Click here to load reader
Date post: | 07-Jan-2017 |
Category: |
Documents |
Upload: | truongdung |
View: | 214 times |
Download: | 0 times |
Click here to load reader
Back MatterSource: The Musical Quarterly, Vol. 2, No. 4 (Oct., 1916)Published by: Oxford University PressStable URL: http://www.jstor.org/stable/737947 .
Accessed: 16/05/2014 04:02
Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at .http://www.jstor.org/page/info/about/policies/terms.jsp
.JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range ofcontent in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new formsof scholarship. For more information about JSTOR, please contact [email protected].
.
Oxford University Press is collaborating with JSTOR to digitize, preserve and extend access to The MusicalQuarterly.
http://www.jstor.org
This content downloaded from 195.78.109.90 on Fri, 16 May 2014 04:02:10 AMAll use subject to JSTOR Terms and Conditions
CONTENTS OF THE
JANUARY NUMBER
TASTE IN MUSIC LAWRENCE GILMAN (New York)
MUSIC IN THE AMERICAN UNIVERSITY J. LAWRENCE ERB (Urbana, Ill.)
THE ENGLISH THEATRE ORCHESTRA: ITS RISE AND EARLY CHARACTERISTICS W. J. LAWRENCE (Dublin)
NIELS WILHELM GADE: IN REMEMBRANCE OF THE CEN- TENARY OF HIS BIRTH CORNELIUS RUBNER (New York)
RUSSIAN HUNTING MUSIC JAROSLAW DE ZIELINSKI (Los Angeles, Calif.)
A GENETIC STUDY OF THE AIDA LIBRETTO EDGAR ISTEL (Berlin)
THE STUDY OF THEORY IN MUSIC TEACHING. IS IT SOUND? A. REDGRAVE CRIPPS (Worthing)
FERUCCIO BUSONI AS A COMPOSER HUGO LEICHTENTRITT (Berlin)
SOME GUESSES ABOUT "YANKEE DOODLE" FRANK KIDSON (Leeds)
BEETHOVEN'S INSTRUMENTAL MUSIC. TRANSLATED FROM E. T. A. HOFFMANN'S Kreisleriana, WITH AN INTRO- DUCTORY NOTE ARTHUR WARE LOCKE (Cambridge, Mass.)
A STUDY OF ELGAR DANIEL GREGORY MASON (New York)
EXOTICISM IN MUSIC IN RETROSPECT D. C. PARKER (Glasgow)
I
This content downloaded from 195.78.109.90 on Fri, 16 May 2014 04:02:10 AMAll use subject to JSTOR Terms and Conditions
Address editorial communications to the editor,
M. O. G. SONNECK,
8080 MACOMB STREET, WASHINGTON, D. C.
This content downloaded from 195.78.109.90 on Fri, 16 May 2014 04:02:10 AMAll use subject to JSTOR Terms and Conditions
ANNOUNCEMENTS
THE BOSTON MUSIC CO.
BREITKOPF & HXRTEL
OLIVER DITSON CO.
CARL FISCHER
AUGUST GEM(NDER & SONS
THE H. W. GRAY CO.
HUNTZINGER & DILWORTH
THEO. PRESSER CO.
G. SCHIRMER
CLAYTON F. SUMMY CO.
WHITE-SMITH CO.
This content downloaded from 195.78.109.90 on Fri, 16 May 2014 04:02:10 AMAll use subject to JSTOR Terms and Conditions
i'iYiYYYiYiYiiYiYiYYYYTHE BOSTON MUSIC COMPANY i
LATEST ADDITIONS TO THE
EDITION W A progressive collection, with a scope that comprises all that is meritorious
and useful in music. Distinctly a teacher's edition, because of its excellence and cheapness. Complete descriptive catalog of all items in the B. M. Co. Edition sent upon request.
AUTUMN-1 1916 No. SONG COLLECTIONS Nt No. VIOLIN SOLO pe Price No. Net
218 Nevin-Engel, Six Duets. 85 Hofmann, Op. 96. Double- Sop. and Alto, or Sop. and stop Studies .60
Bar. 1.00 86 Eberhardt, Arpeggio Studies .60 219a/b Franck, Album of Six Songs. 87 Rodin, Forty Exercises for
High and Low (e and f) .60 Development of Facility .60 88 Ritter-Stoessel, Scales .75
PIANO SOLO 89a Kross, Systematic Scale Stud- ies. Part I .60
336 Rolfe, Tanglewood Tales .60 337 Crystal Stream of Folklore .60 VIOLIN AND PIANO 338 Borch, Op. 187. Four pieces .60 339 Scharwenka-Capen, Op. 62
Album of 12 pieces .60 120 Helm, Sylvan Sketches .75 340 Harker, Op. 29. Fairy Tales .60 . 121 Dvoffk,Op 100. Sonatina .75 341 Franck- Bauer, Prelude,
Aria and Finale .75 342 Grovlez, Three Impressions CHAMBER MUSIC
of London 1.00 343 Saint-Saiens, Etude en forme
de valse .60 156 Bornschein, Easy Classics for Ensemble Playing (3 Vos. & 344 Neo - German Composers, Ensemble Playing (3 Vos. & 344 Neo - German Composers, Po.; Va. & 'Cello ad lib.) 1.00
Album of twelve pieces .60 345 Marschal - Loep^ke, Winter -157a/b B. M. Co. String Quartet 345 Marschal - Loe pke, Wnter Albums. Vols. I & II ea. 1.50
Sketches .60 346 Schiitt, Carnaval mignon .60 347 Album, for the left hand alone .60 ORGAN 348 Schytte, Op. 68. Modern
n Etudes
c .c , A' 60
183 Nevin, Organ Folio (9 pieces) 1.00 349 Graham, Six Sight-reading Ex- 1
ercises 1 .60 192 Carl, Wedding Music 1.00
350 Kuhlstrom, Large Note Piano- 193' Carl, Funeral Music 1.00 forte School .60 194 Wilson, Seven Preludes .60
351 Orth, Op. 16. Six Pieces .60 195 Franck, Organ Folio .75
THE BOSTON MUSIC CO. 26 & 28 West Street, Boston, Massachusetts
%
\a,
-
=
by en
=
=
-?
-_ i
. _
g
;; \^~
,,i i:i
=E
? y =0 7
f.s' '* => ̂ ='
rYIPIYIVrYI
d Ld
-e
s=
---- r-.
I
I 5
5
--
---
iSS Ic rl
r r
I n ii
,1, o
1
?
I
"I 16r1w-yIT'n, \
I I I
- K : f w l// rf_lQ--'i v/7 SrQNA<ffil-E70 (-VIEf |Mi MUmWWUWUJU@EJ^J^ L^vJU^l%LU&UMJpCJzJ
This content downloaded from 195.78.109.90 on Fri, 16 May 2014 04:02:10 AMAll use subject to JSTOR Terms and Conditions
11I BREITKOPF & HARTEL, 22 W. 38th St. N. Y.
| | WSEM@^JASEM /A
'*. . .B',H
I COMPOSITIONS FOR OLIN AND PIANO lWH
I v^11
i ^r
II I H
-| -Ii TRANSCRIPTIONS FOR IOLIN D PIANO B ALPHERAKY ''X M DH
_ BALAKIREVW I twlS 3 w ^^H 3 GOLIERE ',^~OWgs' _ B /?,?? L'MfSi8 - * GLINKA 'iSIW ^
GRETCHAHIMOFF /'/fi &?, e ". B KARAITSCHEFF 'fe3.'-d '" 5-H
KARCANOFF
B^ I NEMEROWSKY j.S. ,J .S S - I TSCrIKOWSKY "'f 2.7.'
L L _B'?H ^ -F.AACH S HI
B . ._POL DIN g 'J *
B > Breitkopf & Hartel 4 IL Z B' 1B H 3it B'?
I
Ji" kvvlu Uj
I
mm
I
This content downloaded from 195.78.109.90 on Fri, 16 May 2014 04:02:10 AMAll use subject to JSTOR Terms and Conditions
,1 it P iTi T^r yij r-r I .
* II4^^^^wjy-w^^w'wl. OLIVER DITSON COMPANYI 1ifat^tta+v -
"YX_ ..4@3 1k n- xii 4tt s [E *-.... 6,z. ..y.~ ,, , , ,, , -, M
150,000 Sold
| The Musicians Library This notable series has been planned to embrace all the master-
^ F rT" Ppieces of song and piano literature; to gather into superbly F kSK^I made volumes of uniform size and binding the best work of
the best composers, edited by men of authority. Each volume is independent, complete in itself, and sold by itself.
SEVENTY-SIX VOLUMES ISSUED SONG VOLUMES
Brahms, Johannes. Forty Songs. High Voice. Low Voice. Edited by James Huneker. Franz, Robert. Fifty Songs. High Voice. Low Voice. Edited by William Foster Apthorp. Grieg, Edvard. Fifty Songs. High Voice. Low Voice. Edited by Henry T. Finck.
; Handel, George Frideric. Vol. I. Songs and Airs. High Voice. Vol. II. Songs and Airs. Low Voice. Edited by Dr. Ebenezer Prout.
Jensen, Adolf. Forty Songs. High Voice. Low Voice. Edited by William Foster Apthorp. Liszt, Franz. Thirty Songs. High Voice. Low Voice. Edited by Carl Armbruster. Schubert, Franz. Fifty Songs. High Voice. Low Voice. Edited by Henry T. Finck. Schumann, Robert. Fifty Songs. High Voice. Low Voice. Edited by W. J. Henderson. Strauss, Richard. Forty Songs. High Voice. Low Voice. Edited by James Huneker. Tchaikovsky, P. I. Forty Songs. High Voice. Low Voice. Edited by James Huneker. Wagner, Richard. Lyrics for Soprano. Edited by Carl Armbruster. Wagner, Richard. Lyrics for Tenor. Edited by Carl Armbruster. Wagner, Richard. Lyrics for Baritone and Bass. Edited by Carl Armbruster. Wolf, Hugo. Fifty Songs. High Voice. Low Voice. Edited by Ernest Newman.
; Fifty Mastersongs. High Voice. Low Voice. Edited by Henry T. Finck. Fifty Shakspere Songs. High Voice. Low Voice. Edited by Charles Vincent, Mus. Doc. Modern French Songs. High Voice. Low Voice. Vol. I. Bemberg to Franck. Vol. II. Georges to
Widor. Edited by Philip Hale. One Hundred English Folksongs. Medium voice. Edited by Cecil Sharp. One Hundred Folksongs of all Nations. Medium Voice. Edited by Granville Bantock. One Hundred Songs of England. High Voice. Low Voice. Edited by Granville Bantock. Seventy Scottish Songs. High Voice. Low Voice. Edited by Helen Hopekirk. Sixty Folksongs of France. Medium Voice. Edited by Julien Tiersot. Sixty Irish Songs. High Voice. Low Voice. Edited by William Arms Fisher. Sixty Patriotic Songs of all Nations. Medium Voice. Edited by Granville Bantock. Songs by Thirty Americans. High Voice. Low Voice. Edited by Rupert Hughes. Songs from the Operas for Soprano, Mezzo-soprano, Alto, Tenor, Baritone and Bass. Five volumes,
all edited by H. E. Krehbiel. i j~~~~PIANO VOLUMES
Bach Piano Album. Vol. I. Shorter Compositions. Edited by Dr. Ebenezer Prout. Bach Piano Album. Vol. II. Larger Compositions. Edited by Dr. Ebenezer Prout. Beethoven, L. van. Vol. I. Piano Compositions. Edited by Eugen d'Albert. Beethoven, L. van. Vol. II. Piano Compositions. Edited by Eugen d'Albert. Brahms, Johannes. Selected Piano Compositions. Edited by Rafael Joseffy.
J Chopin, Frederic. Forty Piano Compositions. Edited by James Huneker. Chopin, Frederic. The Greater Chopin. Edited by James Huneker.
~' ^ Grieg, Edvard. Larger Piano Compositions. Edited by Bertha Feiring Tapper. Grieg, Edvard. Piano Lyrics and Shorter Compositions. Edited by Bertha Feiring Tapper. Haydn, Franz Josef. Twenty Piano Compositions. Edited by Xaver Scharwenka.
i? Liszt, Franz. Ten Hungarian Rhapsodies. Edited by August Spanuth and John Orth. Liszt, Franz. Twenty Original Piano Compositions. Edited by August Spanuth. Liszt, Franz. Twenty Piano Transcriptions. Edited by August Spanuth. Mendelssohn, Felix. Thirty Piano Compositions. Edited by Percy Goetschius, Mus. Doc. With a
A Preface by Daniel Gregory Mason. Mozart, Wolfgang Amadeus. Twenty Piano Compositions. Edited by Carl Reinecke. Schubert, Franz. Selected Piano Compositions. Edited by August Spanuth. Schumann, Robert. Fifty Piano Compositions. Edited by Xaver Scharwenka. Wagner, Richard. Selections from the Music Dramas. Edited by Otto Singer. Preface by Richard
Aldrich.
Anthology of French Piano Music. Vol. I. Early Composers. Vol. II. Modem Composers. Edited by Isidor Philipp.
Anthology of German Piano Music. Vol. I. Early Composers. Vol. II. Modern Composers. Edited by Moritz Moszkowski.
Early Italian Piano Music. Edited by M. Esposito. ? ~ Modern Russian Piano Music. Vol. I. Akimenko to Korestchenko. Vol. II. Liadoff to Wrangell. Edited by Constantin von Sternberg.
Twenty-four Negro Melodies. Transcribed for Piano by S. Coleridge-Taylor.
Each Volume in Heavy Paper, Cloth Back, $1.50; in Full Cloth Gilt, $2.50 Copies mailed postpaid. Other Volumes in preparation. Send for free booklets giving full " particulars, with contents of each volume. Mailed free upon request
Write for particulars of our Easy Payment Plan
Oliver Ditson Company 150 Tremont St., Boston 8-10-12 East 34th St., New York
;VlO\Y/,VCy,y,yv~ye-i;hrC*YYYY~YYYY\~~ ~I* *YiYYYYYX~AY\;*AYV?1 T
,.,f N?Y %" .Ah -
I
I
^
k
IN 1^
/lIq - -.-- . -.. - - - ... - ...... I
I
This content downloaded from 195.78.109.90 on Fri, 16 May 2014 04:02:10 AMAll use subject to JSTOR Terms and Conditions
1 .....CARL FISCHER . *.-* _. ...... ...... .....,...._ ...... . . . .. ..-...n1 .-* ....n W IM 01-W
CARL FISCHER'S
Music Library A Modern Edition of Standard Compositions
Instructive Works and Musical Classics no, Vocal and Various String and Wind Instruments
The Four Points of Superiority by which
THE CARL FISCHER LIBRARY excels .
all Other Editions
MODERNITY MUSICAL Careful analysis of structure and a full use of the discoveries of modern technic, form the basis of editorial activity.
GRAPHICAL Up-to-date tools and meth- ods, combined with typo-
graphical discrimination, result in graphical excellence.
HELPFULNESS PLASTICITY A visual presentation of
the structural outlines of a composition, productive of correct interpretation, is the helpful principle employed.
SHADING The notorious inadequacy of expression-signs, forcing every
player to supply his own dynamics and time- shading, is intelligently remedied.
PHRASING Authoritative indications, based upon reliable tradi-
tional sources, modernised and amplified in strict accordance with the demands of advanced pedagogy and present-day artistic requirements.
FINGERING Its primary function as a humble servant of phrasing
is fully discounted and the editions are provided with such a systematic plan of fingering, explana- tory suggestions and instructive advice by experts in the playing of either the piano, string or wind instruments, as to do away, once and for all, with the haphazard methods of other editions.
CLEARNESS GROUPING A disposition of all signs in
such a manner as to form clearly visible phrases, leads to the desirable quality of transparency.
SPACING Insufficient spacing between groups, so detrimental to legi-
bility, or crowding for the sake of economy, is not resorted to.
SIZE A judicious inquiry into the proper size of the signs employed, commen-
surate with their relative importance, has led to the use of an extra large notehead, the utility of which is readily recognized.
POSITION Undue scattering of signs- the usual practice-is of great
hindrance to the act of vision in reading music. The carefully selected positions of fingering, expression-signs and pedal-marks produce great efficiency in the "prima vista" reading of this edition.
QUALITY PAPER As a fitting foundation for this
carefully prepared edition, a splen- did quality of paper, heavy, not brittle, and not subject to discoloration, is employed.
DESIGN The title-design and type used in these volumes impart quiet
dignity to them and are in keeping with the pro- gressive character of their artistic superiority.
Order through your Home Dealer
CARL FISCHER COOPER SQUARE
NEW YORK
BOSTON: 380 Boylston Street
CHICAGO: 337 So. Wabash Avenue
I
1 .l Ii? for Pia
k
I
}
I 'f i
N ,
- --
- - ,_
IYV;VV-IVVYCY?TYVY*VY*V. A'rY*Yh YYYIV*YYI YYVIY*YY Y Y;YIYYYI\Y YY,Y2.V*VVVVYI.Vi
^.Y%^A I.
,XYn ~A\\~/X -~. ̂ xA.N~\~..J* X-\/ A -\ &X^.\A\~J&\V ^\/A 2A\ y\&X` ?
11
I
7m
(a
I I
tV
v
I
Z
I-I'
This content downloaded from 195.78.109.90 on Fri, 16 May 2014 04:02:10 AMAll use subject to JSTOR Terms and Conditions
w- y rrYLtlY-
j RUBUST GEtlUNDER M SONS
FORD FLIVVER FIDDLES
qTHE highways and byways resound with the tintinnabu- I lations of Little fiddles. There's a dearth of streamline
smoothness and sonority; long wheel-base strength and i depth, and multi-cylinder power.
We Specialize in '" Big" Instruments
|| ~In the Gemiinder showrooms the Little instrument is taboo. Though there are many instruments at little prices, there are none little in tonal completeness.
H-~a r e Rare Old Violins The Geminder Catalog of Rare Old Violins-ask for Catalog
No. 3-lists fine home and church and student instruments for as little as $40 and fine virtuoso instruments for several thousands. They are all "Big" instruments-big in ability to improve with use; big in present tonal sufficiency; big in price-value.
-BI ~ Moderate-Priced New Instruments Our "Excelsior" and "Concert" grades-especially made by
European handworkers and finished and regraduated by Gemiinders- and sold at $60 upwards. They are the Biggest violin values in the world to-day.
" Gemuinder Art" Violins Master violins in every sense-having the endorsement and the
patronage of the world's premier virtuosi-comparable in every way to the best Old Masters, and yet moderately priced and sold on convenient terms. Ask for Catalog No. 2.
Strings, Cases, Trimmings, Repairs, Adjustments, etc. Literature on any or all topics gladly sent to Teachers, Schools, individuals. State your interests and we will select suitable literature and forward it carriage paid by return of mail.
Everything from Gemiinders is a thing of class-a thing of great potentialities-a thing designed to increase the world's store of the beautiful in music.
?1 jRUGU5T EEMUNDER 31 SONS :X ~ Violin Makers for Three Generations
|i|, 141 W. 42d Street NEW YORK ;
i' ,~ dPublishers of THE VIOLIN WORLD, 75c. per year. ,/ Single copies, 10c.
- -
[ h 0 v
T iCr7 '71y,yly,L,Yiy,ylyinyIYIYL'ifiyiPylylyiy ylY'.Y?ll,V,,Y,Y,Y,,y, kyyalyfflPrii L&MVVIRIT",-YAfflr-oly. I", I I
;_"
I
This content downloaded from 195.78.109.90 on Fri, 16 May 2014 04:02:10 AMAll use subject to JSTOR Terms and Conditions
THE H. W. GRAY CO. EPI^^ S
NEW BOOKS GREAT MODERN COMPOSERS. By Daniel Gregory Mason net 1.25
Being Vol. II of the Appreciation of Music Series.
(In the Press)| ] NIEW LIGHT ON THE OLD ITALIAN METHOD. By David C. Taylor net 1.00
Author of Self Help for Singers, Psychology of Singing, etc. i
INTERPRETATION OF MUSIC OF THE 17TH AND 18th CENTURIES. By Arnold Dolmetsch net 5.00
APPENDIX TO ABOVE, Consisting of twenty-two illustrative pieces net 1.75 THE SOURCES OF KEYBOARD MUSIC IN ENGLAND. By Charles van
den Borren net 3.50 Professor of music in the Universite Nouvelle of Brussels.
Translated from the French by James E. Matthew..
CHORAL TECHNIQUE AND INTERPRETATION. By Henry Coward, Mus. Doc., Oxon. net 2.50
(In the Press)
THE MODERN ORGAN. By Erest M. Skinner net 1,25 -
BACH'S FORTY-EIGHT PRELUDES AND FUGUES. (The Well-tem- pered Clavichord.) A New edition in two parts Part I (now ready) 1.25
"There has been no editorial emendation of the text itself; that is to say, there are no notes in these pages that Bach himself has not set down. On the other hand the manner of their setting down differs now and then, to a small extent, from that of Bach. The one reason for these variations from the script of the original is the desire to make the text more easily legible at the pianoforte both by those who know the Preludes and Fugues and by those who do not-particularly the latter."
THE ORGAN WORKS OF
JOHN SEBASTIAN BACH THE CHORALE PRELUDES
With an Introduction by ERNEST NEWMAN
BOOK XV
ORGELBUCHLEIN (Little Organ Book)
EDITED BY IVOR ATKINS
"It is gratifying to see that the English publishing house of Novello has stepped in with the first - adequate edition of the 'Orgelbichlein' that has yet been given to the world... What makes it so valuable is not merely the care with which the text has been prepared, but the facts that, for the first time, since the publication of the work in the Bachgesellschaft series-in a form, of course, that is accessible to most people-the preludes of the 'Orgelbiichlein' have been printed in the order given them by Bach, and , that, absolutely for the first time in any edition, each prelude is prefaced by the words and music of the chorale on which it is founded."-The New Witness.
PRICE $2.50 o
THE H. W. GRAY COMPANY 2 WEST 45th STREET, NEW YORK :'
Sole Agents for i
NOVELLO XC CO., Ltd., London 1
I J.
6
v
--
L-.
c:
5- --
L_
--
o It.
;; ;
?i II j?4 ! 4%
? 'Cc
I I
^T;x+TrtY^fff,firYAYt^YtVYi^At'^^W-rr _-v- - I
6 61 rf, m I
This content downloaded from 195.78.109.90 on Fri, 16 May 2014 04:02:10 AMAll use subject to JSTOR Terms and Conditions
.....; .S ^ t? .. .
HUNTZINGER & DILWORTH |j1$t=-t=
-i ~ SONGS OF MERIT
i |BY AMERICAN COMPOSERS A DUSKY LULLABY
H allett G ilb erte .............................................................................................................................. 50 Published for high and low voice. One of his most popular songs.
THE RESPONSE M ary H elen B row n ................................................................................................ 60
Published for high, medium and low voice. i ~A charming song which shows this gifted writer at her best. ;
FOR HE LOVED HER Harriet Rusk .......................... 50
Published for medium voice. The most attractive encore song published in years.
LASS O' MINE F lorence T urner-M aley ............................................................................................................ 60
Published for medium voice. A Scotch song of rare beauty. Successfully sung by Eleanor Patterson, George Hamlin and Loretta Del Valle.
THE WIND'S IN THE SOUTH Jo h n P rin d le S co tt........................................................................................................................... 75
Published for soprano voice. The most successful coloratura song published since "Villanelle"; to be featured the coming season by Jenny Dufau, Yvonne de Treville, Florence Macbeth and others.
*'acreb bongs ib)e To7ice in tfe itli!berness
Jo h n P rind le S cott........................................................................................................................ 75 Published for high and low voice.
i Sle%e!eb are tfe Pure in ieart F . F laxington H ark er..................................................................................................................... 60
Published for high and low voice.
btte Cittp of Our (bob; G ootfried H . F ed erlein .......................................................................................................... 75
Published for high and low voice.
Ask your local dealer for our complete thematic catalog of songs.
Huntzinger & Dilworth 505 Fifth Avenue . New York
i
If II* IVY?0.7?929'?9?Q209
9?9?9 9IVIYIYIYIYIYIVIY~ 0IYI-*YI - 20~I 9-29YIYrY*V*~YIY .0IY
...999 -7.2 2.. ?9-Q-2-
'F , I
I
This content downloaded from 195.78.109.90 on Fri, 16 May 2014 04:02:10 AMAll use subject to JSTOR Terms and Conditions
zstitxzY^iry^sr M THI THEO. PRESSER COMPANYt |p .taTv
Latest Publications iNEW AND DISTINCTIVE, B:UT NOT ICONOCLASTIC
X| HARMONY BOOK FOR BEGINNERS by PRESTON WARE OREM
Price, $1.00 B RIEF * SIMPLE . VI TAL . PRACTICAL
THE HARMONY BOOK FOR BEGINNERS presents the vital elements of a difficult subject in a plain, practical, and matter-of-fact manner. ? It is adapted to either class instruction or private lessons. It is up-to-date and modern in expression and treatment. ? It stresses ear-training, intervals, scale and chord building. ? It can be used as preparation for any of the larger works. ? It contains many new and what may prove to be epoch-making features.
An Admirable Work for Self-help Students
PROGRESSIVE PIANO PLAYER by THEODORE PRESSER
Price, 75 cents
|THE LOGICAL SEQUEL TO THE BEGINNER'S BOOK
~8;~~ |~Published in Response to Innumerable Insistent Requests
THE PROGRESSIVE PIANO PLAYER takes up the subject just where the Beginner's Book stops. ? An exhaustive treatment of scales forms the center of the work; around this center is developed a series of fascinating studies in each key. ? Purely technical matter is interspersed with some vitally in-
I teresting material of a general nature, all progressively arranged.
TWO NEW CHRISTMAS CANTATAS THE GREATEST GIFT
i|0~ ~by H. W. PETRIE Price, 75 cents
? Mr. Petrie's melodic gifts are well known; and they are displayed to the best advan- tage in this work. The GREATEST GIFT is brilliant, dramatic, and effective
i; |throughout, without being at all difficult. The chorus writing is very fine, and the solos are all that could be desired.
THE KING COMETH by ROBERT M. STULTS
i;B~~~~~ $~~Price, 50 cents ? This melodious, singable cantata is perfectly suited to the average chorus or volunteer
;.~ ^choir. The text for the most part is taken from the Scriptures, and tells the story of the Incarnation in its entirety. It is just the right length for use in church or in special musical service.
(Send for Presser's New Catalog of Thanksgiving and Christmas Music)
H 14TU.nT^HE DR PRDEQS O CO 1712-1714 Chestnut Street I
j1 J~rlt.U UKI ir ll-SbLK < . PHILADELPHIA, PA.
IY~Y*YIYIV~VYII*VIV*Y*VY*YIIYIV*Y*VYI *Y----- 14 1 y^ I
i
This content downloaded from 195.78.109.90 on Fri, 16 May 2014 04:02:10 AMAll use subject to JSTOR Terms and Conditions
I J -
YTi gr_ yl7Wiu,Y;YiTrayiYf Y stIYiyYiYlilYtYVYr^y
~bI~g~~ G. SCHIRMER, 3 EAST 43D ST.
Musical Works of Distinction Advance of Publication Announcement
SYMPHONY ORCHESTRA PERCY GRAINGER, In a Nutshell
Suite for Orchestra, Piano and Deagan Percussion Instruments V in Four Movements
1. Arrival Platform Humlet 3. Pastoral - 2. Gay but Wistful 4. The Cornstalks March
The first performance (from manuscript) in June, 1916, at the Nor- folk, Conn. Festival, Dr. Arthur Mees, Conductor, was greeted with great enthusiasm.
This work has been booked by all the prominent Symphony Orchestras in the United States for performance the forthcoming season.
New York will hear this composition. It made Mr. Grainger the hero of the There will be no danger of its falling Festival.-H. E. Krehbiel asleep.- Wm. J. Henderson
asep-m J* Henderso* Tunes that are as clear and instant as The piece is probably the most elab- the day; that step to lively or to long-
orate of Mr. Grainger's compositions so drawn rhythms; that are developed, far produced, and is undoubtedly a transmuted, cumulated and colored so success.-Richard Aldrich that every hearer may understand.-
H. T. Parker
JOHN ALDEN CARPENTER, Adventures in a Perambulator EH=~~ ~ Orchestral Suite in Six Movements
1. En Voiture 3. The Hurdy-Gurdy 5. Dogs 2. The Policeman 4. The Lake 6. Dreams
-= ~This work has already been performed (from manuscript) by a number of the leading Symphony Orchestras including the Chicago Symphony, Frederick Stock, Conductor, and the New York Symphony, Walter Damrosch, Conductor, and it is extensively booked for the sea- son of 1916-17.
It is a charming suite, replete in real humor, full of fancy and having moments of gentle lyric beauty.-New York Sun
CHORAL MUSIC HENRY HADLEY, Ode to Music
Cantata for Mixed Chorus, Soli and Orchestra, in ten episodes a a This musical setting to the inspiring poem of the same name by
-o Dr. Henry Van Dyke will be performed for the first time at the sixtieth
^ annual Worcester Festival. It was written especially for this occasion i by Mr Hadley at the request of the directors of Worcester County
Musical Association. The poem was chosen by the composer because ' of its varied color and specific references to different orchestral in-
struments which make it particularly adaptable to musical composition. ,
| '3 East 43d St. G. SCHIRMER New York I mi . m
This content downloaded from 195.78.109.90 on Fri, 16 May 2014 04:02:10 AMAll use subject to JSTOR Terms and Conditions
I I
CLAYTON F. SUMMY CO.
CLAYTON F. SUMMY CO. offers TO THE ATTENTION OF MUSICIANS AND TEACHERS
^ ~~v Wseveral important publications that are peculiarly IN TUNE WITH THE TREND OF THE TIMES.
We cannot have Musical Culture without A ppreciation We cannot have Appreciation without Understanding
THE AIM OF THE _ MSLESSONS IN APPRECIATION OF MUSICAL FORM $1.25
By JEANNIE R. SMELTZER
- is to PROMOTE a Cultural Appreciation of Form in Music by a systematic training of the EAR to hear the characteristic features, and the MIND to know the facts regarding the old dance forms, since much of the music of the Masters consists of idealized dance forms.
The book is a compilation of respresentative Dance Forms for the Pianoforte and furnishes Explanations and Illustrations of
The Partita and The Suite: The Allemande, Courante, Sarabande,
Gigue, Bourree, Passepied, Minuet, Pavanne, Waltz, etc.
A SIGNIFICANT ADDITION TO THE CONCERT LITERATURE OF THE SOLO VIOLIN
The prize-winning Violin Concerto BY CECIL BURLEIGH $3.00 A compelling concert number of impressive beauty and dignity of idea played
with success and endorsed by America's leading violinists.
THE CHILD WORLD PLAYGROUND SERIES OF SEASONABLE FESTIVALS AND PAGEANTS
Responding to the revival of interest in Pageants and realizing the tremendous cultural value to CHILD LIFE to be derived from familiarity with folk lore and mytho- c logical tales
TEACHERS AND DIRECTORS in Kindergartens, Schools, Play-grounds and Settlements will welcome the recent publication of the
-_-- Harvest Festival, arranged by MARI RUEF HOFER, ..50 -- Spring Pantomime, " " " " .50
These miniature Pageants are woven dramatically out of the folk lore, mythology and symbolic Nature Characters familiar to the every-day school life of the child. Adapted to small or large classes. Each volume is accompanied with detailed directions and all the necessary music. _~~~~~: - H~Send for descriptive circular
Keyboard Harmony and Transposition by ANNA HEUERMANN HAMILTON.
Two Vols. Each, .40 Preliminary Studies in Keyboard Harmony and Transposition.
Preparatory to Vols. I.-II. .40 -I ~ A NEW presentment of Classic Harmony which modern educators have received
with acclaim because it ANSWERS their long-felt NEED for a system of Harmony which supplants
l +; ^Theory with actual DOING and is founded on the vital, inspiring Teaching i( Principle: To Experience Is To Know.
"! ~4 Send for descriptive circular. i,i yi4 A new number of the Study Service Sheet has just been issued. Have your
name placed upon the mailing list and become a regular recipient. '
; ', CLAYTON F. SUMMY CO., Publishers ;: didl 64 East Van Buren Street CHICAGO, ILLINOIS
iI ?A m 'ITILYLYAtl"i lyrriyiyil?-IqLyalyiylyTilfLyfff?,YIY9lpll --lylanmmv
: i 'G Y1
I
L I . - -
I
r -1 rvf - J (11 . w
- U' AAL UUAL If Iruf ' -I' L' IVAAII! - - % & ff '&l YSMA -m
This content downloaded from 195.78.109.90 on Fri, 16 May 2014 04:02:10 AMAll use subject to JSTOR Terms and Conditions
S^^JX, TW-^^^ | WHITE- SMITH COMPANY 8 I^TI^^^^^ g!6 > < --, _ .... ...- .-., ,.... .... * ... " *-,. -'AI R^f ^ ^ 'A's
Progressive Graded T FOR THE VIOLIN
By PAVEL L. BYTOVETZSKI
'echnics
Book I. Development of finger strength and independence in ail posi- tions. Teachers' Library 3a.
Book II. Double stopping. Teach- ers' Library 3b.
Book III. Bowing studies. Teach- ers' Library 3c.
Price, $1.00 each net
In Book I the author aims to develop the flexibility, independence and agility of the fingers, shifting in different ways and in all positions.
In Book II the principles are more highly developed in double stopping, while Book III treats exclusively of the bow.
PAVEL L. BYTOVETZSKI
SPECIFIC VIOLIN EXERCISES For the Development of the Third and Fourth Fingers
By PAVEL L. BYTOVETZSKI TEACHERS' LIBRARY, No. 5
Contains specialized exercises to give strength and capability to the third and fourth fingers.
Varied and mixed rhythms, with their stimulative effect upon attention, style and control, are emphasized throughout the work.
Price, 75 cents
A New Edition of FIORILLO 36 Etudes for Violin
Edited, with supplementary material by PAVEL L. BYTOVETZSKI This edition is very superior and is intended to teach the student more than merely
the technical elements, such as the development of style and other qualities highly valued by the greatest violinists.
Price, 50 cents
White-Smith Music Publishing Co. BOSTON: 62-64 Stanhope St. NEW YORK: 13 East 17th St.
CHICAGO: 316 South Wabash Avenue
"
x q
c
I
I
2!M
I...
I____ I I ^*:~~~~I
YCYYIYIYY ;Y*YIVYITYZYYIVWL7VIYAYYr Y vY r\ YI XIY*Y I Y YVCY IY,Y Y IY iYIYIYYIYYYIYYYYi
./N\X?"
L. II
t;
I
i
i
c
1.
r
r
t
i
I?
11K 1
This content downloaded from 195.78.109.90 on Fri, 16 May 2014 04:02:10 AMAll use subject to JSTOR Terms and Conditions
,:y1f
IF
This content downloaded from 195.78.109.90 on Fri, 16 May 2014 04:02:10 AMAll use subject to JSTOR Terms and Conditions