Paula IglésioBA in Communication at Faap College, in Sao Paolo, Brazil. She got an MA in Fashion at Esmod and Costume Design for Opera at Ópera Garnier, Paris. She works as a fashion producer for magazines Elle, Vogue and Vogue-Paris. Develops costumes for television and film, with directors such as Ugo Giorgetti, Carlos Reichenbach
and Fernando Meirelles, for whom she supervised the costume design for the movie Blindness. She is currently responsible for the costume division at TV Bandeirantes in São Paulo.
Africans (Publicity), 2008
100 Years of Fashion on the Cinema (Publicity), 1995
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Marcelo PiesCostume designer, has been awarded several prizes. Winner of the 2008 Contigo Price for the Theater for Hamlet, directed by Aderbal Freire Filho and nominated for four times for the Shell Prize for The Seven Afluents of the River’s Ota - 2002, Uncle Vanya - 2003, The Curse of the Dark Valley - 2005 and Hamlet. In the Municipal
Theater of Rio de Janeiro, he designed the costumes for two operas: Tristan and Isolda - 2003 and Bal Masqué - 2004. Part of his work can be accessed at http://www.marcelopies.com
Macbeth (Theater), 2010
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Renato Bolelli RebouçasArchitect, scenographer, art director and costume designer. Winner of the Shell Award for Best Scenography for the play Arrufos (2008), with Grupo XIX de Teatro. In his projects, the themes “destruction” and “reinsertion” are constant and he has dedicated himself to the perception and use of spaces developing poetics on
the potentiality of abandoned materials. He is now ending his MA in Set Design at the School of Communication and Arts of the University of São Paulo, Brazil. Personal website: www.bolellireboucas.com.br
O Animal na Sala – Cia. Linhas Aéreas (Theater), 2009
Hygiene – Grupo XIX de Teatro (Theater), 2005 / Photographer Regina Midori
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Simone MinaStylist, scenographer, art director and costume designer. Teacher of Fashion at Santa Marcelina College, São Paulo. She is a co-founder of the Cia. Livre, where she investigates set design in relation with the scene. After 2001, she developed projects of installation and performances as means of support for the man-
clothing-space relationship. She was invited to represent Brazil in the Prague Quadrennial in 2003. She recently developed Kastelo, with the Teatro da Vertigem and Rainhas, among others. http://rainhasduasatrizes.blogspot.com
Queen [(S)]: duas atrizes em busca de um coração – Cia. Livre (Theater), 2008
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Julio Dojcsar & Silvana MarcondesJulio Dojcsar (Graffiti artist and scenographer, works with the Cia. São Jorge de Variedades (São Jorge Varieties Company) since 2000, developing scenography and in the art direction department.) and Silvana Marcondes (Art director and costume designer, is concerned with handcraft material from embroidery to painting. She has developed expressive work for the TV Series Hoje é dia de Maria
and the plays Porque o Mar tanto chora, by “Meninas do conto” and Poetas do Mar (Poets of the Sea), by the group “Caixa de Imagens”) Both are members of the art collective “casadalapa”, focused on urban intervention. The partnerships with stylist Jum Nakao and photographer Sandra Bordim have guided their way through fashion, besides theater.
O Santo Guerreiro e o Herói Desajustado – Cia. São Jorge de Variedades (Theater), 2007
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Aby Cohen & Lee DawkinsAby Cohen (Brazilian, BA in Design, MA in set design at USP. She has experience in Arts, focusing on Scenic Arts) and Lee Dawkins (British, scenographer and lighting designer, graduated from Nottingham Trent University, UK). They have designed together more than 50 productions, in the following areas: scenography, costume
design, exhibition design, theatre and cinema. They created costumes for Cia. Paidéia de Teatro from 2000 to 2006 and for Richard III, directed by Jô Soares. They also took part in Brazil’s Thematic section exhibition at PQ99.
Primavera (Cinema), 2005
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André CortezCortez graduated in architecture in 1996 at UFMG, Minas Gerais. He worked with CPT, the Theater Practice Center directed by Antunes Filho. He has developed a lot of productions, including one with designer Daniela Thomas, Frankensteins.
He won the Shell and APCA awards for his set for the play Father, directed by Paulo Autran. He won a Shell Award in 2005 for the sets of The Serpent. He has been nominated many times for other productions.
Megera Domada (Theater), 2001
A Serpente (Theater), 2005
Troianas (Studies for Theatre), 1998
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Fabio NamatameA Fine Arts graduate, Namatame is very active and productive in art directing, costume and set design for theater, opera, film, TV commercials and TV. He created costumes for very important directors, such as José Possi Neto (in Gospel
according to Jesus) and Antonio Araújo and his biblical trilogy: Lost paradise, The book of Job and Apocalypse 1.11. He also designs costumes for musicals, including My Fair Lady, West Side Story and The King and I (still running).
Memórias Póstumas de Brás Cubas (Theater), 1998 P
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Gabriel VillelaA Drama Graduate from the School of Arts and Communications at the University of São Paulo, Villela has developed a very productive career in theater in the last 21 years. He has also produced for film, shows and television. One of his highlights
was Romeo and Juliet with Grupo Galpão, from Minas Gerais, that was presented worldwide, including the Globe Theater.
O Soldadinho e a Bailarina (Theater), 2010
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Lola TolentinoThe name of Lola Tolentino is often associated with Grupo Tapa, a theater group that moved from Rio de Janeiro to São Paulo in the 1980’s. She has been creating for their productions ever since. Known for her very detailed costumes, Tolentino always tries to focus on the reconstruction of costumes. She has been awarded
more than ten prizes and some of her notable productions include The Time and the Conways (1985), Our Town (1989), The Taming of the Shrew (1991) and A Moratória (2009).
Camaradagem – Grupo TAPA (Theater), 2006
O Ensaio – Grupo TAPA (Theater), 2008
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Marcio MedinaSet and costume designer, this very inventive professional has a wide range of productions, from the classicals to the very popularesque shows. He has a BA in Fine Arts and another in Marketing. He represented Brazil in the Prague
Quadrennial of 2003. He is a collaborator at the Pontedera Center of Research and Experimentation and he has been awarded a lot of prizes.
Till, a saga de um herói torto – Grupo Galpão (Theater), 2009
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Olintho MalaquiasFashion and costume designer, he graduated in Fashion Design at SENAC in 1993. He was the main costume designer at Teatro Oficina (Oficina Theater), directed by the famous José Celso Martinez Corrêa. He was nominated for the
Shell Award for some of these productions and he is currently working at the Amazonas Opera Festival.
Os Troianos (Opera), 2009
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Telumi HelenShe has been an assistant and cooperator for J.C.Serroni since 1987. She works with costumes, set design and props for theater and other productions. She also creates drawings and illustrations for books and theater posters.
O Papa e a Bruxa - Parlapatões (Theater), 2009
Oceano – Circo Roda Brasil (Circus), 2008
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J.C. SerroniOne of the most famous set designers in Brazil, Serroni got his BA in Architecture at the School of Architecture at the University of São Paulo. He has a long time cooperation partnership with director Antunes Filho, and they have produced
many important plays in terms of Brazilian theater. He is also a costume designer and works with theater architecture. In 1999, he was awarded a Golden Medal at the Prague Quadrennial for his theater architecture projects.
Gilgamesh – CPT (Theatre), 1995
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Wanda SgarbiA graduate from the School of Fine Arts in Minas Gerais (UFMG), she creates costumes, props, sets; produces shows; works as an art director for theater, movies, video and television. She got the Shell Award for best costume for her
play The captain and the mermaid (2007) and many others, such as the Usiminas /Simparc Award, Sharp, Moliére. She often works with Grupo Galpão, from Minas Gerais.
La Serva Padrona (Opera), 1996
A Rua da Amargura - Grupo Galpão (Theater), 1998
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