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Page 1: Back Matter

Back MatterSource: The Musical Quarterly, Vol. 2, No. 4 (Oct., 1916)Published by: Oxford University PressStable URL: http://www.jstor.org/stable/737947 .

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Page 2: Back Matter

CONTENTS OF THE

JANUARY NUMBER

TASTE IN MUSIC LAWRENCE GILMAN (New York)

MUSIC IN THE AMERICAN UNIVERSITY J. LAWRENCE ERB (Urbana, Ill.)

THE ENGLISH THEATRE ORCHESTRA: ITS RISE AND EARLY CHARACTERISTICS W. J. LAWRENCE (Dublin)

NIELS WILHELM GADE: IN REMEMBRANCE OF THE CEN- TENARY OF HIS BIRTH CORNELIUS RUBNER (New York)

RUSSIAN HUNTING MUSIC JAROSLAW DE ZIELINSKI (Los Angeles, Calif.)

A GENETIC STUDY OF THE AIDA LIBRETTO EDGAR ISTEL (Berlin)

THE STUDY OF THEORY IN MUSIC TEACHING. IS IT SOUND? A. REDGRAVE CRIPPS (Worthing)

FERUCCIO BUSONI AS A COMPOSER HUGO LEICHTENTRITT (Berlin)

SOME GUESSES ABOUT "YANKEE DOODLE" FRANK KIDSON (Leeds)

BEETHOVEN'S INSTRUMENTAL MUSIC. TRANSLATED FROM E. T. A. HOFFMANN'S Kreisleriana, WITH AN INTRO- DUCTORY NOTE ARTHUR WARE LOCKE (Cambridge, Mass.)

A STUDY OF ELGAR DANIEL GREGORY MASON (New York)

EXOTICISM IN MUSIC IN RETROSPECT D. C. PARKER (Glasgow)

I

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Page 3: Back Matter

Address editorial communications to the editor,

M. O. G. SONNECK,

8080 MACOMB STREET, WASHINGTON, D. C.

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Page 4: Back Matter

ANNOUNCEMENTS

THE BOSTON MUSIC CO.

BREITKOPF & HXRTEL

OLIVER DITSON CO.

CARL FISCHER

AUGUST GEM(NDER & SONS

THE H. W. GRAY CO.

HUNTZINGER & DILWORTH

THEO. PRESSER CO.

G. SCHIRMER

CLAYTON F. SUMMY CO.

WHITE-SMITH CO.

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Page 5: Back Matter

i'iYiYYYiYiYiiYiYiYYYYTHE BOSTON MUSIC COMPANY i

LATEST ADDITIONS TO THE

EDITION W A progressive collection, with a scope that comprises all that is meritorious

and useful in music. Distinctly a teacher's edition, because of its excellence and cheapness. Complete descriptive catalog of all items in the B. M. Co. Edition sent upon request.

AUTUMN-1 1916 No. SONG COLLECTIONS Nt No. VIOLIN SOLO pe Price No. Net

218 Nevin-Engel, Six Duets. 85 Hofmann, Op. 96. Double- Sop. and Alto, or Sop. and stop Studies .60

Bar. 1.00 86 Eberhardt, Arpeggio Studies .60 219a/b Franck, Album of Six Songs. 87 Rodin, Forty Exercises for

High and Low (e and f) .60 Development of Facility .60 88 Ritter-Stoessel, Scales .75

PIANO SOLO 89a Kross, Systematic Scale Stud- ies. Part I .60

336 Rolfe, Tanglewood Tales .60 337 Crystal Stream of Folklore .60 VIOLIN AND PIANO 338 Borch, Op. 187. Four pieces .60 339 Scharwenka-Capen, Op. 62

Album of 12 pieces .60 120 Helm, Sylvan Sketches .75 340 Harker, Op. 29. Fairy Tales .60 . 121 Dvoffk,Op 100. Sonatina .75 341 Franck- Bauer, Prelude,

Aria and Finale .75 342 Grovlez, Three Impressions CHAMBER MUSIC

of London 1.00 343 Saint-Saiens, Etude en forme

de valse .60 156 Bornschein, Easy Classics for Ensemble Playing (3 Vos. & 344 Neo - German Composers, Ensemble Playing (3 Vos. & 344 Neo - German Composers, Po.; Va. & 'Cello ad lib.) 1.00

Album of twelve pieces .60 345 Marschal - Loep^ke, Winter -157a/b B. M. Co. String Quartet 345 Marschal - Loe pke, Wnter Albums. Vols. I & II ea. 1.50

Sketches .60 346 Schiitt, Carnaval mignon .60 347 Album, for the left hand alone .60 ORGAN 348 Schytte, Op. 68. Modern

n Etudes

c .c , A' 60

183 Nevin, Organ Folio (9 pieces) 1.00 349 Graham, Six Sight-reading Ex- 1

ercises 1 .60 192 Carl, Wedding Music 1.00

350 Kuhlstrom, Large Note Piano- 193' Carl, Funeral Music 1.00 forte School .60 194 Wilson, Seven Preludes .60

351 Orth, Op. 16. Six Pieces .60 195 Franck, Organ Folio .75

THE BOSTON MUSIC CO. 26 & 28 West Street, Boston, Massachusetts

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Page 6: Back Matter

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Page 7: Back Matter

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Page 8: Back Matter

1 .....CARL FISCHER . *.-* _. ...... ...... .....,...._ ...... . . . .. ..-...n1 .-* ....n W IM 01-W

CARL FISCHER'S

Music Library A Modern Edition of Standard Compositions

Instructive Works and Musical Classics no, Vocal and Various String and Wind Instruments

The Four Points of Superiority by which

THE CARL FISCHER LIBRARY excels .

all Other Editions

MODERNITY MUSICAL Careful analysis of structure and a full use of the discoveries of modern technic, form the basis of editorial activity.

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HELPFULNESS PLASTICITY A visual presentation of

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SHADING The notorious inadequacy of expression-signs, forcing every

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FINGERING Its primary function as a humble servant of phrasing

is fully discounted and the editions are provided with such a systematic plan of fingering, explana- tory suggestions and instructive advice by experts in the playing of either the piano, string or wind instruments, as to do away, once and for all, with the haphazard methods of other editions.

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POSITION Undue scattering of signs- the usual practice-is of great

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Page 9: Back Matter

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Page 10: Back Matter

THE H. W. GRAY CO. EPI^^ S

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BACH'S FORTY-EIGHT PRELUDES AND FUGUES. (The Well-tem- pered Clavichord.) A New edition in two parts Part I (now ready) 1.25

"There has been no editorial emendation of the text itself; that is to say, there are no notes in these pages that Bach himself has not set down. On the other hand the manner of their setting down differs now and then, to a small extent, from that of Bach. The one reason for these variations from the script of the original is the desire to make the text more easily legible at the pianoforte both by those who know the Preludes and Fugues and by those who do not-particularly the latter."

THE ORGAN WORKS OF

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BOOK XV

ORGELBUCHLEIN (Little Organ Book)

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Page 11: Back Matter

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*'acreb bongs ib)e To7ice in tfe itli!berness

Jo h n P rind le S cott........................................................................................................................ 75 Published for high and low voice.

i Sle%e!eb are tfe Pure in ieart F . F laxington H ark er..................................................................................................................... 60

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btte Cittp of Our (bob; G ootfried H . F ed erlein .......................................................................................................... 75

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Page 12: Back Matter

zstitxzY^iry^sr M THI THEO. PRESSER COMPANYt |p .taTv

Latest Publications iNEW AND DISTINCTIVE, B:UT NOT ICONOCLASTIC

X| HARMONY BOOK FOR BEGINNERS by PRESTON WARE OREM

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THE HARMONY BOOK FOR BEGINNERS presents the vital elements of a difficult subject in a plain, practical, and matter-of-fact manner. ? It is adapted to either class instruction or private lessons. It is up-to-date and modern in expression and treatment. ? It stresses ear-training, intervals, scale and chord building. ? It can be used as preparation for any of the larger works. ? It contains many new and what may prove to be epoch-making features.

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TWO NEW CHRISTMAS CANTATAS THE GREATEST GIFT

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Page 13: Back Matter

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SYMPHONY ORCHESTRA PERCY GRAINGER, In a Nutshell

Suite for Orchestra, Piano and Deagan Percussion Instruments V in Four Movements

1. Arrival Platform Humlet 3. Pastoral - 2. Gay but Wistful 4. The Cornstalks March

The first performance (from manuscript) in June, 1916, at the Nor- folk, Conn. Festival, Dr. Arthur Mees, Conductor, was greeted with great enthusiasm.

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JOHN ALDEN CARPENTER, Adventures in a Perambulator EH=~~ ~ Orchestral Suite in Six Movements

1. En Voiture 3. The Hurdy-Gurdy 5. Dogs 2. The Policeman 4. The Lake 6. Dreams

-= ~This work has already been performed (from manuscript) by a number of the leading Symphony Orchestras including the Chicago Symphony, Frederick Stock, Conductor, and the New York Symphony, Walter Damrosch, Conductor, and it is extensively booked for the sea- son of 1916-17.

It is a charming suite, replete in real humor, full of fancy and having moments of gentle lyric beauty.-New York Sun

CHORAL MUSIC HENRY HADLEY, Ode to Music

Cantata for Mixed Chorus, Soli and Orchestra, in ten episodes a a This musical setting to the inspiring poem of the same name by

-o Dr. Henry Van Dyke will be performed for the first time at the sixtieth

^ annual Worcester Festival. It was written especially for this occasion i by Mr Hadley at the request of the directors of Worcester County

Musical Association. The poem was chosen by the composer because ' of its varied color and specific references to different orchestral in-

struments which make it particularly adaptable to musical composition. ,

| '3 East 43d St. G. SCHIRMER New York I mi . m

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Page 14: Back Matter

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THE AIM OF THE _ MSLESSONS IN APPRECIATION OF MUSICAL FORM $1.25

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- is to PROMOTE a Cultural Appreciation of Form in Music by a systematic training of the EAR to hear the characteristic features, and the MIND to know the facts regarding the old dance forms, since much of the music of the Masters consists of idealized dance forms.

The book is a compilation of respresentative Dance Forms for the Pianoforte and furnishes Explanations and Illustrations of

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A SIGNIFICANT ADDITION TO THE CONCERT LITERATURE OF THE SOLO VIOLIN

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Keyboard Harmony and Transposition by ANNA HEUERMANN HAMILTON.

Two Vols. Each, .40 Preliminary Studies in Keyboard Harmony and Transposition.

Preparatory to Vols. I.-II. .40 -I ~ A NEW presentment of Classic Harmony which modern educators have received

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Page 15: Back Matter

S^^JX, TW-^^^ | WHITE- SMITH COMPANY 8 I^TI^^^^^ g!6 > < --, _ .... ...- .-., ,.... .... * ... " *-,. -'AI R^f ^ ^ 'A's

Progressive Graded T FOR THE VIOLIN

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'echnics

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Book II. Double stopping. Teach- ers' Library 3b.

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Price, $1.00 each net

In Book I the author aims to develop the flexibility, independence and agility of the fingers, shifting in different ways and in all positions.

In Book II the principles are more highly developed in double stopping, while Book III treats exclusively of the bow.

PAVEL L. BYTOVETZSKI

SPECIFIC VIOLIN EXERCISES For the Development of the Third and Fourth Fingers

By PAVEL L. BYTOVETZSKI TEACHERS' LIBRARY, No. 5

Contains specialized exercises to give strength and capability to the third and fourth fingers.

Varied and mixed rhythms, with their stimulative effect upon attention, style and control, are emphasized throughout the work.

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A New Edition of FIORILLO 36 Etudes for Violin

Edited, with supplementary material by PAVEL L. BYTOVETZSKI This edition is very superior and is intended to teach the student more than merely

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Page 16: Back Matter

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