Front Matter Source: Simiolus: Netherlands Quarterly for the History of Art, Vol. 19, No. 3 (1989), p. 165 Published by: Stichting voor Nederlandse Kunsthistorische Publicaties Stable URL: http://www.jstor.org/stable/3780716 . Accessed: 18/06/2014 11:27 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. . Stichting voor Nederlandse Kunsthistorische Publicaties is collaborating with JSTOR to digitize, preserve and extend access to Simiolus: Netherlands Quarterly for the History of Art. http://www.jstor.org This content downloaded from 194.29.185.145 on Wed, 18 Jun 2014 11:27:42 AM All use subject to JSTOR Terms and Conditions
Transcript
Front MatterSource: Simiolus: Netherlands Quarterly for the History of Art, Vol. 19, No. 3 (1989), p. 165Published by: Stichting voor Nederlandse Kunsthistorische PublicatiesStable URL: http://www.jstor.org/stable/3780716 .
Accessed: 18/06/2014 11:27
Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at .http://www.jstor.org/page/info/about/policies/terms.jsp
.JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range ofcontent in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new formsof scholarship. For more information about JSTOR, please contact [email protected].
.
Stichting voor Nederlandse Kunsthistorische Publicaties is collaborating with JSTOR to digitize, preserve andextend access to Simiolus: Netherlands Quarterly for the History of Art.
http://www.jstor.org
This content downloaded from 194.29.185.145 on Wed, 18 Jun 2014 11:27:42 AMAll use subject to JSTOR Terms and Conditions
BARBARA G. LANE "Requiem aeternam dona eis": the Beaune Last judgment and the Mass of the Dead SIXTEN RINGBOM Vision and conversation in early Netherlandish painting: the Delft Master's Holy Family CHARLES D. CUTTLER Errata in Netherlandish art: Jan Mostaert's "New World" landscape CRAIG HARBISON Religious imagination and art-historical method: a reply to Barbara Lane's "Sacred versus profane" BOOK REVIEWS Scheller on Jenni, Das Skizzenbuch des jaques Daliwe; Buijsen on Falkenburg, Joachim Patinir: landscape as an image of the pilgrimage of life
Volume ij I989 Number 3
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A 19th Century Picture Sale at Christie's Amsterdam.
Regular sales of Pictures, Watercolours, Drawings, Prints, Silver andJewellery, Judaica, European and Asiatic Ceramics and Works of Art, Glass, Tiles, Furniture, Metalwork, Clocks, Sculptures, Arms, Coins and Medals, and Wines.
Objects may be brought in to Christie's front counter from Monday till Friday, from 9.00 a.m. to 5.00 p.m.
Christie's will be happy to advise you on the value ofyour works of art. Verbal valuations arefree of charge. Should you require a written valuationfor the purposes of insurancefamily division or Estate Duty, afee will be charged. In the event of a sale ensuing within a year of valuation, Christie's will reimburse the valuationfee.
PAYMENTS TO: Foundation for Dutch Art-Historical Publi- cations, c/o Rijksmuseum PALEIS HET LOO, Koninklijk Park I, 7315 JA Apeldoorn: -Postal giro account number 24 60 71
Simiolus is published four times a year by the Foundation for Dutch Art-Historical Publications.
Subscriptions cost 140 guilders a year for institutions and 85 guilders a year for individuals. A reduced rate of 45 guilders is available for European students.
Backsets: vols. i-i6 available from Swets & Zeitlinger B.V.,
P.o. Box 8io, 2I60 sz Lisse
I SSN 0037 - 54I I
?0 i990 Foundation for Dutch Art-Historical Publications
No part of this journal may be reproduced in any form whatsoever without written permission from the publisher. Copyright of illustrations belongs to the owners of objects reproduced, unless otherwise indicated.
Printed by Drukkerij Nauta b.v., Zutphen, The Netherlands
Contents
BARBARA G. LANE "Requiem aeternam dona eis": the Beaune Last Judgment and the Mass of the Dead i66
SIXTEN RINGBOM Vision and conversation in early Netherlandish painting: the Delft Master's Holy Family i8i
CHARLES D. CUTTLER Errata in Netherlandish art: Jan Mostaert's "New World" landscape 19I
CRAIG HARBISON Religious imagination and art-historical method: a reply to Barbara Lane's "Sacred versus profane" i98
BOOK REVIEWS
ROBERT W. SCHELLER UlrikeJenni, Das Skizzenbuch desjaques Daliwe 206
EDWIN BUIJSEN R. L. Falkenburg, Joachim Patinir: landscape as an image of the pilgrimage of life 209
EDITORS P. Hecht, G. Luijten,L. van Tilborgh,E. van Uitert, I. M. Veldman ENGLISH-LANGUAGE EDITOR: Michael Hoyle
OFFICES: P. Hecht, Kromme Nieuwegracht 29, 3512 HD
Utrecht
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