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AMANDA L TURNER SELECTED WORKS
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AMANDA L TURNERSELECTED WORKS
T A B L E O F C O N T E N T S020610141618
VOLUMETRIC HETEROGENEITY: DAEGU PUBLIC LIBRARY
EPHEMERAL SHROUD: CLARK MUSEUM PAVILION
MANUFACTURED ARCHITECTURE: BLURRING BOUNDARIES
GEOLOGIC DUALITY: FINAL PROJECT
STUDENT HOUSING: RENSSELAER POLYTECHNIC INSTITUTE
MARS: AN ARCHITECTURE OF TERRA-FORMATION
02
GEOLOGIC DUALITY: FINAL PROJECT (ONGOING)FALL 2015 - SPRING 2016| CRITIC: CHRIS PERRY
The Final Project studio revolves around the AN-THROPOCENE, or the geologic time of humans. Ini-tial research began with an interest in the mark man will leave behind, shown through the layers of Earth’s crust. Looking at examples of HU-MAN INTERVENTION in nature through direct in-tervention and bi-products. Examples include open pit mining, ecosystems created from landfill, and more.
Using Autodesk Maya, the physics software nCloth allows objects to be com-pressed. Each object has its own material property such as stretch and deformation resistance. After creation of these composite masses, a core sample is taken to study spaces formed between lay-ers of material.
PIGMENTED BEESWAX SCULPTURE, LAURA MORIARTY SPIRAL JETTY BY ROBERT SMITHSON, UTAH
LESLIE STREET SPIT, TORONTO, CANADA
MISSISSIPPI RIVER DELTA, LOUISIANA
BINGHAM CANYON MINE, UTAH
03MAYA DETAIL STUDIES
TYPE A TYPE B TYPE C TYPE D TYPE E
MAYA NCLOTH PROCESS CORE EXTRACTION
GEOLOGIC DUALITY: FINAL PROJECTFALL 2015| CRITIC: CHRIS PERRY
04
AERIAL VIEW IN MANHATTAN
LOCATION: MANHATTAN FINANCIAL DISTRICT
In the last decade and a half the Financial District of lower Manhattan has seen a large increase in its resi-dential population. In the early years of the 2000’s ap-proximately fifteen to twenty thousand residents lived in the district. This number rose to approximately sixty thousand in 2010 and continues to climb. Office space in high rises are being converted into valuable apartments and condos. Restaurants and retail are also increasing.
In order to promote public use spaces within buildings in Manhattan, the city offers a compromise in terms of zoning. The sky plazas within the tower would offer these public recreation areas, and extend hight of the building.
Programmatic Sections
- Industry
- Residential Housing for use by satellite campus
- Satellite Campus for research and technical schools of the North East US
- Culture and Entertainment
05SKY PLAZAS
Volumetric Heterogeneity is based off the Daegu Public Library Competition entry, located in South Korea, by STL Architects. The semes-ter long studio, design devel-opment, sought to push the concept design into a build-ing that was structural, as well as up to building code.
The fifteen floor library is a SLIM MONOLITHIC build-ing whose site is surrounded by low residential buildings. Structure lies in the two inner concrete cores and nearly one hundred six inch diameter diagonal columns located on the exterior of the curtain walls. Inner IN-TERLOCKING VOIDS are cut out of the floor plates inside to create three learn-ing neighborhoods. The park surrounded the library was designed to mimic the tree like design on the exterior structural columns.
LIBRARY SITE
PERSPECTIVE NIGHT RENDER
VOLUMETRIC HETEROGENEITY: DAEGU PUBLIC LIBRARYSPRING 2015| CRITIC: MARK MISTUR | PARTNER PROJECT
06
ORIGINAL PROJECT BY STL ARCHITECTS
FACADE AND PARK DESIGN
07
WELD CONNECTION TO COLUMNS
INNER COLUMN
OUTER COLUMN
MULLIONS
GLASS
CAP
EXPLODED FACADE DETAIL STRUCTURE STUDY MODEL
VOLUMETRIC HETEROGENEITY: DAEGU PUBLIC LIBRARYSPRING 2015| CRITIC: MARK MISTUR | PARTNER PROJECT
08
VIEWING PLANES
FLOOR VOLUMES
UP UP
UP
1A206
1A205
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UP UP
UP
1A206
1A205
UP UP
UP UP
UP
UP UP
UP
1A206
1A205
1A206
1A205
1A206
1A205
1 : 100 1A02 - Level 01
1 : 100 2A03 - Level 02
1 : 100 3A04 - Level 03
UP UP
UP
UP UP
UP
UP UP
1A206
1A205
1A206
1A205
1A206
1A205
1 : 100 1A05 - Level 04
1 : 100 2A06 - Level 05
1 : 100 3A07 - Level 06
UP UP
UP UP
UP UP
1A206
1A205
1A206
1A205
1A206
1A205
1 : 100 1A08 - Level 07
1 : 100 2A09 - Level 08
1 : 100 3A10 - Level 09
UP UP
UP
UP UP
UP
UP UP
1A206
1A205
1A206
1A205
1A206
1A205
1 : 100 1A11 - Level 10
1 : 100 2A12 - Level 11
1 : 100 3A13 - Level 12
FLOOR 12 SCALE 1:100
FLOOR 11 SCALE 1:100
FLOOR 10 SCALE 1:100
FLOOR 09 SCALE 1:100
FLOOR 08 SCALE 1:100
FLOOR 05 SCALE 1:100
FLOOR 04 SCALE 1:100
FLOOR 03 SCALE 1:100
FLOOR 02 SCALE 1:100
FLOOR 01 SCALE 1:100
GROUND SCALE 1:100
FLOOR -01 SCALE 1:100
UP UP
UP
1A206
1A205
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UP UP
UP
1A206
1A205
UP UP
UP UP
UP
UP UP
UP
1A206
1A205
1A206
1A205
1A206
1A205
1 : 100 1A02 - Level 01
1 : 100 2A03 - Level 02
1 : 100 3A04 - Level 03
UP UP
UP
UP UP
UP
UP UP
1A206
1A205
1A206
1A205
1A206
1A205
1 : 100 1A05 - Level 04
1 : 100 2A06 - Level 05
1 : 100 3A07 - Level 06
UP UP
UP UP
UP UP
1A206
1A205
1A206
1A205
1A206
1A205
1 : 100 1A08 - Level 07
1 : 100 2A09 - Level 08
1 : 100 3A10 - Level 09
UP UP
UP
UP UP
UP
UP UP
1A206
1A205
1A206
1A205
1A206
1A205
1 : 100 1A11 - Level 10
1 : 100 2A12 - Level 11
1 : 100 3A13 - Level 12
FLOOR 12 SCALE 1:100
FLOOR 11 SCALE 1:100
FLOOR 10 SCALE 1:100
FLOOR 09 SCALE 1:100
FLOOR 08 SCALE 1:100
FLOOR 05 SCALE 1:100
FLOOR 04 SCALE 1:100
FLOOR 03 SCALE 1:100
FLOOR 02 SCALE 1:100
FLOOR 01 SCALE 1:100
GROUND SCALE 1:100
FLOOR -01 SCALE 1:100
UP UP
UP
1A206
1A205
-----
----
---
UP UP
UP
1A206
1A205
UP UP
UP UP
UP
UP UP
UP
1A206
1A205
1A206
1A205
1A206
1A205
1 : 100 1A02 - Level 01
1 : 100 2A03 - Level 02
1 : 100 3A04 - Level 03
UP UP
UP
UP UP
UP
UP UP
1A206
1A205
1A206
1A205
1A206
1A205
1 : 100 1A05 - Level 04
1 : 100 2A06 - Level 05
1 : 100 3A07 - Level 06
UP UP
UP UP
UP UP
1A206
1A205
1A206
1A205
1A206
1A205
1 : 100 1A08 - Level 07
1 : 100 2A09 - Level 08
1 : 100 3A10 - Level 09
UP UP
UP
UP UP
UP
UP UP
1A206
1A205
1A206
1A205
1A206
1A205
1 : 100 1A11 - Level 10
1 : 100 2A12 - Level 11
1 : 100 3A13 - Level 12
FLOOR 12 SCALE 1:100
FLOOR 11 SCALE 1:100
FLOOR 10 SCALE 1:100
FLOOR 09 SCALE 1:100
FLOOR 08 SCALE 1:100
FLOOR 05 SCALE 1:100
FLOOR 04 SCALE 1:100
FLOOR 03 SCALE 1:100
FLOOR 02 SCALE 1:100
FLOOR 01 SCALE 1:100
GROUND SCALE 1:100
FLOOR -01 SCALE 1:100
GROUND FLOOR PLAN
GROUND FLOOR PLAN
GROUND FLOOR PLAN
091:50 SCALE SECTION MODELBUILDING SECTIONS
1A206
1A301
INTERIOR RENDER
10
MANUFACTURED ARCHITECTURE: BLURRING BOUNDARIESFALL 2014 | CRITIC: FRANCIS BITONTI | PARTNER PROJECT
Through this studio we explored INDUSTRIAL MANUFACTURING PAR-ADIGMS. Beginning by studying pre-fabricated and 3D printed homes, we ex-plored the growing niche of 3D printing in housing. Be-ginning by building a deltabot kit, we designed a PASTE EXTRUDING PRINTER at twice the size.
Studies were conducted to determine a material to print. Ours led us to a mixture of ground up brick, gloss gel, liquid tape, sand, and ceram-ic stucco. Using our 3D print-er we explored wall systems which would be created from strips that could morph into furniture and other wall fix-tures, blurring the boundary between wall structure and interior design.
DELTABOT 3D PASTE PRINTER PRINTER ELEVATION
PRINTER PLAN
11PASTE CHAIR MODELPRINT DETAIL PHOTOGRAPHS
12
MANUFACTURED ARCHITECTURE: BLURRING BOUNDARIESFALL 2014 | CRITIC: FRANCIS BITONTI | PARTNER PROJECT
WALL MORPHOGENICS
BLURRING BOUNDARIES MORPHOGENETIC DIAGRAM
Fabric Manipulation-Pinching
Pattern Shirring
Pinching Configurations Infill and Angle Configuration Layering and System Configuration
Catenary with Gaussain Curvature
Eladio Dieste-MasonryVentilation Horizontal Wall ConfigurationVertical Wall Configuration
BLURRING BOUNDARIES MORPHOGENETIC DIAGRAM
Fabric Manipulation-Pinching
Pattern Shirring
Pinching ConfigurationsInfill and Angle Configuration Layering and System Configuration
Catenary with Gaussain Curvature
Eladio Dieste-Masonry Ventilation Horizontal Wall Configuration Vertical Wall Configuration
BLURRING BOUNDARIES MORPHOGENETIC DIAGRAM
Fabric Manipulation-Pinching
Pattern Shirring
Pinching Configurations
Infill and Angle Configuration
Layering and System Configuration
Catenary with Gaussain Curvature
Eladio Dieste-Masonry
Ventilation
Horizontal Wall ConfigurationVertical Wall Configuration
BLURRING BOUNDARIES MORPHOGENETIC DIAGRAM
Fabric Manipulation-Pinching
Pattern Shirring
Pinching ConfigurationsInfill and Angle Configuration Layering and System Configuration
Catenary with Gaussain Curvature
Eladio Dieste-Masonry Ventilation Horizontal Wall Configuration Vertical Wall Configuration
CHAIR DESIGN PROCESS
13WALL APPLICATION IN CAFE
14
EPHEMERAL SHROUD: CLARK MUSEUM PAVILIONSPRING 2014 | CRITIC: ANDREW SAUNDERS | PARTNER PROJECT
EPHEMERAL SHROUD began with concepts of DRAPING and PLEATING through the use of physical simulation. Dynamic models were found by using tech-niques like suspending grav-ity and frozen air MOTION ANIMATION. The figure appears to be suspended in space, creating a weightless effect.
The flexibility of the design process allows the pavilion to respond to a number of different site conditions, and has the ability to propagate across a field. The arrange-ment of the gradient is de-pendent on the form of the pavilion takes on. Structur-ally, catenary arches devel-oped in the dynamic gravita-tional models would support
10 20 30 40
10 20 30 40
10 20 30 40
10 20 30 40
10 20 30 40
PARAMETRIC VARIATIONS
STUDY MODELS
15
ASSEMBLY
AERIAL PERSPECTIVESTEST ASSEMBLAGE
STUDENT HOUSING: RENSSELAER POLYTECHNIC INSTITUTESPRING 2013 | CRITIC: FLORENCIA VETCHER | PARTNER PROJECT
16
The project centered on de-signing a new residence hall for RPI. Shaping the building around the given site, a cen-tral stepped courtyard is cre-ated for resident activities to take place. This also creates a separation between the public spaces and road.
Three different ROOM TY-POLOGIES accommodate different living preferences. From these, the outer fa-cade is created by assigning different lengths to each. The corners of each floor are CIRCULATION and COMMUNITY spaces such as kitchens or learning com-munities. Students are given more access to the outdoors and promotion of social in-teraction is fostered.
SOUTH ELEVATIONSCALE: 1/16” = 1’
SITE PLANSCALE: 1’-0”= 1/32” N
SITE PLAN SOUTH ELEVATION
INNER COURTYARD PERSPECTIVE SECTION
17
WEST ELEVATIONSCALE: 1/16” = 1’
A
SECTION ASCALE: 1/16” = 1’WEST ELEVATION AND SECTION
1/16” SCALE MODEL1/4” SCALE MODELWEST SIDE RENDER
18
MARS: AN ARCHITECTURE TERRA-FORMATIONFALL 2011 | CRITIC: ADAM DAYEM
Focusing on an aspect of the Mars terrain that had a repetitive feature, this stu-dio focused on researching underlying processes of land formation. Analytical hand drawings gave clarity to the PHENOMENON OF NAT-URAL FORCES. Integrating a transformative grid, it was possible to further push the exploration of the limits of the land.
Using elements of Japanese joinery it was possible to push these two dimensional grids into three dimension INTERLOCKING JOINTS. Exploration through scale, rotation, and inversion creat-ed modules that then grew into larger assemblies fea-turing abstract logic to cre-ate a new landscape.
STUDY MODELS
MARS LANDSCAPE
ANALYSIS DRAWING
19FINAL MODEL
MIDTERM MODELANALYSIS DRAWING
