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Front Matter Source: Notes, Second Series, Vol. 12, No. 2 (Mar., 1955), pp. 173-200 Published by: Music Library Association Stable URL: http://www.jstor.org/stable/891938 . Accessed: 10/06/2014 21:38 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. . Music Library Association is collaborating with JSTOR to digitize, preserve and extend access to Notes. http://www.jstor.org This content downloaded from 195.34.79.18 on Tue, 10 Jun 2014 21:38:59 PM All use subject to JSTOR Terms and Conditions
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Page 1: Front Matter

Front MatterSource: Notes, Second Series, Vol. 12, No. 2 (Mar., 1955), pp. 173-200Published by: Music Library AssociationStable URL: http://www.jstor.org/stable/891938 .

Accessed: 10/06/2014 21:38

Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at .http://www.jstor.org/page/info/about/policies/terms.jsp

.JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range ofcontent in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new formsof scholarship. For more information about JSTOR, please contact [email protected].

.

Music Library Association is collaborating with JSTOR to digitize, preserve and extend access to Notes.

http://www.jstor.org

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Page 2: Front Matter

*woo 0

MARCH A Magazine devoted to Music ,AV\ Aand its Literatu re, with

bibliographies and reviews of

1 9 5 5 BOOKS - RECORDS - MUSIC

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Page 3: Front Matter

PuwsBf I WBx neara Gn*sda

UNIVERSIT'Y PRESS THE BACH FAMILY By Karl In three main sections-The Rise of the Bach Family and the First Great Achievements ( -1700); Expansion and Geiringer Culmination (1700-1750); The Last Great Achievements

and the Decline of the Bach Family (1750- )-this monumental study provides the first complete history of the Bachs, from Viet, the 16th-century miller, to Wilhelm Friedrich Ernst (1759-1845). Equal stress has been laid on personalities and music, the latter studied with the aid of a vast amount of hitherto inaccessible material. Johann Sebastian Bach and his music are dis- cussed with a wealth of new detail. The lives and works of his four great sons have been treated in full. IlUustrated, and with musical exanpls $7.50

THE MUSIC OF R. VAUGHAN WILLIAMS By Frank This analytical and expository work treats in detail all but the slightest and most ephemeral of the composer's Howes works. Divided into the categories of Symphonies, Or.

chestral Music, Works for Solo Instruments with Orchestra, Choral Music, Occasional Work, Chamber Music, Works Directly Based on Folk-tunes, Song, Church Music, and Dramatic Works, the book avoids biographical and critical writing and concerns itself with giving the reader an understanding of the devices which impart to the composer's music its distinctive character. "A devoted evaluation . . . offers a multitude of musical examples with explanations [and] analyses."-Boston Herald $6.00

{ G S ~~~~~At all book-stores

Y

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Page 4: Front Matter

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Page 5: Front Matter

MUSIC LIBRARY ASSOCIATION EXECUTIVE BOARD

President Charles Warren Fox, Eastman School of Music, Rochester 4, New York.

Vice President Margaret M. Mott . . . Grosvenor Library, Buffalo, New York.

Secretary Jean Kauffman, School of Miusic Libr., Northwestern Univ., Evanston, Ill.

Treasuirer Mary R. Rogers, Music Division, Library of Congress, Washington 25, D. C.

Members-at-Large Catharine K. Miller, Music Library, 121 East 58th St., New York 22, N. Y. Brooks Shepard, Jr., Library, Yale School of Music, New Haven, Conn. Thomas T. Watkins, Music Library, Columbia Univ., New York 27, N. Y.

NOTES Editor

Richard S. Hill Associate Editors

William Lichtenwanger Frank C. Campbell Corresponding Secretary

Minnie Elmer Circulation

Mary R. Rogers Violet E. Lowens Fred M. Bindman Lucius E. Lomax

c/o Music Division, Library of Congress, Washington 25, D. C. Business Assistant

Sophie Vogel, 1917 North Nottingham St., Arlington 5, Va. New Yor k Business Representative

Gladys Graves, Art & Music Div., Brooklyn Public Library, Brooklyn, N. Y.

SUPPLEMENT FOR MEivlBERS Editor, ex oflicio Assistant Editor Circulation Jean Kauffman Melville J. Ostertag Frederic Heutte

Music Division, The Public Library, Waslhington 1, D. C.

NOTES is published quarterly in December, March, June, and September by The Musie. Library Asociation, Inc., for its memnbers on payment of their annual dues of $6.50; it is also asailable to non-members at the annual subscription rate of $5.00, or at $1.35 per copy. In those countries where the second-class mailing privilege does not extend, the dues of members are $7.00, and the subscription rate is $5.50. The SUPPLEMENT FOR MEMBERS, issued on the same schedule and reporting the business of the Associa- tion, is prmnarily intended for members, and is sent to them on payment of their dues. lt can also be made available to non-member libraries whose charter prevents them from becoming members of the Association for $1.50 per year. Application for mem- bership and subscriptions should be sent to the Treasurer of the Association, Miss Mary R. Rogers, Music Library Association, c/o Music Division, Library of Congress, Washington 25, D. C. Where more convenient, memberships and subscriptions may be placed in England with Otto Haas, 49a, Belsize Park Gardens, London, N. W. 3; in France with Heugel & Cie, Au Menestrel, 2b`5, Rue Vivienne, Paris II"; and in Germany with C. F. Peters, Forsthausstrasse 101, Frankfurt am Main. NOTES has been entered as second-class matter September 2, 1944, at the post office at Washing- ton, D. C., under the Act of August 24, 1912. Copyright 1955 by the Music Library Association, Inc.

14

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Page 6: Front Matter

MUSIC LIBRARY ASSOCIATION

NOTES March 1955 Second Series, Vol. XII, No. 2

CONTENTS

Mendelssohn Sources. By Eric Werner ................ 201

Musicological Studies in American Ethnological Journals. By Bruno Nettl ................................. 205

N\otes for NOTES .. 210

Book Reviews. By Nathan Broder, Richard Franko Gold- man, Edward N. Waters, Carroll C. Pratt, Sergius Kagen, Alan P. Merriam, Richard S. Hill, Lawrence Morton, Helen Joy Sleeper, Abram Loft, J. Murray Barbour, George Pahud, Frank Hubbard, Manfred F. Bukofzer, H. Dorothy Tilly, Richard Bales, Paul W. Mathews, Virginia Cunningham, Leonard Ellinwood, Vincent Duckles, Carl F. Pfatteicher, and Josef Brozek, compiled and edited, with an international list of pub- lications about music, by William Lichtenwanger ... . 216

Index of Record Reviews. Compiled by Kurtz Myers.... 265

Music Reviews. By John Ward, Caldwell Titcomb, Marc Blitzstein, Denis Stevens, Frank Goodwyn, Robert Stevenson, Donald M. McCorkle, Edwin Hanley, Claus Adam, Robert Evett, Halsey Stevens, Ernst Krenek, Norman Dello Joio, Frederick W. Sternfeld, Arthur Loesser, William S. Newman, Herbert Livingston, Margaret Tolson, Walter Buszin, and Ellis B. Kohs, compiled and edited by Frank C. Campbell and Sydney Beck. With lists of Selected Current Popular Music and of Publications Received, the latter compiled by Charlotte Villanyi and Barbara Thornton ..... ....... 317

Copyright 1955 by the Music Library Association, Inc.

175

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Page 7: Front Matter

College Music Texts

FOUNDATIONS OF MUSIC By Wayne Barlow

This book for courses in Music Appreciation leads the student towards intelligent and enjovable listening to music. Logical and well organized, the text advances from a discussion of the basic components of music to the more complex types of musical composition. Copious examples of music illustrate the text. 274 pages, $3.50.

THE ART OF ORCHESTRATION By Bernard Rogers

Designed primarily for basic courses in orchestration, this text is also suit- able for use in composition, instrumentation, and general music courses at all levels. Subordination of technique to artistic purpose is constantly emphasized, and a dominant theme throughout is the parallel drawn be- tween the arts of painting and orchestration. 198 pages, $3.75.

Appleton-Century-Crofts, Inc. Publishers of THE EASTMAN SCHOOL OF MUSIC SERIES

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Page 8: Front Matter

Heitor Villa-Lobos NEW PUBLICATIONS

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Page 9: Front Matter

"One of the most important contributions to musicology in our time." GEORGE SZELL

ST1IU(TU1IAL HEARING Tonal Coherence in Music

by Felix Salzer

"A LOGICAL AND ILLUMINATING TEXT BOOK and treatise on melody, harmony, counterpoint and form . . . The student is given assignments that always make him think of music as a totality rather than a series of puzzles to be solved . . . STRUC- TURAL HEARING is a thoughtful and provocative contribution to the fields of music theory, aesthetics and criticism, and performance. Mr. Salzer is to be con- gratulated on having helped us take a long step out of the Dark Ages."

NORMAN LLOYD (Juilliard School of Music) in NOTES

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MILTON BABBITT (Princeton University) in the Journal of the American Musicological Society

"The numerous analyses . . . of passages from 20th century music are consistently convincing; they reveal the music's inherent logic because they relate it not to inappropriate conventions of the 18th and 19th centuries, but to basic patterns of behaviour in the art of sound."

Music and Letters (London)

.... May one day come to be recognized as the most penetrating and original approach to the quintessential problem of musical composition: the creation of an organic structure ... No thinking musician can afford to leave this book unread."

MOSCO CARNER in The Musical Times (London)

It is an exhaustive exposition of the theories of Heinrich Schenker, and for soundness and comprehensiveness it is never likely to be improved upon in its own sphere."

ERNEST NEWMAN, in the Sunday Times, London, November 1954

2 vols. 6!!2" x 91"4: Vol. 1, 304 pp. of text; Vol. It, 368 pp. (348 pp. of musical illus.) $9.35 a sef

Published by CHARLES BONI, New York, N. Y. (In England: Oxford University Press)

distributed exclusively by

Peripole Products Inc. 2917 Avenue "R" Brooklyn 29, N. Y.

178

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Page 10: Front Matter

fl/ews Jkt C.oncorlia Praetorius-Fleischer- Phantasy on "A Mighty Fortress"

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Halter, Carl-The Practice of Sacred Music (No. 99-1095) $2.50 A new book treating the philosophy and practice of church mus-c in 20th

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Walter, Johann-The Complete Works of Johann Walter (1496-1570) Edited by Otto Schroeder and Max Schneider.

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Page 11: Front Matter

Franz C. Feger 17 E. 22nd Street New York 10, N. Y.

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Page 12: Front Matter

SIGMA ALPHA IOTA MODERN MUSIC SERIES Compositions for Chorus NORMAN DELLO JOIO

Adieu, Mignonne, when you are gone SSA with Piano CM 6784 .20

HOWARD HANSON How Excellent Thy Name SSAA with Piano CM 6706 .25

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Ring No Bells SSA with Piano CM 6653 .25 Loneliness SSA with Piano CM 6654 .18

PETER MENNIN Bought Locks SSA with Piano CM 6484 .25 Tumbling-hair SSA with Piano CM 6485 .20

VINCENT PERSICHETTI Hist Whist SA -A Cappella CM 6651 .20 This Is the Garden SSA-A Cappella CM 6652 .20

BURRILL PHILLIPS The Hag SSAA-A Cappella CM 6486 .25 What Will Love Do SSAA-A Cappella CM 6487 .25

RICHARD K. WINSLOW Huswifery SSA with Piano CM 6587 .20

Composition for Piano Solo ROY HARRIS

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Composition for Voice and Piano KENNETH GABURO

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Page 13: Front Matter

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Page 14: Front Matter

JUILLIARD SCHOOL OF MUSIC WILLIAM SCHUMAN, President

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Page 15: Front Matter

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Page 16: Front Matter

iUnt atoto of FjrwittS 15ustr bh XIrmuo Tnatri

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Page 17: Front Matter

Journal of Research 0 in Music Education

A Publication of the Music Educators National Conference

VOLUME III SPRING 1955 NUMBER 1

TABLE OF CONTENTS Lowell Mason and the Manual of the Boston, Academy of Music.

By HOWARD ELLIS

Characteristics of Outstanding High School Musicians. By CLAR- ENCE E. GARDER

A SYMPOSIUM ON RESEARCH Psychological Problems in Musical Art. By MAX SCHOEN Factors Which Underlie the Development of a Research Pro- gram. By E. THAYER GASTON Research: Philosophy and Esthetics. By CHARLES LEONHARD

The Establishment of the Conference, 1907-1910. By JOHN W. MOLNAR

Bibliography of Sources, 1930-1952, Relating to the Teaching of Choral Music in Secondary Schools. By KATHERINE CAR- PENTER MODISETT

Reviews of Significant Recent Publications. Edited by THEODORE F. NORMANN

Each volume comprises two numbers, the first of which appeared in the Spring of 1953. The subscription price per volumne is $3.75. Single copies are $2.00. Copies of all back issues are available. Special price for all four back

issties pluis subscription for 1955 issues: $9.50.

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186

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Page 18: Front Matter

MUSICAL AMERICANA announce.4-

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AND GENERAL LA FAYETTEt 1828 THE RAILROAD: 1831 MY COUNTRY 'TIS OF THEE* 1834 OLD OAKEN BUCKET* 1835 BROADWAY SIGHTSt 1836 THINK & SMOKE TOBACCO: 1836a YE SONS OF PATRIOTS GONE

Portrait of 105-year veterant 1839 FIREMAN'S SONG: 1840 STRIPED PIG: 1842 TALL YOUNG OYSTERMANt 1848 OH! SUSANNA* 1852 CALIFORNIA PIONEERS. First piece

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on diamond: 1861 MARYLAND, MY MARYLAND* 1862 BATTLE HYMN OF THE REPUBLIC* 1863 GENERAL TOM THUMB'S GRAND

WEDDING MARCH: 1864 ARKANSAS TRAVELLER* 1864a ALL HAIL TO ULYSSES. In honor

of Ulysses S. Grantt 1864b AMERICAN PETROLEUM: 1864c AMERICAN STAMP POLKA$ 1866 WHEN YOU & I WERE YOUNG

MAGGIE* 1868 FLYING TRAPEZE* 1868a RALLY, BOYS, RALLY! or RECON-

STRUCTION. Grant & Colfaxt 1869 FLYING VELOCIPEDE: 1869a LITTLE BROWN JUG* 1873 SILVER THREADS AMONG THE

GOLD* 1875 RAPID TRANSIT GALOPt 1876 PUNCH! Words by Mark Twain$ 1877 TELEPHONE MARCH: 1879 OH! DEM GOLDEN SLIPPERS* 1882 ELECTRIC LIGHT MARCH: 1889 SINCE MY DAUGHTER PLAYS ON

THE TYPEWRITER: 1898 BATTLE OF MANILAt

A few of the above are first American editions; the remainder are unqualified first editions. Many of them are famous for several reasons, but those marked with a * are first editions of songs in the repertoire of every American; those morked with t have some historical importance; and those marked $ celebrate some soci- ological development or typical custom, and are generally richly illustrated.

Other MUSICAL AMERICANA Facsimiles AITKEN, JOHN: Compilation of the Litonies and Vesper Hymns and Anthems as they are sung

in the Catholic Church. Philadelphia, 1787. 140 pp. $10.00. BASEBALL IN MUSIC AND SONG-Collection of 14 complete pieces devoted to our national

game: 1860.1894. Illustrated covers. $3.00. CARR, BENJAMIN: History of England from the close of the Saxon Heptarchy to the Deda-

ration of American Independence. Baltimore, 1805. 13 pp. $3.00. HOPKINSON, FRANCIS: Seven Songs for the Harpsichord. Philadelphia, 1788. $4.50. TUFTS, JOHN: Introduction to the Singing of Psalm Tunes. Boston, 1726. $2.50. HANDBOOKS OF AMERICAN SHEET MUSIC. Nos. 1 & 2. Compiled by Harry Dichter &

Bernice Larrabee. Priced catalogues. $1.50 each.

Order from-

MUSICAL AMERICANA, 5458 Montgomery Ave., Philadelphia 31, Pa. 187

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Page 19: Front Matter

/kVhat do yot read? If you are interested in music in general, you cannot do better

than subscribe to THE MUSICAL TIMES which contains articles of topicality and scholarship, reviews of concerts, opera, records, books and radio. Yearly subscription (12 issues) 14s. Od. If your musical interests lie chiefly in educational circles you should certainly read MUSIC IN EDUCATION which pre- sents articles, reviews and reports on all aspects of musical activity in schools, and is designed to assist teachers in their work. Yearly subscription (6 issues) 7s. Od.

Books for the mnusici(ln Aulich and Heimeran s. d.

The Well-Tempered String Quartet . . 9 0 Bolton, Hetty

On Teaching the Piano .................... 7 6 A. C. Boult and Walter Emery

The St. Matthew Passion: its preparation and performance .5 6 Henry Coward

Choral Technique and Interpretation ......... ............. 18 6 Arnold Dolmetsch

The Interpretation of the Music of the Seventeenth and Eighteenth Centuries 21 0

Walter Emery Bach's Ornaments ............. .. .................... 11 6

Harvey Grace The Organ Works of Bach.. 18 6 The Organ Works of Franck . .3 6 The Organ Works of Rheinberger ......... ............. 12 6

George Grove Beethoven and his Nine Symphonies . .............. 21 0

Jocelyn Perkins The Organ and Bells of Westminster Abbey . .......... 14 0

For American prices and further information apply to the agents:

British American Music Co., 235 South Wabash Ave., Chicago, III. H. W. Gray Co., Inc., 159 East 48th Street, New York 17, N. Y.

NOVELLO s COMPANY LTD. | 160 Wardour Street London, W. 1 England

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Page 20: Front Matter

"The father of American music" ... his life, his

achievement

Charles Ives AND HIS MUSIC

This book, which is both an affectionate, intimate portrait of a great seminal figure in American music, and a discus- sion of his startlingly original style, should obtain for Charles Ives the full recognition he deserves. "Henry Cowell, a well-known composer, and his wife Sidney Cowell... enjoyed a rare privilege of access to him from 1927 until Ives' death at 80 last May. The Cowells have written an absorbing and enlightening book . . . giving freshness in the way of documentation . brilliantly clear."

-ARTHUR BERGER, N. Y. Times Book Review "A clear and sympathetic guide to the art of a remarkable composer, worth reading for its psychological interest even if you have not hitherto been particularly attracted by Ives or his compositions . . an excellent book."

-GILBERT HIGHET This book includes an analysis of a number of Charles Ives' principal works, with musical examples, and a chronological list of his compositions,

$4.50 at all bookstores OXFORD UNIVERSITY PRESS, Inc., 114 Fifth Ave., N. Y. 11

189

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Page 21: Front Matter

THE ROSS, COURT & CO. RPHEUS MUSIC SHOP 121 Simcoe Street

150 West 47th St. Toronto, Ontario, Canada New York 36, N. Y.

O UR shelves contain a ni t o

tremendous stock of music Current Cue opean in every category. Countless Pg / out of print and hard to find items on hand. (Deut. Gram. Archive, French Sound En-

cyclopaedia, British Council issues, HMV Prompt and History of Music, London Libr. of Re-

Efficient Service corded English, etc.)

Out of Print Very Attractive Prices

and Rare Discs Send us your "Want Lists." Catalogues and books on music

0 Scores and Autographs USED AND NEW MUSIC

Foreign and Domestic Free monthly listings on request

OVERTONE RECORDS Outstanding recordings of Baroque and pre-Baroque music.

PAUL HINDEMITH conducting Yale Collegium Musicum: MONTEVERDI-Lagrime d'Amante al Sepolero dell'Amata. Vol. I (OVER. #4) WEELKES, GESUALDO-Madrigals; J. S. BACH-Motet: Singet dem Herrn.

("Here at last is the music in all its lofty expressiveness and clarity."-AR) PEROTIN, DUFAY, PALESTRINA, Di LASSO, HANDL, G. GABRIELI. Vol. II (OVER. #5)

("Sung not only with remarkable transparency of tone, but with exciting animation in phrasing and contrapuntal movement."-Na)

HOWARD BOATWRIGHT conducting Baroque Cantata Series: ALESSANDRO SCARLATTI-The Passion According to St. John.

Blake Stern, David Laurent, Graham George, the Choir of St. Thomas' Church, New Haven, Conn., Yale Univ. Orch. OVER. #1. (". . . the Passion, with its recitatives of extraordinary flexibility and turbulent choral

interjections, is a masterpiece . . . high-class performance." C. S. Monitor) DIETRICH BUXTEHUDE-Two Cantatas for Soprano; Two Choral Cantatas.

Helen Boatwright, Soprano, Instrumentalists, the Choir of St. Thomas' Church, New Haven, Conn. OVER. #6. (". . . Helen Boatwright is a nearly perfect singer of Baroque music . . . This is small

company recording at its valuable best . . ."-SR). LUTHER NOSS playing Baroque Organ Series (Holtkamp Organ):

SAMUEL SCHEIDT-Selections from Tabulatura Nova. ("I am afraid that the extraordinarily beautiful sound . . . is going to make most organ

recording unsatisfactory to me." Na) OVER. #3. Recently released: OVER. #8- JOHANN PACHELBIIEL-Toccatas, Fugue and Chorale Preludes. J. G. W.kLTHER-Concerto and Chorale Preludes.

All records 12", list price $5.95 ea. For further details, write for catalogue. OVERTONE RECORDS, 139 Shelton Ave., New Haven 11, Conn.

190

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Page 22: Front Matter

LA COMEDIE FRANCAISE in dramas of the French classicists

F-RL 1492 ANDROMAQUE by Racine 1501 HORACE by Corneille 1502 LE JEU DE L'AMOUR ET DU HASARD by Marivaux 1503 IE CID by Corneille 1504 LE MISANTHROPE by Moliere 1505 PHEDRE by Racine 1506 L'AVARE by Moliere 1507 POLYEUCTE by Corneille 1508 LE NMEDECIN MALGJRP LUI by Moliere 1509 LES PRECIEUSES RIDICULES by Moliire 1510/11 LES FEMIMES SAVANTES by Moliere (2-12") 1521 FABLES DE LA FONTAINE Vol 1 1525 FABLES DE LA FONTAINE Vol 2

and 1522 An Anthology of French Poetry Vol I (15th, 16th, 17th Cent) 1523 An Anthology of French Poetry Vol. 2 (18th and 19th Cent) 1524 Verlaine-Rimbaud-Malarme (Poenms selected and commentary

writtcn by Georges Guy) 1526 CYRANO DE BERGERAC (Rostand) Centre d'Art Dramatique 1551 FAUST (Goethe) in German-The Players from Abroad (2-12")

THEIR WORKS AND THEIR VOICES 1527 COLETTE 1531 Paul CLAUDEL 1528 Le Petit Prince (Antoine de 1532 Andre GIDE

SAINT-EXUPERY) 1529 Francois MAURIAC 1533 Antoine de SAINT-EXUPERY 1530 Jean COCTEAU 1534 Albert CAMUS

COMPOSER SERIES Created by Bernard Lebow; Narration by David Randolph

PCs 1 Franz Josef Haydn 1732-1809 6 Peter I. Tchaikovsky 1840-1893 2 Wolfgang A. Mozart 1756-1791 7 Johannes Brahms 1833-1897 3 Ludwig von Beethoven 1770-1827 8 Robert Schumann 1810-1856 4 Frederic F. Chopin 1810-1849 9 Johann S. Bach 1685-1750 5 Franz Schubert 1797-1828 10 Felix Mendelssohn 1809-1847

33 1/3 rpm Longplaying records F R L series ...... 10", $3.98; 12", $5.95 per record P C S series ...... $4.85 per record

Write for comnplete catalog to:

PERIOD MUSIC CO. 884 Tenth Avenue New York 19, N. Y.

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Page 23: Front Matter

THE CHAMBER MUSIC OF MOZART in the PETERS EDITION catalogue ..... MAJOR COLLECTED WORKS

7 Piano Trios, complete (including Clarinet Trio) . . (#P1 93) $6.00 2 Piano Quartets, complete ............................. (#P272) 3.00

27 String Quartets. Newly revised edition, complete in 2 volumes: Vol. I: The 10 Famous Quartets (6 "Haydn" Quartets, "Hoff--

meister" Quartet, 3 "Prussian" Quartets) ......... (#P1 6) 6.00 Vol. Il: 17 Easy Quartets (Incl. 2 Flute Quartets, Oboe Quartet,

Eine Kleine Nachtmusik, Adagio & Fugue, others) .... (#P17) 6.00 10 String Quintets, complete in 2 volumes:

Vol. I: K.406, 515, 516, 593, 614 ...................... (#P18) 6.00 Vnl. 1: K 46, 174, 407 (Horn), 581 (Clarinet), K.S.632 .... (#P19) 6.00

19 Violin Sonatas, complete (Flesch-Schnabel) ................ (#P3315) 5.00 6 Violin Concerti, in editions for Violin and Piano. Available

separately; please see Peters Edition Chamber Music Catalogue.

WORKS FOR SINGLE WIND INSTRUMENTS WITH STRINGS 3 Flute Quartets (K.285, 298, K.S.631) ....................... (#17A) 3.00 Flute Quartet in G (K.285a) (Einstein) . ...................... (#H18) 1.50 Oboe Quartet in F (K.370), contained in String Quartets, Vol. II (above) Clarinet Trio in EW (K.498) (Kegelstatt Trio) for Cl., Va., Piano. ... (#R40) 2.50 Clarinet Quintet in A (K.581) .............................. (#19A) 2.50 Horn Quintet in E-1 (K.407), contained in String Quintets, Vol. II (above)

STRING ENSEMBLES 2 Vns.: 12 Duets, Op. 70, in 3 volumes ............ (#L211 1A/C) each 2.00

12 Easy Duets (K.487) ....... . .................... (#4518) 1.50 3 Vns: Adagio, Minuet, Rondo (K.356, K.S.229) .. . (#4508) 1.50 Vn., Va.: 2 Duets (K.423, 424) (#1414) 1.50 Vn., Va., Vc.: Divertimento in Eb (K.563) . (#1419) 2.00 String Quartets and Quintets, see above.

EINE KLEINE NACHTMUSIK For String Quartet . ................................. (#3953) 1.50 For String Orchestra: the above, plus extra strings each .40

Eulenburg Miniature Score . ................. (#E218) .50 Arranged for Violin and Piano .... (#4325) 1.50

ENSEMBLES WITH PIANO Vn., Piano: Adagio (K.261), 2 Rondos (K.269, 373) .(#3827) 2.00 2 Vns., Piano: Concertante in D (after K.448) .(#3234) 2.00 Vc., Piano: Bassoon Concerto in Bb, Op. 96 (K.191) .(#4347) 3.00

Minuet, from Haffner Serenade (Stutschewsky) . (#4220) 1.25 Vn., Va., Piano: Symphonie Concertante in Eb (K.364) .(#2206) 2.00 Violin Sonotas, Piano Trios, Piano Quartets, see above.

C. F. PETERS CORPORATION 373 FOURTH AVENUE * NEW'YORK 16, N. Y.

192

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Page 24: Front Matter

THE CHAMBER MUSIC OF MOZART in the PETERS EDITION catalogue ..... WIND MUSIC

2 Flutes: 3 Duets ................................. (#F16/18) each $1.00 Bassoon an-d Piano: Concerto in Bb, Op. 96 (K.191) ........... (#4347) 3.00 2 Horns: 12 Duos (K.487) ................................. (#MM6) 2.00 Horn and Piano: Concerto in Eb (K.447), with Cadenza .. . (#F14) 1.50

0/ ISpecial 3nlere jl:

German Dance in Bb .................................. (#H143) 1.25 Arranged for 2 treble instruments (2 Violins; Flute, Violin; Violin, Oboe; Flute, Oboe) and 1 bass instrument (V'cello or Bassoon), in any combination, with or without Piano.

2 Sonatinas for Recorder (or Flute or Violin) and Piano . (#4555) 2.00

"Musical Joke" or "Village Musicians" (K.522) .......... (#R2) 3.50 Sextet in F for 2 Horns, 2 Violins, Viola, Bass.

6 Romantic Sonatas for Violin and Piano (K.55-60) .. (#3329) 3.00 Composed at age 17.

3 Divertimenti for String Quartet (K.136/8) ................ . (#4266) 2.50 With easy V'cello Part. Also suitable for String Orchestra.

Leopold Mozart: Trumpet Concerto in D. For Trumpet Solo, 2 Horns, String Orchestra. Set of Parts $7.00; Extra Strings, each $1.00; Score #K1 $3.00.

ituj o/ mte Preii: MOZART, REQUIEM (K.626)

Vocal Score (#76) $1.00; Full Orchestra Score (#1873) $15.00; Set of Orchestra Parts (incl. Organ Part) $13.50; Extra Strings, each $.90; Eulenburg Miniature Score (#E954) $3.00; same, Cloth Bound $5.00.

These works, offered here in recognition of the forthcoming Mozart Anniversary Year, represent a typical sampling of the wide variety of music listed in the new 84-page Peters Edition 1955 Chamber Music and Orchestra Catalogue. Many other Mozart works are listed in the Peters Edition Piano and Vocal Catalogues, and 6 pages of miniature scores to these and other Mozart works are listed in the Eulenburg Miniature Scores Catalogue, all available on request from this new address of:

C. F. PETERS CORPORATION 373 FOURTH AVENUE * NEW YORK 16, N. Y.

193

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Page 25: Front Matter

Barlt d1agptfrat Vocal Score (Latin-English) (Peters No. 40) $ .75 FULL ORCHESTRA SCORE (Peters No. 29A) ... 8.00

Miniature Score (Eulenburg No. 964) . 1.00

SET OF ORCHESTRA PARTS (incl. Organ) . 9.25 Extra Strings, each ............. .75

?6rutrkngr=3IRas in IE lMttor For Mixed Voices and Winds (2 Obs., 2

Cis., 2 Bns., 2 Horns, 2 Tpts., 3 Tbns.)

Vocal Score (Latin) (Peters No. 4114) .90 Miniature Score (#BR13) . . 1.50

SET OF WIND PARTS .............. ...... 15.00 Extra Parts, each ..... ......... 1.25

Full Orchestra Scores and Orchestra Parts to many similar major choral works are now available for outright purchase. Performance materials to others are available on rental, all corresponding to the Peters Edition Vocal Scores, which have been traditional with dis- criminating conductors for over a century and a half. New Vocal- Choral-Organ Catalogue just off the press.

C. F. PETERS CORPORATION 373 FOURTH AVENUE * NEW YORK 16, N. Y.

194

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Page 26: Front Matter

M I C R O C A R D PUBLICATIONS IN MUSIC SAN FRANCISCO

CONSERVATORY OF MUSIC Albert Elkus-Director

Our lists include 92 early music

books originally published be- Summer Master Class fore 1701 and dissertations in For Pianists the fields of theory, musicology

directed by and music education. y

ADOLPH BALLER

July 5-29, 1955

The University of Rochester Press Micropublication Service Piano Repertoire, Chamber Music

and Piano Literature, Ensemble

Rush Rhees Library Sight-Reading, Piano Technique.

ROCHESTER 3, NEW YORK

ROBBINS MINIATURE ORCHESTRA SCORE GRAND CANYON SUITE by FERDE GROFE

The miniature orchestra score of the composition that created a new era in modern American music, as performed ..... by Arturo Toscanini and-the NBC Sym- ..... phony Orchestra.

Such assurance of its merit makes 3f::? this a significant publication to consider in any study of the best American music. ...... That's why no library can be complete .............. .......

without this book.

.. .. .. . ... ..._.

195

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NOTICE OUTSTANDING I herewith want to inform my col- REC N T C! C! T C!

leagues and customers that having R '-bl 1 U U LL

reached my eightieth birthday I have on January 3rd, 1955, sold my busi- STRING ORCHESTRA ness (firm, goodwill and stock in ROY AGNEW: trade) to Mr. Albi Rosenthal of S BACH-LUBIN: Turl Street, Oxford. I Call to Thee (Choral

My colleagues and customers know Country Dance $1.00 by long experience Mr. Rosenthal's Prelude) 1.00 reputation as a highly reliable perso-Prld)10 nality. Moreover, his thorough knowl- MARTIN S. DUMLER: edge in the field of musicology and his Berceuse* 1.75 superior catalogues which he has pub- Petite Valse* 1.75 lished in this line entitle him to be ARTHUR FOOTE: the successor of my old firms which Spiccato Caprice* 1.25 have specialised in this field for nearly Suite in E, Op. 63 90 years. Miniature Score 1.50

Mr. Rosenthal will continue the ED. POLDINI: tradition of my firm and carry on The Goldfinch" 1.00 under the name of OTTO HAAS * Also playable by String Quartet (Proprietors A. & M. Rosenthal), until further notice from my old ad- TWO VIOLINS & VIOLA dress, 49a Belsize Park Gardens, Lon- HUGO NORDEN: don, N.W.3. Contrappunto

OTTO HAAS. Giocond@ 1.00

In assuming the great task of carry- FLUTE & STRINGS ing on the tradition and standards set BACH-LUBIN: over the last fifty years by Mr. Otto I Call to Thee (Choral Haas, thanks to whom the firm has Prelude) 1.00 maintained an outstanding position in ERNEST LUBIN: its field for many decades, I am con- scious that its continued success will Pavane in A minor 1.25 depend on the confidence and good FLUTE & PIANO will of all collectors, scholars and librarians. My new firm OTTO HAAS EDWARD (Proprietors A. & M. Rosenthal) will, BALLANTINE: for the time being, be carried on Suite in F 2.50 from the old address: 49a Belsize Park CLARINET & PIANO Gardens, London, N.W.3. NO DE

My Oxford firm, A. Rosenthal Ltd., HUGO NORDEN: 5 Turl Street, will continue as before Concertino in G 1.50 with the only difference that music (Orchestral accompaniment available) will eventually be concentrated in the London house. The Arthur P. Schmidt Co., Inc.

A. ROSENTHAL. 120 Boylston St., Boston, Mass.

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* The Most Anticipated Organ Publication in Half a Century BACH'S

IORGAN VORKS

, MISCELLANEOUS COMPOSITIONS

ON THE__ CHORALE = by

| Edouard Nies-Berger * and

Dr. Albert Schweitzer The first five volumes of the Widor-Schweitzer edition of the Organ Works of J.S. Bach were published 40 years ago. Ever since, the world has been waiting for the remaining three volumes. When Dr. Schweitzer came to the United States in 1949, he visited the house of G. Schirmer and agreed to I finish the task. He chose Mr. Edouard Nies-Berger, distinguished organist

* and life-long friend, as his collaborator and Mr. Nies-Berger has since made four trips to Europe to complete work on this edition.

The first of the remaining three volumes, Miscellaneous Compositions * on the Chorale, has now been published. In addition to 77 musical

compositions (Chorale Harmonizations and Compositions on the Chorale) I it contains an elaborate treatise by Dr. Schweitzer and Mr. Nies-Berger on Bach's Ornamentation in his organ works, a table of Ornaments, speciflcations of four organs at Bach's disposal, and 63 pages of a I preface in which Dr. Schweitzer deals in great detail with Bach's organ

* compositions on the Chorale, their music and texts and their interpretation.

* $7.50

G. SCH IRItMER | CLEVELAND 14 NEW YORK 17 LOS ANGELES 17 43 THE ARCADE 3 EAST 43rd ST. 700 WEST 7th ST.

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Page 29: Front Matter

9e 'dea4ded!!

THE GEM GRADE SCHOOL BAND FOLIO NO. 1

(Elementary and Junior High)

Arrangements by CLIFFORD P. BARNES

* EASY!! * CONCERT SIZE!! * BIG NOTES!! * 8 LINE COND. SCORE!!

CONTENT-S Selection Number 1. CHORALE-Glory Unto Thee Be Given ......... J. S. Bach 2. MARCH-The Luminary .................... Roger Britten 3. OVERTURE-Monticello .. .............. Clifford P. Barnes 4. POPULAR-The Old Spinning Wheel ...... ...... Billy Hill 5. COUNTRY DANCE ........ ........ Ludwig Van Beethoven 6. SELECTION-Magyar Melodies .......... Clifford P. Barnes 7. POPULAR-Tulips and Heather ............. Milton Carson 8. SUITE-Rigadoon and Minuet ....... ........ Henry Purcell 9. DESCRIPTIVE-Safari .......... ......... Marcel Marteau

10. POPULAR-Ole Faithful .......... ......... Carr-Kennedy 11. SELECTION-The Merry Widow ....... ....... Franz Lehar 12. MARCH-Royal Trumpeters ............. Clifford P. Barnes

Full Band Instrumentation

Parts, each .................... .75 Piano Accompaniment .......... $1.50 Conductor Score (8 Line) ......... $2.50

SHAPIRO, BERNSTEIN & CO. Inc. Music Publishers

1270 Avenue of the Americas (Radio City) New York 20, N. Y.

198

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Page 30: Front Matter

A new biography and stylistic analysis

Jean Sibelius A MASTER AND HIS WORK

fBy Nils-Erie Ringbom Translated by G. I. C. de Courcy

T HE AUTHOR, a personal friend of Sibelius, combines in this volume a general survey and analysis of the stylistic

development of Sibelius' music with a biographical account of the great composer.

Jean Sibelius will be of special interest to musicians and students of music. The complete list of the composer's work, checked by Sibelius himself for publication in this book, should prove invaluable. $3.75

Other Grieg: A Symposium, edited by Gerald Abraham $3.00 Music, An Art and a Business, by Paul S. good Carpenter $3.75

books on Mozart and His Piano Concertos, by C. M. music Girdlestone $5.00

The Art Song, by James Husst Hall $4.50 Beethoven Studies, by Ludwig Misch

(translated by G. I. C. de Courcy) $3.50 Introduction to the Psychology of Music, by G.

R6v6sz (translated by G. I. C. de Courcy) $4.00

At all bookstores

E UNIVERSITY OF OKLAHOMA PRESS Norman, Oklahoma

199

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Introducing a unique interpretation of

THE HEXA CHORD and its

RELATION to the

12-TONE ROW

by GEORGE ROCHBERG

The growing interest in the technique of composition with twelve- tones has raised many problems relative to the various aspects of this 20th century structural approach. Paramount among these problems is the invention of the basic series or row itself about which all too little of a specific nature has been published.

In this brief but cogent presentation, the author discusses this very problem from the point of view of the six-note row (or hexachord as it is now being called) which by symmetrical mirror inversion produces a second set of six notes. Starting from a comparison of two types of twelve-tone rows used by Arnold Schoenberg, the author leads the reader step by step to an understanding of the special conditions under which this symmetrical type of serial construction functions.

We believe that the theory as presented by the author is definitive and will not only prove stimulating to students and composers but will be useful as well to those interested in learning more about composition with twelve-tones. Price $2.50

THEODORE PRESSER COMPANY BRYN MAWR, PENNSYLVANIA

200

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