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Video for Non-Profits

Date post: 07-Aug-2018
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    Producing and Publishing Online Video

    Presented by Aaron Yates

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    Kerrville born & raised Tivy High School Class of 1999 Schreiner University Class of

    2007 (BBA Finance)

    Founded video productioncompany in 2007 Texas Pro Sound & Video KerrvillePhoto.com Yates Multimedia

    Worked with scores of localorganizations andindividuals producingvideo, photo, graphics, web,

    audio…

    Aaron Yates

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    www.KerrvillePhoto.com

    [email protected]

    830-214-7635

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    Marketing in the newmillennium

    Changing demographics

    Television?

    Radio?

    Newspapers? Online Video?

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    Over 180 million userswatched 33 BILLIONonline videos in June

    Average user watched

    23.2 hours per viewer Nielsen reports

    shrinking number of TVhouseholds for twoyears running

    75% of smart phoneusers watch onlinevideo and 26% do soevery day

    Companies usingmultiple-screen videoincrease brandrecognition by 900%

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    800 million users per month

    4 billion hours watched monthly

    72 hours of video uploaded to

    YouTube EVERY MINUTE 500 years of video watched daily

    100 million social interactions

    weekly Second most popular search

    engine on the planet

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    Growing broadband internet access

    77% of US is online, and over 85 million peoplehave broadband access

    91.4 million smart phone users in US Over 180 million Americans consuming online

    video

    Facebook reaches 955 million ACTIVE USERSas of July 2012

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    Senator Lindsey Graham stated that, "When you get 100million Americans looking at something, you will get ourattention. This YouTube sensation is gonna help theCongress be more aggressive and will do more to lead tohis demise than all other action combined."

    Spread the word

    Generate interest

    Unite for a cause

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    Planning

    Production –Recording the video

    content Post-Production –

    Compile, Log, Edit

    Delivery – Upload,Stream, Share

    Evaluation

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    Planning begins with an overall organizational marketingstrategy and drills down to a specific goal, look, message,and storyboard.

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    Objectives & Goals What are your goals?

    A single video cannot be all things to all people.

    Create specific, attainable goals What are we trying to accomplish?

    Who are we trying to reach?

    Let’s make a “viral” video! (Yeah… right.)

    Objectives for entire video strategy Single production can become many different videos

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    Message & Style Based on goals and objectives

    “ Look” and “ Feel”

    Emotional? Informative? Funny? Who is the target audience?

    Clients

    Volunteers

    Donors Community

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    Budget & Staff Gut-wrenching reality: Video is

    expensive

    Expensive in the form of dollars Expensive in the form of time

    Opportunity Cost

    What kind of equipment is

    available to us? What do we need to buy?

    What do we need to rent?

    Contractors can be “rented”

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    Objectives, goals, style, message… All of these planning steps help you answer

    production considerations

    Length or Duration of the Video

    Sources of Footage or Multimedia

    Production Values Legalities

    Releases: Model, Venue

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    Photographs

    Audio

    Previously recorded

    footage Stock photos & videos

    Scanned documents

    Animations Gather INFORMATION

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    Realistic timetables

    Conflicting schedules, cancellations,unexpected changes

    Editing: 1 hour for every 1 minute of finishedvideo (depends on type)

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    Actual recording of video content.

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    Production: The actual creation (filming)

    of your video

    Not all videos requireproduction

    Animation

    Typography Videos

    Photo Slideshows

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    Cameras

    Tripods

    Lighting

    Sound

    Budget considerations

    Rent vs. Buy Outsource?

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    Shoot to hard drive/card

    High Definition

    Stay with one brand

    DSLR’s?

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    Using the camera: Read the manual, be familiar with your gear

    Focus

    Composition Rule of Thirds

    Head room

    Lead room

    Exposure Zooming

    PRESS RECORD!

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    Three camera elements for exposure control: Shutter Speed

    Aperture / Iris

    ISO / Gain

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    AKA “sticks”

    Fluid Head?

    Stability

    Height of Camera

    Panning and Tilting

    When to use? Always is a good rule.

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    Natural Light The Sun

    Windows

    Artificial Light Temperature

    Intensity

    Placement

    White Balance

    Reflectors

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    On-Camera Microphone Auto Gain Control

    Wind Cut

    Off-Camera Microphone Wired or Wireless

    Traditional or Lapel

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    Script Description of action

    Narration or Voiceover

    Storyboarding Visual or verbal description of the

    flow of the video, scenes, narration,scripting, etc.

    Shot List

    Equipment Checklist Different for each shooting

    location/set

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    Schedule/Time ofDay

    Action

    What’s happening Camera Notes

    Wide, tight, etc.

    Other notes

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    Who is the interviewee? What expertise or information does he/she

    possess?

    How do they add value to your film?

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    Equipment Camera & Tripod

    Audio

    Lighting Location

    Background (visual)

    Background Noise

    What does the scene communicate to the viewer?

    Dress What does the clothing communicate?

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    Technique Questions

    Get them comfortable

    Interaction

    Never stop recording Coaching

    How to answer

    Pauses

    Um… Uh… Like… You know…

    Other Purposes Future videos

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    Secondary footage Adds meaning and context

    Conceals edit points

    Establishing shots Location shots

    Background for graphics

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    Don’t be a spectator,be a camera operator

    Remember…

    Focus Composition

    Lead Room

    Head Room

    RECORD!

    Smooth and steady isthe key

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    Matched Action: Similar actions captured from different angles and

    different compositions, in which the two shotsgraphically match

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    Shooting for the edit 10 second rule

    B-Roll & Matched Action

    Don’t talk over the shots Anticipate cuts every 5 seconds

    Before wrapping, make a quick inventory of

    your shots and be sure you have plenty offootage.

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    Capture, Log, Transcribe, Edit

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    Collect your digitalcontent and create aninventory of assets

    Move from videocamera to computer

    Video, photo, audio,and other multimedia

    “Log” footage meansto make notes of whatis where and notelocation of best clips

    Use a spreadsheet to help with theediting process.

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    Transfer from spokenword to written word

    Helps to quickly findinterview clips later in

    the editing process. Helps the editor become

    familiar with all of theinterview footagequickly.

    Transcription Services Manual Transcription

    Paid transcription services start at

    $1.00 per minute

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    Placing multimediacontent into a videotimeline forpresentation to the

    audience. Very time-consuming

    and technical

    Modern editors use NLE systems. NLE stands for “non-linear editing,” meaning the editor can jump instantly toany portion of a clip or timeline.

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    Windows Movie Maker Free, comes with most

    Windows OS’s Cons: Limited, gives “home

    movie” feel

    Adobe PremiereElements/Pro Perfect for most amateur

    editors Pros: Industry standard,

    Adobe Suite

    iMovie Free with many Maccomputers

    Cons: Limited

    Final Cut Express/Pro Industry standard on Mac

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    1. Platform – Mac vs. PC

    2. Features – Full suite or limited

    3. Budget – Pro or Light Version of software

    4. Familiarity – Do you already use Adobeproducts extensively? Mac products?

    5. Try Before You Buy – Most systems have a

    free trial period to try the software

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    Editor’s Job: “Last line ofdefense for the story” Choose which clips to use

    Choose the order of the clips Establish the pace of the film

    Telling a story: How does this

    edit affect the story?

    Quentin Tarantino said that musicianshave their notes while editors have

    their frames. Editing deals in frames.

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    When to Cut Avoiding “bad” edits

    Pacing your edits

    Using Establishing Shots Matching Action

    Using B-Roll

    Above All: Storytelling

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    Does your video need avoiceover track?

    Who will script the

    voiceover? Before or after rough

    editing? Over-do it, then edit

    Who will “voice” thevoiceover? Professional vs. Amateur

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    Present your video to the world.

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    Video Formats Web – H.264 compression  MP4 container

    DVD – MPEG2  VOB containers

    Archive – Uncompressed or lossless compression

    Video Rendering & Compression

    Temporal compressionfocuses on the changes fromone frame to the next. Fewerchanges, higher thecompression.

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    Choosing a hosting provider Free hosting solutions

    Hosting on your own server

    Hosting on a paid server

    Uploading Sending your video to live in the “cloud”

    Challenges and Problems

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    Embedding Stream the video from

    your own website

    HTML “Embed codes”added to your site

    or tags

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    Sharing Your Video Copy and Paste Link

    Email, Facebook, Twitter, G+, social sharing

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    Sharing on Facebook One of the easiest ways to

    reach a broad audience.

    Tips: Why should someone see this

    video?

    Share more than the linkitself.

    Facebook has almost

    a billion active users.

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    How did we do?

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    Evaluating the Video Did we achieve our goals?

    What were the strong points?

    What could we have done better? What did we learn about video production?

    How will we improve next time?

    Evaluating the Reach Viewing statistics

    “Viral” score

    Where is our target audience?

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    B&H Photo & Video

    Adorama Camera Store

    Lynda.com

    MediaCollege.com Google

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    Thank you for your attention.

    Questions?

    Contact Me: Aaron Yates

    [email protected]


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