

lintonPark

Gracie

Mansion

Carl Schurtz

Park

JohnJay

Park

JeffersonPark

WashingtonSquarePark

Chelsea

Park

BryantPark

Madison

SquarePark

Gram

ercy

Park

Union

Square Park

StuyvesantSquare

Roosevelt Park

Tompkins

Square Park

East River Park

Riverside Park

Holland

TunnelExit

Castle

Clinton

Museum ofJewishHeritage

Seward

Park

Rutgers

Park

Saint G

abriel's Park

24th StPark

Catherine's

Park

Battery

Park

City

Hall

Park

Ham

iltonFishPark

IntrepidSea, Air & SpaceMuseum

Lincoln Tunnel

Eighth Ave

Seventh Ave

Eleventh Ave

Twelfth Ave

Seventh Ave

Eighth Ave

Broadway

RiversideDrive

Cathedral ofSaint Johnthe Divine

Amsterdam Ave

Columbus Ave

Central Park WestCentral Park West

Broadway

West End Ave

Central Park North

RiversideDrive

Avenue of the Americas

Fifth Ave

Madison Ave

RockefellerCenter

SaintPatrick'sCathedral

TrumpTower

GrandArmy Plaza

Park AvePark Ave

Lexington AveLexington Ave

Third Ave

Second Ave

First Ave

Sutton Place

Queens Midtown Tunnel

Queensboro Bridge

Roosevelt Island Tramway

East End Ave

York Ave

First AveFirst Ave

Second Ave

Third Ave

Lexington Ave

Park Ave

Madison Ave

Fifth Ave

NYUMedicalCenter

UnitedNations

RockefellerUniversity

CornellMedCenter

BellevueHospitalCenter

VetsHospital

E. 24th St

E. 112th St

E. 110th St

E. 108th St

E. 44th St

E. 40th St

E. 42nd St

E. 38th St

E. 36th St

E. 34th St

E. 32nd St

E. 30th

E. 28th

E. 26th St

E. 48th St

E. 98th St

E. 96th St

E. 94rd St

E. 92st St

E. 90th St

E. 88th St

E 86th St

E. 84rd St

E. 82st St

E. 80th St

E. 78th St

E. 76th St

E. 74rd St

E. 72st St

E. 70th St

E. 68th St

E. 66th St

E. 64th St

E. 62nd St

E. 60th St

E. 58th St

E. 56th St

E. 54th St

E. 52nd St

E. 50th St

ColumbusCircle Central Park South

E. 102st St

E. 104rd St

E. 106th St

E. 100th St

Jacob JavitsConvention

Center EmpireState

BuildingNY Public

Library

GrandCentralTerminalPort

Authority

W. 69th St

W. 67th St

W. 65th St

W. 61st St

W. 59th St

W. 57th St

W. 55th St

W. 53rd St

W. 51st St

W. 49th

W. 47th

W. 45th

W. 63rd St

AmericanMuseumof NaturalHistory

HaydenPlanetarium

The Rose Centerfor Earth and Space

The Dakota

Cathedral Parkway

W. 83rd

W. 85th

W. 87th St

W. 89th St

W. 91st St

W. 93rd St

W. 95th St

W. 97th St

W. 99th St

W. 101st St

W. 103rd St

W. 105th St

W. 107th St

W. 109th St

W. 111th St

W. 113th St

W. 81st

W. 79th St

W. 77th St

W. 75th St

W. 73rd St

W. 71st St

Mt SinaiHospital

Manhattan Ave

GuggenheimMuseum

JewishMuseum

InternationalCenter of

Photography

MetroHospital

Museum ofthe City ofNew York

Freedom Pl

Henry Hudson Pkwy

FDR Drive

NY HistoricalSociety

Lincoln CenterFor The

Performing Arts

CarnegieHall

Museum ofModern Art

Museum ofTelevision & Radio

Radio CityMusic Hall

To Queens and

Long Island

To New Jersey

Museum ofAmericanFolk Art

TheFrickCollection

PierpontMorganLibrary

ChryslerBuilding

Park Ave

Park Ave

BeekmanPlace

Tudor City Pl

WhitneyMuseum

Annex

Met LifeBuilding

WhitneyMuseum

W. 13th St

HollandTunnel

Staten IslandFerry

Statue of Liberty&

Ellis Island Ferry

SouthCove

PierA

USCoastGuard

First Pl

DowntownHeliport

Wall St

Pine St

StateSt

PearlStBroad St

Tenth AveTenth Ave

Ninth AveNinth Ave

Seventh Ave

Ave of the Americas

E. 22nd St

E. 14th St

E. 12th St

E. 10th St

St. Marks Pl

E. 20th St

Fifth Ave

FashionInstitute ofTechnology

Irving Place

St. Vincent'sHospital

E. 16th

University Place

LafayetteSt

Third Ave

Kenmare St

West Houston St

Prince St

Spring St

Broome St

Grand St

CrosbySt

MercerSt

Greene StWooster St

Bowery

Elizabeth St

Mott St

Mulberry St

E. 2nd St

E. 4th St

E. 6th St

W. 3th St Great Jones StBond StThompson St

NYUSullivanSt

MacDougal St

Bleecker St

Waverly Pl

Watts St

Beach St

Franklin StNorth Moore St

Baxter StCentre StLafayette St

West Broadway

Walker St

Lispenard St

St Johns Ln

White St

Canal St

Canal StChurch St

Thomas St

Leonard StWorth St

Bayard

ParkRow

PearlSt

Reade St

SpruceBeekman

Beekman

FrontSt

Murray St

Murray StPark Pl ParkRow

Fulton St

Vesey St WilliamSt John St

GoldSt

Platt StFletcher StCedar FrontStHanover

Old Slip

GovernorsIslandFerry

South FerryPlaza

Greenwich

Washington

South End Ave

NorthCove

Trinity Pl

Albany St

Maiden LnLiberty St

SouthSt

State StBow

lingG

reen

North End Ave

Warren St

Barclay St

Chambers St

Avenue of the Americas

West Houston St

Spring StVandam StCharlton St

Washington St

King St

Minetta Ln

Hudson St

West St

Joe DiMaggio Hwy (West Side Hwy)

Joe DiMaggio Hwy (West Side Hwy)

Clarkson StLeroy StMorton StBarrow StCarm

ine St

Downing StChristopher S

t Bedford St

Grove St

W. 10th StCharles St

Bleeker StW. 11th St

Perry St

Hudson StBank St

W. 9th St

Ganesvoort St

Horatio St

Jane St

W. 12th St

Bethune St

W. 11th St

W. 4th St

Waverly Pl

Greenwich Ave

Broadway

BethIsrael

Med Ctr.

Peter Cooper Rd

Hester St

Forthsyth StChrystie St

Eldridge StAllen

St

RutgersCatherine St

Oliver St

FDRDrive

East Broadway

DivisionSt HenryStMadisonSt

Saint JamesPlace

Cherry St

MonroeSt

Manhattan Bridge

Pike St

WaterSt

Franklin St

Harrison St

Duane St Broadway

Broadway

Ann

Nassau St

Watts St

Desbrosses St

Vestry St

Laight St

Hubert St

Jay St

Greenwich St

Greenwich St

Little W.12th

W. 15th St

W. 17th

W. 19th

W. 21st St

W. 23rd St

W. 25th St

W. 27th St

W. 29th St

W. 31st St

W. 33rd St

W. 35th St

W. 37th St

W. 39th St

W. 41st St

W. 43rd St

Baruch Pl

AvenueA

Avenue B

AvenueC

AvenueD

SzoldPl

Williamsburg Bridge

Pitt St

Ridge St

Attorney St

Willett St

Columbia St

Clinton St

Suffolk St

Norfork St

Essex St

LudlowSt

Orchard St

Baruch Dr.

Lewis St

Grand St

Delancy St

Broome St

East Houston St

Stanton St

Clinton St

Montgomery

Gouverneur

Jackson St

Maiden Ln

Brooklyn Bridge

WaterSt

FirstAve

Second Ave

Wall St Ferry

HunterCollege

New St

West St

FirefightersMuseum

GuggenheimMuseum

SoHo

MadisonSquareGarden

GeneralPost

Office

ManhattanMall

Macy's

PennStation

FlatIronBuilding

TheodoreRooseveltBirthplace

AMEX NYSE

CherrySt

Joseph PappPublic Theater

PearlStPoliceHQ

Pier15

Pier16

Pier17Pavilion

4WFC

4WTC

1WFC

1 WTC

2WFC

2WTC

3WFC 6 WTC

7 WTC

5WTC

City Hall

Trinity Church

Whitehall

Beaver St

E. 46th St

Lincoln Square Houses

Amsterdam

Houses

AliceTullyHall

JulliardSchool

MetropolitanOpera House

NYC Ballet/Opera

Avery Fisher Hall

W. 13th St

E. 18th St

WinterGarden 3WTC

American Craft Museum

West End Ave

Amsterdam Ave

Columbus Ave

Broadway

NYCVisitorsBureau

CortlandtDey St

Ave of the Finest

Madison St

USCourthouse

NY CountyCourthouse

St. Andrew's Church

Joe DiMaggioHw y

(WestSideHwy)

CitigroupCenter

Fourth Ave

Broadway

E. 3rd St

E. 5th St

E. 7th St

OneTimesSquare

HARLEM

RIVER

EASTC

HAN

NEL

WEST

CH

ANN

ELEAST

RIVER

HU

DSO

NRIVER

BrooklynBatteryTunnel

Museum OfTheAmerican

Indian

Frankfort St

Fulton St

TenementMuseum

DIGITAL FILM ACADEMY is centrally located in the Film Center Building at 630 9th Avenue, suite 901, in the heart of Mid Town Manhattan just one block from Times Square. We are easily accessible by subway and bus. Just one to two blocks from Port Authority terminal and subway lines: A, C, E, 1, 2, 3, N, R, W, V, & 7.

ManhattanNew York

DIGITAL FILM ACADEMY CALENDARHolidays 2010 - 2011

DFA will be closed in observation of the

following holidays:

Labor Day September 6, 2010

Columbus Day October 11, 2010

Veteran’s Day November 11, 2010

Thanksgiving November 25-26, 2010

Christmas and New Years December 20 - January 3, 2010

New Year January 1, 2011

Martin Luther King Day January 17, 2011

President’s Day February 21, 2011

Good Friday April 22, 2011

Memorial Day May 30, 2011

Independence Day July 3, 4, 2011

Labor Day (2011) September 5, 2011

Policy on Non-Discrimination

Digital Film Academy does not discriminate on the basis of race, color, national or ethnic origin, citizenship status, religion, sex, sexual orientation, age, physical handicap, veteran or marital status.

DFA

LOCATION, DIRECTIONS, MAP Digital Film Academy Page 51HOLIDAYS AND SCHOOL CLOSING


Digital Film AcademyFilm Center Building

630 Ninth Avenue, Suite 901

New York, NY 10036

Tel: 212-333-4013 Fax: 212-333-2238

Email: [email protected]

Web: www.digitalfilmacademy.com

• © 2010 Digital Film Center LLC. All Rights Reserved.

Date post:	22-Nov-2014
Category:	Documents
Upload:	artpicasso
View:	146 times
Download:	0 times

Digital film academy Catalog 2011

Documents