Northwestern University Front Matter Source: Renaissance Drama, New Series, Vol. 39 (2011) Published by: The University of Chicago Press for Northwestern University Stable URL: http://www.jstor.org/stable/41917480 . Accessed: 14/05/2014 15:19 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. . The University of Chicago Press and Northwestern University are collaborating with JSTOR to digitize, preserve and extend access to Renaissance Drama. http://www.jstor.org This content downloaded from 194.29.185.149 on Wed, 14 May 2014 15:19:03 PM All use subject to JSTOR Terms and Conditions
Transcript
Northwestern University
Front MatterSource: Renaissance Drama, New Series, Vol. 39 (2011)Published by: The University of Chicago Press for Northwestern UniversityStable URL: http://www.jstor.org/stable/41917480 .
Accessed: 14/05/2014 15:19
Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at .http://www.jstor.org/page/info/about/policies/terms.jsp
.JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range ofcontent in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new formsof scholarship. For more information about JSTOR, please contact [email protected].
.
The University of Chicago Press and Northwestern University are collaborating with JSTOR to digitize,preserve and extend access to Renaissance Drama.
http://www.jstor.org
This content downloaded from 194.29.185.149 on Wed, 14 May 2014 15:19:03 PMAll use subject to JSTOR Terms and Conditions
Editors Jeffrey Masten, Northwestern University William N. West, Northwestern University
Editorial Assistant Vanessa Corredera, Northwestern University
Editorial Committee Albert Ascoli, University of California, Berkeley Leonard Barkan, Princeton University David Bevington, University of Chicago A. R. Braunmuller, University of California, Los Angeles Alan Dessen, University of North Carolina at Chapel Hill Frances E. Dolan, University of California, Davis Barbara Hodgdon, University of Michigan Jean E. Howard, Columbia University G. K. Hunter, Yale University Theodore B. Leinwand, University of Maryland, College Park Leah S. Marcus, Vanderbilt University Kathleen E. McLuskie, University of Birmingham, The Shakespeare Institute Louis A. Montrose, University of California, San Diego Timothy Reiss, New York University Mary Beth Rose, University of Illinois at Chicago Garrett A. Sullivan Jr., Pennsylvania State University Elissa Weaver, University of Chicago W. B. Worthen, Barnard College
Former Editors S. Schoenbaum, 1956-76 Leonard Barkan, 1977-85 Mary Beth Rose, 1985-99 Wendy Wall, 1999-2005
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Gillian Woods "Strange Discourse ": The Controversial Subject of Sir Thomas More 3
Anjela María Mescall Staging the Moor: Turks, Moriscos, and Antichrists in Lope de Vega's El Otomano famoso 37
Jennie Votava "The Voice That Will Drown All the City": Un-Gendering Noise in The Roaring Girl 69
Sara D. Luttfring Bodily Narratives and the Politics of Virginity in The Changeling and the Essex Divorce 97
Gavin Hollis "He would not goe naked like the Indians, but cloathed just as one of our selves": Disguise and "the Naked Indian" in Massingeťs The City Madam 129
Marissa Greenberg The Tyranny of Tragedy: Catharsis in England and The Roman Actor 163
Daniel Javitch Introduction to Giovan Battista Giraldi Cinthio's "Discourse or Letter on the Composition of Comedies and Tragedies" 197
Giovan Battista Giraldi Cinthio Discourse or Letter on the Composition of Comedies and Tragedies 207
Notes on Contributors 257
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Renaissance Drama is a peer-edited annual publication that investi- gates the traditional canons of drama as well as exploring the signifi- cance of performance, broadly conceived, in the early modern cultures in and around Europe. We invite submissions of manuscripts that con- cern early modern plays, theater, or performance, including essays on works in languages and traditions other than English (although we publish only essays in English); that examine the cultural discourses that shaped and were shaped by institutions of drama across Europe and beyond its borders; and that address manifestations of performance and performativity during this historical period, whether on or off the stage. Occasionally, issues of the journal are devoted to special topics.
The editors of Renaissance Drama prefer to receive manuscript submissions electronically, either as Rich Text Format (.rtf) files or as Microsoft Word (.doc or .docx) files. The journal does not accept submissions by facsimile. Scholars preparing manuscripts for Renais- sance Drama should refer to the stylistic guidelines of the most recent edition of The Chicago Manual of Style, including endnote reference citations. For initial review of manuscripts, any legible full-size copies of illustrations are acceptable, but should an essay be accepted, its author(s) will be responsible for obtaining publishable quality images and any necessary permissions.
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Queries and submissions should be addressed to the editors at [email protected]. This information on submis- sions, as well as updates and information on upcoming issues, may be found at the website of the Northwestern University Depart- ment of English at http://www.english.northwestern.edu/resources /renaissance_drama_journal.html.
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