Newman Center Presents Magazine 2015-2016, Mar. 5, 2016

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FROM THE EXECUTIVE DIRECTOR

Welcome to Newman Center Presents, and thank you for coming! This season started early, given our collaboration with the Biennial of the Americas in presenting the Colorado premiere of Brazil’s Companhia Urbana de Dança in July. The rest of the season features our signature eclectic mix of musical and dance artists from around the world.

Contemporary dance finds a welcome home at the Newman Center. This season we host the legendary Twyla Tharp’s 50th Anniversary Tour with all new works. Together with the Mizel Arts & Culture Center at the JCC we present Vertigo Dance from Israel. The appearance of Kyle Abraham’s Abraham.In.Motion coincides with the annual conference of the International Association of Blacks in Dance, being hosted in Denver by Cleo Parker Robinson Dance. Finally, we have commissioned a new work from another American dance legend, Paul Taylor, and his company will present the world premiere here in February.

The Newman Center has been a regular presenter of new classical music and this season includes some of the best young composers and musicians working today. The string quartet Brooklyn Rider performs its “Almanac” project of works written for them by composers as diverse as Bill Frisell, Ethan Iverson, and Vijay Iyer. S -o Percussion, with us for the third time, plays Bryce Dessner’s “Music for Wood and Strings” on instruments invented for the piece, and then joins the multitalented Shara Worden, vocalist of the indie rock band My Brightest Diamond, for a series of songs written by her. Gabriel Kahane, back for the third time as well, pairs up with pianist Timo Andres for an intimate exploration of songs, old and new, in the Hamilton Family Recital Hall.

Other highlights of the season include the master of the American Songbook, Michael Feinstein, also in collaboration with the Mizel Arts and Culture Center, the beloved a cappella ensemble Anonymous 4 on their farewell tour in a program memorializing 150 years since the end of the Civil War, and four award-winning young stars from the Metropolitan Opera singing arias and ensembles from opera. We’ll celebrate the holidays with swing as the Boston Brass and the Brass All-Stars Big Band combine jazz and seasonal favorites.

The Colorado Symphony brings its new Associate and Assistant conductors to the Newman Center, once for an “inside the score” performance of Brahms’s 4th Symphony, and once with a program inspired by an exhibit at the University’s Vicki Myhren Gallery exploring color.

We are proud to be part of the premiere US tour of globalFEST On the Road. This mini-festival of three performers from Brazil, Haiti, and Jamaica creates a “Creole Carnival.” The season ends with two shows sure to burn up the stage. The thrilling young guitarists Julian Lage and Chris Eldridge will amaze you, and Billy Childs’ reimagination of the music of singer-songwriter Laura Nyro (performed by everyone from Barbara Streisand to the 5th Dimension, from Blood, Sweat and Tears to Peter, Paul and Mary), including three singers, Dianne Reeves, Becca Stevens, and Alicia Olatuja, will end the season in high style.

Welcome to your performing arts center at the University of Denver. Have a great time!

Stephen W. SeifertExecutive Director

NEWMAN CENTER STAFFEXECUTIVE Gregg Kvistad, Provost and Executive Vice Chancellor Stephen W. Seifert, Executive Director Richard Michel, Budget Officer Cathy Kaufman, Executive Assistant

EVENT SERVICES Diane L. Roth, Assistant Director Amanda Swartzbaugh, Event Manager Ramsey Walker, Event Coordinator

MARKETING Natalie Raborn, Marketing Director

PATRON SERVICES Dee Getchel, Assistant Director

PRODUCTION SERVICES Garret Glass, Assistant Director Shakeel Wahab, Stage Operations Coordinator/

Audio Engineer Zack Jovanovich, Stage Operations Coordinator/

Lighting Engineer

TICKETING SERVICES Richard Moraskie, Assistant Director Max Manoles, Assistant Manager of Ticketing

ADVERTISING INFORMATION

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Angie Flachman Johnson, PublisherTod Cavey, Director of Sales

Stacey Krull, Production ManagerMark Fessler, Press Manager

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NEWMAN CENTER’S VISION STATEMENT

At the Robert and Judi Newman Center for the Performing Arts, our responsibility, our purpose and our vision are to:

• Celebrate, entertain, inspire and feed the imagination

• Give voice to the innate human need for expression through performance

• Educate and prepare better citizens of our community

• Begin conversations of ideas

• Foster an eagerness for and habits of curiosity and learning

• Make the major sources of our own and other cultures accessible to our community

• Embrace our differences; celebrate diversity of forms, attitudes, traditions and populations

• Challenge assumptions and encourage creativity and new work, even at the risk of failure

• Help teach our cultural heritage through the performance of great works from the past and support creativity by contemporary artists whose new voices will be remembered in the future

• Demand excellence and integrity without avoiding controversy

• Remind our community that the performing arts have value to our society because they:

• Create self-esteem, which is earned by striving to achieve high standards

• Integrate with other disciplines such as language, history, math and science

• Foster communication and interpersonal skills

FROM THE CHANCELLOR

Welcome to another remarkable evening at the Robert and Judi Newman Center for the Performing Arts. With its beautiful concert halls and theaters designed specifically to showcase human creativity, the Newman Center is a crown jewel of Denver’s arts scene. There is no other complex like it anywhere in the state.

Over the years, Denver audiences have come to count on the Newman Center and its acclaimed performing arts series. Night after night, the curtain rises on cutting-edge dance troupes, avant-garde music ensembles, or theatrical companies with an experimental bent. By helping us explore our common humanity and look at life from differing perspectives, these productions foster thought, appreciation, delight and community. This is just one of the many ways in which the University of Denver lives its vision of serving the public good.

The Newman Center’s stages also enable our students to demonstrate their remarkable talent. This building helps us to attract some of the most promising and talented young people in the nation, and every production by students in our Lamont School of Music and Department of Theatre showcases their energy, enthusiasm and dedication. Here at the Newman Center, our students pursue their passions and discover their capacity to collaborate and create. To which the rest of us can only say, encore.

Enjoy tonight’s performance. May it be just one of many offerings you enjoy with us this season!

Rebecca ChoppChancellor, University of Denver

Oct 10: First Night: A Brass FantasiaNov 21-22: Brass & Organ: Pedal to the Medal

Dec 19-20: Feels Like Christmas

Feb 14: Brass on the Red CarpetMar 11-13: Celtic Tales of Love & WarMay 28: 2nd Annual “Colorado Remembers”

303-832-HORN(4676)DenverBrass.org

Buy your tickets online: www.newmantix.com

35th Emerald Anniversary 2015-2016 Season

Oct 10: First Night: A Brass FantasiaNov 21-22: Brass & Organ: Pedal to the Medal

Dec 19-20: Feels Like Christmas

Feb 14: Brass on the Red CarpetMar 11-13: Celtic Tales of Love & WarMay 28: 2nd Annual “Colorado Remembers”

303-832-HORN(4676)DenverBrass.org

Buy your tickets online: www.newmantix.com

35th Emerald Anniversary 2015-2016 Season


THANK YOUWe applaud the following partners for their support of the Robert and Judi Newman Center for the Performing Arts at the University of Denver. Because of their generosity, Newman Center Presents can introduce dancers, musicians, actors, singers, composers and storytellers to the university community and our fellow citizens throughout Denver and Colorado.

If you are interested in becoming a Newman Center Presents sponsor, please contact Natalie Raborn, Marketing Director, at [email protected] or 303.871.4154.

FOUNDING PARTNERS

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Companhia Urbana de DançaSun, Jul 19, 2015 / 2:00 p.m.In collaboration with the Biennial of the Americas, Newman Center Presents will bring this Rio de Janeiro-based dance company to Denver for a week of activities culminating in a full-length performance at the Newman Center. The dancers will also, together with the dancers of Denver’s Wonderbound, create a new dance work to premiere at the Biennial of the Americas Festival. Companhia Urbana de Dança will also lead free public dance workshops for people of all ages and experience and a master class for dancers. Sonia Destri Lie, the company’s choreographer, will participate in a panel discussion at the Biennial Pavilion about the intersection between art and social issues.

Sponsored by Newman Center Members

Twyla Tharp50th Anniversary TourThu, Sep 24, 2015 / 7:30 p.m.Fri, Sep 25, 2015 / 7:30 p.m.Fifty years ago, Twyla Tharp choreographed her first dance. This year, she celebrates her unique legacy in American modern dance with all new works. In the intervening years, she and her own company have toured the world performing original works set to classical, jazz, and popular music. Twyla Tharp Dance eventually merged with American Ballet Theatre, which continued to premiere new Tharp works. She has made dances for Paris Opera Ballet, The Royal Ballet, and New York City Ballet, as well as for her own

dance musical Movin’ Out and such other Broadway shows as Singin’ in the Rain and The Times They are a-Changin’! She has collaborated on films such as Hair, Amadeus, and White Nights, as well as PBS and BBC television programs. She has received two Emmy Awards, a Tony Award, 19 honorary doctorates, the National Medal of the Arts, a MacArthur Fellowship, among many other distinctions.

Sponsored by Founding Partner The Denver Post

This project also received support from the National Dance Project/New England Foundation for the Arts, with lead funding from the Doris Duke Charitable Foundation and the Andrew W. Mellon Foundation, with additional support from the National Endowment for the Arts (NEA).

Colorado SymphonyInside the Score: Brahms’s 4th SymphonyTue, Oct 6, 2015 / 7:30 p.m.The evening begins with a performance of Mozart’s Horn Concerto No. 3, featuring Colorado Symphony Principal Horn player Michael Thornton as soloist. Then we will go “inside” Brahms’s 4th Symphony. This work astonished Brahms’s friends when they first heard it in a piano version. Some urged him not to release it to the public. But its premiere a few months later was positively received. It went on to become one of the pillars of the symphonic repertoire, even being seen as a summing up of western musical traditions to that point, and an introduction to the world of Ives, Stravinsky and Schoenberg. The Colorado Symphony’s

new Associate Conductor Christopher Dragon will lead an in-depth exploration of this last symphonic work of Brahms’s career, including musical illustrations, followed by a full performance.


Vertigo DanceCo-Presented with the Mizel Arts and Culture Center at the JCCSat, Oct 17, 2015 / 7:30 p.m.Vertigo Dance was founded in Israel in 1992 by Noa Wertheim and Adi Sha’al and is dedicated to bringing people together and touching them through the language of the body in motion. Wertheim, her three sisters, and their families founded the Vertigo Eco-Art Village, the home to Vertigo Dance and a School for Earth Building for the use of renewable, local materials and ancient building techniques, workshops and classes in art and practical ecology, a community recycling center offering workshops, an artists’ residence for local and foreign artists, and outreach performances for diverse communities including those with disabilities and special needs. Their goal is to create a family model based on ecological and social principles that can be passed from community to community, even country to country.

The major work on this Colorado premiere by Vertigo Dance is called Reshimo, a Kabbalistic idea suggesting the impression light makes—the afterimage—once one is in darkness. It is set to a hauntingly beautiful musical score by Israeli composer Ran Bagno.

Supported in part by a generous grant from MDC Holdings/Richmond American Homes Foundation.

2015-2016 SEASONAll performances take place in June Swaner Gates Concert Hall at 7:30 p.m., unless otherwise noted, and include a free Behind the Curtain discussion one hour before curtain with guest lecturers. Check www.newmancenterpresents.com for additional details. Artists and programs are subject to change.

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Michael FeinsteinThe Great American SongbookCo-Presented with the Mizel Arts and Culture Center at the JCCThu, Oct 22, 2015 / 7:30 p.m.Michael Feinstein’s suave vocalism, irresistible charm, and remarkable insights into popular song make his concerts wonderful celebrations of the genre. He has been dubbed “The Ambassador of the Great American Songbook,” has released multi-platinum-selling albums, and has been nominated twice for an Emmy and five times for a Grammy Award. His 200-plus shows a year have included performances at Carnegie Hall, Sydney Opera House, and the Hollywood Bowl, as well as the White House and Buckingham Palace.

More than simply a performer, Feinstein has received national recognition for his commitment to celebrating America’s popular song and preserving its legacy for the next generation. In 2007, he founded The Great American Songbook Foundation, dedicated to celebrating the art form and preserving it through educational programs, master classes, and the annual High School Vocal Academy and Competition, which awards scholarships and prizes to students across the country. Feinstein serves on the Library of Congress’ National Recording Preservation Board, an organization dedicated to ensuring the survival, conservation, and increased public availability of America’s sound recording heritage.


Anonymous 4Final Season Tour1865 – Songs of Hope and Home from the American Civil Warwith Bruce Molsky, fiddle, banjo, guitar, and vocalsSat, Nov 14, 2015 / 7:30 p.m.Anonymous 4’s third and last album of their American Trilogy recordings for harmonia mundi—and their final brand new touring program—commemorates the 150th anniversary of the end of the American Civil War. 1865 focuses on the personal experiences of men, women, and children from the north and the south toward the end of the Civil War and in its immediate aftermath. The songs may originally have been written for the stage or the parlor, or they may have emanated from the hills and back roads of America. Many of the songs in 1865 were published between 1861 and 1865; others first appeared in print earlier but were sung constantly during the War years, perhaps in an effort to bring to mind the familiar and the good. Yet other songs and instrumental tunes are not datable; by the year 1865, they had already been passed down from generation to generation without the aid of the printed page.

Joining Anonymous 4 for this project is Bruce Molsky, renowned old-time fiddler, master banjo and guitar player, and vocalist. Anonymous 4 and Bruce have put their own stamp on the songs in 1865, including five-part harmonies on the Stephen Foster gem “Hard Times, Come Again No More,” “Home, Sweet Home,” and “Listen to the Mocking Bird” accompanied by the minstrel banjo; the high lonesome sound on folk songs such as “Bright Sunny South”; Bruce’s fiddle and banjo playing on instrumental tunes “Rebel Raid”; “Polly Put the Kettle On”; and the four-part a cappella singing of Anonymous 4 on the hymn “Abide with Me.”


Boston Brass & the Brass All-Stars Big Band Christmas Bells are Swingin’!Wed, Dec 2, 2015 / 7:30 p.m.Boston Brass has expanded their trademark entertainment by teaming up with all-star brass players from Denver to produce an unmatched sound that will brighten your holiday season. The brass ensemble (trumpets, French horns, trombones and tubas) with jazz rhythm section features fiery big band arrangements of classics such as the Stan Kenton Christmas Carols, “Greensleeves,” and “Motown Jingle Bells” in a setting that will delight audiences of all ages. The concert also includes holiday favorites performed by the Boston Brass such as “Three Dances” from the Nutcracker, “Christmas Song,” and “White Christmas.” This ensemble of virtuoso musicians will light up the stage and warm every heart.

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Brooklyn RiderAlmanacThu, Jan 14, 2016 / 7:30 p.m.The adventurous, genre-defying string quartet Brooklyn Rider makes its Denver premiere in a performance of new works that are all part of its inventive and entertaining Almanac project. Taking a cue from the Blue Rider artist collective (Der Blaue Reiter) of the pre-WWI era, the quartet invited an exciting group of composers—including Wilco’s Glenn Kotche, singer-songwriter Aoife O’Donovan, Deerhoof’s Greg Saunier, and a host of jazz luminaries including guitarist Bill Frisell, pianist Vijay Iyer, and Ethan Iverson of The Bad Plus—to create new music. Each composer chose a personal creative muse as inspiration, ranging from Igor Stravinsky

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to Keith Haring, Chick Corea to John Steinbeck, David Byrne to James Brown, choreographer Mark Morris to Aboriginal Australian painter Albert Namatjira.

Allan Kozinn, music critic with The New York Times for many years, has said that “there is an incredible world taking shape, with young composers writing music that people want to hear, and hear about, and a style/era change as significant as the shift from Baroque to Classical or Classical to Romantic.” Brooklyn Rider is an integral part of that movement.


Kyle Abraham / Abraham.In.MotionWhen the Wolves Came InIn collaboration with Cleo Parker Robinson Dance and the International Association of Blacks in Dance ConferenceWed, Jan 20, 2016 / 7:30 p.m.This Colorado premiere by Abraham.In.Motion features works inspired by Max Roach’s iconic 1960 protest album We Insist! (Max Roach’s Freedom Now Suite), itself created in anticipation of the 100th anniversary of the Emancipation Proclamation as well as to shed a light on the growing African independence movements of the 1950s. The potent themes inherent in these historical milestones are evident in Abraham’s choreography, evocative scenery by visual artist Glenn Ligon, visceral power of Roach’s masterwork, and original compositions of Grammy Award-winning jazz musician Robert Glasper.

Born into hip-hop culture in the late 1970s and grounded in his artistic upbringing in classical cello, piano, and the visual arts, Kyle Abraham’s movement delves into identity and personal history. His work entwines a sensual and provocative movement vocabulary with a strong emphasis on sound, human behavior, and all things visual. Abraham founded his own

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company in 2006, and, in the comparatively short time since, has been selected as one of Dance Magazine’s 25 To Watch for 2009; won a 2010 Bessie Award for Outstanding Performance in Dance and a Princess Grace Award for Choreography; and was called the “best and brightest creative talent to emerge in New York City in the age of Obama” by OUT Magazine in 2011. In 2012, he received the Jacob’s Pillow Dance Award, a USA Ford Fellowship, and was named the New York Live Arts Resident Commissioned Artist for 2012–2014. In 2013, he was awarded a MacArthur Fellowship (the “genius grant”).

Presenting Sponsor – Creative Instinct, Inc.

This project also received support from WESTAF, the Western States Arts Federation; and the National Endowment for the Arts.

S-o Percussion with Shara Worden, vocalsSat, Feb 6, 2016 / 7:30 p.m.For over a decade, S -o Percussion has redefined the modern percussion ensemble as a flexible, omnivorous entity, pushing its voice to the forefront of American musical culture. S -o Percussion’s career now encompasses 16 albums, tours throughout the United States and around the world, a dizzying array of collaborative projects, several ambitious educational programs, and a steady output of its own music. S -o Percussion is heavily involved in mentoring young musicians and is the newly appointed Edward T. Cone Ensemble-in-Residence at Princeton University.

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But Shara Worden can. Born in El Dorado, Arkansas and then raised all around the country, Worden came from a musical family of traveling evangelists. She went on to study operatic voice and then classical composition after a move to New York City. Worden is the lead singer for My Brightest Diamond and has worked with Laurie Anderson, Pulitzer Prize-winning composer David Lang, David Byrne, Music, Bon Iver, and The Blind Boys of Alabama.

For their third time with Newman Center Presents, S -o Percussion will perform “Music for Wood and Strings” by The National’s Bryce Dessner. S -o and Worden will perform Shara’s own “Timeline.”


Paul Taylor Dance Company featuring the world premiere of a new workCo-Commissioned by Newman Center PresentsSat, Feb 20, 2016 / 7:30 p.m.Sun, Feb 21, 2016 / 2:00 p.m.Dancemaker Paul Taylor, one of the seminal artists of the 20th and 21st centuries, continues to shape the homegrown American art of modern dance that he has helped define since he became a professional dancer and pioneering choreographer in 1954. Newman Center Presents has co-commissioned a new work by Taylor that will have its world premiere at these performances.

This project received support from WESTAF, the Western States Arts Federation; the National Endowment for the Arts; and The Antonia and Vladimer Kulaev Cultural Heritage Fund, Inc.

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2015/2016 SeasonCantata Insights Series: Wachet auf, BWV 140 • Sunday, November 15, 5:00 pm at Bethany Lutheran Church

Christmas Oratorio, BWV 248 • Saturday, December 19, 7:00 pm at Bethany Lutheran Church • Sunday, December 20, 6:00 pm at Griffin Concert Hall

St. John Passion, BWV 245 • Friday, March 18, 7:30 pm at Saint John’s Cathedral • Saturday, March 19, 7:30 pm at Bethany Lutheran Church • Sunday, March 20, 4:00 pm at Redeemer Lutheran Church

Cantata Insights Series: Weinen, Klagen, Sorgen, Zagen, BWV 12 • Sunday, April 17, 5:00 pm at Bethany Lutheran Church

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Colorado SymphonyLearning to Hear ColorThu, Feb 25, 2016 / 7:30 p.m.Many composers and musicians experience sounds as colors– among the most famous are Liszt, Rimsky-Korsakov, Sibelius, Bernstein, Ellington, Messiaen, and Ligeti. American composer Michael Torke even composed a suite called Color Music including such sections as “Bright Blue Music” and “Ecstatic Orange.”

In conjunction with an exhibition at the University of Denver’s Vicki Myhren Gallery called Learning to See Color, this concert explores the musical aspects of color. The Colorado Symphony’s new Assistant Conductor, Andres Lopera, will lead you through a program demonstrating that art created to be experienced through one sense, such as music, can actually lead to perceptions and feelings experienced through other senses—colors can be heard.


Metropolitan Opera Rising Stars Concert SeriesSat, Mar 5, 2016 / 7:30 p.m.Rising Stars of the Metropolitan Opera offers fans across North America a rare opportunity to experience remarkable young artists on the cusp of extraordinary careers. Each concert features singers carefully selected from the MET’s Lindemann Young Artist Development program—winners of the MET’s National Council Auditions—accompanied by piano in popular arias, duets, and ensembles by opera’s greatest composers.

For more than 125 years, the Metropolitan Opera has been the artistic home of the greatest singers in the world. But the MET is

also the launching pad for the opera stars of the future. Some of today’s leading artists got their first big break by winning the company’s National Council Auditions, as members of the Lindemann Program, and by catching the attention of MET talent scouts. Stephanie Blythe, Renée Fleming, Ben Heppner, Deborah Voigt, Thomas Hampson, and Eric Owens are just a few of the major artists to have come through the MET ranks. Another generation of young singers is ready to be discovered.


globalFEST On the Road Creole CarnivalTue, Mar 29, 2016 / 7:30 p.m.Experience three exciting artists in this mini-festival format. Over the past decade, globalFEST has become one of the most dynamic global music platforms in North America. What started as an annual showcase in New York City has grown into an international brand, building audiences for world music with stages at SXSW, Bonnaroo, and beyond. Founded in 2003, globalFEST spotlights artists who represent diverse global styles, bringing down boundaries between countries and creating cultural opportunities for collaboration. More than 120 emerging and established artists have performed at globalFEST, including such celebrated voices as Mariza, Lila Downs, and Angelique Kidjo. Following the January 2016 festival in New York, globalFEST’s first tour will begin, bringing this phenomenon across North America.

The inaugural tour, Creole Carnival, features Emeline Michel, the reigning queen of Haitian song; Casuarina, Rio’s innovative samba masters; and Brushy One-String, Jamaica’s charismatic one-string guitarist and vocalist.


Gabriel Kahane and Timo AndresSat, Apr 2, 2016 / 7:30 p.m.Sun, Apr 3, 2016 / 2:00 p.m.Hamilton Recital HallFor this performance two friends draw on four centuries of music to create a call and response experience. Solo piano transcriptions of Bach chorale preludes are mixed with songs for piano and voice by composers such as Franz Schubert, Robert Schumann, Thomas Adès, and Jerome Kern. Benjamin Britten’s folk song settings and Charles Ives’ songs are mingled with new pieces written by Gabe and Timo for each other, resulting in a live mix-tape concert.

Kahane is a tireless collaborator. His recent credits include a track on this year’s Beck Song Reader, performances and recordings with Newman Center favorite Chris Thile, and several projects with Sufjan Stevens.

Andres’ debut album Shy and Mighty was released in 2010 to immediate critical acclaim. Alex Ross wrote in The New Yorker that it “achieves an unhurried grandeur that has rarely been felt in American music since John Adams came on the scene ... more mighty than shy, [Andres] sounds like himself.”

This project received support from The Antonia and Vladimer Kulaev Cultural Heritage Fund, Inc.

Julian Lage and Chris Eldridge AvalonThu, Apr 21, 2016 / 7:30 p.m.Avalon, from Julian Lage and Chris “Critter” Eldridge, is a love letter to the sound of the acoustic guitar. Their set list is a mix of originals and covers that illustrate the breadth

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Learning to See ColorJanuary 14 - March 6, 2016

Madeline Bragg, Green Hands. Photo courtesy of the artist.

Year end student art showcaseMay 12 - May 27, 2016

Early Women Artists of ColoradoMarch 24 - May 1, 2016

Ernestine Parsons, Untitled (Colorado Landscape. Imagecourtesy of Kirkland Museum of Fine and Decorative Art.


BOX OFFICE INFORMATIONM Allan Frank Family Box Office

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Hours: Mon–Fri, 10 a.m.–4 p.m. Sat, 12 p.m.–4 p.m. (Sep–May)Phone: 303.871.7720Email: [email protected]: www.newmancenterpresents.com

Tickets can be purchased in person at the Newman Center Box Office or by phone at 303.871.7720 during the hours listed above or online anytime at www.NewmanTix.com. Service charges may apply for tickets purchased by phone or online.

Discounts are available for students, seniors, and DU faculty and staff. For more informa-tion, or to request accommodations for a dis-ability, call 303.871.7720.

Group discount tickets are available for groups of eight (8) or more to most events. For information, contact Molly Epstein at [email protected] or 303.619.6196.

To v iew a l ist ing of our previous twelve seasons, please v is i t www.newmancenterpresents.com and select Archive.

COMMISSIONED WORKSThe Newman Center is committed to bringing new works of music and dance to life. We are excited to have commissioned or co-commissioned the following works:

Co-commissioner, “Kites Over Havana,” by Paquito D’Rivera, performed by the composer with Imani Winds

Commissioner, “WE MARCH,” Concerto for Guitar and String Orchestra, by Daniel Bernard Roumain, performed by Eliot Fisk, guitar, and the Stuttgart Chamber Orchestra

of the American songbook, incorporating bluegrass, country, gospel, old-time music, and jazz.

Julian Lage is an American guitarist, composer, and arranger. Hailed as a child prodigy, Lage was the subject of the Academy Award nominated documentary Jules at 8. His music is rooted in both traditional and acoustic forms, and he has had the opportunity to collaborate with renowned artists such as Jim Hall, Mark O’Connor, Béla Fleck, Gary Burton, David Grisman, and Joshua Bell. His debut recording, Sounding Point, was nominated for a 2010 Grammy Award for Best Contemporary Jazz Album of the Year.

As a member of Punch Brothers, guitarist Chris Eldridge has been at the vanguard of acoustic music for much of the past decade. Eldridge developed a deep love for acoustic music thanks in part to his father, a banjo player and founding member of the seminal bluegrass group The Seldom Scene. Eldridge later gained in-depth exposure to a variety of different musical styles while studying at Oberlin Conservatory. In 2005, he founded the bluegrass band The Infamous Stringdusters.


Billy ChildsMap to the Treasure: Reimagining Laura Nyrofeaturing Dianne Reeves, Becca Stevens, and Alicia OlatujaThu, May 5, 2016 / 7:30 p.m.

Laura Nyro, who died in 1997 at the age of 49, was one of the most important singer-songwriters of the late 1960s and early 70s. Her work is known more through covers of her songs—such as “Stoney End,” “Black Patch,” “Blowing Away,” “Wedding Bell Blues,” “Stoned Soul Picnic,” “Save the Country,” “And When I Die”—performed by others (Barbara Streisand; Blood, Sweat and Tears; The 5th Dimension; Peter, Paul & Mary; Three Dog Night) than through her own performances. Her compositions blend soul, gospel, jazz, show tunes, and pop. Billy Childs’ arrangements with vocals by Becca Stevens, Alicia Olatuja, and Denver’s own Dianne Reeves are a loving and powerful tribute to this influential artist.

Childs is a pianist, composer, and arranger, a three-time Grammy winner, and an artist who can fluidly move among jazz and other musical worlds. Denver’s own Dianne Reeves is a five-time Grammy Award winner for Best Jazz Vocal Performance, the only artist to win that award for three consecutive albums.

Supported by The Porter Adventist Hospital Endowment for the Performing Arts and by Newman Center Presenting Sponsor VAL-U-ADS®

2015-2016 SEASON

Newman Center volunteers have given over 78,000 hours of service since the NCPA opened in 2003.

Our volunteer ushers come from as far away as Evergreen, Castle Rock, and Loveland for the pleasure of handing you a program and helping you locate your seat.

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Metropolitan Opera Rising Stars Concert Series 1

There will be a 20-minute intermission this evening.

No portion of this performance may be photographed, recorded, filmed, or videotaped.

The Metropolitan OperaRising Stars Concert Series

Saturday, March 5, 2016

This program is supported in part by the Newman Center Endowed Fund for Cultural and Experiential Learning.

Sponsored by The Porter Adventist Hospital Endowment for the Performing Arts and Newman Center Members.

Metropolitan Opera Rising Stars Concert Series2

The Metropolitan Opera Rising Stars Concert Series

Janai Brugger, sopranoSarah Mesko, mezzo-soprano

Sean Panikkar, tenorTrevor Scheunemann, baritone

Brent Funderburk, piano

FAUST (Charles Gounod) “O Dieu! que de bijoux! … Ah! je ris de me voir Janai Brugger SAMSON ET DALILA (Camille Saint-Saëns) “Mon cœur s’ouvre à ta voix” Sarah Mesko CARMEN (Georges Bizet) “La fleur que tu m’avais jetée” Sean Panikkar HAMLET (Ambroise Thomas) “O vin, dissipe la tristesse” Trevor Scheunemann LAKMÉ (Léo Delibes) “Sous le dôme épais” Janai Brugger, Sarah Mesko DAS LAND DES LÄCHELNS (Franz Lehár) “Dein ist mein ganzes Herz” Sean Panikkar LA TRAVIATA (Giuseppe Verdi) “Di provenza” Trevor Scheunemann COSÌ FAN TUTTE (Wolfgang Amadeus Mozart) “Ah! guarda sorella” Janai Brugger, Sarah Mesko DON CARLO (Giuseppe Verdi) “Dio, che nell’alma infondere” Sean Panikkar, Trevor Scheunemann

Intermission

L’ITALIANA IN ALGERI (Gioachino Rossini) “Cruda sorte!” Sarah Mesko LES PÊCHEURS DES PERLES (Georges Bizet) “Au fond du temple saint” Sean Panikkar, Trevor Scheunemann CARMEN (Georges Bizet) “Près des remparts de Séville” Sarah Mesko DON GIOVANNI (Wolfgang Amadeus Mozart) “Là ci darem la mano” Janai Brugger, Trevor Scheunemann HUGH THE DROVER (Ralph Vaughan Williams) “Horsehoofs!” Sean Panikkar PORGY AND BESS (George Gershwin) “Summertime” Janai Brugger SOUTH PACIFIC (Richard Rodgers) “Some enchanted evening” Trevor Scheunemann CAROUSEL (Richard Rodgers) “You’ll never walk alone” Sarah Mesko MY FAIR LADY (Frederick Loewe) “On the street where you live” Sean Panikkar MY FAIR LADY (Frederick Loewe) “I could have danced all night” Janai Brugger

PROGRAM SUBJECT TO CHANGE

Tour Direction:Tim Fox//Alison Ahart Williams

Columbia Artists Management LLCNew York, NY

www.cami.com

TONIGHT’S PROGRAM


JANAI BRUGGERSopranoA 2012 winner of all three prizes in Plácido Domingo’s prestigious Operalia competition and of the Metropolitan Opera National Council Auditions, American soprano Janai Brugger began the 2015–16 season with her debut at Washington National

Opera as Micaëla in Carmen, a role she later sings at Lyric Opera of Kansas City. She returns to Los Angeles Opera to revive the role of Musetta in La Bohème with Gustavo Dudamel on the podium and makes her role debut as Norina in Don Pasquale at Palm Beach Opera, following her past success there as Juliette in Roméo et Juliette in 2010.

Highlights of last season include her debut at the Royal Opera House, Covent Garden, as Pamina in Die Zauberflöte, a role in which she previously had great success at the Los Angeles Opera in 2013. Ms. Brugger made a return appearance at the Metropolitan Opera in the role of Helena in The Enchanted Island, which followed her debut there in 2012 as Liù in Turandot. She made her debut as Micaëla at Opera Colorado and covered Pamina at the Met.

Ms. Brugger has numerous concert and recital appearances to her credit, including an appearance with Marilyn Horne at Carnegie Hall, a Fourth of July concert at Grant Park Chicago, the May Festival with James Conlon and the Cincinnati Symphony Orchestra, the Ravinia Festival with the Chicago Symphony Orchestra, the Los Angeles Philharmonic with Gustavo Dudamel, and most recently the Metropolitan Opera’s Summer Recital Series in New York’s Brooklyn Bridge Park and at Central Park SummerStage.

As a member of the Domingo-Thornton Young Artist Program, Ms. Brugger’s Los Angeles Opera appearances include Barbarina in Le Nozze di Figaro under the baton of Plácido Domingo, the Page in Rigoletto with James Conlon, and Musetta in La Bohème with Patrick Summers. Cover assignments included the roles of Mrs. Neruda in Il Postino, the Governess in The Turn of the Screw, and Juliette in Roméo et Juliette.

A native of Chicago, the artist obtained a master’s degree from the University of Michigan, where she studied with the late Shirley Verrett. At DePaul University, she studied under Elsa Charlston, where she received her bachelor’s degree. In 2010, Ms. Brugger participated in the Merola Opera Program at San Francisco Opera. Future engagements include appearances at the Metropolitan Opera in New York and at the Royal Opera House, Covent Garden.

SARAH MESKOMezzo SopranoSarah Mesko began the 2015–2016 season with her role debut as Carmen at Washington National Opera in the Domingo-Cafritz Young Artist performance. She will also cover Malcolm in La Donna del Lago at the Metropolitan Opera. In

concert, she will appear with the Columbus Symphony in Alexander Nevsky and with Mercury Baroque in Beethoven’s Ninth Symphony.Recently, Ms. Mesko debuted at the Glimmerglass Festival in Vivaldi’s Catone in Utica to great acclaim. She was seen at Washington National Opera as the Second Lady in Die Zauberflöte and made her debut at Houston Grand Opera as Mrs. Segstrom in A Little Night Music. In concert, she appeared with the Bach Society of Houston as well as Mercury Baroque in Houston.

As a member of the Domingo-Cafritz Young Artist Program, Ms. Mesko’s appearances with Washington National Opera include Alisa in David Alden’s production of Lucia di Lammermoor, a striking role debut as Dorabella with Washington National Opera in their Emerging Artist performances of Così fan tutte, and her role debut as Hansel. In 2011 she made her debut in Madama Butterfly, first as Kate Pinkerton and then in a highly acclaimed role debut as Suzuki, conducted by Plácido Domingo in a Young Artist performance. The Washington Post remembered her as “the best part of the Young Artist Program performance of Madama Butterfly last year.”

In 2009, Ms. Mesko was a national finalist of the Metropolitan Opera National Council Auditions, performing with the Met Orchestra under Patrick Summers. She is also among a rare number of singers who have won the Richard F. Gold Career Grant more than once: in 2011 from Washington National Opera and in 2009 from Central City Opera.

SEAN PANIKKARTenorSean Panikkar is recognized for his “surpassing musicality and passion, commanding self-confidence and gorgeous expression.” The American tenor of Sri Lankan heritage made his Metropolitan Opera debut under the baton of

James Levine in Manon Lescaut and his European operatic debut in Mozart’s Zaïde at the Aix-en-Provence Festival in a production directed by Peter Sellars and conducted by Louis Langrée.

Sean Panikkar opens the 2015-2016 season at Michigan Opera Theatre as Rodolfo in La Bohème. He continues the season in a return engagement with the Washington National Opera as The Leader in Lost in the Stars. Frequently showcased in contemporary music, Mr. Panikkar will play the role of Agent Henry Rathbone in

THE ARTISTS

4 Metropolitan Opera Rising Stars Concert Series

THE ARTISTS (continued)David T. Little’s JFK at the Fort Worth Opera. He will sing the title role of Jack Perla’s Shalimar the Clown’s world premiere at Opera Theatre of St. Louis. A symphonic highlight of the season includes Berlioz’s Roméo et Juliette with David Robertson and the St. Louis Symphony Orchestra.

Sean Panikkar performed at the Metropolitan Opera last season as Molqi in John Adams’ The Death of Klinghoffer, conducted by David Robertson, and in a powerful new production by director Tom Morris (War Horse). He made his debut at Teatro alla Scala in the world premiere of Giorgio Battistelli’s CO2 in a new production directed by Robert Carsen and conducted by Cornelius Meister. Mr. Panikkar debuted at the Lyric Opera of Kansas City as Nikolaus Sprink in Silent Night and returned to the Glimmerglass Festival as Tamino in a new production of The Magic Flute.

Sean Panikkar is a member of “Forte,” the operatic tenor group combining voices from different cultures into one incredible sound. The trio was created and debuted for the first time ever on America’s Got Talent and had never met until only days before their first audition. During the NBC 2013 summer broadcasts of America’s Got Talent, “Forte” was seen and heard nationally by tens of millions of television viewers. Their self-titled debut recording on Columbia Records was released in November 2013.

Highlights of recent seasons include a new production of Nabucco at Washington National Opera, La Bohème staged by Francesca Zambello at the Royal Albert Hall in London, the title role of Béatrice et Bénèdict with Opera Boston, The Magic Flute at Pittsburgh Opera, along with what has come to be one of his signature parts, Nadir in Les Pêcheurs de Perles, for Fort Worth Opera, Pittsburgh Opera, and Opera Colorado.

Sean Panikkar was honored by the George London Foundation with the 2007 Robert Jacobson Memorial Award and a 2009 George London Award; he also is a First Prize winner of the 2010 Gerda Lissner International Vocal Competition, and second place winner in the 2009 International Hans Gabor Belvedere Singing Competition. He is a former member of the Pittsburgh Opera Center, Central City Opera Studio Artist program, and Seagle Music Colony. He holds his Master and Bachelor degree in Vocal Performance from the University of Michigan.

TREVOR SCHEUNEMANNBaritoneIn the 2015-2016 season, Trevor Scheunemann will make his Atlanta Opera debut as Marcello in La Bohème. Last season he performed the role of Marcello at the Washington National Opera in a new production of La Bohème. He returned to

the Metropolitan Opera as Morales in Carmen and Silvano in Un

Ballo in Maschera. In the summer of 2015, Mr. Scheunemann debuted at Teatro Municipal de Santiago as Sharpless in Madama Butterfly. He also debuted in Orff’s Carmina Burana and in Bernstein’s A Quiet Place with the Montreal Symphony and Kent Nagano. In recent seasons, he appeared at Opéra de Monte Carlo in his role debut as Donner in Das Rheingold, Belcore in L’Elisir d’Amore with Baltimore Concert Opera, and the Metropolitan Opera as Silvano in the new production of Un Ballo in Maschera under Fabio Luisi, which became a MET HD broadcast.

Mr. Scheunemann sang the debut role of Joe in the world premiere of Heart of a Soldier at the San Francisco Opera. Additionally, he debuted at Théâtre du Capitole in Toulouse as Sharpless in Madama Butterfly to great acclaim and Opéra National de Bordeaux as Count Almaviva in Le Nozze di Figaro. Additional performances include Schaunard in La Bohème and Sid in La Fanciulla del West at the Metropolitan Opera, Count in Le Nozze di Figaro at San Francisco Opera under Nicola Luisotti, the world premiere of Die Marquise von O by René Koering at Opéra de Monte Carlo, Zurga in Les Pêcheurs de Perles and Count Almaviva in Le Nozze di Figaro at Washington National Opera, Morales in the new production of Carmen conducted by Yannick Nézet-Séguin at the Metropolitan Opera, Guglielmo in Così fan tutte at Oper Frankfurt, Rameau’s Dardanus with Emmanuelle Haïm at Opéra de Lille, San Francisco Opera debut as Jake Wallace in La Fanciulla del West conducted by Nicola Luisotti, Melot in Tristan und Isolde and Robert Carsen’s L’incoronazione di Poppea conducted by Emmanuelle Haïm at the Glyndebourne Festival, and his Metropolitan Opera debut as Curio in Giulio Cesare.

Trevor Scheunemann is an alumnus of the Domingo-Cafritz Young Artist Program at the Washington National Opera.

BRENT FUNDERBURKPianistPraised by the New York Times as an “excellent pianist,” South Carolina native Brent Funderburk has partnered with world-class singers and instrumentalists in concert and on recording. He has garnered respect as a distinguished

recitalist and vocal coach in New York City.Mr. Funderburk has participated in many renowned summer

programs and festivals including Ravinia’s Steans Music Institute, where he returned as a resident pianist in the 2015 Program for Singers. Other recent summer engagements include the International Vocal Arts Institute (IVAI) in Virginia and SongFest at Pepperdine. He is a recipient of the Margo Garrett and Marc and Eva Stern Fellowships along with the prestigious


THE ARTISTS (continued)Music Academy of the West in Santa Barbara.

In the realm of art song, Mr. Funderburk has made many notable appearances, including a recent performance in the Marilyn Horne Song Celebration at Zankel Hall. He has collaborated with rising young artists as part of The Song Continues at Carnegie Hall. His long-running collaboration with mezzo-soprano Naomi O’Connell has led to many U.S. recital appearances under the auspices of Concert Artists Guild, as well as radio broadcasts on New York’s WQXR as part of The McGraw-Hill Companies’ Young Artist Showcase. Mr. Funderburk has also appeared in recitals at Alice Tully Hall, Merkin Hall, Symphony Space and the Ravinia Festival, among others.

Also known for his instrumental collaborations, Mr. Funderburk has maintained an active schedule with violinist Francesca Anderegg. The duo has performed at many U.S. venues, including the Chicago Cultural Center as part of the International Music Foundation’s Dame Myra Hess Memorial Concert series. They have been featured on WQXR, Chicago’s WFMT, and MPR (Minnesota Public Radio). Recording credits include a debut release with Ms. Anderegg under the Albany label.

Mr. Funderburk is on staff of the Ellen and James S. Marcus Institute for Vocal Arts at The Juilliard School, where he received his master’s degree in collaborative piano under the tutelage of Brian Zeger, Margo Garrett, and Jonathan Feldman.

The Newman Center would like to thank Professor Kenneth Cox, Lamont School of Music, for leading the Behind the Curtain lecture before tonight’s performance.

THANK YOU

See complete event descriptions on pages 10-23 of the Newman Center Presents program.

globalFEST On the RoadCreole CarnivaleTue, Mar 29, 2016 / 7:30 p.m.

Gabriel Kahane and Timo AndresSat, Apr 2, 2016 / 7:30 p.m.Sun, Apr 3, 2016 / 2:00 p.m.

Julian Lage and Chris EldridgeAvalonThu, Apr 21, 2016 / 7:30 p.m.

Remember:COMPLIMENTARY parking is available for all Newman Center Presents shows in the Newman Center garage.

UP NEXTJoin us before each Newman Center Presents performance for an opportunity to learn more about anything from the evening’s program to the history and influences of the genre to key moments to watch and listen for during the performance. Tickets are not required for these FREE Behind the Curtain talks, and no RSVP is necessary. Talks take place one hour before curtain in June Swaner Gates Concert Hall, entering on Orchestra Level East for seating.

BEHIND THE CURTAIN

Before each Newman Center Presents performance, starting at 6 p.m., DU Catering Services offers a selection of tasty snacks for purchase in Joy Burns Plaza. So whether you come before the Behind the Curtain lecture or head into the Plaza afterward, you can get a quick bite before showtime!

FOOD FOR THOUGHT

6 Metropolitan Opera Rising Stars Concert Series

For information about becoming a Newman Center Member and donor opportunities, please see page 41 of the Newman Center Presents program.

Memberships and Donations received July 1, 2014–June 30, 2015 are listed on pages 44-46 of the program.

Newman Center Memberships since July 1, 2015

BENEFACTORRobert and Judi Newman

PARTNERDiana and Michael KinseyStephen Seifert

SPONSORArmin Afsahi and Joe EklundGregg Kvistad and Amy R. OaksNatalie and Sean Raborn

SUPPORTERW. Peterson Nelson/Nelson Family FoundationWilliam A. Stolfus and Andrea G. Richardson

CONTRIBUTORMatt and Carmen ChalekCatherine P. ColeRussell DeWittRichard K. Replin and Elissa Rae SteinDavid Rosentrater Ruth Elaine SchoeningJenene C. and James J. Stookesberry

FRIENDCharlene S. ByersAndrea Elizabeth Faley Ann Marie Kaplan Joan B. and Richard L. McGeePamela MetzR. David Monahan Henrietta J. RollertMarriott W. and John Smart

NEWMAN CENTER MEMBERS & DONORS

Newman Center Donors since July 1, 2015AnonymousAnonymous Leslie S. Beltrami Meredith Black and L. Roger HutsonKarin BondBonfils-Stanton FoundationMary BrothersJoan Brown David Charmatz Community First FoundationThe Denver FoundationTerri Hoopes Cathy KaufmanRobert KeatingeSuzanne KinneyKJ Community Fund of The Denver FoundationBettina Kurowski

Antonia & Vladimer Kulaev Cultural Heritage FundMDC/Richmond American Homes FoundationIsabelle Marques Yolanda McAllister Richard and Wendy MoraskieWilliam Rauschert and Carolyn A. AgostaThomas ReidHenrietta J. RollertPaula RoneyKathy and Donald RosenkransDavid RosentraterKathryn SpuhlerCarolyn Strand

In memory of Fran Seifert Karin Bond

Newman Endowment for Experiential & Cultural LearningIn honor of Margot and Allan FrankIn honor of Sue Anschutz Rodgers Beverlee Henry and Bob FullertonIn honor of Stephen Seifert Barbara Neal

In honor of Robert and Judi Newman Jennifer Newman

In honor of Robert and Judi Newman Kathy and Donald Rosenkrans

In honor of Cynthia Secor Adrian Tinsley

Gift certificates in any amount are available at the Newman Center Box Office and are redeemable for the purchase of tickets for any performance of the Newman Center Presents 2015–16 Season. They are perfect for birthdays, anniversaries, and special gifts year round! The Box Office is open 10 a.m.–4 p.m. Mon–Fri, 12 p.m.–4 p.m. Sat (Sep–May), and one hour before performances.

GIVE THE GIFT OF THE ARTS—GIFT CERTIFICATES!


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Porter Adventist Hospital is a member of Centura Health, Colorado’s largest hospital and healthcare network.Centura Health complies with the Civil Rights Act of 1964 and Section 504 of the Rehabilitation Act of 1973, and no person shall be excluded from participation in, be denied benefits of, or otherwise be subjected to discrimination in the provision of any care or service on the grounds of race, religion, color, sex, national origin, sexual preference, ancestry, age, familial status, disability or handicap. Copyright © Centura Health, 2013

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American higher education institutions play a critical role in the nation’s performing arts ecology. Of the approximately 4,000 colleges and universities in the United States, about 2,300 of them have a professional

“presented series” in the performing arts. The roots of some university presenting programs, such as the University Musical Society in Ann Arbor, reach back over 125 years. Often such programs were, at the beginning, simply a labor of love for an individual faculty member. Over the second half of the 20th century, such programs grew and became more organized and professional. Today, universities are among the most important patrons of the performing arts in the country. They commission artists to create new work, offer important residencies for artists to develop their work, share their knowledge and skills with students and communities, and present performances in their cities and towns that might not otherwise occur there.

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Co-commissioner, “Foreign Bodies,” by Diavolo Dance Theater, commissioned by the Los Angeles Philharmonic Orchestra, Esa Pekka Salonen, Music Director, and co-commissioned by the Carpenter Performing Arts Center, Cal State Long Beach

Co-commissioner, “Reign Forest,” by Robert Moses, co-commissioned by EcoArts Connections and Lincoln Center Fort Collins, performed by Robert Moses’ Kin Dance Company

Co-commissioner, “Provenance,” by Maya Beiser with composers from Israel, Palestine, Algeria, Morocco, Iran and the US, co-commissioned by The Carnegie Hall Corporation, The International Festival of Arts and Ideas, The Jerome Foundation, The Kathy Abelson Foundation, Ronald P. Stanton, NYFA, and NYSCA. Performed by Maya Beiser, cello, Jamey Haddad, percussion, Shane Shanahan, percussion, Bassam Saba, oud, and Shahrokh Yadegari, live electronics

Co-commissioner, “Bolero Colorado,” by Larry Keigwin, co-commissioned by EcoArts Connections and the Denver School of the Arts, performed by Keigwin + Company and Denver community performers

Co-commissioner, “Imaginary City,” by So Percussion, co-commissioned by Myrna Loy Center/Helena Presents, Flynn Center for the Performing Arts, The Cleveland Museum of Art, DiverseWorks, and National Performance Network

Commissioner, “NO one To kNOW one,” by Andy Akiho, performed by the composer and The Playground (Lamont School of Music Artists-In-Residence) during the Newman Center Presents’ Mile High Voltage Festival

Co-commissioner, “the wood & the vine,” by David Lang, co-commissioned by University of California, Riverside and Santa Fe Concert Association

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Commissioner, “Lifeboat No. 6,” by Payton MacDonald, performed by the composer, JACK Quartet and Young Voices of Colorado during Newman Center Presents’ Voltage 2012

Co-commissioner, “From Darkness to Light,” music by Ofer Ben-Amots, choreography by Garrett Ammon, co-commissioned by Ballet Nouveau Colorado, Central City Opera, Colorado Symphony Orchestra, Robert E. Loup Jewish Community Center, Mizel Arts and Culture Center, and performed as part of A Journey of the Human Spirit

Commissioner, solo, acoustical guitar version of Derek Bermel original work “Ritornello” performed by guitarist Mak Grgić

Co-commissioner, Dance yet to be named, choreography by Paul Taylor, and performed in its world premiere by Paul Taylor Dance Company

Co-commissioner, Musical work for voice and piano yet to be named, by Timo Andres, co-commissioned by Carnegie Hall, The Schubert Club, and Van Cliburn Foundation, performed by the composer and Gabriel Kahane

Co-commissioner, Musical work for voice and piano yet to be named, by Gabriel Kahane, co-commissioned by Carnegie Hall, The Schubert Club, and Van Cliburn Foundation, performed by the composer and Timo Andres.

BEHIND THE CURTAINThe Newman Center hand-selects each and every Presents performance, bringing to Denver entertaining, intriguing, and thought-provoking dancers, actors, and musicians. We invite you to join us for free Behind the Curtain discussions where artists, members of the ensembles, or experts in the field discuss anything from that evening’s program to the history and influences of the genre to key moments to watch and listen for during the performance.

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Talks are free, take place in June Swaner Gates Concert Hall, are open to the public, and start one hour before curtain. Tickets are not required for these pre-performance talks and no RSVP is necessary.

Please check the Newman Center event calendar for updates to Behind the Curtain and upcoming speaker announcements. (Speakers are subject to change.)

THE LAMONT SCHOOL OF MUSIC AND DEPARTMENT OF THEATRE

The University of Denver’s Lamont School of Music presents more than 300 concerts a year. Complimentary performances include concerts by the symphony orchestra, choirs, wind ensemble, soloists, jazz ensembles, and steel drum ensemble. Some of these concerts require free tickets. Complimentary tickets are available in person at the Newman Center Box Office or may be reserved online or by phone for a small service charge at www.newmantix.com or 303.871.7720.

Again this season, $5 reserved seats in the Parterre section may be purchased for Lamont Symphony Orchestra concerts. In addition to free concerts, faculty recitals and guest artist performances are presented with a $10 ticket price. DU students, Pioneer Card holders, and other students with valid ID are complimentary.

Fall and Spring Lamont Operas and Musicals, Guys and Dolls and Cosí fan tutte, are reserved seating ranging from $11 to $30.

Summer and holiday carillon concerts are presented on the Ritchie Center lawn by artists from around the nation.For information, visit www.du.edu/lamont or call the concert line at 303.871.6412. Follow us on Facebook, Twitter, and YouTube.

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DU’s Department of Theatre offers students the ability to take part in numerous productions throughout the academic year, including a full slate of student-created productions, all of which are open to the public.

For the 2015-16 season, The Department of Theatre will present:• A staged reading of Columbinus by Stephen

Karam and PJ Paparelli (Sep 2015, Byron Theatre)

• Fall Quarter’s main stage productions of Bad Jews by Joshua Harmon (Oct 2015, White Box Theatre at J-MAC) and Two Rooms by Lee Blessing (Oct and Nov 2015, Byron Theatre)

• A staged reading of Hir by Taylor Mac (Jan 2016, Byron Theatre)

• Winter Quarter’s main stage productions of Eurydice by Sarah Ruhl (Feb 2016, Byron Studio in the Newman Center) and Little Shop of Horrors; book and lyrics by Howard Ashman, music by Alan Menken (Feb & Mar 2016, Byron Theatre)

• A stage reading of In the Next Room (or The Vibrator Play) by Sarah Ruhl (Apr 2016, Byron Theatre)

• Spring Capstone Cycle—Cycles 1 and 2: Senior Capstone Productions (Apr & May 2016, J-MAC Studios)

• Independent student productions throughout the year

• Call 303.871.2518 or visit www.du.edu/theatre for information about all Department of Theatre events.

Tickets for Lamont and Theatre productions can be purchased at the Newman Center Box Office, Monday-Friday, 10 a.m. – 4 p.m. and Saturday, 12 p.m. – 4 p.m. (Sep-May), by phone at 303.871.7720, or online at www.newmantix.com. (Phone and online orders are subject to service fees.)

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DU ENRICHMENT PROGRAM ADULT COURSES FOR

THE INTELLECTUALLY AND CULTURALLY CURIOUS

The Enrichment Program of University College, DU’s college of professional and continuing studies, connects the intellectually and culturally curious adult to DU’s outstanding faculty, facilities, and programming, and Denver’s rich cultural community through non-credit classes. Hand-picked scholars, classes that often include a special experience or event, discerning participants engaged in serious discussions, no grades, exams, or admission requirements—these are the ingredients that make the Enrichment Program so popular. The Newman Center proudly partners with the Enrichment Program to bring you innovative courses like you’ve never experienced before. Meet with DU’s expert faculty, gather with like-minded adults to embark on a unique and meaningful journey, and connect with Denver’s rich cultural community. Check program inserts for upcoming Newman Center-related classes. Fall 2015 registration is available now for classes held September through early-December, and Winter/Spring 2016 offerings, held mid-January through mid-May, will be announced in early December. To view and register for courses across a wide range of subjects, please call 303.871.2291 or visit www.universitycollege.du.edu/enrichment.

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MEET ROBERT AND JUDI NEWMANThese avid philanthropists, and winners of the 2014 Colorado Business Committee for the Arts’ John Madden Jr. Leadership Award, smile when they remember becoming involved in the campaign to create an

outstanding center for the performing arts at the University of Denver. Daniel L. Ritchie, then chancellor, invited Judi to head the effort when the Center was only a dream. Later, the Center was named in the couple’s honor. The couple’s passion for performing arts and education harmoniously intersected with the Newman Center, which is home to exceptional performance venues and DU’s Lamont School of Music and Department of Theatre. “Dan Ritchie has often said that love is the principal ingredient in any successful building,” says Judi. “The Newman Center, as well as the University’s many other new buildings, show just how true that is.” The Newmans appreciate the masterful collaboration between Ritchie and DU Architect Emeritus Cabell Childress, and the expertise of Joseph Docksey, then director of the Lamont School, and William Temple Davis, then chairman of DU’s Department of Theatre. They delight in the superb array of Newman Center Presents’ programs presented by Executive Director Stephen Seifert. Prominent in Denver’s cultural community, the Newmans serve on many boards. Among those, Bob is a Trustee of the Denver Center for the Performing Arts and the Denver Art Museum. He is a former member of DU’s Board of Trustees and currently serves on the Daniels School Executive Advisory Council. Judi sits on the Visiting Committee for the Frost School of Music, the Academic Affairs Committee, and the Board of Trustees of the University of Miami. “Each year brings more recognition to this venue and its world-class programs,” says Bob. “Judi and I are delighted to be part of the University of Denver community.”

THE POWER OF MEMBERSHIP = MAKING A DIFFERENCE

Our mission is to make the best performing arts programming available to our community. To do this, our ticket prices are held at a level that covers less than half of the true costs of our programming, operations, and maintenance. The difference is made up by your generous membership support.

Your membership to the Newman Center makes it possible for us to present the best in performing arts from around the world, provide student discounts and master classes for both university and K-12 students, and sustain a landmark facility recognized worldwide for its excellence. Please join the community of members with a fully tax-deductible membership that makes everything we do possible.

BECOME A NEWMAN CENTER MEMBER

Annual Membership starts for as little as $50, but the more you choose to give, the greater the difference you will make. (See below about the matching grant opportunity to double the value of your gift.) A portion of your Membership may be tax deductible. To become a Newman Center Member or for more information about our Membership program, please contact the Newman Center Box Office, Mon – Fri, 10 a.m. – 4 p.m.; Saturday , 12 p.m. – 4 p.m. (Sept – May), or at 303.871.7720.

Newman Center Membership Levels*

BENEFACTOR- $5,000All Partner Membership benefits, plus:• Exclusive post-performance “meet the

artist” and drinks with one visiting artist during the 2015-16 season (pending artist availability

• Two (2) complimentary Pick-Your-Own 3 guest subscriptions (3 shows total) to Newman Center Presents 2015-16 season shows

PARTNER - $1,000All Sponsor Membership benefits, plus:• Two (2) additional complimentary guest

passes to a Newman Center Presents performance of your choice in the 2015-16 season

• Invitation to pre-performance and intermission receptions for each Newman Center Presents performance (hosted bar and hors d’oeuvres)

SPONSOR - $500All Supporter Membership benefits, plus:• Invitation to a backstage tour• Two (2) complimentary guest passes to a

Newman Center Presents performance of your choice in the 2015-16 season

SUPPORTER - $200All Contributor Membership benefits, plus:• Four (4) additional complimentary drink

vouchers for any Newman Center Presents performance in the 2015-16 season

• Two (2) Orchestra seats to a Lamont School of Music Opera production (excludes annual musical) or a Theatre Department production of your choice (dates subject to availability)

CONTRIBUTOR - $100All Friend Membership benefits, plus:• Two (2) complimentary drink vouchers for

any Newman Center Presents performance in the 2015-16 season

FRIEND - $50• Priority notification of subscription

renewal dates• Priority notification of single ticket sale dates• Recognition in each performance program

for Newman Center Presents performances• Subscription to Curtain Call

*The amount paid for your Membership is tax deductible minus the fair market value of benefits received. If you decline all benefits, the entire amount of your Membership is tax deductible. Deductible amounts with benefits are: Friend - $50; Contributor - $94; Supporter - $142; Sponsor - $366; Partner - $690; Benefactor - $4,474.



MATCHING SUPPORT FOR THE PERFORMING ARTS

DU has committed $5 million to match every new gift of $10,000 or more in the Campaign for the Performing Arts. Your gift can be personalized and designated for a wide range of purposes, including endowment of Newman Center Presents programming and educational residency activities. During this campaign, the university is also matching any binding and future gifts from your estate.

We urge you to take advantage of this exceptional opportunity. Your contribution makes it possible to support the work of artists as they develop and present eclectic, inspirational, and thought-provoking performances.

To discuss DU’s Campaign for the Performing Arts, please contact Kellyn Smith, Senior Director of Development, [email protected] or call 303.871.4472.

WHAT GIFT DOLLARS CAN REALLY DOThank you to the generous donors who have created permanent endowments to support Newman Center Presents: Beverlee Henry and the Honorable Robert Fullerton (Newman Center Endowed Fund for Experiential and Cultural Learning), Celeste Grynberg (The Grynberg Family Endowment for Dance Programming), The Gay and Lesbian Fund for Colorado (The Gay and Lesbian Fund for Colorado Endowment for Diverse and Innovative Music), and Porter Adventist Hospital (The Porter Adventist Hospital Endowment for the Performing Arts).

During the 2015-16 season, these funds and other specific gifts and grants noted will help make the following programming a reality:

• Educational residency work and master classes with Twyla Tharp, Vertigo Dance, Brooklyn Rider, Kyle Abraham, S -o Percussion, Paul Taylor Dance, Metropolitan Opera Rising Stars, globalFEST On the Road, Gabriel Kahane

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and Timo Andres, Julian Lage and Chris Eldridge, and Billy Childs are supported in part by The Newman Center Endowed Fund for Cultural and Experiential Learning and grants from WESTAF.

• Twyla Tharp, Vertigo Dance, Kyle Abraham/Abraham.In.Motion, and Paul Taylor Dance are supported in part by The Grynberg Family Endowment for Dance Programming, a gift from Roger and Meredith Hutson, a grant from MDC Holdings/Richmond American Homes Foundation, and a grant from the National Dance Project of the New England Foundation for the Arts

• Brooklyn Rider, S -o Percussion with Shara Worden, and Gabriel Kahane with Timo Andres are supported in part by The Gay and Lesbian Fund for Colorado Endowment for Diverse and Innovative Music.

• All Newman Center Presents programming is supported in part by The Porter Adventist Hospital Endowment for the Performing Arts.

• Paul Taylor Dance and Gabriel Kahane with Timo Andres are supported in part by grants from The Antonia and Vladimer Kulaev Cultural Heritage Fund.

If you are interested in supporting Newman Center Presents, please contact Kellyn Smith, Senior Director of Development – Arts, Humanities and Social Sciences, [email protected] or call 303.871.4472.

If you work with a local organization or Denver-area K-12 school and would like to learn more about how Newman Center Presents artists might provide educational activities for your school or group, please contact Amanda Swartzbaugh, Event Manager, at [email protected] or call 303.871.2862. Please include the following: your name and position, name of organization or school, types of activities you may be interested in (e.g. jazz, dance, world music, vocal…), email address, and phone number.

THE LASTING DIFFERENCE MADE BY ENDOWMENT GIFTS

The construction of the Newman Center and all its public and backstage spaces was only possible because of generous donors, many of whose gifts have been recognized through the naming of spaces. Moreover, continued gifts to and income from the Newman Center Building Endowment help ensure constant care and upkeep of our world-class venues and state-of-the-art systems.

To maintain this excellence, the Newman Center Building Endowment needs to grow, and many naming opportunities remain for your gift to the Endowment.

Your gift to name a space in the Newman Center offers lasting recognition of your support of the Newman Center’s programming, operations, and facilities. Both current and testamentary gifts to the Newman Center Building Endowment are welcome. If you have already included the Newman Center in your estate, please let us know so that we may appropriately thank you.

If you would like more information about how to make a lasting difference to the Newman Center Building Endowment, to Newman Center Presents, or to help the Newman Center continue to make a lasting contribution to the performing arts in our community, please contact Kellyn Smith, Senior Director of Development – Arts, Humanities and Social Sciences, [email protected] or call 303.871.4472.

DONOR ACKNOWLEDGEMENTSThe Newman Center for the Performing Arts would like to express its gratitude to the following individuals and organizations who have given generously in 2014–15 (July 2014–June 2015) to support the Newman Center’s Scholarship, Maintenance, Operations and Programming, and Marketing Funds, the Newman Center Endowments discussed earlier, and Newman Center Memberships initiated during this time period:

Newman Center DonorsBonfils-Stanton FoundationCharmatz FamilyCommunity First FoundationHerschel and Barbara CravitzMax E. DonaldsonGeoffrey GordonBarbara Jean HamiltonAndrew HornbrookMeredith Black and L. Roger HutsonMDC/Richmond American Homes FoundationMontjoy C. and Frank A. KugelerAntonia & Vladimer Kulaev Cultural Heritage Fund, Inc.Susan Harriet MartinYolanda McAllisterDouglas G. and Laura B. MoranBarbara Neal and Ed EllisTracy PaigeForest O. PenetonKathy A. and Donald D. RosenkransRuth SchoeningStephen W. SeifertCarolyn StrandJ. Alton and Dorothy J. TemplinJoan B. WohlgenantJanalynn Sau Wong

In memory of Fran Seifert Karin Bond

In honor of Dee Getchel Frances H. and James W. Cosby

In honor of Beverlee Henry and the Honorable Robert Fullerton In honor of Robert and Judi Newman M Allan and Margot Gilbert Frank

In honor of Susanne W. Hamilton, Edith Berliner, and Max Wilmersdoerffer Barbara Hamilton and Paul Primus

Newman Endowment for Experiential & Cultural Learning In honor of Margot and Allan Frank In honor of Sue Anschutz Rodgers Beverlee Henry

In honor of Robert and Judi Newman Jennifer Newman

In honor of Jane Quinette Stephen W. Seifert and Davol G. Tedder

In honor of Cynthia Secor Adrian Tinsley

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PATRON INFORMATION

• The Newman Center for the Performing Arts is fully accessible to patrons in wheelchairs and to those with other special needs. Patrons needing accommodations for a disability should call the Box Office as early as possible at 303.871.7720.

• Parking is available in the Newman Center parking garage (complimentary for all Newman Center Presents events). Patrons are advised not to park in the neighborhood, as most side streets have one-hour parking only.

• Food and beverages are prohibited in the seating areas of all theatres.

• No audio, photographic, or video equipment of any kind is allowed in the performance venues.

• Artists and programs are subject to change without notice.

• All sales are final. No refunds or exchanges.• Patrons are encouraged to call the Newman

Center for information on the suitability of events for children.

• The University of Denver is a smoke-free campus. Smoking is permitted only in the designated smoking area on S. York Street, south of the loading dock.

2014-2015 MEMBERS

BENEFACTORSBeverlee Henry

PARTNERSMargot Gilbert and M Allan FrankStephen W. SeifertDavol G. Tedder

SPONSORSGordon Appell Family Charitable FundDiana W. and Mike KinseyDavid R. and Florence Lynn LinkePaula J. MeadowsSean and Natalie Raborn – PowerQuip

SUPPORTERSCarolyn A. Agosta and William RauschertLeslie Smith BeltramiMary Jo CraigeKathryn HeetMarian D. LauterbachMichael E. Leighton – Sage Family FundDavid R. LinkeW. Peterson Nelson – Nelson Family FoundationJean and Ed OnderkoRichard K. Replin and Elissa Rae SteinGene E. and Nancy M. RichardsKathryn SpuhlerWilliam A. Stolfus and Andrea G. RichardsonAdrian Tinsley

CONTRIBUTORSRobert M. and Carole Cantor AdelsteinLisa AllenMary BrothersCharlene S. ByersJoel S. Cohen and Kathryn L. OberdorferGeoffrey G. GordonJames P. HayesRoger L. and Suzanne O. KinneySusan Harriett MartinWilliam MohrmanMike MooreJennifer NewmanDonovan and Phyllis RiegerPaula RoneyDavid RosentraterRuth Elaine SchoeningSusan Deese TracyCarol A. WilsonJeffrey Zax

FRIENDSKenneth A. and A. Louise BeardKarin BondThomas N. ButlerHilary CarsonMatt ChalekFrances H. CosbyRussel R. DeWittKatherine A. Dines and David Hunter MillerMiriam FarringtonPamela Herring and Martin EisenbergRobyn JacobsRoss and Vicki KazerJim LeNoirSarah LincolnIsabelle MarquesMark PallerSally G. PlummerKaren J. ShawJenene C. and James J. StookesberryKalli Van Maaren

(Gifts and memberships received on and after July 1, 2015 are acknowledged in the show insert in the middle of the program.)

NEWMAN CENTER PRESENTS GRATEFULLY ACKNOWLEDGES THE FOLLOWING GENEROUS MULTI-YEAR SUPPORT:

THE GRYNBERG FAMILY ENDOWMENT FOR DANCE PROGRAMMING

THE NEWMAN CENTER FUND FOR EXPERIENTIAL AND CULTURAL LEARNINGestablished by Beverlee Henry and Hon. Robert Fullerton

THE PORTER ADVENTIST HOSPITAL ENDOWMENT FOR THE PERFORMING ARTS

THE GAY & LESBIAN FUND FOR COLORADO ENDOWMENT FOR DIVERSE AND INNOVATIVE MUSIC

THE NEWMAN CENTER FOR THE PERFORMING ARTS ENDOWMENTwith lead funding from the Lewis D. & John J. Gilbert Foundation, the John J. and Margaret R. Gilbert Foundation, the Clinton Family Fund, and Margot Gilbert Frank – for support of special programs and major projects

L. ROGER AND MEREDITH HUTSONgift for the expansion and support of Newman Center Presents dance programming

DONOR ACKNOWLEDGEMENTS(continued)

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