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Page 1: Back Matter

Back MatterSource: Nineteenth-Century Literature, Vol. 44, No. 2 (Sep., 1989), pp. 268-270Published by: University of California PressStable URL: http://www.jstor.org/stable/3044959 .

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Page 2: Back Matter

Contributors to this Issue

R 0 B E R T M I L D E R, Associate Professor of English at Washington University in St. Louis, has published widely on Melville, including the chapter on him in The Columbia Literary History of the United States (1988). He is currently working on a book on Emerson and the American Renaissance.

R I C H A R D P A S C A L is Lecturer in the Department of English at the Australian National University. Among his several articles on Whitman is his forthcoming piece in the Journal of American Studies, "Walt Whit- man and Woody Guthrie: American Prophet Singers and Their People."

C. S T E P H E N F I N L E Y is Associate Professor of English at Haverford College and, in 1985-86, was Resident Fellow at the Institute for Ad- vanced Studies in the Humanities of the University of Edinburgh. His work on Victorian literature has recently appeared in numerous journals.

STANLEY FRIEDMAN, Associate Professor of English at Queens College, City University of New York, has published extensively on Charles Dickens. At present he is engaged in a study of the scenic struc- ture and narrative sequence in Dickens's early novels.

A L I C I A C A R R 0 L L, a Candidate for the Doctoral Degree in English at the Graduate Center of the City University of New York, is writing a dissertation on George Eliot, Carlyle, and Dickens.

268

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CONTRIBUTORS TO THIS ISSUE 269

KURT TETZELI VON RoSADOR, Professor of English at the Uni- versity of Mtinster, has published extensively on British dramatic lit- erature from the Elizabethan to the Modern periods, and on Victorian fiction, including an article in NCL in June 1988, "Metaphorical Rep- resentations of the French Revolution in Victorian Fiction."

J A M E s E N G E L L is Professor of English and Comparative Literature at Harvard University. The author of The Creative Imagination: Enlight- enment to Romanticism (1981) and coeditor of the Bollingen edition of Coleridge's Biographia Literaria (1983), he most recently published Form- ing the Critical Mind: Dryden to Coleridge (1989).

J O H N C L U B B E, Professor of English at the University of Kentucky, has published extensively on Hood, Carlyle, and Froude, among other Victorians. Recently having completed a book on Cincinnati: Portrait of a City, he now plans to return to work on a study of Byron in Switzerland.

D O N H. B I A LO S T 0 S KY is Professor of English at the University of Toledo. Among his published work on Wordsworth is the recent Making Tales: The Poetics of Wordsworth's Narrative Experiments (1984).

N A T H A N I E L B R 0 W N, Professor of English at Mary Washington College in Fredericksburg, Virginia, is the author, among other works, of Sexuality and Feminism in Shelley (1979).

J O H N C L E N D E N N I N G, Professor of English at California State Uni- versity, Northridge, is the editor of The Letters ofJosiah Royce (1970) and the author of The Life and Thought of Josiah Royce (1985). Among his earlier work is an essay on "Irving and the Gothic Tradition" (1964); most recently he has been engaged in a book-length study of Stephen Crane.

J. A. L E o L E M A Y, H. F. du Pont Winterthur Professor of English at the University of Delaware, has published extensively on early Amer- ican literature. His most recent book is an anthology prepared for the United States Information Agency, An Early American Reader (1988).

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Page 4: Back Matter

270 NINETEENTH-CENTURY LITERATURE

S T E P H E N R A I LT o N, Associate Professor of English at the Univer- sity of Virginia and a member of the Advisory Board of NCL, is the author of Fenimore Cooper: A Study of His Life and Imagination ( 1978) and coeditor of Emerson and His Legacy: Essays in Honor of Quentin Anderson (1986).

D 0 N A L D D. S T 0 N E is Professor of English at Queens College and the Graduate Center, City University of New York, and a member of the Advisory Board of NCL. Among his recent publications is a piece on Trollope as a father and son in Victorian Perspectives (1989) and a Festschrift for Jerome H. Buckley entitled Nineteenth-Century Lives (1989) which he coedited with Laurence Lockridge and John Maynard.

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Page 5: Back Matter

The richness of "poor Real Lffr" Social commentary and social comedy merge in this new volume in The Library of America. A well- meaning clergyman tries to help a proud, innocent, and utterly untalented young poet in The Minister's Charge. In Apil Hopes, an extended courtship is mud- dled by notions of romantic love, while Annie Kilburn follows a wealthy woman who returns to her home town and discovers how hard it is to "do good?' Blending sympathetic observation with a sharp wit, William Dean Howells turns what he called "poor Real Life" into engagingly provocative fction.

Also Available: at b NOVELS 1875-1886: S g ,/ b Foregone Conclusion, or

a Modern Instance, 1 E 6 Indian SummerY The Rise of Silas Lapbam _

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Page 6: Back Matter

Tennyson's Characters "Strange Faces, Other Minds" BY DAVID GOSLEE This original study shows Tennyson to be a much more dramatic poet than he is usually considered-so dramatic that his fictional M me characters take on a reality profoundly troubling to their creator. Forthcoming in November. 333 pages, $32.50

Carlyle and Tennyson BY MICHAEL TIMKO A skillful blend of biography, literary criticism, and the history of ideas that reveals the influence of Carlyle and Tennyson on each other and their times. 300 pages, $22.50

-il I O W A University of Iowa Press, Iowa City, Iowa 52242 (319) 335-4645 We accept VISA and MasterCard

"This book will be valued by everybody who is professionally interested in Victorian literature." -Richard D. Altick, Regents' Professor Emeritus, The Ohio State University

< ICTORIAN CONNECTIONS Edited by JEROME J. McGANN Virginia Victorian Studies

"This is probably the strongest and most interesting collection of essays of this sort that I have seen. The result is a series of for- mulations and explorations of extraordinary importance and, in several cases, of real excitement. This is a fresh and challenging group of essays from some of our most agile, learned, and com- manding Victorianists." -James R. Kincaid, Aerol Arnold Professor of English, University of Southern California

December $29.50

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Page 7: Back Matter

O xford The Romance of Failure First-Person Fictions of Poe, Hawthorne, and James JONATHAN AUERBACH, University of Maryland, College Park "A thoughtful, provocative, and at times quite brilliant book. Auerbach takes on a venerable, perhaps fundamental literary problem; the relationship between an author and his book and situates it within an utterly fresh and ilLuminating context. The book is immensely readable, and impeccable in its scholarship. -Donald Pease, Dartmouth College. 1989 216 pp. $29.95

Perils of the Night A Feminist Study of Nineteenth-Century Gothic EUGENIA C. DELAMOTTE, Bowdoin College Examining the works of such writers as Henry James, Mary Shelley, and the Brontes, this book argues that the source of Gothic terror is actually a double fear of separateness and unity that has had special significance for women writers and readers. 1989 352 pp. $34.95

Sisters in Time Imagining Gender in Nineteenth-Century British Fiction SUSAN MORGAN, Vassar College "In a series of deft and original readings, Susan Morgan addresses one of the major questions, that has, until now, remained implicit in feminist literary criticism: If modern industrial England is a male-dominated society, then why is the English novel dominated by female characters?"-Nancy Armstrong, University of Minnesota. 1989 272 pp. $29.95

The Sun is God Painting, Literature and Mythology in the Nineteenth Century Edited by J.B. BULLEN, University of Reading Exploring the changing role of mythology as expressed in 19th-century literature and painting, these essays focus on the powerful myth that surrounds the rising and setting of the sun, and examines the importance of the sun as a primal, generative force. 1989 248 pp.; illus. $55.00

The Printed Voice of Victorian Poetry ERIC GRIFFITHS, Trinity College, Cambridge "Griffiths is to be congratulated on a richly compelling and thought-provoking book."-John Bayley, The Sunday Telegraph. Providing original readings of the works of Tennyson, Browning and op ins, this book examines the ways in which the poets responded creatively to the ambiguities involved in writing down the melodies of their speech: intonation, accent, tempo, and pitch of utterance. 1989 392 pp. $64.00

William Wordsworth A Life STEPHEN GILL, Lincoln College, Oxford Based on a fresh look at Wordsworth's manuscripts, as well as research from the last two decades and contem porary analysis, Gill reveals that in many ways Wordsworth led a surprisingly spirited and heroic life. 1989 550 pp.; illus. $29.95

Prices subject to change and good only in the U. S. To order, send check or money order to:

Humanities and Social Sciences Marketing Department or call (212) 679-7300 ext. 7106

Oxford University Press 200 Madison Avenue * New York, NY 10016

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Page 8: Back Matter

L< 41

ICTORIAN

forthcoming in winter and spring

TUDIES

"Newman, Peel, Tamworth, and the Concurrence of Historical Forces," by Wendell V. Haris

"'A Gothic Ruin and a Grecian House': Tennyson's The Princess and Mid-Victorian Architectural Theory," by Hester Davenport

"The Love of Finery: Fashion and the Fallen Woman in Victorian Social Discourse," by Mariana Valverde

"Booth's Jews: The Presentation of Jews and Judaism in Life and Labour of the People in London, "

by David Englander

"'Sin of the Age': Infanticide and Illegitimacy in Victorian London," by Ann R. Higginbotham

"Charlotte BrontE's Belgian Essays: The Discourse of Empowerment,"

by Sue Lonoff

"The Mysterious Demise of Sarah Gamp," by Anne Summers

Book Reviews

INDIANA UNIVERSITY

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Page 9: Back Matter

International Interdisciplinary Conference on the Fine Arts of the 19th Century

October 17-20, 1990 Ohio University, Athens, Ohio

Keynote Speaker: W. J. T. Mitchell, University of Chicago

Request: 250 word abstract of papers or proposals for panels by February 1, 1990. Send abstracts to:

19th Century Conference School of Comparative Arts 120 Lindley Hall Ohio University Athens, Ohio 45701-2979

Papers will be published in the Yearbook of Interdisciplinary Studies in the Fine Arts

I~~~~~~~~~~~~~~~~l"

11s THE ASSOCIATION OF AMERICAN UNIVERSITY PRESSES DIRECTORY 1988-1989

This directory offers a detailed introduction to the structure and staff of the AAUP and to the publishing programs and personnel of its ninety-nine member presses. Among its features are a detailed description of each press with a summary of its publishing program and a list of the names and responsibilities of its key staff; com- plete address information; a subject guide, with 136 categories, in- dicating which presses publish in a given area; advice to authors on the submission of manuscripts. Order No. 0-945103-01-8 Paper $11.95 224pp Distributed for the Association of American University Presses

THE UNIVERSITY OF CHICAGO PRESS Dept. CE/ 5801 South Ellis Avenue Chicago, IL 60637

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THE HISTORY OF

The Comic Strip THE NINETEENTH CENTURY

David Kunzle This volume continues a survey of a cultural phenomenon incorrectly assumed to have been virtually invented during the 20th century: the comic strip. In this volume, Kunzle takes us from 1827, the year Rodolphe T6pffer drafted his first

comic strip/picture story, to 1896, when the first continuing comic character was created in an American newspaper. He touches on every aspect of the subject:

the artists; their working conditions, innovative techniques, and styles; the social, political, psychological, and cultural milieu in which the illustrated magazine

thrived; and the volatile (upwardly-downwardly mobile) character of the audience who consumed the new genre.

$85.00 until 1/31/90, | / University $100.00 thereafter. U iest At bookstores or order of toll-free 1-800-822- 6657. Visa & California MasterCard only. Press

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Page 11: Back Matter

Hemr~a~r Revic

"For all libraries and for the many individuals who have waited for a James journal."

-LIBRARY JOURNAL

In his own time Henry James, the literary "heir of all ages," was adored, scorned, quoted, misquoted, painted, caricatured, flattered, copied, and parodied. James, in turn, subjected his world to an'in- tolerable scrutiny." And now he is the subject of scholarly scrutiny in The Henry James Review.

Founded to stimulate dialogue and to create a sense of community among those who have a special interest in the author, the journal brims with critical essays, notes, letters, reviews, and annotated bibliog- raphies.

The Henry James Review is distributed by the Johns Hopkins Uni- versity Press for the Henry James Society, Louisiana State University. The journal is published three times a year in February, May, and November. Edited by Daniel Mark Fogel.

0)--

Please enter my one-year subscription to The Henry James Review.

L] $17.00, individuals E $30.00, institutions E Check or money order enclosed made payable to the Johns Hopkins University

Press 0 O Charge VISA # _ MasterCard # Signature Exp. date Ship to: Name 0

Address _ City/State/Zip

Prepayment required for shipment. Maryland residents add 5% sales tax. Outside U.S., add postage: $4.50, Canada and Mexico; $4.00 outside North America. 0 Payment must be drawn on a U.S. bank or made by international money order. Send orders to: The Johns Hopkins University Press, JOURNALS PUBLISHING

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H NEW

PAPERBACKS FROM CALIFORNIA

PROPHETIC LANDSCAPE WOMAN AND Anne Hutchinson and the IDEOLOGY Problem of Dissent in the Literature of New England The English Rustic Tradition, AMY SCHRAGER LANG 1740-1860

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Page 13: Back Matter

American Literature

First published in 1929 and long regarded as the leader

in its field, American Literature is a quarterly of literary

history, criticism, and bibliography that focuses on

American authors, past and present, and their works.

American Literature is published in cooperation with

the American Literature Section of the Modern Lan-

guage Association of America.

Recent articles

Frost and Modernism * Robert Kern

Emily Dickinson's "Renunciation" and Anorexia Nervosa * Heather Kirk Thomas

Iconological Characterization in James's The Ambassadors U Robin Hoople

Dickinson's Discontinuous Lyric Self * Margaret Dickie

Views from Above, Views from Below: The Perspecti- val Subtext in Gravity's Rainbow U Kathryn Hume

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"One of the leading journals in American literature." W7lson Library Bulletin

Studies in American Fiction

A journal of articles, notes, and reviews on the prose fiction

of the United States.

Articles forthcoming on: Sheila Ballantyne, Willa Cather, James Fenimore Cooper, Theodore Dreiser, William Faulkner, Nathaniel Hawthorne, Zora Neale Hurston, Henry James, Sarah Orne Jewett, Sinclair Lewis, Herman Melville, Tille Olsen, Sylvia Plath, Mark Twain, Alice Walker, Edith Wharton, Sarah Wood, and others.

Subscrzption rates are: $6.00 for individuals, $10.00 for institutions. Back issues are $5.00 for all subscribers.

Address all correspondence to:

James Nagel, Editor Studies in American Fiction Department of English Northeastern University Boston, Massachusetts 02115

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Now, for the first time, this famous work appears in a selected edition, on a scale

amounting to half the length of the three-vole edition.

AR10- Mr !_

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This fully annotated and comprehensive selection of Tennyson's poetry is an affordable cloth edition of the central body of the work which the Sunsday Telegraph described as "the best edition this century of the best poet of the last century."

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