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sims reed galleryThe Economist Building
30 Bury StreetLondon SW1Y 6AU
Tel. +44 (0) 207 930 5111 Fax +44 (0) 207 930 1555
gallery@simsreed.com www.gallery.simsreed.com
IFPDA FAIRNEW YORK CITY1 - 4 NOVEMBER 2012
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Francis BaconThree Studies for a Portrait o f John Edwards
Lithograph printed in colours, 1987.
Signed in pencil and numbered from the edition of 180.
Printed on Arches paper by Galerie Lelong, Paris.
Published by L’Ire des Vents, Paris.
(Tacou 20)
81 x 60 cm
4
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Richard EstesHolland Hotel
Screenprint in colours, 1980.
Signed in pencil and numbered from the edition of 100.
Printed on thick card by Editions Domberger, Stuttgart.
Published by Parasol Press, New York.
119 x 190 cm
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Richard EstesD-T rain
Screenprint in colours, 1988.
Signed in pencil and numbered from the edition of 125.
Printed on thick card by Editions Domberger, Stuttgart.
Published by Parasol Press, New York.
107 x 195 cm
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Walton FordDying Words
Hardground etching, aquatint, spit-bite aquatint & drypoint, 2005.
Signed in pencil and inscribed ‘AP 18’.
An artists proof aside from the edition of 75.
Printed by Wingate Studio, New Hampshire.
Published by Paul Kasmin, New York.
57 x 75.5 cm
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Richard HamiltonToaster
Lithograph printed in colours with collaged metalized polyster, 1967.
Signed in pencil and numbered from the edition of 75.
Printed on TH Saunders paper by the artist and Chris Prater at Kelpra Studio, London.
Published by the artist.
(Lullin 63)
88.8 x 63.4 cm
12
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David HockneyTwo Vases in the Louvre
Etching and aquatint printed in colours, 1974.
Signed in pencil and numbered from the edition of 75.
Printed on Inveresk mould-made paper by Maurice Payne, London.
Published by Petersburg Press, London.
(Tokyo 154; Scottish Arts Council 168)
99.5 x 92 cm
14
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David HockneyContrejour in the French Style
Etching and aquatint printed in colours, 1974.
Signed in pencil and numbered from the the edition of 75.
Printed on Inveresk mould-made paper by Maurice Payne, London.
Published by Petersburg Press, London.
(Tokyo 153)
99.5 x 92 cm
16
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David HockneyRue de Seine
Etching and aquatint, 1971.
Signed in pencil and numbered from the edition of 150.
Printed on J Green mould made paper by the Print Shop, Amstredam.
Published by Petersburg Press, London for the National Council of Civil Liberties and Release in London.
(Scottish Arts Council 121, Tokyo 111)
89 x 71 cm
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David HockneyThe Diploma
Etching and aquatint, 1962.
Signed in pencil and numbered from the edition of 50.
Printed on hand-made paper by Ron Fuller and Peter Matthews at the Royal College of Art in London.
Published by the artist.
(Tokyo 28)
55.5 x 39.5 cm
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David HockneyCold Water about to Hit the Prince
Etching and aquatint, 1969.
Signed in pencil, and numbered 61 from the edition of 100.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
Printed on Hodgkinson handmade paper by the Print Shop, Amsterdam.
Published by Petersburg Press, London.
(Scottish Arts Council 97 ; Tokyo 94)
45.5 x 31 cm
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David HockneyRapunzel, Rapunzel, Let Down Your Hair
Etching and aquatint, 1969.
Signed in pencil, and numbered from the edition of 100.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
Printed on Hodgkinson handmade paper by the Print Shop, Amsterdam.
Published by Petersburg Press, London.
(Scottish Arts Council 86 ; Tokyo 83)
45.5 x 31.0 cm
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Alex KatzAda in Blue Hat
Aquatint printed in colours, 2004.
Signed in pencil and numbered from the edition of 75.
86.5 x 173 cm
26
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Christian MarclaySplat!
Photogravure on chine colle, 2011.
Signed in pencil verso and numbered from the edition of 25.
Printed on Revere Silk Polar White Paper by Graphicstudio, Florida.
Published by Graphicstudio with their wet stamp, verso.
32.5 x 23 cm
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Christian MarclaySkssh C lang Whssh
Photogravure on chine colle, 2011.
Signed in pencil verso and numbered from the edition of 25.
Printed on Revere Silk Polar White Paper by Graphicstudio, Florida.
Published by Graphicstudio with their wet stamp, verso.
32.5 x 23 cm
30
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Henri MatisseLa Danse
Aquatint printed in colours, 1935.
Signed in pencil and numbered from the edition of 50.
Printed on Arches paper.
(Duthuit 247)
29.7 x 80.7 cm
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Henri MatisseL’avaleur de sabres
Pochoir printed in colours, 1947.
From: Jazz, Plate XIII. From the edition 250.
Printed on Arches paper by Edmond Vairel.
Published by Teriade, Paris.
(Duthuit Livres 22)
42.2 x 32.5 cm
34
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Henri MatisseLe Lagon
Pochoir printed in colours, 1947.
From: Jazz, Plate XVIII. From the edition 250.
Printed on Arches paper by Edmond Vairel.
Published by Teriade, Paris.
(Duthuit Livres 22)
42 x 65 cm
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Joan MiróPartie de Campagne V
Etching and aquatint printed in colours, 1967.
Signed in pencil and numbered from the edition of 75.
Printed on Mandeure paper by Arte Adrien Maeght, Paris.
Published by Maeght Editeur, Paris.
(Dupin 434)
74.5 x 104 cm
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Pablo PicassoQuatre Sujets pour La Barre d’Appui
Sugar-lift aquatint with drypoint, 1936.
Signed in pencil and numbered 4/18.
Printed on blue Japon paper by Lacouriere, Paris.
Published by Cahiers d’art.
(Bloch 295a; Baer 607b)
41.5 x 30 cm
40
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Pablo PicassoFemmes se Reposant
Etching, 1931.
Signed in pencil.
From the edition of 250.
From: Suite Vo llard.
Printed on Montval paper by Lacouriere, Paris.
Published by Vollard, Paris.
(Bloch 143)
34 x 44.5 cm
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Pablo PicassoDeux Femmes sur la Plage
Lithograph, 1956.
Signed in pencil and numbered from the edition of 50.
Printed on Arches paper by Mourlot, Paris.
(Bloch 789; Mourlot 273)
50.5 x 66 cm
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Pablo PicassoJeune Femme Laissant Tomber Sa Robe
Aquatint and drypoint, 1968.
Signed in pencil and numbered from the edition of 50.
From: 347 Series.
Printed on Rives paper by Crommelynck, Paris.
Published by Galerie Louise Leiris, Paris.
(Bloch 1652; Baer 1668)
35 x 28 cm
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Mel RamosChic
Screenprint in colour, 1965.
Signed in pencil and numbered from the edition of 200.
From: 11 Pop Artists Volume I.
Printed on Smooth white paper.
Published by Original Editions, New York.
60.8 x 50.6 cm
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Bridget RileyUntitled (Based on Primitive Blaze)
Screenprint, 1962.
Signed in pencil and numbered from the edition of 40.
(Schubert 1a)
45.7 x 45.7 cm
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Bridget RileyUntitled (Fragment 7)
Screenprint on plexiglas, 1965.
Scratch signed and numbered from the edition of 75 verso.
Printed by Kelpra Studio, London.
Published by Robert Fraser Gallery, London.
(Schubert 5g)
50.9 x 99 cm
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Andy WarholLiz
Lithograph printed in colours, 1964.
Signed in ball-point pen.
From the edition of 300.
Printed by Total Colour, New York.
Published by Leo Castelli Gallery, New York.
(Feldman & Schellmann II.7)
56 x 56 cm
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Andy WarholMick Jagger
Screenprint in colours, 1975.
Signed in pencil and numbered from the edition of 250.
Also signed in ink by Mick Jagger.
Printed on Arches Aquarelle paper by Alexander Heinrici, New York.
Published by Seabird Editions, London.
(Feldman & Schellmann II. 144)
110.5 x 73.7 cm
56
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Andy WarholQueen Elizabeth II
Screenprint in colours, 1985.
Signed in pencil and numbered from the edition of 40.
Printed on Lenox Museum Board by Rupert Jasen Smith, New York.
Published by George Mulder, Amsterdam.
(Feldman & Schellmann II.335)
100 x 80 cm
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Andy WarholMarilyn
Screenprint printed in colours, 1967.
Signed in pencil on the verso and numbered from the edition of 250.
Published by Factory Additions, New York.
(Feldman & Schellmann II.31)
91.4 x 91.4 cm
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Andy WarholMarilyn
Screenprint printed in colours, 1967.
Signed in pencil on the verso and numbered from the edition of 250.
Printed by Aetna Silkscreen Products Inc., New York.
Published by Factory Additions, New York.
(Feldman & Schellmann II.26)
91.4 x 91.4 cm
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sims reed galleryThe Economist Building
30 Bury StreetLondon SW1Y 6AU
Tel. +44 (0) 207 930 5111 Fax +44 (0) 207 930 1555
gallery@simsreed.com www.gallery.simsreed.com
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