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Tessellation Project Today we will discuss the requirements and expectations for your Tessellation...

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Tessellation Project Today we will discuss the requirements and expectations for your Tessellation projects and you will receive a brief introduction to the different types of tessellations. This is an individual project.
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Page 1: Tessellation Project Today we will discuss the requirements and expectations for your Tessellation projects and you will receive a brief introduction to.

Tessellation ProjectToday we will discuss the requirements and expectations for your Tessellation projects and you will receive a brief introduction to the different types of tessellations. This is an individual project.

Page 2: Tessellation Project Today we will discuss the requirements and expectations for your Tessellation projects and you will receive a brief introduction to.

Tessellation Project Maurits Cornelis Escher (1898 – 1972) was a

Dutch artist famous for his repetitive, interlocking pattern. His works look like paintings but were done by woodcarving and lithographs.

Escher’s designs are made from variations on tiling patterns called tessellations. A floor covered by square tiles is an example of a tessellation of squares.

Page 3: Tessellation Project Today we will discuss the requirements and expectations for your Tessellation projects and you will receive a brief introduction to.

Examples of M.C. Escher’s Work

Page 4: Tessellation Project Today we will discuss the requirements and expectations for your Tessellation projects and you will receive a brief introduction to.

Examples of M.C. Escher’s Work

Page 5: Tessellation Project Today we will discuss the requirements and expectations for your Tessellation projects and you will receive a brief introduction to.

Examples of M.C. Escher’s Work

Page 6: Tessellation Project Today we will discuss the requirements and expectations for your Tessellation projects and you will receive a brief introduction to.

Examples of M.C. Escher’s Work

Page 7: Tessellation Project Today we will discuss the requirements and expectations for your Tessellation projects and you will receive a brief introduction to.

Examples of M.C. Escher’s Work

Page 8: Tessellation Project Today we will discuss the requirements and expectations for your Tessellation projects and you will receive a brief introduction to.

Examples of M.C. Escher’s Work

Page 9: Tessellation Project Today we will discuss the requirements and expectations for your Tessellation projects and you will receive a brief introduction to.

Tessellations & Transformations

Tessellations can be modified by using transformations. As you know, transformations are movements of geometric figures. One transformation, commonly used to create tessellations is a slide, or translation, of a figure.

Page 10: Tessellation Project Today we will discuss the requirements and expectations for your Tessellation projects and you will receive a brief introduction to.

Translation TessellationsFor simple translation tessellations, polygons should have opposite sides that are parallel and congruent – squares, hexagons, parallelograms.

Page 11: Tessellation Project Today we will discuss the requirements and expectations for your Tessellation projects and you will receive a brief introduction to.

Example: Translation TessellationYou can create more complex designs starting with

square tessellations and making changes on both pairs of sides.

Page 12: Tessellation Project Today we will discuss the requirements and expectations for your Tessellation projects and you will receive a brief introduction to.

Depending how you decide to color your tessellation, a very simple design can have a very creative result.

Page 13: Tessellation Project Today we will discuss the requirements and expectations for your Tessellation projects and you will receive a brief introduction to.

Glide Reflection Tessellation

For glide reflection tessellations, polygons should have opposite sides that are parallel and congruent – squares, hexagons, parallelograms.

Page 14: Tessellation Project Today we will discuss the requirements and expectations for your Tessellation projects and you will receive a brief introduction to.

Example

By reflecting and gliding over more than one side, you can create a more complex tessellation.

Page 15: Tessellation Project Today we will discuss the requirements and expectations for your Tessellation projects and you will receive a brief introduction to.

Adding coloring and features will enhance the artwork.

Page 16: Tessellation Project Today we will discuss the requirements and expectations for your Tessellation projects and you will receive a brief introduction to.

Tessellation created by RotationAdjacent sides must be congruent – squares, equilateral

triangles, regular hexagons, rhombi

Page 17: Tessellation Project Today we will discuss the requirements and expectations for your Tessellation projects and you will receive a brief introduction to.

Midpoint Rotations Triangles, Squares, and Quadrilaterals

Note: More than one side may be altered for more challenging designs. Coloring one side of the pattern will help prevent accidental flipping during tracing.

Page 18: Tessellation Project Today we will discuss the requirements and expectations for your Tessellation projects and you will receive a brief introduction to.

Example: Rotational Tessellation

Page 19: Tessellation Project Today we will discuss the requirements and expectations for your Tessellation projects and you will receive a brief introduction to.
Page 20: Tessellation Project Today we will discuss the requirements and expectations for your Tessellation projects and you will receive a brief introduction to.

Suggestions Polygons that tessellate include regular triangles,

hexagons and any quadrilateral (see images below). It will be easiest to perform transformations (for

level 2 and above) on regular polygons like the ones below.

Page 21: Tessellation Project Today we will discuss the requirements and expectations for your Tessellation projects and you will receive a brief introduction to.

Suggestions A template that is approximately 2 inches by 2

inches will work well to create an 8 ½ by 11 inch tessellation.

Try out several designs, by cutting and taping paper together until you find something you like.

When you have decided on a design, create your template on cardstock. This is due with the project.

Be creative. Your design should not look like any of the designs in this presentation.

Remember: Finding a design online and copying it is plagiarism and grounds for a zero.

Page 22: Tessellation Project Today we will discuss the requirements and expectations for your Tessellation projects and you will receive a brief introduction to.

Tessellation Project You will have time in class to work on this project.

The due date will be posted. This assignment is worth a quiz grade. All required materials will be provided, however you

can use your own materials if you prefer. Consult the rubric (posted in class) to verify what is

required for the project at each level. Use your class time wisely. It will be obvious if you

rushed to complete the project at the last minute. The teacher has the right to drop you one or more

levels if your participation and/or work quality is not satisfactory.


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