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In-Theater Magazine Produced For The Colorado Symphony
56
THE MAGAZINE OF THE COLORADO SYMPHONY Volume 13 Number 4
Transcript
  • T H E M A G A Z I N E O F T H E C O L O R A D O S Y M P H O N Y

    Volume 13 Number 4

  • PERSONAL | BUSINESS | WEALTH MANAGEMENT

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  • PERSONAL | BUSINESS | WEALTH MANAGEMENT

    Not all dreams involve painting white picket fences.

    At U.S. Bank, we believe now is as good a time as ever to start on your goals. Thats why we offer competitive products and services that help you find your possible. So you feel confident in your finances, smart about your plans and secure that you dont have to do it alone.

    Retirement living in Highlands Ranch is now even better. Announcing 74 new apartment homes with open layouts and stunning views. They come in addition to a new pub,

    caf, and salonplus a brand new clubhouse with a steakhouse,

    catering room, and Arts and Enrichment Center coming soon.

    Call 303-586-1109 to request a free brochure or schedule a tour

    of the new model homes.

    Wind Crest, Inc., a nonprofi t organization, is solely responsible for fulfi lling fi nancial responsibilities to residents under the contract. Wind Crest is within the network of communities developed and managed by Erickson Living.

    1070

    9517

    NOWOPEN

    at Wind Crest

    Highlands Ranch

    EricksonLiving.com

  • Welcome

    SPOTLIGHT

    Beyond the Concert Hall

    COLORADO SYMPHONY

    Orchestra

    COLORADO SYMPHONYBoard of Trustees

    COLORADO SYMPHONY

    Staff

    2016

    Sounds of Summer

    How a SymphonySeason is Born

    2016-2017

    Season Schedule

    MUSICIAN SPOTLIGHT

    Susan Cahill

    COMMUNITY

    Support

    10

    9

    8

    6

    12

    14

    16

    20

    25

    SOUNDINGS 2015-2016

    SOUNDINGS 2015-2016 | COLORADOSYMPHONY.ORG4

    Colorado Symphonys Tony Pierce and Bob Neu talk about everything that goes into bringing a new season to life.

    page 16

    B E H I N D T H E S C E N E S I N T E R V I E W:

    HOW A SYMPHONY SEASON IS

    BORN

    18

  • 6 SOUNDINGS 2015-2016 | COLORADOSYMPHONY.ORG

    WELCOME

    Hello and thank you once again for joining my fellow orchestra members and me for another concert here at the Colorado

    Symphony.

    As we enjoy the heart of the Colorado Symphonys 15/16 season, we are already excited about announcing our next season of concerts. In the coming 16/17 season, well be presenting some of our favorite Masterworks programs, exploring more Geek and Pops concerts than ever before, and mixing genres together in a way that is sure to bring the music-loving community together like never before.

    Building a new season is a truly a collaborative process between the Music Director, the Artistic Committee Committee of which I am a member, the artistic administrators in liaison with all the invited artists, the marketing team, and many others that all come together to bring you a season full of great music.

    I am especially thrilled about the world premiere of the Daniel Kellogg violin concerto called Rising Phoenix. Its a special honor to have a wonderful and talented composer write a piece of this magnitude specifically for me and the Colorado Symphony. To be a part of the creative process, from inception to birth, is very exciting! Daniel Kellogg has found inspiration from the story of the Phoenix - a magical bird of fire found in thousands of years of mythology spanning the globe in numerous cultures and religions. The solo violin will be featured as the voice of the phoenix in a five movement concerto. We hope to be able to keep you updated on its progress and please join us for the world premiere in October.

    Speaking from the musicians vantage point, we are so happy to see you in the audience. Our hard work only truly comes alive with you here participating with us. We are grateful for your continued support and participation, and look forward to seeing you again in the 2016/17 season!

    Yumi Hwang-Williams, Concertmaster

  • SPOTLIGHT

    SOUNDINGS 2015-2016 | COLORADOSYMPHONY.ORG8

    Beyond the Concert Hall

    Remix Remix is a community that engages, inspires and connects young professionals with the Colorado Symphony. Join a community of young symphony-goers to share in Colorado Symphony performances, happy hours around town, and special events unlike any youve ever seen.

    Beethoven and BrewsEnjoy an exclusive beer tasting paired with light hors doeuvres and the sounds of a Colorado Symphony small ensemble performed in breweries around the city. Beethoven and Brews features an ensemble performance and four 4 oz. samples of beer from your favorite local breweries. Limited room per event, buy your tickets early!

    Women of NoteWomen of Note is a membership group of goodwill ambassadors for the Colorado Symphony, encouraging individuals and organizations to attend concerts and provide financial support to the regions premier performing arts organization. More than 95% of the funds raised through membership fees provide direct salary support to one distinguished female Colorado Symphony musician each year.

    Colorado Symphony 5k Run/WalkLeave your headphones at home and help the Colorado Symphony kick off its 2016/17 concert season by participating in the Colorado Symphony 5K Run/Walk on Saturday, September 17th at Sloans Lake Park. Put a team together; bring your family, friends and pets, and join us for a fun-filled event featuring live music along the course.

    Learn more and volunteer at:coloradosymphony.org/events

  • SOUNDINGS 2015-2016 | COLORADOSYMPHONY.ORG 9

    COLORADO SYMPHONY

    ANDREW LITTONMUSIC DIRECTOR

    MARIN ALSOPCONDUCTOR

    LAUREATE

    CHRISTOPHER DRAGON

    ASSOCIATE CONDUCTOR

    ANDRES LOPERAASSISTANT CONDUCTOR

    DUAIN WOLFECHORUS DIRECTOR

    KYM

    TH

    OM

    SON

    DA

    NN

    Y TU

    RNER

    VIOLINYumi Hwang-WilliamsConcertmaster

    The Mary Rossick Kern & Jerome H. Kern Concertmaster Chair

    Claude SimAssociate Concertmaster

    Yi ZhaoAssistant Concertmaster

    Ben Odhner Fixed 4th Chair

    Paul PrimusPrincipal Second

    Allegra WermuthAssistant Principal Second

    Alessandra Jennings Flanagan

    Fixed 3rd ChairLarisa FesmireThomas HanulikWyn HartJohn HiltonAnne-Marie HoffmanMyroslava

    Ivanchenko-BartelsDorian KincaidKaren KinzieMark LampreyMiroslaw PastusiakErik Peterson Felix Petit + Robert StoyanovDelcho TenevAmy TysonVioletta Todorova+Bradley Watson Tena White

    VIOLABasil Vendryes*

    PrincipalCatherine Beeson

    Assistant PrincipalMary Cowell

    Fixed 3rd Chair Charlyn CampbellMarsha Holmes

    Leah KovachHelen McDermottSummer Rhodes + Kelly ShanafeltPhillip Stevens

    CELLOSilver Ainome

    PrincipalAustin Fisher

    Assistant PrincipalJudith Galecki

    Fixed 3rd ChairSusan Rockey BowlesDanielle Guideri Thomas Heinrich Margaret HoeppnerMatthew SwitzerSusan Yun

    BASSBrandon McLean

    Principal Nicholas Recuber

    Assistant PrincipalJohn ArnesenSusan Cahill James CarrollKarl Fenner *Jeremy KincaidSteven Metcalf +

    FLUTEBrook Ferguson

    PrincipalCatherine Peterson

    2nd / Assistant Principal

    Julie Duncan Thornton

    PICCOLOJulie Duncan Thornton

    OBOEPeter Cooper

    PrincipalThe Irene & David AboschPrincipal Oboe Chair

    Monica Hanulik2nd / Assistant Principal

    Jason Lichtenwalter

    ENGLISH HORNJason Lichtenwalter

    CLARINETJason Shafer

    Principal Abby Raymond

    2nd / Assistant Principal

    Andrew Stevens

    E-FLAT CLARINETAbby Raymond

    BASS CLARINETAndrew Stevens

    BASSOONChad Cognata

    PrincipalTristan Rennie

    2nd / Assistant Principal

    Roger Soren

    CONTRA-BASSOONRoger Soren

    HORNMichael Thornton

    PrincipalCarolyn KunickiKolio Plachkov

    3rd / Associate Principal

    David BrusselAustin Larson

    Assistant Principal

    TRUMPETJustin Bartels

    PrincipalPhilip Hembree

    2nd / Assistant Principal

    Patrick TilleryAssociate Principal

    TROMBONEJohn Sipher

    Principal Paul Naslund

    2nd / Associate Principal

    Gregory Harper

    BASS TROMBONEGregory Harper

    TUBAStephen Dombrowski

    Principal

    HARPCourtney Hershey Bress

    Principal

    TIMPANIWilliam Hill

    PrincipalSteve Hearn

    Assistant Principal

    PERCUSSIONJohn Kinzie

    PrincipalChair Endowed by a Friend of theColorado Symphony

    Steve HearnMichael Van Wirt

    ORCHESTRA LIBRARIANJoanne Goble

    PrincipalJonathan Groszew

    Assistant

    + = One year replacement* = On leave

  • 10 SOUNDINGS 2015-2016 | COLORADOSYMPHONY.ORG

    OFFICERSJerome H. Kern ,

    Co-ChairDr. Mary Rossick Kern,

    Co-ChairStephanie Donner, Esq.

    TreasurerSusan Bowles,*

    Secretary

    TRUSTEESDr. Paula P. BernsteinElaine Brickman Susan Cahill*Young ChoJim CopenhaverJason Crow Zachary D. Detra, Esq. BJ DyerSandy ElliottBrook Ferguson*Jack Finlaw Dr. Everette J. Freeman Dr. Michael G. GundzikDiane S. Hill, Ph.D Dr. John Hilton*Yumi Hwang-Williams*Kathleen Johnson, Esq.

    Brooks KanskiJohn Kinzie*Richard KylbergEvan LaskyPaul Lopez Jonathan Masoudi,

    M.D Patrick C. McKinstry,

    Esq.Joe Neguse, Esq. Kolio Plachkov*Julie RubsamJason Shafer*Jim ShpallEric Sondermann Barbara Springer Lynne Valencia Basil Vendryes*Wellington Webb

    * Colorado Symphony Musician Trustee

    EX-OFFICIO TRUSTEESAndrew Litton

    Colorado Symphony Music Director

    Mary Neidig President, Colorado Symphony Guild

    Ginger White City and County of Denver, Arts & Venues

    EMERITUS TRUSTEESWilliam K. CoorsJohn LowDr. W. Gerald RainerLee Yeingst

    HONORARY TRUSTEESGovernor John W.

    Hickenlooper Mayor Michael B.

    HancockChristopher J. Ott, MD

    ASSOCIATE BOARDOFFICERSJackson Stevens, ChairCharlie Siebert,

    Outgoing ChairObe Ariss,

    Vice Chair

    Bridget McNeil, Secretary

    Nick Recuber, Musician Chair

    Drew Frey, Communications Chair

    Jocelyn Hittle, Membership Chair

    ASSOCIATE BOARD MEMBERSWhitney ArissAndrea CoplandRachel EllisSara HareGerry HeiseWilliam KowalskiSarah ParmleyChris StromKelly WaltripRachel Yeates

    BOARD OF TRUSTEES

    tickets: coloradosymphony.org 303.623.7876

    Magical Music of Harry PotterAPR 10 SUN 1:00 Boettcher Concert Hall

    80s Mix Tape with the Colorado SymphonyAPR 21 THU 7:30Boettcher Concert Hall

    Christopher Dragons

    ClassicalTop 40MAY 7 SAT 7:30Boettcher Concert Hall

    Just announced!

  • SOUNDINGS 2015-2016 | COLORADOSYMPHONY.ORG 11

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  • 12 SOUNDINGS 2015-2016 | COLORADOSYMPHONY.ORG

    STAFFJerome H. Kern

    Chief Executive OfficerCoreen Miller

    Chief Financial OfficerAndrew Litton

    Music DirectorRobert Neu

    Senior Vice President of Artistic Planning

    Anthony Pierce Senior Vice President of Program Innovation

    Christina Carlson Vice President of Development

    David Aeling Production and Stage Manager

    Catherine Beeson Director of Community and Education Programs

    Larry Brezicka Orchestra Personnel Manager

    Annette Brown Staff Accountant

    Aric Christensen Audio Engineer

    Sherri Colgan House Manager

    Stephanie Derybowski Manager of Digital Media

    Christine Devereaux Special Events Planner

    Christopher Dragon Associate Conductor

    Susan Ellis Executive Administrator & Board Liaison

    Molly Epstein Group Sales Manager

    Joanne Goble Orchestra Librarian

    Jonathan Groszew Assistant Orchestra Personnel Manager / Assistant Librarian

    Deborah Guess Properties Master

    Gerry Heise Director of Major Gifts

    Philip Hiester Master Electrician

    John Hilton Development Liason

    Eric Israelson Chorus Manager

    Susan Kelly Director of Sales and Patron Services

    Christopher Kirkland Master Carpenter

    Kyle Kamrath Manager of Artistic Operations

    Matt Krupa Application Administrator

    Andres Lopera Assistant Conductor

    Ian MacIntyre Manager of Patron Services

    Jessica Mays Artistic Coordinator

    Seth McNew Director of Public and Community Relations

    Shari Myers Education Coordinator

    Parker Owens Director of Marketing

    Mike Pappas New Media Center

    Barbara Porter Assistant Chorus Manager

    Paula Rossin, Staff Accountant

    Emily Scott Artistic Administrator

    Park Wm. Showalter House Manager

    Norma Theisen Director of Finance and Controller

    Kate White Development Administrative Assistant

    Doug Yost Director of Information Services

    Suzanne Yuzer Development Associate

    Patron Services AssociatesAmanda Cantu Brian GoetzingerAlexis Kittner

    Lead Patron Services Associate Michael MrkacekRobert Steiger

    Lead Patron Services Associate Nilgen VelazcoGeorge Ward Robert Warner

    Senior Patron Services Associate and Symphony Concierge

    Lindsey White

    THE SYMPHONY FUNDStephen M. Brett, PresidentNorman L. Wilson, TreasurerJeffrey Davine, SecretaryJerome H. KernGregg O. KvistadKaren H. Long

    COLORADO SYMPHONY GUILD OFFICERSMary Neidig

    PresidentSusan Seitz

    President-ElectConstance Bender

    Recording SecretaryJ. Rene Gash

    Corresponding SecretaryDonna Connolly

    TreasurerSara Moore

    Assistant TreasurerLinda Ackerman

    Vice-President of FundraisingMaureen Solomon

    Vice-President of Information Management

    Sharon Reimer Vice-President of Membership

    Deanna Leino Vice-President of Music Education

    Janet Weisheit Parliamentarian

    Sharon Reimer Immediate Past President

    Maureen Solomon Mentor to the President

    Boettcher Concert HallDenver Performing Arts

    Complex1000 14th Street, Box #15Denver, CO 80202Phone: 303.292.5566Fax: 303.293.2649

    Email: [email protected]

    Tickets:303.623.7876coloradosymphony.org

    COLORADO SYMPHONY STAFF

  • SOUNDINGS 2015-2016 | COLORADOSYMPHONY.ORG 13

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    Colorado Remembers

    May 28 - 2:00pm Join us for a full day of family-friendly events,

    including a FREE Denver Brass concert withSound of the Rockies Chorus, Steven Taylor, &

    Celtic Colorado Pipes and Drums

    At The Colorado Freedom Memorial

    Find out more:www.DenverBrass.org

  • The Flaming Lips with the Colorado SymphonyMAY 26 THU 7:30Red Rocks Amphitheatre T I C K E T S : axs.com

    DeVotchKa with the Colorado Symphony and special guest Josh BlueJUN 16 THU 7:30 Red Rocks Amphitheatre T I C K E T S : coloradosymphony.org

    Family Friendly Fourth of July with the Colorado SymphonyJUL 4 MON 7:30Fiddlers Green Amphitheatre T I C K E T S : axs.com

    Arvada Center 40th Anniversary ConcertJUL 9 SAT 7:30Arvada Center Outdoor Amphitheatre Tickets: arvadacenter.org

    Chris Botti and Joshua Bell with the Colorado SymphonyJUL 24 SUN 7:30 Red Rocks Amphitheatre T I C K E T S : axs.com

    Mozart Under MoonlightJUL 29 FRI 7:30Arvada Center Outdoor Amphitheatre T I C K E T S : arvadacenter.org

    Jerry Garcia Symphonic Celebration featuring Warren Haynes and the Colorado SymphonyAUG 1 MON 7:30 Red Rocks Amphitheatre T I C K E T S : axs.com

    Light Up with Styx and the Colorado SymphonyAUG 29 MON 7:30 Red Rocks Amphitheatre T I C K E T S : axs.com

    Smokey Robinson with the Colorado SymphonySEP 3 SAT 7:30Fiddlers Green Amphitheatre T I C K E T S : axs.com

    THE FLAMING LIPSPERFORM THEIR MASTERPIECE ALBUM

    The Soft BulletinTHURSDAY MAY 26TH 2016

    RED ROCKS AMPHITHEATRE

    FEATURING The Colorado Symphony Orchestra WITH CONDUCTOR ANDR DE RIDDER

    ALL HUMANS ARE URGED TO ATTEND

  • SOUNDINGS 2015-2016 | COLORADOSYMPHONY.ORG 15

    The Flaming Lips with the Colorado SymphonyMAY 26 THU 7:30Red Rocks Amphitheatre T I C K E T S : axs.com

    DeVotchKa with the Colorado Symphony and special guest Josh BlueJUN 16 THU 7:30 Red Rocks Amphitheatre T I C K E T S : coloradosymphony.org

    Family Friendly Fourth of July with the Colorado SymphonyJUL 4 MON 7:30Fiddlers Green Amphitheatre T I C K E T S : axs.com

    Arvada Center 40th Anniversary ConcertJUL 9 SAT 7:30Arvada Center Outdoor Amphitheatre Tickets: arvadacenter.org

    Chris Botti and Joshua Bell with the Colorado SymphonyJUL 24 SUN 7:30 Red Rocks Amphitheatre T I C K E T S : axs.com

    Mozart Under MoonlightJUL 29 FRI 7:30Arvada Center Outdoor Amphitheatre T I C K E T S : arvadacenter.org

    Jerry Garcia Symphonic Celebration featuring Warren Haynes and the Colorado SymphonyAUG 1 MON 7:30 Red Rocks Amphitheatre T I C K E T S : axs.com

    Light Up with Styx and the Colorado SymphonyAUG 29 MON 7:30 Red Rocks Amphitheatre T I C K E T S : axs.com

    Smokey Robinson with the Colorado SymphonySEP 3 SAT 7:30Fiddlers Green Amphitheatre T I C K E T S : axs.com

    THE FLAMING LIPSPERFORM THEIR MASTERPIECE ALBUM

    The Soft BulletinTHURSDAY MAY 26TH 2016

    RED ROCKS AMPHITHEATRE

    FEATURING The Colorado Symphony Orchestra WITH CONDUCTOR ANDR DE RIDDER

    ALL HUMANS ARE URGED TO ATTEND

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  • SOUNDINGS 2015-2016 | COLORADOSYMPHONY.ORG16

    Colorado Symphonys Senior Vice President of Innovative Planning, Tony Pierce, and Senior Vice President of Artistic Planning, Bob Neu, talk about everything that goes into bringing a new season to life.

    By Seth McNew

    The Colorado Symphony has more than 90 performances under more than 43 different concert titles planned for its 2016/17 season. Before a performance can ever be announced, years of planning go into selecting the concert titles, conductors, guest artists, repertoire, dates, and many other aspects of the performance. In this interview, Tony Pierce and Bob Neu draw back the curtain on what it was like to create the Colorado Symphonys recently released 2016/17 season.

    B E H I N D T H E S C E N E S I N T E R V I E W:

    HOW A SYMPHONY SEASON IS BORN

  • SOUNDINGS 2015-2016 | COLORADOSYMPHONY.ORG 17

    Who all is involved with building an upcoming season?Bob: It starts with the Music Director and orchestras Artistic Committee, a group of artistic

    staff and musicians. Then other staff including Artistic, Marketing, Public Relations and Finance all start to refine the ideas keeping in mind saleability, budget and community interest. We also bring in Development to look at funding possibilities. Its really a company-wide effort.

    Tony: The Artistic Committee then remains engaged throughout the entire process. The calendar is important, so we have to make sure that the series are in place, the artists are available, and the work load of the orchestra is managed meaning we work with artists managers and our own personnel manager. We even engage City of Denver planners to make sure that we schedule concerts that coincide with certain city-wide events or avoid others that would make it difficult for our patrons to get to the hall.

    How long ago did you start the planning process, and when was it finally set?Bob: We start about two years in advance. Were already well into planning for the 17/18

    season at this point. We work to have a season finalized by late November of each season so that Marketing can begin work on the brochure in order to have a February announcement.

    Tony: It can be even longer than that sometimes I have holds on the Red Rocks Amphitheatre calendar through the summer of 2019. You have to pounce on an opportunity when its available. For example, I started talking to the Flaming Lips three years ago to start wrapping our heads around how the concert this summer would happen.

    There are a lot of exciting guest artists scheduled for next season. How do you decide who you want to bring to the Colorado Symphony, and how do you get in touch with them?

    Tony: The Music Director and past relationships play a large role in who we are able to bring in. Then we are in close contact with management teams in places like New York and LA. The project and repertoire of course play a big role as well, since you want to find the perfect guest artist to complement the concert you are planning.

    Bob: I keep a running list of artists who have had successes and should be reengaged along with lists of emerging artists and performers who are established but have never performed with the orchestra. Once we determine who wed like to invite, I contact their managements to check on interest and availability.

    What goes into deciding a concert title, especially for shows that have more than one composer featured?

    Tony: We engage with all staff in marketing and artistic to find a title that will resonate with audiences and help them to understand what they will see. The title should relate to the repertoire, but should also be able to promote the underlying theme of the piece. If you are playing Beethovens Symphony No. 9 for example, you might want to highlight triumph or brotherhood.

    Bob: Its not just the concert title either, its also the artwork that our marketing team creates which is unique to each concert. They work to pull together the backstory of each program and visualize it. Look at the artwork for next seasons Messiah and Tchaikovsky concerts to see what I mean.

    Of all of the concerts planned for next season, which are you most excited for?Bob: Thats such a hard question to answer we have so many great things on the horizon.

    Id have to choose La Boheme as no one does those passionate operas like Andrew Litton. Also the Bach St. Matthew Passion is at the top of my list. Its one of THE greatest masterpieces in the repertoire and I think our take on it will be unique and very moving.

    Tony: Im really excited for Second City Guide to the Symphony. The collaboration with the comedy troupe is going to be unique and hilarious. Im also really excited about Leroy Anderson. Its such a great program for our traditional pops patrons, and it will feature a lot of our artists as soloists.

  • Frosty & Frozen HOLIDAYDEC 21 WED 6:30

    A Night In Vienna HOLIDAYDEC 31 SAT 6:30

    Dr. Martin Luther King Jr. Tribute FREE COMMUNITY CONCERTJAN 10 TUE 7:30

    A Night of Pops: Tribute to Leroy Anderson TRADITIONAL POPSJAN 14 SAT 7:30

    Symphonic Firsts Conducted by Mark Wigglesworth MASTERWORKSJAN 20-21 FRI-SAT 7:30 Mark Wigglesworth, conductorMOZART Symphony No. 1 in E- at major, K. 16SCHUBERT Symphony No. 1 in D major, D. 82BRAHMS Symphony No. 1 in C major, Op. 68

    Inside Symphonic Beginnings INSIDE THE SCOREJAN 22 SUN 1:00

    Rachmaninoff Performed by Olga Kern MASTERWORKSFEB 3-4 FRI-SAT 7:30Andrew Litton, conductorOlga Kern, pianoRACHMANINOFF Piano Concerto No. 1 in F-sharp minor, Op. 1SHOSTAKOVICH Symphony No. 7 in C major, Op. 60, Leningrad

    Byron Stripling What a Wonderful World: TRADITIONAL POPSA Tribute to Louis ArmstrongFEB 11 SAT 7:30Byron Stripling, trumpet/ vocals

    Peter and the Wolf FAMILYFEB 12 SUN 1:00Denver Young Artists Orchestra

    deRidder Conducts MASTERWORKSFEB 17-18 FRI-SAT 7:30Andre deRidder, conductorNadia Sirota, violaNICO MUHLY Viola Concerto

    Christopher Dragon and Jeffrey Kahane in Concert MASTERWORKSMAR 3-5 FRI-SAT 7:30 SUN 1:00Christopher Dragon, conductorJe rey Kahane, pianoColorado Symphony Chorus, Duain Wolfe, directorBRAHMS Nnie for Chorus and Orchestra, Op. 82SCHUMANN Piano Concerto in A minor, Op. 54BRAHMS Symphony No. 3 in F major, Op. 90

    Time For Three TRADITIONAL POPSMAR 11 SAT 7:30

    Tchaikovsky Symphony No. 4 MASTERWORKSMAR 17-18 FRI-SAT 7:30 Marcelo Lehninger, conductorVadim Gluzman, violinTCHAIKOVSKY Marche Slave, Op. 31PROKOFIEV Violin Concerto No. 2 in G minor, Op. 63TCHAIKOVSKY Symphony No. 4 in F minor, Op. 36

    Inside Tchaikovsky Symphony No. 4 INSIDE THE SCOREMAR 19 SUN 1:00

    Symphonic Tribute To Comic Con: The Tetralogy GEEKMAR 24-25 FRI-SAT 7:30Colorado Symphony Chorus, Mary Louise Burke, associate director

    The Music of Michael Jackson TRADITIONAL POPSAPR 1 SAT 7:30

    A Symphonic Beauty and the Beast FAMILYAPR 2 SUN 1:00

    Mozart Performed by Jason Shafer MASTERWORKSAPR 7-9 FRI-SAT 7:30 SUN 1:00Jaime Martin, conductorJason Shafer, clarinetDUKAS La Pri, Pome dansMOZART Clarinet Concerto in A major, K. 622RIMSKY-KORSAKOV Scheherazade, Op. 35

    HK Grubers Frankenstein!! MASTERWORKSAPR 21-22 FRI-SAT 7:30Kevin John Edusei, conductorGabriel Preisser, narratorJ. STRAUSS JR. On the Beautiful Blue Danube, Op. 314HK GRUBER Frankenstein!!BRAHMS/orch. SCHOENBERG Piano Quartet in G minor, Op. 25

    Movie at the Symphony: E.T. The Extra-Terrestrial GEEKAPR 27 THU 7:30

    Colorado Symphony Ball FUNDRAISERAPR 29 SAT 6:00

    Bach St. Matthew Passion MASTERWORKSMAY 5 & 7 FRI 7:30 SUN 1:00Cristian Macelaru, conductorNicholas Phan, EvangelistHadleigh Adams, JesusColorado Symphony Chorus, Duain Wolfe, directorColorado Childrens Chorale, Deborah DeSantis, artistic directorJ.S. BACH St. Matthew Passion, BWV 244

    Dianne Reeves in Concert TRADITIONAL POPSMAY 13 SAT 7:30

    Mahler Symphony No. 3 Conducted by Andrew Litton MASTERWORKSMAY 19-21 FRI-SAT 7:30 SUN 1:00Andrew Litton, conductorMichelle DeYoung, mezzoColorado Symphony Chorus, Duain Wolfe, directorColorado Childrens Chorale, Deborah DeSantis, artistic director

    MAHLER Symphony No. 3 in D minor

    For full concert details and descriptions please view online at coloradosymphony.org. Full 2016/17 Colorado Symphony brochure will be available March 1, 2016.

    John Denver: A Rocky Mountain High Concert Celebration SPECIALwith the Colorado SymphonySEPT 10 SAT 7:30

    El Latir de Mxico FREE COMMUNITY CONCERTSEPT 15 THU 7:00

    Opening Weekend: Brahms Piano Concerto No. 2 MASTERWORKSSEPT 16-17 FRI-SAT 7:30Andrew Litton, conductorJon Kimura Parker, pianoBRAHMS Piano Concerto No. 2 in B- at major, Op. 83STRAUSS Also sprach Zarathustra, Op. 30

    The Second City Guide to the Symphony TRADITIONAL POPSSEPT 24 SAT 7:30Second CityJe rey Biegel, pianoProgram featuring the premiere of PDQ BACHs Concerto for VERY Grand Piano

    An Evening of Bernsteins Best MASTERWORKSSEPT 30-OCT 2 FRI-SAT 7:30 SUN 1:00Teddy Abrams, conductorMorgan James, vocalsSelections from Bernsteins favorite musicals such as West Side Story, Candide, and On the Town

    Kelloggs Concerto World Premiere MASTERWORKSFeaturing Yumi Hwang-WilliamsOCT 14-15 FRI-SAT 7:30Edwin Outwater, conductorYumi Hwang-Williams, violinBEETHOVEN Symphony No. 2 in D major, Op. 36DANIEL KELLOGG Rising PhoenixJANEK Sinfonietta

    Inside Dvok Symphony No. 9 From the New World INSIDE THE SCOREOCT 16 SUN 1:00Christopher Dragon, conductor

    La Bohme Conducted by Andrew Litton MASTERWORKSOCT 21-23 FRI-SAT 7:30 SUN 1:00Andrew Litton, conductorColorado Symphony Chorus, Duain Wolfe, directorColorado Childrens Chorale, Deborah DeSantis, artistic directorPUCCINI La BohmeSemi-staged production

    Movie at the Symphony: Raiders of the Lost Ark TRADITIONAL POPSOCT 28 FRI 7:30

    Halloween Spooktacular FAMILYOCT 29 SAT 2:30

    Britten Performed by Augustin Hadelich MASTERWORKSNOV 4-5 FRI-SAT 7:30Courtney Lewis, conductorAugustin Hadelich, violinBARBER Symphony No. 1, Op. 9BRITTEN Violin Concerto, Op. 15BARBER Adagio for StringsELGAR In the South, Op. 50

    Ben Folds: Master Work with the Colorado Symphony MASTERWORKSNOV 11-12 FRI-SAT 7:30Ben Folds, pianoBEN FOLDS Concerto for Piano and Orchestra

    Shostakovich Performed by Silver Ainome MASTERWORKSNOV 18-20 FRI-SAT 7:30 SUN 1:00Peter Oundjian, conductorSilver Ainome, celloSHOSTAKOVICH Cello Concerto No. 1 in E- at major, Op. 107BARTK Concerto for Orchestra

    Drums of the World FAMILYNOV 27 SUN 1:00Colorado Symphony Percussionists

    All Beethoven Featuring Symphony No. 7 MASTERWORKSDEC 2-4 FRI-SAT 7:30 SUN 1:00David Danzmayr, conductorStephen Hough, pianoBEETHOVEN Overture to Coriolan, Op. 62BEETHOVEN Piano Concerto No. 3 in C major, Op. 37BEETHOVEN Symphony No. 7 in A major, Op. 92

    A Colorado Christmas HOLIDAYDEC 9-11 FRI 7:30 SAT 2:30 & 6:00 SUN 1:00Colorado Symphony Chorus, Duain Wolfe, directorColorado Childrens Chorale, Deborah DeSantis, artistic director

    Handels Messiah HOLIDAYDEC 16-17 FRI-SAT 7:30 Nicholas Kraemer, conductorColorado Symphony Chorus, Duain Wolfe, director

    Handels Messiah Sing-Along HOLIDAYDEC 18 SUN 4:00 Duain Wolfe, conductorColorado Symphony Chorus, Duain Wolfe, director

    Celtic Woman Home for Christmas: The Symphony Tour FEATUREDEC 20 TUE 7:30

    ticketscoloradosymphony.org T 303.623.7876box office mon-fri 10 am-6 pm :: sat 12 pm-6 pm

    ANNOUNCING THE

    WE ARE ENTERTAINMENT.

    SEASON AT A GLANCE

  • Frosty & Frozen HOLIDAYDEC 21 WED 6:30

    A Night In Vienna HOLIDAYDEC 31 SAT 6:30

    Dr. Martin Luther King Jr. Tribute FREE COMMUNITY CONCERTJAN 10 TUE 7:30

    A Night of Pops: Tribute to Leroy Anderson TRADITIONAL POPSJAN 14 SAT 7:30

    Symphonic Firsts Conducted by Mark Wigglesworth MASTERWORKSJAN 20-21 FRI-SAT 7:30 Mark Wigglesworth, conductorMOZART Symphony No. 1 in E- at major, K. 16SCHUBERT Symphony No. 1 in D major, D. 82BRAHMS Symphony No. 1 in C major, Op. 68

    Inside Symphonic Beginnings INSIDE THE SCOREJAN 22 SUN 1:00

    Rachmaninoff Performed by Olga Kern MASTERWORKSFEB 3-4 FRI-SAT 7:30Andrew Litton, conductorOlga Kern, pianoRACHMANINOFF Piano Concerto No. 1 in F-sharp minor, Op. 1SHOSTAKOVICH Symphony No. 7 in C major, Op. 60, Leningrad

    Byron Stripling What a Wonderful World: TRADITIONAL POPSA Tribute to Louis ArmstrongFEB 11 SAT 7:30Byron Stripling, trumpet/ vocals

    Peter and the Wolf FAMILYFEB 12 SUN 1:00Denver Young Artists Orchestra

    deRidder Conducts MASTERWORKSFEB 17-18 FRI-SAT 7:30Andre deRidder, conductorNadia Sirota, violaNICO MUHLY Viola Concerto

    Christopher Dragon and Jeffrey Kahane in Concert MASTERWORKSMAR 3-5 FRI-SAT 7:30 SUN 1:00Christopher Dragon, conductorJe rey Kahane, pianoColorado Symphony Chorus, Duain Wolfe, directorBRAHMS Nnie for Chorus and Orchestra, Op. 82SCHUMANN Piano Concerto in A minor, Op. 54BRAHMS Symphony No. 3 in F major, Op. 90

    Time For Three TRADITIONAL POPSMAR 11 SAT 7:30

    Tchaikovsky Symphony No. 4 MASTERWORKSMAR 17-18 FRI-SAT 7:30 Marcelo Lehninger, conductorVadim Gluzman, violinTCHAIKOVSKY Marche Slave, Op. 31PROKOFIEV Violin Concerto No. 2 in G minor, Op. 63TCHAIKOVSKY Symphony No. 4 in F minor, Op. 36

    Inside Tchaikovsky Symphony No. 4 INSIDE THE SCOREMAR 19 SUN 1:00

    Symphonic Tribute To Comic Con: The Tetralogy GEEKMAR 24-25 FRI-SAT 7:30Colorado Symphony Chorus, Mary Louise Burke, associate director

    The Music of Michael Jackson TRADITIONAL POPSAPR 1 SAT 7:30

    A Symphonic Beauty and the Beast FAMILYAPR 2 SUN 1:00

    Mozart Performed by Jason Shafer MASTERWORKSAPR 7-9 FRI-SAT 7:30 SUN 1:00Jaime Martin, conductorJason Shafer, clarinetDUKAS La Pri, Pome dansMOZART Clarinet Concerto in A major, K. 622RIMSKY-KORSAKOV Scheherazade, Op. 35

    HK Grubers Frankenstein!! MASTERWORKSAPR 21-22 FRI-SAT 7:30Kevin John Edusei, conductorGabriel Preisser, narratorJ. STRAUSS JR. On the Beautiful Blue Danube, Op. 314HK GRUBER Frankenstein!!BRAHMS/orch. SCHOENBERG Piano Quartet in G minor, Op. 25

    Movie at the Symphony: E.T. The Extra-Terrestrial GEEKAPR 27 THU 7:30

    Colorado Symphony Ball FUNDRAISERAPR 29 SAT 6:00

    Bach St. Matthew Passion MASTERWORKSMAY 5 & 7 FRI 7:30 SUN 1:00Cristian Macelaru, conductorNicholas Phan, EvangelistHadleigh Adams, JesusColorado Symphony Chorus, Duain Wolfe, directorColorado Childrens Chorale, Deborah DeSantis, artistic directorJ.S. BACH St. Matthew Passion, BWV 244

    Dianne Reeves in Concert TRADITIONAL POPSMAY 13 SAT 7:30

    Mahler Symphony No. 3 Conducted by Andrew Litton MASTERWORKSMAY 19-21 FRI-SAT 7:30 SUN 1:00Andrew Litton, conductorMichelle DeYoung, mezzoColorado Symphony Chorus, Duain Wolfe, directorColorado Childrens Chorale, Deborah DeSantis, artistic director

    MAHLER Symphony No. 3 in D minor

    For full concert details and descriptions please view online at coloradosymphony.org. Full 2016/17 Colorado Symphony brochure will be available March 1, 2016.

    John Denver: A Rocky Mountain High Concert Celebration SPECIALwith the Colorado SymphonySEPT 10 SAT 7:30

    El Latir de Mxico FREE COMMUNITY CONCERTSEPT 15 THU 7:00

    Opening Weekend: Brahms Piano Concerto No. 2 MASTERWORKSSEPT 16-17 FRI-SAT 7:30Andrew Litton, conductorJon Kimura Parker, pianoBRAHMS Piano Concerto No. 2 in B- at major, Op. 83STRAUSS Also sprach Zarathustra, Op. 30

    The Second City Guide to the Symphony TRADITIONAL POPSSEPT 24 SAT 7:30Second CityJe rey Biegel, pianoProgram featuring the premiere of PDQ BACHs Concerto for VERY Grand Piano

    An Evening of Bernsteins Best MASTERWORKSSEPT 30-OCT 2 FRI-SAT 7:30 SUN 1:00Teddy Abrams, conductorMorgan James, vocalsSelections from Bernsteins favorite musicals such as West Side Story, Candide, and On the Town

    Kelloggs Concerto World Premiere MASTERWORKSFeaturing Yumi Hwang-WilliamsOCT 14-15 FRI-SAT 7:30Edwin Outwater, conductorYumi Hwang-Williams, violinBEETHOVEN Symphony No. 2 in D major, Op. 36DANIEL KELLOGG Rising PhoenixJANEK Sinfonietta

    Inside Dvok Symphony No. 9 From the New World INSIDE THE SCOREOCT 16 SUN 1:00Christopher Dragon, conductor

    La Bohme Conducted by Andrew Litton MASTERWORKSOCT 21-23 FRI-SAT 7:30 SUN 1:00Andrew Litton, conductorColorado Symphony Chorus, Duain Wolfe, directorColorado Childrens Chorale, Deborah DeSantis, artistic directorPUCCINI La BohmeSemi-staged production

    Movie at the Symphony: Raiders of the Lost Ark TRADITIONAL POPSOCT 28 FRI 7:30

    Halloween Spooktacular FAMILYOCT 29 SAT 2:30

    Britten Performed by Augustin Hadelich MASTERWORKSNOV 4-5 FRI-SAT 7:30Courtney Lewis, conductorAugustin Hadelich, violinBARBER Symphony No. 1, Op. 9BRITTEN Violin Concerto, Op. 15BARBER Adagio for StringsELGAR In the South, Op. 50

    Ben Folds: Master Work with the Colorado Symphony MASTERWORKSNOV 11-12 FRI-SAT 7:30Ben Folds, pianoBEN FOLDS Concerto for Piano and Orchestra

    Shostakovich Performed by Silver Ainome MASTERWORKSNOV 18-20 FRI-SAT 7:30 SUN 1:00Peter Oundjian, conductorSilver Ainome, celloSHOSTAKOVICH Cello Concerto No. 1 in E- at major, Op. 107BARTK Concerto for Orchestra

    Drums of the World FAMILYNOV 27 SUN 1:00Colorado Symphony Percussionists

    All Beethoven Featuring Symphony No. 7 MASTERWORKSDEC 2-4 FRI-SAT 7:30 SUN 1:00David Danzmayr, conductorStephen Hough, pianoBEETHOVEN Overture to Coriolan, Op. 62BEETHOVEN Piano Concerto No. 3 in C major, Op. 37BEETHOVEN Symphony No. 7 in A major, Op. 92

    A Colorado Christmas HOLIDAYDEC 9-11 FRI 7:30 SAT 2:30 & 6:00 SUN 1:00Colorado Symphony Chorus, Duain Wolfe, directorColorado Childrens Chorale, Deborah DeSantis, artistic director

    Handels Messiah HOLIDAYDEC 16-17 FRI-SAT 7:30 Nicholas Kraemer, conductorColorado Symphony Chorus, Duain Wolfe, director

    Handels Messiah Sing-Along HOLIDAYDEC 18 SUN 4:00 Duain Wolfe, conductorColorado Symphony Chorus, Duain Wolfe, director

    Celtic Woman Home for Christmas: The Symphony Tour FEATUREDEC 20 TUE 7:30

    ticketscoloradosymphony.org T 303.623.7876box office mon-fri 10 am-6 pm :: sat 12 pm-6 pm

    ANNOUNCING THE

    WE ARE ENTERTAINMENT.

    SEASON AT A GLANCE

  • 20 SOUNDINGS 2015-2016 | COLORADOSYMPHONY.ORG

    MUSICIAN SPOTLIGHT

    MEET SUSAN CAHILL: Colorado Symphony Bassist by day

    Bassist, composer, educator, and Colorado Symphony Board of Trustees member Susan Cahill has been a member of the Colorado Symphony since 1997. During her nearly two decades as a member of this orchestra, Susan has been featured as soloist many times both at Boettcher Concert Hall and throughout the country.

    However, Susan is around town much more than just on stage at Boettcher. She is the co-Artistic Director of Denver Eclectic Concerts, which holds concerts monthly at Baurs Listening Lounge, and plays in a variety of chamber ensembles. Recently she has started a band called Grande Orquesta Navarre with DeVotchKa music virtuoso Tom Haggerman and two other members. Aside from these small band engagements, Susan is a member of the Colorado Symphony Artistic Committee and Board of Trustees, teaches lessons to students around Colorado, has been a distinguished faculty member at local universities, and even does some of her own composing.

    Guiding the artistic vision of the Colorado Symphony

    Susan is a member of the Colorado Symphony Artistic Committee, a group of musicians and artistic staff that meet often to determine the artistic direction of the symphony including concert selection and more.

    Serving on the Artistic Committee is a very important part of my work with the symphony, says Susan. Specifically, the Artistic Committee helps shape the entire scope of the musical output of the symphony. We are elected by our colleagues to represent the vision of the musicians, and we work closely with the administration to make sure that we have an exciting balance of tradition and innovation.

    Susan notes that many in the orchestra perform service work, be it serving on committees, selling raffle tickets, or performing for fundraisers. All of us know the importance of pulling

    continued on page 23

    A showcase for the amazing Susan Cahill, (she) made

    the double bass sing...with a marvelously disembodied,

    woody timbre. The Colorado Springs Gazette, 2010

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  • 22 SOUNDINGS 2015-2016 | COLORADOSYMPHONY.ORG

    Enjoy five full orchestras, three staged operas, chamber music, childrens events, lectures, and more at Americas premier classical music festival.

    ROBERT SPANO Music Director ALAN FLETCHER President and CEO www.aspenmusicfestival.com

    tickets on sale now!970 925 9042

    ASPEN MUSIC FESTIVAL AND SCHOOL More than 300 events | June 30August 21, 2016

  • SOUNDINGS 2015-2016 | COLORADOSYMPHONY.ORG 23

    MUSICIAN SPOTLIGHTtogether to make this an outstanding organization, she says, and we are really quite fortunate to have such esprit de corps.

    Building new generations of musical talent

    Whether its giving private lessons, teaching as faculty at a university, or directing and performing at festivals, Susan is passionate about getting out in the community and teaching.

    Susan has been on the faculty at the University of Denver and Colorado College, and has also had performances as faculty at each school. Last spring, her DU faculty solo recital featured her own jazz compositions as well as Failing, an incredibly difficult piece for String Bass which you can find on YouTube if you want to hear this magnificent piece. This summer, shell be at Colorado Colleges Summer Music Festival performing the Rossini Duo with renowned cellist David Ying.

    Susan has performed at Festival Mozaics yearly concert Classical Musicians doing UnClassical Things where she was featured as soloist, composer and chamber musician. She was also recently featured in February in The Co-directors concert of Denver Eclectic, including a performance of her piece Sonata for Double Bass and iTunes User Agreement, co-written with local improv actor and symphony supporter, Jon Wilkerson.

    And of course accomplished ensemble player

    Aside from all of her duties with the Colorado Symphony and teaching, Susan has found time to work with various ensembles putting on performances around the world. Susan has appeared with the American roots band The Boulder Acoustic Society and was a member of the acclaimed Argentinian tango ensemble Extasis, which performed on three continents.

    Most recently, shes been performing for growing audiences in the new quartet, Grande Orquesta Navarre. We had a great premiere performance on the Denver Eclectic Series in December, and even got a nice write up in the Denver Post. We are currently working on getting that live recording out to the public.

    Your bass is worth how much?!

    Susans bass was made by Guiseppe Santori of Turin in 1823. A rare instrument with incredible sound, the bass is one of the highest valued instruments in the Colorado Symphony. Just how much is it worth?

    Ah, always a delicate question, a bit like asking someone their party affiliation. Lets just say less than a nice Cheeseman park condo, but not by much!

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  • SOUNDINGS 2015-2016 | COLORADOSYMPHONY.ORG PROGRAM 1

    MASTERWORKS 2015-2016COPLAND CONDUCTED BY ANDREW LITTON

    COLORADO SYMPHONY ANDREW LITTON, conductorKIRILL GERSTEIN, piano

    Friday, April 29, 2016 at 7:30 pmSaturday, April 30, 2016 at 7:30 pmSunday, May 1, 2016 at 1:00 pmBoettcher Concert Hall

    RICHARD DANIELPOUR Celestial Night Maestoso Adagio

    RACHMANINOFF Rhapsody on a Theme of Paganini for Piano and Orchestra, Op. 43

    INTERMISSION

    COPLAND Third Symphony Molto moderato, with simple expression Allegro molto Andantino quasi allegretto Allegro con moto Meno mosso (Tempo I) Molto deliberato (Fanfare) Allegro risoluto

    This weekend of concerTs is graTefully dedicaTed To colorado symphony guildfridays concerT is graTefully dedicaTed To paul goodspeed and mary poole

    saTurdays concerT is graTefully dedicaTed To eca foundaTion, ken and Zoe Barley

  • PROGRAM 2 SOUNDINGS 2015-2016 | COLORADOSYMPHONY.ORG

    MASTERWORKS BIOGRAPHIES

    Students and teachers receive

    $10with valid school I.D.!

    Learn more at: coloradosymphony.org 303.623.7876 box office mon-fri: 10 am - 6 pm :: sat: 12 pm - 6 pm

    STUDENT TICKETS!

    [ Limitations apply ]

    ANDREW LITTON, conductor

    Colorado Symphony Music Director Andrew Litton is the newly appointed Music Director of the New York City Ballet. Mr. Litton also serves as Bergen Philharmonic Music Director Laureate, Artistic Director of the Minnesota Orchestras Sommerfest, and Conductor Laureate of Britains Bournemouth Symphony Orchestra. He guest conducts the worlds leading orchestras and opera companies, and has a discography of over 120 recordings with awards including Americas Grammy, Frances Diapason dOr, and many other honors. Besides his Grammy-winning Waltons Belshazzars Feast

    with Bryn Terfel and the Bournemouth Symphony Orchestra, he also recorded the complete symphonies by Tchaikovsky and Rachmaninov, a Mahler cycle with the Dallas Symphony, and many Gershwin recordings as both conductor and pianist. Mr. Litton is a graduate of the Fieldston School, New York, and received his bachelors and masters degrees from The Juilliard School in piano and conducting. The youngest-ever winner of the BBC International Conductors Competition, he served as Assistant Conductor at Teatro alla Scala and Exxon/Arts Endowment Assistant Conductor for the National Symphony under Rostropovich. His many honors in addition to Norways Order of Merit include an honorary Doctorate from the University of Bournemouth, Yale Universitys Sanford Medal, and the Elgar Society Medal. An accomplished pianist, Litton often conducts from the keyboard and enjoys performing chamber music with his orchestra colleagues. For further information, visit www.andrewlitton.com.

    KIRILL GERSTEIN, piano

    The multifaceted pianist Kirill Gerstein is rapidly ascending into classical musics highest ranks. With a masterful technique, discerning intelligence, and a musical curiosity that has led him to explore repertoire spanning centuries and numerous styles, he has proven to be one of todays most intriguing and versatile musicians. Highlights of his 2015-16 season in North America include performances of Scriabins Prometheus: Poem of Fire with Ricardo Muti and the Chicago Symphony, Rachmaninoff Concerto No. 2 with Semyon Bychkov and the Berlin Philharmonic, Rachmaninoff

    Concerto No. 1 with the Cleveland Orchestra, and playing both of George Gershwins piano concertos in the original jazz-band version to open New Yorks 92nd Street Ys season; re-engagements with the Los Angeles Philharmonic as well as with the Toronto, Cincinnati, Dallas, Houston, Colorado, Utah and Oregon symphonies and the National Arts Centre Orchestra; a tour to Australia and New Zealand; his debut with the Royal Concertgebouw with concerts in Amsterdam and Frankfurt; a European tour with the Czech Philharmonic; and recitals in New York and Houston. Born in 1979 in Voronezh, Russia, Mr. Gerstein studied piano at a special music school for gifted children and taught himself to play jazz by listening to his parents extensive record collection. At the age of 14, he came to the United States to study jazz piano as the youngest student ever to attend Bostons Berklee College of Music. Mr. Gerstein became an American citizen in 2003 and divides his time between the United States and Germany.

    JEFF

    WH

    EELE

    R

  • Students and teachers receive

    $10with valid school I.D.!

    Learn more at: coloradosymphony.org 303.623.7876 box office mon-fri: 10 am - 6 pm :: sat: 12 pm - 6 pm

    STUDENT TICKETS!

    [ Limitations apply ]

  • PROGRAM 4 SOUNDINGS 2015-2016 | COLORADOSYMPHONY.ORG

    MASTERWORKS PROGRAM NOTESRICHARD DANIELPOUR (b. 1956): Celestial NightRichard Danielpour was born on January 28, 1956 in New York City. Celestial Night was composed in 1996-1997 and premiered by the New Jersey Symphony Orchestra on October 23, 1997 in New Brunswick, New Jersey, conducted by Zdenk Mcal. The score calls for three flutes (3rd doubling piccolo), two oboes, English horn, three clarinets, two bassoons, contrabassoon, four horns, three trumpets, three trombones, tuba, timpani, percussion, harp, piano (doubling celesta), and strings.Duration is about 20 minutes. This is the first performance by the orchestra.

    Richard Danielpour, one of Americas most gifted composers, was born in New York City on January 28, 1956. He completed his undergraduate education at the New England Conservatory in Boston (Bachelor of Music, 1980) and received his Master of Music (1982) and Doctor of Musical Arts (1986) degrees from the Juilliard School, where his principal teachers were Vincent Persichetti and Peter Mennin; he also studied composition with John Heiss and conducting with Benjamin Zander and Jacques Monod. Danielpour trained as a pianist with Lorin Hollander, Veronica Jochum, Theodore Lettvin and Gabriel Chodos, and appeared as soloist in the premiere of his First Piano Concerto with the Caracas Philharmonic in 1981. From 1984 to 1988, he taught at the College of New Rochelle and Marymount Manhattan College; he is currently on the faculties of the Manhattan School of Music (since 1993) and the Curtis Institute of Music in Philadelphia (since 1997). At the invitation of Leonard Bernstein, Danielpour served as guest composer at both the 1989 Festival of the Academy of Santa Cecilia in Rome and the 1989 Schleswig-Holstein Festival in West Germany. He has subsequently fulfilled residencies with the Pittsburgh Symphony Orchestra, Seattle Symphony, Pacific Symphony Orchestra, Nashville Symphony, Van Cliburn Foundation, Santa Fe Chamber Music Festival, Marlboro Music Festival, Saratoga Music Festival, Berklee College of Music in Boston and UCLA; in 2002, he held the Alberto Vilar Fellowship and Residency at the Berlin Academy in Germany. Among Danielpours other distinctions are grants and fellowships from the Guggenheim, Rockefeller, Barlow, Vollmer, Astral and Djerassi foundations, the Bearns Prize of Columbia University, the Charles Ives Fellowship, a Lifetime Achievement Award from the American Academy of Arts and Letters, an ASCAP Award, residencies at the MacDowell Colony, Yaddo and the American Academy in Rome, a Jerome Foundation Award, and a Rockefeller Foundation grant for a residency in Bellagio, Italy.

    Among the many organizations that have commissioned works from Richard Danielpour are the Pittsburgh Symphony, New York Philharmonic, Philadelphia Orchestra, National Symphony Orchestra, San Francisco Symphony, Baltimore Symphony, Chamber Music Society of Lincoln Center and Santa Fe Chamber Music Festival. In May 2005, Detroits Michigan Opera Theatre premiered Danielpours Margaret Garner, starring Denyce Graves in the title role, with a libretto by Nobel and Pulitzer Prize-winner Toni Morrison based on the same true story of a fugitive Kentucky slave who killed her infant daughter and then tried to kill herself when faced with the prospect of returning to slavery that Morrison recounted in her 1987 novel Beloved. Margaret Garner has received subsequent productions in Cincinnati, Philadelphia, Charlotte and New York.

    Concerning Celestial Night, composed between December 1996 and April 1997 on commission from the New Jersey Symphony Orchestra to celebrate both that ensembles 75th anniversary and the grand opening of Prudential Hall in Newark in October 1997, Danielpour wrote: Celestial Night is a piece about duality (yin and yang; heaven and earth). Writing it for me

  • SOUNDINGS 2015-2016 | COLORADOSYMPHONY.ORG PROGRAM 5

    MASTERWORKS PROGRAM NOTESwas the result of a growing acceptance of duality and impermanence as a basic fundamental of life. And yet this duality, if we are to understand it correctly, springs from the same source, just as both movements in this work are derived from the very same material. There is nothing new in all this, to be sure it is an archetype remembered by some with frequent recurrences in art.

    Inspiration for the piece came from stargazing late at night on several evenings at the MacDowell Colony in New Hampshire during the summer of 1996.... Celestial Night tends to have a heavenward motion behind it, and seems to be reaching away from the earth. As I was writing this piece, I began to experience it as a kind of mirror of heaven and earth. I know this sounds very lofty, but I mean that in the sense that there was something in the first movement that was continually moving upward in search of transformation, as many of my works seem to be. At the start of the first movement, you experience a kind of willfulness in the music, but as the conclusion of the movement approaches, it becomes apparent that this willfulness is not going to accomplish anything of its own accord, that there has to be an infusion of grace, something that doesnt happen because youve earned it, but just comes as a gift. The second movement is like the grace that the first movement needs to complete itself.

    oSERGEI RACHMANINOFF (1873-1943): Rhapsody on a Theme of Paganini for Piano and Orchestra, Op. 43Sergei Rachmaninoff was born on April 1, 1873 in Oneg (near Novgorod), Russia, and died March 28, 1943 in Beverly Hills, California. He composed the Paganini Rhapsody in 1934. Leopold Stokowski conducted the Philadelphia Orchestra on November 7, 1934 in the premiere, at Baltimores Lyric Theater; the composer was the soloist. The score calls for piccolo, two flutes, two oboes, English horn, two clarinets, two bassoons, four horns, two trumpets, three trombones, tuba, timpani, percussion, harp and strings. The duration is approximately 22 minutes. The work was last performed on October 17 & 18, 2009, with Olga Kern as soloist and Jeffrey Kahane conducting the orchestra.

    The legend of Nicol Paganini has haunted musicians for nearly two centuries. Gaunt, his emaciated figure cloaked in priestly black, Paganini performed feats of wizardry on the violin that were simply unimagined until he burst upon the European concert scene in 1805. Not only were his virtuoso pyrotechnics unsurpassed, but his performance of simple melodies was of such purity and sweetness that it moved his audiences to tears. So far was he beyond the competition that he seemed almost, well, superhuman. Perhaps, the rumor spread, he had special powers, powers not of this earth. Perhaps, Faust-like, he had exchanged his soul for the mastery of his art. The legend (propagated and fostered, it is now known, by Paganini himself ) had begun.

    Paganini, like most virtuoso instrumentalists of the 19th century, composed much of his own music. Notable among his oeuvre are the breathtaking Caprices for Unaccompanied Violin, works so difficult that even today they are accessible only to the most highly accomplished performers. The last of the Caprices, No. 24 in A minor, served as the basis for compositions by Schumann, Liszt and Brahms, and was also the inspiration for Rachmaninoffs Rhapsody

  • PROGRAM 6 SOUNDINGS 2015-2016 | COLORADOSYMPHONY.ORG

    MASTERWORKS PROGRAM NOTESon a Theme of Paganini. Rachmaninoffs work is a series of variations on this theme, which is characterized as much by its recurrent rhythm (five short notes followed by a longer one) as by its melody.

    Taking his cue from the Paganini legend, Rachmaninoff combined another melody with that of the demonic violinist the Dies Irae (Day of Wrath) from the Requiem Mass for the Dead. This ancient chant had long been connected not only with the Roman Catholic Church service, but also with musical works containing some diabolical element. Berlioz associated it with the witches sabbath in his Symphonie Fantastique, Liszt used it in his Totentanz (Dance of Death), Saint-Sans in his Danse macabre, and Rachmaninoff himself in his earlier Isle of the Dead.

    The Rhapsody, a brilliant showpiece for virtuoso pianist, is a set of 24 variations. The work begins with a brief, eight-measure introduction followed, before the theme itself is heard, by the first variation, a skeletal outline of the melody reminiscent of the pizzicato opening of the variation-finale of Beethovens Eroica Symphony. The theme, 24 measures in length, is stated by the unison violins. The following variations fall into three groups, corresponding to the fastslowfast sequence of the traditional three-movement concerto. The most familiar section of the Rhapsody, and one of the great melodies in the orchestral literature, is the climax of the middle section. This variation, No. 18, actually an inversion of Paganinis theme, has a broad sweep and nobility of sentiment unsurpassed anywhere in Rachmaninoffs works.

    oAARON COPLAND (1900-1990): Third SymphonyAaron Copland was born on November 14, 1900 in Brooklyn, New York, and died December 2, 1990 in North Tarrytown, New York. His Third Symphony was composed between 1944 and 1946, and premiered by the Boston Symphony Orchestra, conducted by Sergei Koussevitzky, on October 18, 1946. The score calls for tpiccolo, three flutes (third also doubling piccolo), three oboes (third doubling English horn), two clarinets, E-flat clarinet, bass clarinet, two bassoons, contrabassoon, four horns, four trumpets, three trombones, tuba, timpani, percussion, two harps, piano, celesta, and strings.Duration is about 44 minutes. The symphony was last performed on April 26-28, 2013, with Scott ONeil on the podium.

    The Third Symphony of 1944-1946 brings together the two dominant strains of Coplands musical personality: the abstract modernism of his Symphony for Organ and Orchestra (1924) and Short Symphony (1933) is particularly evident in the first and third movements, while the influence of folk song and New England and Quaker hymnody familiar from Appalachian Spring, Billy the Kid, Rodeo, Lincoln Portrait and other works of the early 1940s is strongest in the second and fourth. The opening movement, in moderate tempo, eschews traditional symphonic sonata form in favor of a structure in two large musical paragraphs with a benedictory coda. The first section presents the movements three themes, each introduced with the simplicity and economy that mark Coplands best music: a smooth melody in wide-spread octaves for violins, clarinets and flute; a theme in similar style initiated by oboes and clarinets; and a broad

  • SOUNDINGS 2015-2016 | COLORADOSYMPHONY.ORG PROGRAM 7

    MASTERWORKS PROGRAM NOTESphrase of unsettled tonality intoned by the trombones. The trombone phrase is worked out at some length, and rises to a mighty climax before a sudden quiet ushers in the briefer second section, in which the first two themes are ingeniously combined to lead to an even more violent outburst based on the trombone motive. Another abrupt hush begins the coda, which is built from variants of the first and second themes exquisitely suspended in a musical setting of unaffected beauty and sweet melancholy.

    The Scherzo begins with a boisterous brass preview of the movements principal theme. The theme is presented in full by horn, clarinets and violas in a more deliberate tempo, and recurs twice (unison low strings and, in augmentation, in the low brass) with intervening episodes. The trio is given over to a folksy little waltz melody that would not be out of place in Rodeo or Billy the Kid. After a truncated return of the first section, a grandiloquent presentation of the waltz theme and a striding transformation of the Scherzo motive close the movement.

    The main part of the Andantino is occupied by what Copland called a close-knit series of variations on a graceful theme presented by the solo flute. The melody, he continued, supplies thematic substance for the sectional metamorphoses that follow: at first with quiet singing nostalgia; then faster and heavier almost dance-like; then more child-like and naive; and finally vigorous and forthright. Framing these variations as introduction and postlude are austere, almost mysterious transformations of the trombone theme from the first movement hung high in the violins.

    The Finale follows without pause. The Fanfare for the Common Man, written in 1942 at the invitation of Eugene Goossens for a series of wartime fanfares introduced under his direction with the Cincinnati Symphony, provides the thematic material for the introduction. The well-known strains are first heard, softly, in the high woodwinds and then given in their familiar stentorian guise by the brass and percussion. The main portion of the movement begins with the presentation of an animated, syncopated theme by the oboe. A broad restatement of the Fanfare motive by the trombones opens the development section, which is unusual in that the structural second theme, a lyrical strain of swaying metric configuration, is embedded within it. The development builds to a galvanic climax. The recapitulation weaves together the finales principal theme, fragments of the Fanfare and the opening motive of the first movement. A magnificent peroration capped by another return of the theme that began the entire work closes this great American Symphony.

    2015 Dr. Richard E. Rodda

  • Are you ? QYouth ConcertsQOpen RehearsalsQInside the ScoreQHalf NotesQConcert preludesQPetite MusiqueQVery Young Composers& many more!

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  • SOUNDINGS 2015-2016 | COLORADOSYMPHONY.ORG 25

    COMMUNITY SUPPORTYou make the music happen. The extraordinary musical experiences that your Colorado Symphony creates depends on ticket sales and contributions from donors like you. There are many ways to support your Colorado Symphony, from the Annual Fund to the Symphony Ball, Women of Note, and many more.

    We are pleased to recognize these generous gifts; thank you for making the music happen through your individual, corporate, and foundation support.

    ENDOWMENTSThe following members of the Symphony family have established special funds to perpetuate the work0 o0f the Colorado Symphony for future generations. These endowed funds are gifts from individuals who have loved, believed in, and supported the orchestra; to these individuals the Colorado Symphony extends endless gratitude.

    The Bill Gossard Music Director Chair

    The Charles S. Sterne Conductors Podium

    The Dave and Pam Duke Families Guest Artist and Guest Conductor Fund

    The Mary Rossick Kern and Jerome H. Kern Concertmaster Chair

    The Principal Percussion Chair, Endowed by a Friend of the Colorado Symphony

    ANNUAL FUND DONOR LISTGifts made to the Colorado Symphony from July 1, 2014 through February 3, 2016. If you have any questions or concerns

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    DIAMOND CHAIRMANS SOCIETY ($100,000+)AnonymousAvenir Foundation, Inc.Bonfils-Stanton FoundationErna ButlerCity & County of Denver

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    Audition and let your inner voice sing!

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  • 30 SOUNDINGS 2015-2016 | COLORADOSYMPHONY.ORG

    Mr. Donald CookMr. Ronald CoveyKaren and William CurtisMike and Bonnie DalkeDeborah Reshotko and

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    CoppolaMr. Robert M. Cox Jr.CU Denver LiveMargaret CunninghamMrs. Jean DavenportJesse DavidsonMr. Larry DayMr. and Mrs. John D. De LeonRonald L. DealDenver Area Music Teachers

    Association

    Mr. and Mrs. Josiah B. DoddsLeland and Margaret DongDenis and Kathy DonnellyPeter and Marian DownsMs. Marina DubrovaRoger and Carol DuttonMike and Vicki EarnestMs. Janice G. EckhardtMrs. Renate EdmundsonMr. and Mrs. William

    EichelbergerEvan and Kim ElaDonald ElliottMs. Gislinde G. EngelmannBede and Burton EpsteinMary E. FainiMs. Elizabeth J. FeitnerMs. Janice E. FergusonVince and Dorothy FesmireMr. and Mrs. James W. FleetDavid and Debra FlitterJim FosterRichard W. FosterJohn and Lorna FoxNile FredericksonFreeman Family FoundationMitch FreemanMr. Jason FriedlanderCarol FriendNorbert and Linda FruehTerry Hsu-Gander and

    Todd GanderDr. and Mrs. Arthur D.

    GarfeinMs. Rosanne GarrettLester and Joan GarrisonCaleb and Sidney GatesMr. Ilia GeltserTom GilidaMike and Lori GillDr. and Mrs. Stanley H.

    GinsburgDr. Gerry and Karen GlancyTamara Golden and

    Tim WorrallMr. Joseph Goldhammer and

    Mrs. Elizabeth BlockScott and Roberta GoodallDr. and Mrs. Stephen A.

    GordenTom and Char GottliebMr. and Mrs. James B.

    GrangeJames and Pamela GreenMr. and Mrs. Gerald M.

    Greenberg

    Robert Greene and James Harvey

    Dr. and Mrs. Daniel J. Greenholz

    Harry GregoryNancy and Russ GregoryMr. Stephen GregoryMr. and Mrs. Bruce GriffithsAnn GroshekMr. and Mrs. Michael D.

    GroshekFred and Carol GroverMariellen and Robert GuerraMr. and Mrs. Russell W. HaasMr. Douglas B. HagerMisty HaisfieldArthur E. Hall, Jr.Halvorson-Freese 21st

    Century FundMr. Chet K. Hampson and

    Ms. Susan MartinMr. and Mrs. Homer HancockMr. and Mrs. Carroll R. HarrVance HarralCol. Lee Harrell (USAF,

    Retired) and Madeline Homler

    Mr. Billy Harris and Ms. Linda Purcell

    Ms. Lois HartmanEd and Steph HarveyMs. Dani HayesLindsay HayesJimin HeMr. Richard W. HealyMr. and Mrs. George HearneMr. and Mrs. John HelfrichDr. Raymond HenkelJulie HerzogDouglas Hesse and

    Becky BradwayMs. Susan A. HillJulia HoMr. William HoffmanRuth and George

    HopfenbeckM. J. HopkinsBob HoreckyAndrew HornbrookMs. Joan HoultonKen and Sue HovlandDuane and Katy HowellMs. Helen O. HullDr. Roberta Shaklee and

    Mr. Edward HurryLynn and David HurstChuck Husted

  • SOUNDINGS 2015-2016 | COLORADOSYMPHONY.ORG 35

    COMMUNITY SUPPORTIBM International

    FoundationJennifer JanezicJeffco Brass EnsembleMr. and Mrs. Paul JefferyMr. and Mrs. Tim JenkinsCraig N. Johnson and

    Alicia J. McCommonsMargie Lee JohnsonStanley and Barbara JonesBetsy Herrick and Milt KahnThomas and Veronika KalanMargaret T. KalukMr. and Mrs. Andrew KaneDonald and Susan KanyMrs. Diana KassonDonald and Henny

    KaufmannMs. Regina Q. KeatingMr. J. K. KellyMs. Patricia Kershaw and

    Mr. Kevin KershawJudy KessenichCharlotte KilpatrickJohn C. KinnamonMrs. Margie A. KinslowRob and Kathy Klugman

    Stephen and Nancy Kneipple

    Elmer and Doris KonemanMr. Keith LautenbachRichard S. LeamanMr. Bernard LeasonDr. and Mrs. Robert LedererPeggy LehmannMs. Carol J. LensPhilip R. LevyJudy and Dan LichtinMarie LindvallLittleton Drum StudioKaren L. and John E. LitzNancy LivingstonJ. P. LoveridgeFred and Bonnie LuhmanMs. Marian LyonsAntoinette Macaluso and

    Donald HagengruberJohn MamusciaDebbie and Gary

    MandelbaumMr. and Mrs. Paul MarcusMara MarksPeggy an


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