Volume InformationSource: The Art Bulletin, Vol. 86, No. 4 (Dec., 2004), pp. 794-796Published by: College Art AssociationStable URL: http://www.jstor.org/stable/4134455 .

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Index to Volume LXXXVI, 2004

BARKER, SHEILA, "Poussin, Plague, and Early Modern Medicine," 655-86

BATCHEN, GEOFFREY, review, "Light and

Dark: The Daguerreotype and Art History" (The Dawn of Photography: French Daguerreotypes, 1839- 1855. Metropolitan Museum of Art, New York), 762-75

BELLION, WENDY, "'Extend the Sphere': Charles Willson Peale's Panorama of Annapo- lis," 529-49

BOHRER, FREDERICK, review of Roger Ben-

jamin, Orientalist Aesthetics: Art, Colonialism, and French North Africa, 1880-1930, 176-80

CHADWICK, WHITNEY, review of Nancy J.

Troy, Couture Culture: A Study in Modern Art and Fashion, 384-89

CHANG, TING, "Hats and Hierarchy in Gustave Courbet's The Meeting," 716-28

CHAPUIS, JULIEN, review of Hugo van der

Velden, The Donor's Image: Gerard Loyet and the Votive Portraits of Charles the Bold; Marina Belo-

zerskaya, Rethinking the Renaissance: Burgundian Arts across Europe; Dagmar Eichberger, Leben mit Kunst-Wirken durch Kunst: Sammelwesen und

Hofkunst unter Margarete von Osterreich, Regentin der Niederlande, 599-603

CORNELISON, SALLY J., "Art Imitates Archi- tecture: The Saint Philip Reliquary in Renais- sance Florence," 637-54

DOORLY, PATRIC K, "Dfirer's Melencolia I: Pla- to's Abandoned Search for the Beautiful," 255-76

ELKINS, JAMES, review of David Summers, Real Spaces: World Art History and the Rise of Western Modernism, 373-81

FLORMAN, LISA, review of Elizabeth Cowling, Picasso: Style and Meaning; Pepe Karmel, Picasso and the Invention of Cubism; Natasha Staller, A Sum of Destructions: Picasso's Cultures and the Cre- ation of Cubism; Jeffrey Weiss, Valerie Fletcher, and Kathryn A. Tuma, Picasso: The Cubist Portraits

of Fernande Olivier, exh. cat., 614-20

GEORGIEVSKA-SHINE, ANETA, "From Ovid's

Cecrops to Rubens's City of God in The Finding of

Erichthonius," 58-74

HAY, JONATHAN, review of Lothar Ledde-

rose, Ten Thousand Things: Module and Mass Pro- duction in Chinese Art, 381-84

HOUGHTON, CHARLOTTE, "This Was To- morrow: Pieter Aertsen's Meat Stall as Contem-

porary Art," 277-300

JOHNSON, EUGENE J., "Portal of Empire and Wealth: Jacopo Sansovino's Entrance to the Venetian Mint," 430-58

KAH N G, E IK, "L'Affaire Greuze and the Sublime of History Painting," 96-113

KOERNER, JOSEPH LEO, review of Leo Stein-

berg, Leonardo's Incessant Last Supper, 775-81

LAI, YU-CHIH, "Remapping Borders: Ren Bo- nian's Frontier Paintings and Urban Life in 1880s Shanghai," 550-72

LEDBURY, MAR K, review of Todd Porterfield, The Allure of Empire: Art in the Service of French

Imperialism 1798-1836; Darcy Grimaldo Grigsby, Extremities: Painting Empire in Post-Revolutionary France, 603-9

LOH, MA R I A H., "New and Improved: Repe- tition as Originality in Italian Baroque Practice and Theory," 477-504

MCTIGHE, SHEILA, "Foods and the Body in

Italian Genre Paintings, about 1580: Campi, Pas- sarotti, Carracci," 301-23

MELVILLE, STEPHEN, review of Michael

Fried, Menzel's Realism: Art and Embodiment in Nineteenth-Century Berlin, 173-76

MILLER, PETER BENSO(N, "By the Sword and the Plow: Theodore Chasseriau's Cour des

Comptes Murals and Algeria," 687-715

MILLER, TRACY tG., "Water Sprites and An- cestor Spirits: Reading the Architecture ofJinci," 6-30

MOXEY, KEITH, "Impossible Distance: Past and Present in the Study of Durer and

Grfinewald," 748-61

NEES, LA WRENCE, review of Cynthia Hahn,

Portrayed on the Heart: Narrative Lffect in Pictorial Lives of Saints from the Tenth through the Thirteenth

Century; Jeffrey F. Hamburger, St. John the Divine: The Deified Evangelist in Medieval Art and Theology, 164-69

N E I L S, J E N I F E R, review of Gloria Ferrari, Fig- ures of Speech: Men and Maidens in Ancient Greece; Richard T. Neer, Style and Politics in Athenian

Vase-Painting: The Craft of Democracy, ca. 530-460 B.C.E.; Vinne Norskov, Greek Vases in Nezw Contexts: The Collecting and Trading of Greek Vases-An As-

pect of the Modern Reception of Antiquity, 162-64

PERITI, GIANCARI.A, "From Allegri to Lae- tus-Lieto: The Shaping of Correggio's Artistic Distinctiveness," 459-76

RATHER, SUSAN, "Benjamin West,John Gait, and the Biography of 1816," 324-45

RE EVES, EII. EEN, review of David Freedberg, The Eye of the Lynx: Galileo, His Friends, and the

Beginnings of Modern Natural History', 170-73

ROBSON, J ANET, 'Judas and the Franciscans:

Perfidy Pictured in Lorenzetti's Passion Cycle at

Assisi," 31-57

SHANNON, JOSHUA A., "Claes Oldenburg's The Street and Urban Renewal in Greenwich Vil-

lage, 1960," 136-61

SILBERGELD, JEROME, "Beyond Suzhou: Re-

gion and Memory in the Gardens of Sichuan," 207-27

SIL VER, LARRY, review of John Onians, ed., Atlas of World Art; Thomas DaCosta Kaufmann, Toward a Geography of Art, 781-85

SINGER, THOMAS, "In the Manner of Du-

champ, 1942-47: The Years of the 'Mirrorical Return,"' 346-69

STEINHARDT, NANCY SHATZMAN, "The

Tang Architectural Icon and the Politics of Chi- nese Architectural History," 228-54

TROYE N, CAROL, "Photography, Painting, and Charles Sheeler's View of New York," 729-47

UNGLAUB, JONATHAN, "Poussin's Reflec-

tion," 505-28

VELI Z, ZAHIRA, "Signs of Identity in Lady with a Fan by Diego Velazquez: Costume and Like- ness Reconsidered," 75-95

WEISEN FELD , GEN NIFE R, " 'From Baby's First Bath': Kao Soap and Modern Japanese Commercial Design," 573-98

WITKOVSKY, MATTHEW S., "Staging Lan-

guage: Milia Mayerovi and the Czech Book Al- phabet," 114-35

WOOD, CHRISTOPHER S., review of Hans Belting, Bild-Anthropologie: Entwfirfe ffir eine Bild-

wissenschaft, 370-73

WRIGHT, ALASTAIR, review of Hollis Clay- son, Paris in Despair: Art and Everyday Life under

Siege (1870-1871); Arden Reed, Manet, Flaubert, and the Emergence of Modernism: Blurring Genre Boundaries; Jennifer L. Shaw, Dream States: Puvis de Chavannes, Modernism, and the Fantasy of France, 609-14

Architectural History/Historic Preservation

JOH NSON, EUGENE J., "Portal of Empire and Wealth: Jacopo Sansovino's Entrance to the Venetian Mint," 430-58

SHANNON,

.JOSHUA

A., "Claes Oldenburg's The Street and Urban Renewal in Greenwich Vil-

lage, 1960," 136-61

STEINHARDT, NANCY SHATZMAN, "The

Tang Architectural Icon and the Politics of Chi- nese Architectural History," 228-54

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INDEX TO VOLUME LXXXVI 795

Art of the United States

BELLION, WENDY, "'Extend the Sphere': Charles Willson Peale's Panorama of Annapo- lis," 529-49

RATHER, SUSAN, "Benjamin West, John Galt, and the Biography of 1816," 324-45

SHANNON, JOSHUA A., "Claes Oldenburg's The Street and Urban Renewal in Greenwich Vil-

lage, 1960," 136-61

SINGER, THOMAS, "In the Manner of Du-

champ, 1942-47: The Years of the 'Mirrorical Return,"' 346-69

TROYE N, CAROL, "Photography, Painting, and Charles Sheeler's View of New York," 729-47

Art of the Middle East/North Africa

BOHRER, FREDERICK, review of Roger Ben-

jamin, Orientalist Aesthetics: Art, Colonialism, and French North Africa, 1880-1930, 176-80

Chinese Art

HAY, JONATHAN, review of Lothar Ledde-

rose, Ten Thousand Things: Module and Mass Pro- duction in Chinese Art, 381-84

LAI, YU-CHIH, "Remapping Borders: Ren Bo- nian's Frontier Paintings and Urban Life in 1880s Shanghai," 550-72

MILLER, TRACY G., "Water Sprites and An- cestor Spirits: Reading the Architecture ofJinci," 6-30

SILBERGELD, JEROME, "Beyond Suzhou: Re-

gion and Memory in the Gardens of Sichuan," 207-27

STEINHARDT, NANCY SHATZMAN, "The

Tang Architectural Icon and the Politics of Chi- nese Architectural History," 228-54

Decorative Arts/Textiles/Design History

WEISENFELD, GENNIFER, " 'From Baby's First Bath': Kao Soap and Modern Japanese Commercial Design," 573-98

WITKOVSKY, MATTHEW S., "Staging Lan-

guage: Milia Mayerovi and the Czech Book Al-

phabet," 114-35

Drawings/Prints/Photography/Works on Paper

BATCHEN, GEOFFREY, review, "Light and Dark: The Daguerreotype and Art History" (The Dawn of Photography: French Daguerreotypes, 1839- 1855. Metropolitan Museum of Art, New York), 762-75

Early Medieval/Romanesque/Gothic Art

NEES, LAWRENCE, review of Cynthia Hahn,

Portrayed on the Heart: Narrative Effect in Pictorial Lives of Saints from the Tenth through the Thirteenth Century;Jeffrey F. Hamburger, St. John the Divine: The Deified Evangelist in Medieval Art and Theology, 164-69

R O B S O N, J A NET, 'Judas and the Franciscans:

Perfidy Pictured in Lorenzetti's Passion Cycle at Assisi," 31-57

Eighteenth-Century Art

BELLION, WENDY, "'Extend the Sphere': Charles Willson Peale's Panorama of Annapo- lis," 529-49

KAH N G, E I K, "L 'Affaire Greuze and the Sublime of History Painting," 96-113

Greek/Roman Art

NEIL S, JENIFE R, review of Gloria Ferrari, Fig- ures of Speech: Men and Maidens in Ancient Greece; Richard T. Neer, Style and Politics in Athenian Vase-Painting: The Craft of Democracy, ca. 530-460 B.C.E.; Vinne Norskov, Greek Vases in New Contexts: The Collecting and Trading of Greek Vases-An As-

pect of the Modern Reception of Antiquity, 162-64

Japanese/Korean Art

WEISEN FELD , GEN NIFE R, "'From Baby's First Bath': Kao Soap and Modern Japanese Commercial Design," 573-98

Nineteenth-Century Art

BATCHEN, GEOFFREY, review, "Light and Dark: The Daguerreotype and Art History" (The Dawn of Photography: French Daguerreotypes, 1839- 1855. Metropolitan Museum of Art, New York), 762-75

BOHRER, FREDERICK, review of Roger Ben-

jamin, Orientalist Aesthetics: Art, Colonialism, and French North Africa, 1880-1930, 176-80

CHANG, T I N G, "Hats and Hierarchy in Gustave Courbet's The Meeting," 716-28

L E D B U RY, M A R K, review of Todd Porterfield, The Allure of Empire: Art in the Service of French

Imperialism 1798-1836; Darcy Grimaldo Grigsby, Extremities: Painting Empire in Post-Revolutionary France, 603-9

MELVILLE, STEPHEN, review of Michael

Fried, Menzel's Realism: Art and Embodiment in Nineteenth-Century Berlin, 173-76

MILLER, PETER BENSON, "By the Sword and the Plow: Theodore Chasseriau's Cour des

Comptes Murals and Algeria," 687-715

RATHER, SUSAN, "Benjamin West,John Gait, and the Biography of 1816," 324-45

WRIG H T, ALASTAIR, review of Hollis Clay- son, Paris in Despair: Art and Everyday Life under Siege (1870-1871); Arden Reed, Manet, Flaubert, and the Emergence of Modernism: Blurring Genre Boundaries; Jennifer L. Shaw, Dream States: Puvis de Chavannes, Modernism, and the Fantasy ofFrance, 609-14

Renaissance/Baroque Art

BARKER, SHEI.LA, "Poussin, Plague, and Early Modern Medicine," 655-86

CHAPUIS, JULIEN, review of Hugo van der

Velden, The Donor's Image: Gerard Loyet and the Votive Portraits of Charles the Bold; Marina Belo- zerskaya, Rethinking the Renaissance: Burgundian Arts across Europe; Dagmar Eichberger, Leben mit Kunst-Wirken durch Kunst: Sammelwesen und

Hofkunst unter Margarete von Osterreich, Regentin der Niederlande, 599-603

DOORLY, PATRICK, "Dfirer's Melencolia I: Pla- to's Abandoned Search for the Beautiful," 255-76

GEORGIEVSKA-SHINE, ANETA, "From Ovid's

Cecrops to Rubens's City of God in The Finding of Erichthonius," 58-74

CORNELISON, SALLY J., "Art Imitates Archi- tecture: The Saint Philip Reliquary in Renais- sance Florence," 637-54

HOUGHTON, CHARLOTTE, "This Was To- morrow: Pieter Aertsen's Meat Stall as Contem-

porary Art," 277-300

JOHNSON, EUGENE J., "Portal of Empire and Wealth: Jacopo Sansovino's Entrance to the Venetian Mint," 430-58

KOERNER, JOSEPH LEO, review of Leo Stein-

berg, Leonardo's Incessant Last Supper, 775-81

LOH, MARIA H., "New and Improved: Repe- tition as Originality in Italian Baroque Practice and Theory," 477-504

MCTIGHE, SHEILA, "Foods and the Body in

Italian Genre Paintings, about 1580: Campi, Pas- sarotti, Carracci," 301-23

MOXEY, KEITH, "Impossible Distance: Past and Present in the Study of Dfirer and

Grfinewald," 748-61

PERITI, GIANCARLA, "From Allegri to Lae- tus-Lieto: The Shaping of Correggio's Artistic Distinctiveness," 459-76

REE VES, EILEEN, review of David Freedberg, The Eye of the Lynx: Galileo, His Friends, and the

Beginnings of Modern Natural History, 170-73

UNGLAUB, JONATHAN, "Poussin's Reflec-

tion," 505-28

VELIZ, ZAHIRA, "Signs of Identity in Lady with

a Fan by Diego Velazquez: Costume and Like- ness Reconsidered," 75-95

Twentieth-Century Art

CHADWICK, WHITNEY, review of Nancy J. Troy, Couture Culture: A Study in Modern Art and Fashion, 384-89

FLORMA N, LISA, review of Elizabeth Cowling, Picasso: Style and Meaning; Pepe Karmel, Picasso and the Invention of Cubism; Natasha Staller, A Sum of Destructions: Picasso's Cultures and the Cre- ation of Cubism; Jeffrey Weiss, Valerie Fletcher, and Kathryn A. Tuma, Picasso: The Cubist Portraits of Fernande Olivier, exh. cat., 614-20

SHANNON, JOSHUA A., "Claes Oldenburg's The Street and Urban Renewal in Greenwich Vil-

lage, 1960," 136-61

SINGER, THOMAS, "In the Manner of Du-

champ, 1942-47: The Years of the 'Mirrorical Return,'" 346-69

TROYE N, CAROL, "Photography, Painting, and Charles Sheeler's View ofNew York," 729-47

This content downloaded from 185.44.78.105 on Mon, 16 Jun 2014 08:20:11 AMAll use subject to JSTOR Terms and Conditions

796 ART BULLETIN DECEMBER 2004 VOLUME LXXXVI NUMBER 4

WEISENFELD, GENNIFER, " 'From Baby's First Bath': Kao Soap and Modern Japanese Commercial Design," 573-98

WITKOVSKY, MATTHEW S., "Staging Lan-

guage: Milia Mayerova and the Czech Book Al-

phabet," 114-35

Visual Studies/Critical Theory/Gender Studies

ELKINS, JAMES, review of David Summers, Real Spaces: World Art History and the Rise of Western

Modernism, 373-81

REE VES, E I L EEN, review of David Freedberg, The Eye of the Lynx: Galileo, His Friends, and the

Beginnings of Modern Natural History, 170-73

SIL VER, LARRY, review of John Onians, ed., Atlas of World Art; Thomas DaCosta Kaufmann, Toward a Geography of Art, 781-85

WOOD, CHRISTOPHER S., review of Hans

Belting, Bild-Anthropologie: Entwiirfe fiir eine Bild-

wissenschaft, 370-73

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