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Slide 1 of 56 ©2015 ∙ Table of Contents Architectural Finishes 3M Commercial Solutions Division 3M Center St. Paul, MN 55144-1000 Tel: 1-888-364-3577 Email: [email protected] Web: www.3M.com ©2015 3M Commercial Solutions Division. The material contained in this course was researched, assembled, and produced by 3M Commercial Solutions Division and remains its property. Questions or concerns about the content of this course should be directed to the program instructor. This multimedia product is the copyright of AEC Daily. This Online Learning Seminar is available through a professional courtesy provided by: START powered by
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Slide 1 of 56©2015 ∙ Table of Contents

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Architectural Finishes3M Commercial Solutions Division3M CenterSt. Paul, MN 55144-1000Tel: 1-888-364-3577Email: [email protected]: www.3M.com

©2015 3M Commercial Solutions Division. The material contained in this course was researched, assembled, and produced by 3M Commercial Solutions Division and remains its property. Questions or concerns about the content of this course should be directed to the program instructor. This multimedia product is the copyright of AEC Daily.

This Online Learning Seminar is available through a professional courtesy provided by:

START

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Architectural Finishes

3M Commercial Solutions Division3M CenterSt. Paul, MN 55144-1000

Provides an overview of architectural finish film as a versatile decorative material, with a discussion on its uses, manufacturing process, beneficial characteristics, and proper installation technique to ensure a quality, long-life product.

To ensure the accuracy of this program material, this course is valid only when listed onAEC Daily’s Online Learning Center. Please click here to verify the status of this course. If the course is not displayed on the above page, it is no longer offered.

This course is approved by other organizations. Please click here for details.

The American Institute of Architects · Course No. AEC807 · This program qualifies for 1.0 LU/HSW Hour.

AEC Daily Corporation is a Registered Provider with The American Institute of Architects Continuing Education Systems (AIA/CES). Credit(s) earned on completion of this program will be reported to AIA/CES for AIA members. Certificates of Completion for both AIA members and non-AIA members are available upon request. This program is registered with AIA/CES for continuing professional education. As such, it does not include content that may be deemed or construed to be an approval or endorsement by the AIA of any material of construction or any method or manner of handling, using, distributing, or dealing in any material or product. Questions related to specific materials, methods, and services will be addressed at the conclusion of this presentation.

Presented by:

Description:

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AEC Daily Corporation has met the standards and requirements of

the Registered Continuing Education Program. Credit earned on

completion of this program will be reported to RCEP at RCEP.net.

A certificate of completion will be issued to each participant. As

such, it does not include content that may be deemed or construed

to be an approval or endorsement by the RCEP.

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Purpose and Learning Objectives

Purpose: Provides an overview of architectural finish film as a versatile decorative material, with a discussion on its uses, manufacturing process, beneficial characteristics, and proper installation technique to ensure a quality, long-life product.

Learning Objectives:

At the end of this program, participants will be able to:

• identify appropriate uses of architectural finishes in projects where budget and time restraints are a concern

• define expected performance characteristics for architectural finishes, such as being lightweight, non-hazardous, flexible, and durable

• describe proper substrate and primer use and preparation for a proper installation, and

• explain the application process for a successful, lasting product, including the importance of cleaning and proper adhesion.

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This CEU is registered with the Interior Design Continuing Education Council (IDCEC) for continuing education credits. This credit will be accepted by the American Society of Interior Designers (ASID), International Interior Designers Association (IIDA) and Interior Designers of Canada (IDC).

The content included is not deemed or construed to be an approval or endorsement by IDCEC of any material or construction or any method or manner of handling, using, distributing or dealing in any material or product.

Questions related to specific materials, methods and services should be directed to the instructor or provider of this CEU.

This program is registered for 0.1 CEU value. The IDCEC class-code is: CC-104707-1000.

• This CEU will be reported on your behalf to IDCEC and you will receive an email notification. Please log in and complete the electronic survey for this CEU.

• Certificates of completion will be automatically issued once you have submitted the online survey for this CEU.

• Attendees who do not belong to ASID, IIDA or IDC and do not have a unique IDCEC number will be provided with a Certificate of Completion after this CEU.

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How to Use This Online Learning Course

• To view this course, use the arrows at the bottom of each slide or the up and down arrow keys on your keyboard.

• To print or exit the course at any time, press the ESC key on your keyboard. This will minimize the full-screen presentation and display the menu bar.

• Within this course is an exam password that you will be required to enter in order to proceed with the online examination. Please be sure to remember or write down this exam password so that you have it available for the test.

• To receive a certificate indicating course completion, refer to the instructions at the end of the course.

• For additional information and post-seminar assistance, click on any of the logos and icons within a page or any of the links at the top of each page.

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Table of Contents

Introduction to Architectural Finishes 8

Manufacturing and Characteristics 18

Application Techniques 28

Applications and Case Studies 38

Course Summary 54

Click on title to view

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Introduction to Architectural Finishes

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Introduction to Architectural Finishes

Architectural finishes are used by designers and architects around the world as a decorative material. These materials are available in a range of designs that mimic the aesthetics of natural and other materials at a fraction of the price, and offer excellent durability and performance characteristics.

The use of architectural finishes can give you almost unlimited creative freedom in new construction, and they are easily converted (cut) and applied on site for cost-effective refurbishment and repair options.

Architectural finishes can be used in a wide array of projects on walls, fixtures, elevators, doors, and furniture, and are found in a multitude of structures from airports and hospitals to retail and ships.

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Architectural Finishes

As the name implies, architectural finishes help “finish” a surface when applied to a substrate. Architectural finishes have a wide variety of attributes including:• off-site or on-site application in a controlled environment• different types of finishes available, from opaque to clear, and• flexibility of form, from rigid finishes to conformable finishes.

Conformable finishes are quite pliable. They are usually delivered as sheet goods, typically in a roll, and are hand-applied. Flexible finishes, on the other hand, are capable of being bent or flexed, but are susceptible to being influenced or changed. Plastic laminates are an example of a flexible finish.

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CSI Categories: Architectural Surfacing

Within the CSI specifications, this product category best fits under Division 9 - Finishes. It will likely be associated with several other sections depending upon the substrate it is being applied to (i.e., doors, frames, gypsum board walls, MDO, MDF, etc.)

Located within Division 9: FinishesSections within Division 09- (Masterformat™2004 Edition):• 10 Unassigned• 20 Plaster and Gypsum Board• 30 Tiling• 40 Unassigned• 50 Ceilings• 60 Flooring• 70 Wall Finishes• 80 Acoustic Treatment• 90 Painting and Coatings

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CSI Categories: Architectural Surfacing

Under the Painting and Coating subsection, architectural finishes fit best under Decorative Finishing. There are many advantages to specifying this product, but the primary purpose is as a decorative coating over a substrate.

We have introduced architectural finishes, what they do, and where they fit in the CSI. Now, let’s go back and discuss the history of the product and why it was originally developed.

09 84 33 Sound-Absorbing Wall Units09 84 36 Sound-Absorbing Ceiling Units

09 90 00 Painting and Coating09 91 00 Painting

09 91 13 Exterior Painting09 91 23 Interior Painting

09 93 00 Staining and Transparent Finishing09 93 13 Exterior Staining and Finishing

09 93 13.13 Exterior Staining09 93 13.53 Exterior Finishing

09 93 23 Interior Staining and Finishing09 93 23.13 Interior Staining09 93 23.53 Interior Finishing

09 94 00 Decorative Finishing09 94 10 Architectural Surfaces09 94 13 Textured Finishing09 94 16 Faux Finishing09 94 19 Multicolor Interior Finishing

09 96 00 High-Performance Coatings09 96 13 Abrasion-Resistant Coatings09 96 23 Graffiti-Resistant Coatings09 96 26 Marine Coatings09 96 33 High-Temperature-Resistant Coatings

Masterformat™ 2004 Edition

Division 9: Finishes

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History

The original purpose for the development of architectural finishes was for automobiles. The founding company that developed this high-quality product was formed in the 1930s and made high-quality, durable appliqués that gave metal automobile parts the aesthetic appeal of the old world. Soon, its films were replacing burl walnut instrument panels on luxury cars. A few years later, the films migrated to car exteriors. Among other applications, they replaced the wood panels on the long taxis at train and bus stations. These were called station wagons or, informally, “woodies.”

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History

This use of the product for faux wood grain applications continued for the automotive industry into the 1960s before styles changed. During this time, Japan adopted the product for use in many applications beyond the automobile for several reasons: the country lacked natural wood resources, the light weight of the material easily addressed earthquake design considerations, and the desire for surfacing refurbishment was high.

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History

Manufacturing of this product was moved to Japan after the popularity of the woodies subsided in the U.S. Currently, all the major manufacturers producing this type of product are located in Japan.

In the 1990s, the product was re-introduced into the U.S.

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Why Use Architectural Finishes

Where do architectural finishes fit among the many other finish products today? While not intended to substitute for real materials in every situation, these finishes allow an architect or interior designer to achieve a design intent when budget and/or timing won’t allow for more expensive or longer lead time materials, or to allow the useful life of existing finishes to be extended. Architectural finishes are typically an update from high pressure laminate (HPL) and other faux finishes, and are generally intended for the commercial markets.

residential

non-residential

commodity luxuryWood

Stone

TilePaint

Melamine,HPL

Wallpaper

Architectural Surfacing

Architectural Surfacing

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Benefits of Using Architectural Finishes

Selecting architectural finishes over alternative materials will depend on the situation. The many advantages are highlighted in the table below.

Features Advantages Benefits

Flexible film • Conformable• Repairable

• Design creativity for many shapes• Scratches, mars, and dings can be patch-repaired onsite

Pressure-sensitive adhesive

• Ease of installation • Quieter and faster refurbishments • Lessen landfill impact by refurbishing existing surfaces

Low odor/VOC • Limited smells/fumes • Can be applied during business hours

Embossedoverlaminate

• Textured feel • Differentiates from laminates and simulates real materials

Hundreds of available designs

• Design flexibility on a budget • Match existing finishes, or achieve new design intents• Cost-effective alternative to variety of materials

Class A fire rating • Meets safety requirements • Peace of mind

Non-hazardous • Can be disposed of in normal trash

• No hazardous material disposal cost

Light weight • Addresses weight limitationsin certain applications

• Enables new looks without cost of heavier materials

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Manufacturing and Characteristics

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Primary Manufacturing Process

Architectural surfaces manufacturing is composed of these typical steps.

Base Film Making Printing Embossing Adhesive

Coating Slitting

Clear TOP FilmEmbossing Pattern

Release Liner

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Architectural Finish Construction

Here is a view showing a cross-section of the typical construction. Each of these layers has unique properties to consider.

Optional: clear PVC protective film layer

Printed pattern layer

Base PVC film layer

Acrylic pressure-sensitive adhesive layer (PSA)

Release liner

Characteristic Typical ValuesMaterial Vinyl (most finishes)

Form Generally 48ʺ or wider; roll length may vary

Thickness 6–8 mils

Weight Approximately 40–44 lbs

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Product Composition: Base PVC Film Layer

Currently, most base materials are composed of vinyl due to its performance in fire, durability, and conformability. Some versions are offered in polyolefin. Each material has its own advantages and disadvantages.

Vinyl • two simple building blocks—chlorine (57%) from common table salt—used in a closed

process, and ethylene (43%) from natural gas. Less petroleum usage: 50% NaCl.• good fire performance (meets NFPA requirements) • durable• efficient manufacturing processes• conformable

Polyolefins/Polyalkenes• less stringent disposal requirements• less design choice• less conformable

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Product Composition: Printed Pattern Layer and Film Layer The printing and embossing will determine the look and feel of this material. For wood grains, for instance, it will determine how similar it looks compared to the original natural material, and will also determine its physical characteristics: UV resistance, abrasion resistance, stain resistance, etc.

Printed Pattern Layer• for patterns, whether they match and how often they repeat is critical

Top Layer• the composition and thickness of this layer will determine:

• type of protection (UV, abrasion resistance, stain resistance, etc.)• the embossing pattern and depth

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Installation

Proper installation is essential to the success of the product. If the substrate is not properly prepared, or the installation has trapped air bubbles, the installed product could be considered a failure. One trapped air bubble or any adhesive failure would reveal that the material is a substitute. Therefore, it is critical to set installation up for success and use a qualified installer.

Two components work together to ease the installation process:1. Acrylic PSA (Pressure-Sensitive Adhesive)

• noting patterns and how they match and repeat is critical 2. Air Bleed Technology/Release Liner

• air bleed technology allows air to escape during application, minimizing the trapping of air bubbles

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Expected Performance Life

Expected performance life is not the same as warranty and will vary depending upon exposure (review the expected performance life with the manufacturer). You can expect the following:

Almost all failures are a result of incorrect use of the material (i.e., installing on a ship below the water line) or poor installation (improper surface preparation, poor application, etc.). It is important to be aware of the limitations. Whenever possible, provide UV protection (as you would for fabrics). Many patterns and colors have UV protection, but all will last longer if UV exposure is limited. Warranties may be available in specific situations.

Architectural Substrate U.S. U.S. Desert SouthwestExterior with UV inhibitors 4 Years 3 YearsInterior use (limited direct UV light exposure) 12 Years 12 Years

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Abrasion Resistance: JIS K 7204

Since its inception, the Taber® Abraser, used to test abrasion resistance, has been used for quality and process control, research and development, and material evaluation. Used to test a wide spectrum of materials, the abraser (abrader) has been referenced in numerous standards and specifications and is frequently called a Rotary Platform Dual (Double) Head Tester.

Test method• substrate: aluminum plate (1mm thickness) • size of specimen: 100 x 100 mm (4ʺx 4ʺ)• testing machine: Taber® Abraser (Abrasion wheel: CS-17, Loading weight: 1kg)• cycles: 7,000 cycles

Test result• material shows limited visual wear

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Chemical Resistance

Architectural finishes are typically very resistant to everyday stains and chemicals, as you can see from the chart on the right. Review the manufacturer’s technical data sheets if there are particular stains or chemicals of interest.

Chemical Resistance Test Method• substrate: aluminum plate or acrylic plate• size of architectural surface applied: 50 x 50

mm • aging before testing: 72 hours at 23°C

Stain Resistance Test Method• substance: coffee, tea, cola, milk, wine,

ketchup, vinegar, olive oil, lemon juice, salt solution(1%), household ammonia(10%), soap solution(1%), formalin(36%), citric acid solution(10%)

• exposure time: 24 hours at 23°C

Chemical / StainAgent

Exposure Time Results

Water 24 hours No effect10% HCL 24 hours No effect

10% NaOH 24 hours No effectEthyl alcohol 24 hours No effectEthyl acetate 5 minutes Severe attack

MEK 5 minutes Severe attackToluene 5 minutes Severe attackCoffee 72 hours No effect

Tea 72 hours No effectCola 72 hours No effectMilk 72 hours No effectWine 72 hours No effect

Ketchup 72 hours No effectVinegar 72 hours No effectOlive oil 72 hours No effect

Lemon juice 72 hours No effectSalt solution (1%) 72 hours No effect

Household ammonia (10%)

72 hours No effect

Soap solution (1%) 72 hours No effectFormalin (36%) 72 hours No effect

Citric acid solution (10%)

72 hours No effect

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Heat, Humidity, Temperature

Architectural finishes are stable in a variety of environments; however, more extreme temperatures may challenge the product’s stability.

Variable Test Method Test Results

Heat resistance Product applied to aluminum plate and aged for 28 days at 65°C (150°F)

Minimal change to adhesion and film appearance

Humidity resistance

Product applied to aluminum plate and aged for 28 days at 40°C, 90% RH

Minimal change to adhesion and film appearance

Lowtemperature impact resistance

Product applied to aluminum plate; GardnerImpact Tester used at 12.7mm (5ʺ) and bob weight of 907g (2lb) at 0°C

No effect on the surface of the film

Service temperature

Product applied to aluminum plate and exposed to temperatures in range of 30°C to 65°C (-22°F to 150°F) for 12 days

No peeling or discoloration

Weatherability Product exposed to UV light, heat, and humidity in a carbon arc weatherometer for 250 hours No effect on film

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Application Techniques

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Substrates

Architectural finishes are not complete in themselves, as they are designed to be applied to something. What that is will determine many of the characteristics, and the dependability of the product. Consideration Implication

Substrate is critical and integral to architectural surface

• Architectural finish is not functional alone• Substrate of some type is required• Most surfaces will not meet fire test alone

Durability will depend upon the substrate

• Denting, adhesion is a function of the underlying substrate• Proper substrate preparation required to prevent adhesive failure

Appearance of architectural finish will depend upon the underlying substrate

• Need smooth (vs. textured) substrate

Sustainability • Substrate will contribute to the “degree of sustainability”

Porosity • Porous materials allow moisture or other contaminants to permeate the substrate and can cause adhesion failure or bubbling. Porous surfaces should be sealed prior to application.

Outgassing

• Some substrates, paints, and primers may release trapped moisture or solvents from their surface. This can lead to adhesion failure or bubbles forming under the film. Substrates that are prone to outgassing include:

• Fresh paint/primer• Polycarbonate sheeting• Fiberglass• Fiber reinforced plastic (FRP)

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Substrates

Substrates can have different surface energies. A practical example is the use of non-stick coating in cookware, where the cookware has been lined with a LOW surface energy. Surface energy of the substrate is another factor that influences how well architectural finishes will bond. The surface energy of a material is related to its tendency to form bonds with another material.

Some substrate materials may behave in a similar way as the non-stick cookware; they may not bond well with the adhesive on the architectural finish and the film may peel away from the surface with little force.

High Surface Energy

Medium Surface Energy

Low Surface Energy (LSE)

Plastics

Copper, Aluminium, Zinc, Tin, Stainless Steel, Glass

PET (Polyester), PU (Polyurethane), ABS (Acrylonitrile Butadiene Styrene), PC(Polycarbonate), PVC (Polyvinyl Chloride)

PS (Polystyrene), PE (Polyethylene), PP (Polypropylene), PTFE (Polytetrafluoroethylene)

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Substrates

Because low surface energy materials may suffer from low adhesion, some material, including low-VOC paints, may require additional preparation to ensure good adhesion.

What can be done?• Film adhesion test: test to check the bond strength with the substrate.• What to look for: an adhesion test result of 800 grams per inch or more is

recommended.• Test conditions: The substrate should be a recently cleaned, smooth surface that is

located in an environmentally controlled area. Always select an inconspicuous area in case the substrate is damaged when the test strip is removed.

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Substrate Performance and Quality

This table highlights the importance of a primer for many substrates.

Another critical aspect of the substrate is the smoothness of the surface. Most architectural surfaces will telegraph the characteristics of the substrate.

Classification SubstrateAdhesion (no

primer) N/25mm (lbs/ in.)

Adhesion w/ primerN/25mm (lbs/ in.)

Wood Luan Veneer 12 (2.7) 28 (6.3)

Wood China Veneer 12 (2.7) 33 (7.4)

Wood MDF - 26 (5.8)

Boards Plaster Board (gypsum board) - 6 (1.3)

Boards Silicate Calcium Board - 24 (5.4)

Boards Slate Board 19 (4.3) 39 (8.8)

Metal Baked Enamel Steel Finish 18 (4.0) 29 (6.5)

Metal Bonderized Steel Plate 28 (6.3) 42 (9.4)

Metal Vinyl Chloride Steel Plate (Melamine) 42 (9.4) 30 (6.7)

Metal Aluminum 25 (5.6) -

Metal Stainless Steel 27 (6.1) -

Metal Galvanized Steel Plate 24 (5.4) 39 (8.8)

Plastics Acrylics 29 (6.5) 33 (7.4)

Plastics ABS 25 (5.6) 42 (9.4)

Plastics Melamine Surface 14 (4.0) 28 (6.3)

Plastics Polyester Surface 24. (5.4) 30 (6.7)

Inorganic Mortar 10 (2.2) 40 (9.0)

Inorganic Glass 21 (4.7) -

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Surface Preparation

The easiest way to reduce the amount of surface preparation is to specify the right substrate in the first place. It is also very important that the substrate material is prepared correctly prior to application of architectural films. Ample time is devoted to cleaning, which helps to improve the bond strength between the substrate and the architectural finish. Priming/sealing may be needed if there is a porous substrate in place. Adhesion promoter is recommended on corners and other 3D areas.

Steps of proper surface preparation:

Initial Cleaning

Repair Substrate

Cleaning

Priming/ Sealing

(where necessary)

Cleaning

Adhesion Promoter

(when necessary)

If needed

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Common Substrate Issues and Solutions

Here is a quick view of issues that can arise with various substrates, and the possible solutions to properly prepare the substrate.

Substrate Related Issues Possible SolutionsDrywall/Plaster Board/Gypsum Board/SheetrockLevel 5 finish required

Rough surfaceLow surface energy PorousEasily damaged

Putty/sand PrimeSealCareful handling

MDF PorousLow surface energy

SealPrime

Metal Corrosion Remove corrosion, prime and sealCoated Steel Greasy surface CleanHigh Pressure Laminates Can be textured PrimeMelamine Can be textured PrimeWood Textured

PorousLow surface energy

Putty/sandSealPrime

Veneer Textured PorousLow surface energy

Putty/sandPrime

Mortar/Concrete TextureAlkaline attackPorousLow surface energy

Putty/sandSealPrime

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Application Techniques: On-site Application

One of the biggest benefits of the material is the ability to install on site with minimal downtime and disruption.

The images to the right show the general steps to applying architectural finishes: the material is first pressed against the surface, then the release liner is removed as the material is squeegeed onto the surface.

Please remember the exam password FINISHES.You will be required to enter it in order to proceed with the online examination.

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Application Techniques

Several techniques exist for installers to properly apply architectural finishes in a variety of install scenarios. Qualified installers will be familiar with these techniques.

Liner

Outside corners Double cut Inside corners

Wrap square corners Columns Complex curves Doors

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Product Cleaning and Maintenance

One of the benefits of using architectural finishes is the ability to keep the product clean and repair it in the event of a mar.

• Surface mars and stains: rub with a soft cloth and warm water and mild detergent• IPA or citrus cleaner for difficult stains• wet, non-abrasive cleaner, pH between 3–11• avoid strong solvents (i.e., graffiti remover, acetone, or thinners)

• Scratch: rub with a surface restorer (i.e., protectant or vinyl cleaner)• keep additional architectural finish on hand for repairs

• Tear: patch with material piece or replace full panel

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Applications and Case Studies

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Applications

Architectural finishes can be utilized in a wide variety of applications from fixtures, to walls, to ceilings in many different vertical applications.

Building interiors Fixtures Walls Ceilings

Elevators Doors Columns Furniture/Case goods

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Applications

The left image shows a pantry/kitchen area where architectural finishes were used to cover the cabinets. On the right, architectural finish has been applied on the ceiling.

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Applications

In the left image, you have a dining area with architectural finishes on the walls and ceiling. On the right is the entrance to a retail store where architectural finishes have been laser-cut to allow light to come through.

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Applications

The image on the left is an example of where using real wood would have been cost-prohibitive; instead, architectural finishes can easily be applied to pre-shaped surfaces to create a stunning aesthetic effect.

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Applications

Architectural finishes were used to surround the scoreboard; other materials might have added too much weight, while the architectural finishes allowed an updated look.

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Applications

Dry erase applications are also possible depending on the manufacturer.

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Applications

Here you can see the pink and green bank teller station was updated within the span of a weekend to this natural wood grain look.

AFTER

BEFORE

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Applications

In this case, a company purchased a series of stores, and they needed to quickly get rid of the original blue associated with the old brand.

BEFORE (blue laminate)

AFTER

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Applications

Here, the large-scale horizontal columns were covered with architectural finishes to warm up the space.

BEFORE

AFTER

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Hospitality Case Study

This is a hotel that was renovated in Minneapolis. The designer originally had a budget that wouldn’t allow for new doors. But without updating the doors, the renovation simply did not feel complete. This project included about 2200+ doors, which when wrapped by architectural finishes, ultimately saved the client over one million dollars.

Project Scope: 832 guest rooms renovation• 832 entry doors• 832 bathroom doors• 600+ adjoining doors• 1600 closet shelves• 2200+ total doors

Cost Savings:• New door cost estimate: $1,000• Door refresh using architectural finishes estimate: $500• Total estimated savings for the project: $1,000,000+

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Hospitality Case Study

BEFORE

AFTER

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Hospitality Case Study

An up-close view of the door before and after the architectural finish was added:

BEFORE AFTER

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Tokyo Midtown Project

This was a large-scale project in Tokyo where architectural finishes were used in multiple parts of the project to provide on-trend aesthetics at a fraction of the cost of difficult-to-source materials.

A

BCE

D

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Tokyo Midtown Project

Several of the office public spaces used architectural finishes, from columns to ceilings, to wood grain “planks.”

Wood grain horizontal “planks”

Wood grain columns; opaque white

Wood grain columns, ceilings

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Tokyo Midtown Project

In this case, architectural finishes were used in the elevator lobbies, as well as in restrooms. Architectural finishes are generally very easy to clean, so are suitable for high-traffic areas where frequent cleaning may be important.

Elevator lobby (pre-laminated panels)

Restroom walls/partitions

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Course Summary

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Course Summary

Architectural finishes offer designers and architects a versatile material to meet many design challenges while being both aesthetically pleasing and cost- and time-effective.

These decorative materials can mimic the look of many natural materials, including wood and stone, at a fraction of the cost.

Architectural finishes must be applied to a substrate. The substrate material will have a great impact on the characteristics and durability of the finish. Remember, low surface energy materials may suffer from low adhesion.

Surface preparation is key to ensuring a strong bond between the substrate and the architectural finish material. Be sure to allow ample time for thorough cleaning during the application process.

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Conclusion

©2015 3M Commercial Solutions Division. The material contained in this course was researched, assembled, and produced by 3M Commercial Solutions Division and remains its property. Questions or concerns about the content of this course should be directed to the program instructor. This multimedia product is the copyright of AEC Daily.

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